SANDRA «Discography» (21 × CD • Virgin Schallplatten GmbH • 1985-2012)

SANDRA «Discography» (21 × CD • Virgin Schallplatten GmbH • 1985-2012)

Performer: SANDRA / サンドラ Album / collection: «Discography / ディスコグラフィー» Label / country: ⒸⓅ 1985-2012 Virgin Schallplatten GmbH Source: Rip by KoGGaN™ scans by inet… Official DR value: •13•13•12•12•12• •12•11•11•10/9•7•6•6•8/8•7/7•10/11•12/12• Catalog (Barcode): much… Genre / Style: Pop, Electronic, Synth-pop Year (info): 1985-2012 (21 × First Press CD, Collection—) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of tracks: 273 Total time: 18:58:10 Size RAR: ~ 10,00 Gb
SANDRA «Discography» (21 × CD • Virgin Schallplatten GmbH • 1985-2012)

SANDRA «Discography» (21 × CD • Virgin Schallplatten GmbH • 1985-2012)

Performer: SANDRA / サンドラ Album / collection: «Discography / ディスコグラフィー» Label / country: ⒸⓅ 1985-2012 Virgin Schallplatten GmbH Source: Rip by KoGGaN™ scans by inet… Official DR value: •13•13•12•12•12• •12•11•11•10/9•7•6•6•8/8•7/7•10/11•12/12• Catalog (Barcode): much… Genre / Style: Pop, Electronic, Synth-pop Year (info): 1985-2012 (21 × First Press CD, Collection—) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of tracks: 273 Total time: 18:58:10 Size RAR: ~ 10,00 Gb
28 03, 2024
Rage - Afterlifelines 2024

Rage - Afterlifelines 2024

Исполнитель: Rage Альбом: Afterlifelines Жанр: Power Metal, Heavy Metal, Speed Metal Год: 2024 Страна: Germany (Herne, North Rhine-Westphalia) Лейбл: Steamhammer Формат: FLAC (tracks) Official DR value: DR5 Разрядность: 24bit / 44.1kHz Stereo Размер: 1,05 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Rage - Afterlifelines 2024

Rage - Afterlifelines 2024

Исполнитель: Rage Альбом: Afterlifelines Жанр: Power Metal, Heavy Metal, Speed Metal Год: 2024 Страна: Germany (Herne, North Rhine-Westphalia) Лейбл: Steamhammer Формат: FLAC (tracks) Official DR value: DR5 Разрядность: 24bit / 44.1kHz Stereo Размер: 1,05 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
28 03, 2024
JOURNEY «Discography» (24 × CD • Columbia ⁄ CBS ⁄ Sony Inc. • 1975-2011)

JOURNEY «Discography» (24 × CD • Columbia ⁄ CBS ⁄ Sony Inc. • 1975-2011)

Performer: JOURNEY / ジャーニー Album / collection: «Discography / ディスコグラフィー» Label / country: ⒸⓅ 1975-2011 Columbia / CBS / Sony, Inc. Source: Rip by KoGGaN™ scans by inet… Official DR value: •10•13•11•12•9•8•10•11•13• •12•14•8•13•12•6•12•9•12/11/11•7•7/7•6• Catalog (Barcode): much… Genre / Style: Rock, Classic Rock, Arena Rock, Hard Rock Year (info): 1975-2011 (24 × First Press CD, Collection—) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of tracks: 293 Total time:
JOURNEY «Discography» (24 × CD • Columbia ⁄ CBS ⁄ Sony Inc. • 1975-2011)

JOURNEY «Discography» (24 × CD • Columbia ⁄ CBS ⁄ Sony Inc. • 1975-2011)

Performer: JOURNEY / ジャーニー Album / collection: «Discography / ディスコグラフィー» Label / country: ⒸⓅ 1975-2011 Columbia / CBS / Sony, Inc. Source: Rip by KoGGaN™ scans by inet… Official DR value: •10•13•11•12•9•8•10•11•13• •12•14•8•13•12•6•12•9•12/11/11•7•7/7•6• Catalog (Barcode): much… Genre / Style: Rock, Classic Rock, Arena Rock, Hard Rock Year (info): 1975-2011 (24 × First Press CD, Collection—) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of tracks: 293 Total time:
26 03, 2024
Архивы
Март 2024 (844)
Февраль 2024 (1005)
Январь 2024 (929)
Декабрь 2023 (800)
Ноябрь 2023 (1108)
Октябрь 2023 (935)
full-date Автор: ALLexxess, 12 июня 2011, Комментариев: 9, Просмотров: 3 908

Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records

Lossless Galaxy Release

Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records

Jefferson Airplane ● 2 Box Sets / 8 Albums
Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records


Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA RecordsJefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records
Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA RecordsJefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records


Исполнитель:
Jefferson Airplane
Box Sets:
--------------------------------------------------------------
2008 Original Album Classics (5CD Box Set Sony Music / RCA Records)
Альбомы:
1966 Jefferson Airplane Takes Off1967 Surrealistic Pillow
1967 After Bathing At Baxters1968 Crown Of Creation1969 Bless Its Pointed Little Head
Catalog Box: 88697313862
Catalog CDs:
88697313862CD1 / 88697313862CD2
88697313862CD3 / 88697313862CD4 / 88697313862CD5
Label Code: LC02361

--------------------------------------------------------------
2011 Original Album Classics (3CD Box Set Sony Music / RCA Records)
Альбомы:
1969 Volunteers1971 Bark1972 Long John Silver
Catalog Box: 88697854312
Catalog CDs:
88697854312CD1 / 88697854312CD2 / 88697854312CD3
Label Code: LC00316

--------------------------------------------------------------
Информация:
--------------------------------------------------------------
Sony BMG Music Entertainment / Legacy Recordings / RCA Records
© 2008 Sony BMG Music Entertainment / Originally released 1966, 1967, 1968, 1969, 2003
℗ 2008 Sony BMG Music Entertainment / Manufactured and Distributed by Sony BMG Music Entertainment
Made in the EU

--------------------------------------------------------------
Sony BMG Music Entertainment / Legacy Recordings / RCA Records
© 2011 Sony Music Entertainment / Originally released in 1969, 1971
℗ 1972, 1996, 1998, 2011 Sony Music Entertainment / Distributed by Sony Music Entertainment
Made in the EU

--------------------------------------------------------------
Жанр: Rock / Psychedelic Rock / Folk Rock / Classic Rock
Формат: FLAC / Level 8 (img + *cue + log, AccurateRip)
Качество: lossless
Covers: format PNG 600dpi, full scans
Размер:
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Каждый CD можно скачать отдельно
Each CD can be downloaded separately

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Залито на: FileSonic + Hotfile + Fileserve (3% восстановление)


Диски упакованы в картонные конверты и вложены в коробку. Оформление картонных конвертов соотвествует оригинальному оформлению первых изданий альбомов. Первые 8 альбомов группы в 2 бокс-сетах.

2008 five CD box. The Original Album Classics series, courtesy of Sony/BMG, packages together five classic albums from one of the most popular artists on the label's roster, housing them in an attractive slipcase. This set from the American Classic rockers features the albums Jefferson Airplane Takes Off (1966), Surrealistic Pillow (1967), After Bathing At Baxters (1967), Crown Of Creation (1968) and Bless Its Pointed Little Head (1969).
2011 Original Album Classics - issue UK 3CD set comprising the albums 'Volunteers', 'Bark' & 'Long John Silver'; each CD is presented in a mini LP-style card sleeve, and come housed in a thick card picture slipcase.

Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records


Rip by ALLexxess


hardrockcafe.narod.ru
Наряду с "Grateful Dead", "Jefferson Airplane" расценивается как наиболее успешная группа конца 60-х из Сан-Франциско. Банда была основана в августе 1965-го Марти Бэйлином (Мартин Джерел Бачволд, вокал, гитара). Другими членами первоначального состава были Пол Кантнер (гитара, вокал) и Йорма Кауконен (гитара, вокал). Боб Харви и Джерри Пелоквин уступили место Александру Скипу Спенсу и Сигни Андерсон (Сигни Толи Андерсон). Их в свою очередь сменили Спенсер Драйден (ударные) и Джек Кэсэди. В таком составе группа исполняла смесь фолка и рока, названную впоследствии вест-коаст-рок. Кантнер, уже известная личность в местных фолк-кругах и Бэйлин, бывший член "Town Criers" и совладелец клуба "Matrix", скоро стали очень популярными в местном масштабе, играя на концертах, организованных промоутером Биллом Грэмом. В конечном счете они стали завсегдатаями в клубах "Fillmore Auditorium" и "Carousel Ballroom", находящихся неподалеку от их коммунального дома в районе Haight Ashbury. Вскоре после выхода дебютного диска "Jefferson Airplane Takes Off", имевшего умеренный успех из команды свалил Андерсон, замененный в октябре 1966-го Грейс Слик (вокал). Слик уже была известна с ее прежней группой "Great society" и пожертвовала для "Аэроплана" две песни из ее репертуара - "White Rabbit" и "Somebody To Love". Оба этих трека вошли во второй альбом группы, "Surrealistic Pillow", и оба попали в американский Топ 10. Теперь они достигли классического статуса музыки той эры. Текст "White Rabbit" объединил в себе сказку об Алисе в стране чудес с ЛСД-галлюцинациями. Репутация "Jefferson airplane" была увеличена сильным выступлением на легендарном поп-фестивале в Монтерее в 1967 году. Этот национальный успех закрепился с выходом дисков "After Bathing At Baxters" и "Crown of Creation". На последнем из них чувствовалось разное авторство песен и их различный музыкальный подход. Бэйлинская "If You Feel", кауконенская "Ice Cream Phoenix" и сликовская трагикомическая "Lather" были непохожими друг на друга композициями. Диск также содержал песню друга группы Дэвида Кросби "Triad", которая не попала в альбом "Byrds". Команда поддерживала плотный график и в 1969 году выпустила хорошо сделанный живой альбом "Bless Its Pointed Little Head". В том же году "Jefferson Airplane" появились на знаменитом фестивале в Вудстоке. Позже группа присутствовала на позорном фестивале в Алтамонте, где сволочи из "Ангелов Ада" убили одного зрителя и напали на Бэйлина. Слик и Кантнер теперь стали любовниками и их хипповские идеалы и политические взгляды нашли отражение на "Volunteers". Альбом получился превосходным, однако на нем было заметно снижение роли Бэйлина в группе. К тому же из команды свалил Драйден, а побочный проект Кауконена и Кэсэди "Hot Tuna" отнимал у них все больше времени. В 1970 году к группе присоединился древний скрипач Папа Джон Крич, успевавший, однако, играть и в "Hot tuna". Кантнер выпустил концептуальный альбом "Blows Against The Empire" под вывеской "Paul Kantner And The Jefferson Starship". "Starship" состоял из разных членов "Аэроплана" плюс Джерри Гарсия, Дэвид Кросби, Грэм Нэш, и другие. Этот величественный альбом был номинирован на премию "Hugo Award". Слик, тем временем, родила дочь Чайну, чей портрет украсил обложку альбома Слик и Кантнера "Sunfighter". После выхода сборника "The Worst Of Jefferson Airplane" и ухода Бэйлина, группа выпустила странно запакованный "Bark". Продававшийся в коричневом бумажном пакете, альбом предложил некоторые интересные моменты, особенно песню Слик "Never Argue With A German", исполненную на "немецкоподобном языке", а также композицию нового ударника Джоя Ковингтона "Thunk", звучавшую в духе a cappella 50-х. Этот диск также стал первым релизом "Jefferson Airplane" на их собственном ярлыке "Grunt". За неудачным альбомом "Long John Silver" последовал взрывной концертник "30 Seconds Over Winterland". Он стал последним альбомом группы под вывеской "Jefferson Airplane", хотя чуть позже появилась интересная компиляция, состоящая из ранних синглов и студийных купюр, под названием "Early Flight". Кэсэди и Кауконен застряли в "Hot Tuna", а Слик и Кантнер выпускали дальнейшие альбомы "соло". Название группы потихоньку эволюционировало в "Jefferson Starship", но это уже другая история. Кантнер, Бэйлин и Кэсэди ненадолго воссоединились в "KBC Band" в 1986 году. Название "Jefferson Airplane" было возрождено в 1989-м, когда Слик, Кауконен, Кэсэди, Бэйлин и Кантнер выпустили одноименный альбом. В начале 90-х Кантнер преобразовал "Hot tuna" в "Jefferson Starship", а Слик решила завязать с музыкальным бизнесом.

Allmusic.com / Biography by William Ruhlmann
Jefferson Airplane was the first of the San Francisco psychedelic rock groups of the 1960s to achieve national recognition. Although the Grateful Dead ultimately proved more long-lived and popular, Jefferson Airplane defined the San Francisco sound in the 1960s, with the acid rock guitar playing of Jorma Kaukonen and the soaring twin vocals of Grace Slick and Marty Balin, scoring hit singles and looking out from the covers of national magazines. They epitomized the drug-taking hippie ethos as well as the left-wing, antiwar political movement of their time, and their history was one of controversy along with hit records. Their personal interactions mirrored those times; the group was a collective with shifting alliances, in which leaders emerged and retreated. But for all the turmoil, Jefferson Airplane was remarkably productive between 1965 and 1972. They toured regularly, being the only band to play at all the major '60s rock festivals - Monterey, Woodstock, even Altamont - and they released seven studio albums, five of which went gold, plus two live LPs and a million-selling hits collection that chronicled their eight chart singles. Rather than formally breaking up, they mutated into other configurations, Hot Tuna and Jefferson Starship, and went on to further success in the 1970s and '80s, before reuniting for an album and tour in 1989.

2008 Original Album Classics 5CD Box Set

Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records

1966 Jefferson Airplane Takes Off
Originally released: Dynagroove Recording / RCA Victor US LSP-3584

The ''first'' US pressing of the debut by Jefferson Airplane has three versions, released in both mono and stereo, the first two of which are extremely rare:
1. Six tracks on side A, the sixth being ''Runnin' Round This World''. This contains the original versions of both ''Let Me In'' (with the lyric ''Don't tell me you want money'') and ''Run Around'' (with the lyric ''That sway as you lay under me''). The backcover has no caption ''RE'' in the top right hand corner.
2. Five tracks on side A, ''Runnin' Round This World'' is deleted. Still, the original versions of ''Let Me In'' and ''Run Around'' are included. The backcover does have the ''RE'' caption. The run-out etchings start with TPRS-0171 and TPRS-0172 respectively (stereo) or TPRM-0171 and TPRM-0172 (mono).
3. Five tracks on side A. The re-recorded versions of ''Let Me In'' and ''Run Around'' are included with the offensive lyrics altered. Backcover identical to 2). Run-out etchings start with TPRS-0173 and TPRS-0174 (stereo) or either TPRM-0171 or TPRM-0173 and either TPRM-0172 or TPRM-0174 (embossed nos. do not determine the version of the lyrics).

Allmusic.com / Review by William Ruhlmann
The debut Jefferson Airplane album was dominated by singer Marty Balin, who wrote or co-wrote all the original material and sang most of the lead vocals in his heartbreaking tenor with Paul Kantner and Signe Anderson providing harmonies and backup. (Anderson's lead vocal on "Chauffeur Blues" indicated she was at least the equal of her successor, Grace Slick, as a belter.) The music consisted mostly of folk-rock love songs, the most memorable of which were "It's No Secret" and "Come up the Years." (There was also a striking version of Dino Valente's "Get Together" recorded years before the Youngbloods' hit version.) Jorma Kaukonen already displayed a talent for mixing country, folk, and blues riffs in a rock context, and Jack Casady already had a distinctive bass sound. But the Airplane of Balin-Kantner-Kaukonen-Anderson-Casady-Spence is to be distinguished from the Balin-Kantner-Kaukonen-Casady-Slick-Dryden version of the band that would emerge on record five months later chiefly by Balin's dominance. Later, Grace Slick would become the group's vocal and visual focal point. On Jefferson Airplane Takes Off, the Airplane was Balin's group. (Jefferson Airplane Takes Off was released as RCA 3584 on August 15, 1966. It was reissued as RCA 66797 on January 30, 1996, as a CD that contained both the stereo and mono versions, and that added back the track "Runnin' 'Round This World," which had been deleted from all but initial copies due to the sexual and perceived drug references of the line "The nights I've spent with you have been fantastic trips." But the included version still eliminated the word "trips.")
Covers Box
224MB (1 Part) + 205MB (1 Part)


01 Blues From An Airplane
02 Let Me In
03 Bringing Me Down
04 It's No Secret
05 Tobacco Road
06 Come Up The Year
07 Run Around
08 Let's Get Together
09 Don't Slip Away
10 Chauffeur Blues
11 And I Like It
Bonus Tracks
12 Runnin' Round This World
13 High Flying Bird
14 It's Alright
15 Go To Her (Early Version)
16 Let Me In (Original Uncensored Version)
17 Run Around (Original Uncensored Version)
18 Chauffeur Blues (Alternate Version)
19 And I Like It (Alternate Version) / Blues From An Airplane (Instrumental)

EAC log - AccurateRip


audiochecker / auCDtect


Spectrum / Matrix


Внимание! У Вас нет прав для просмотра скрытого текста.



Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records

1967 Surrealistic Pillow
Originally released: RCA Victor US LSP-3766
Black label with white logo print and silver tracklisting with the RCA Victor wording on top of the label

Allmusic.com / Review by Bruce Eder
The second album by Jefferson Airplane, Surrealistic Pillow was a groundbreaking piece of folk-rock-based psychedelia, and it hit - literally - like a shot heard round the world; where the later efforts from bands like the Grateful Dead, Quicksilver Messenger Service, and especially, the Charlatans, were initially not too much more than cult successes, Surrealistic Pillow rode the pop charts for most of 1967, soaring into that rarefied Top Five region occupied by the likes of the Beatles, the Rolling Stones, and so on, to which few American rock acts apart from the Byrds had been able to lay claim since 1964. And decades later the album still comes off as strong as any of those artists' best work. From the Top Ten singles "White Rabbit" and "Somebody to Love" to the sublime "Embryonic Journey," the sensibilities are fierce, the material manages to be both melodic and complex (and it rocks, too), and the performances, sparked by new member Grace Slick on most of the lead vocals, are inspired, helped along by Jerry Garcia (serving as spiritual and musical advisor and sometimes guitarist). Every song is a perfectly cut diamond, too perfect in the eyes of the bandmembers, who felt that following the direction of producer Rick Jarrard and working within three- and four-minute running times, and delivering carefully sung accompaniments and succinct solos, resulted in a record that didn't represent their real sound. Regardless, they did wonderful things with the music within that framework, and the only pity is that RCA didn't record for official release any of the group's shows from the same era, when this material made up the bulk of their repertory. That way the live versions, with the band's creativity unrestricted, could be compared and contrasted with the record. The songwriting was spread around between Marty Balin, Slick, Paul Kantner, and Jorma Kaukonen, and Slick and Balin (who never had a prettier song than "Today," which he'd actually written for Tony Bennett) shared the vocals; the whole album was resplendent in a happy balance of all of these creative elements, before excessive experimentation (musical and chemical) began affecting the band's ability to do a straightforward song. The group never made a better album, and few artists from the era ever did.
201MB (1 Part) + 186MB (1 Part)

01 She Has Funny Cars
02 Somebody To Love
03 My Best Friend
04 Today
05 Comin' Back To Me
06 3/5 Of A Mile In 10 Seconds
07 D.C.B.A.-25
08 How Do You Feel
09 Embryonic Journey
10 White Rabbit
11 Plastic Fantastic Lover
Bonus Tracks
12 In The Morning
13 J.P.P. Mc Step B. Blues
14 Go To Her
15 Come Back Baby
16 Somebody To Love (Mono Single Version)
17 White Rabbit (Mono Single Version)

EAC log - AccurateRip


audiochecker / auCDtect


Spectrum / Matrix


Внимание! У Вас нет прав для просмотра скрытого текста.



Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records

1967 After Bathing At Baxters
Originally released: RCA Victor US LSO-1511
Released in a fold-out cover with a special inner sleeve. First pressings have a black RCA Victor label with the dog ''Nipper'' at the top.

Allmusic.com / Review by Bruce Eder
The Jefferson Airplane opened 1967 with Surrealistic Pillow and closed it with After Bathing at Baxter's, and what a difference ten months made. Bookending the year that psychedelia emerged in full bloom as a freestanding musical form, After Bathing at Baxter's was among the purest of rock's psychedelic albums, offering few concessions to popular taste and none to the needs of AM radio, which made it nowhere remotely as successful as its predecessor, but it was also a lot more daring. The album also showed a band in a state of ferment, as singer/guitarist Marty Balin largely surrendered much of his creative input in the band he'd founded, and let Paul Kantner and Grace Slick dominate the songwriting and singing on all but one cut ("Young Girl Sunday Blues"). The group had found the preceding album a little too perfect, and not fully representative of the musicians or what they were about, and they were determined to do the music their way on Baxter's; additionally, they'd begun to see how far they could take music (and music could take them) in concert, in terms of capturing variant states of consciousness. Essentially, After Bathing at Baxter's was the group's attempt to create music that captured what the psychedelic experience sounded and felt like to them from the inside; on a psychic level, it was an introverted exercise in music-making and a complete reversal of the extroverted experience in putting together Surrealistic Pillow. Toward that end, they were working "without a net," for although Al Schmitt was the nominal producer, he gave the group the freedom to indulge in any experimentation they chose to attempt, effectively letting them produce themselves. They'd earned the privilege, after two huge hit singles and the Top Five success of the prior album, all of which had constituted RCA's first serious new rock success (and the label's first venture to the music's cutting edge) since Elvis Presley left the Army. The resulting record was startlingly different from their two prior LPs; there were still folk and blues elements present in the music, but these were mostly transmuted into something very far from what any folksinger or bluesman might recognize. Kantner, Jorma Kaukonen, and Jack Casady cranked up their instruments; Spencer Dryden hauled out an array of percussive devices that was at least twice as broad as anything used on the previous album; and everybody ignored the length of what they were writing and recording, or how well they sang, or how cleanly their voices meshed. The group emerged four months later with one of the rawest, most in-your-face records to come out of the psychedelic era, and also a maddeningly uneven record, exciting and challenging in long stretches, yet elsewhere very close to stultifyingly boring, delightful in its most fulfilling moments (which were many), but almost deliberately frustrating in its digressions, and amid all of that, very often beautiful. The album's 11 songs formed five loosely constructed "suites," and it didn't ease listeners into those structures. Opening "The Ballad of You and Me and Pooneil" (a Kantner-authored tribute to Fred Neil) amid a cascading wash of feedback leading to a slashing guitar figure, the band's three singers struggle to meld their voices and keep up. A softer, almost folk-like interlude, highlighted by Slick's upper-register keening, breaks up the beat until the guitar, bass, and drums crash back in, with a bit of piano embellishment. Then listeners get to the real break, an almost subdued interlude on the guitars, and a return to the song at a more frenzied pitch, the guitar part dividing and evolving into ever more brittle components until a crescendo and more feedback leads to "A Small Package of Value Will Come to You, Shortly." This brilliantly comical and clever percussion showcase co-authored by Spencer Dryden and the band's manager, Bill Thompson, is a million miles beyond any drummer's featured number in any popular band of that era, and it leads into Marty Balin's "Young Girl Sunday Blues," the most rhythmically consistent song here and one of a tiny handful of moments that seem to slightly resemble the band's past work. The aforementioned tracks comprise just the first suite, designated "Steetmasse." "The War Is Over" suite opens with "Martha," the album's folk-style interlude, almost a throwback to the group's original sound, except that the listener suddenly finds himself in the midst of a psychedelic delirium, heralded by the dissonant accompaniment and a high-energy fuzztone guitar solo (spinning out sitar-like notes) coming out of nowhere and a speed change that slows the tempo to zero, as though the tape (or time, or the listener's perception of it) were stretching out, and the pounding, exuberant "Wild Tyme," a celebration of seemingly uninhibited joy. "Hymn to the Older Generation" is made up of Kaukonen's "The Last Wall of the Castle," an alternately slashing and chiming guitar pyrotechnic showcase that rivaled anything heard from Jimi Hendrix or the Who that year, and Grace Slick's gorgeous "Rejoyce," a hauntingly beautiful excursion into literary psychedelia, whose James Joyce allusions carry the Lewis Carroll literary allusions of the previous album's "White Rabbit" into startlingly new and wonderful (if discursive) directions and depths. "How Suite It Is" opens with the album's single, the lean, rhythmic "Watch Her Ride," whose pretty harmonies and gently psychedelic lyrics persuaded RCA that this was their best shot at AM airplay and, true to form on an album filled with contradictions, it leads into "Spare Chaynge," the crunching, searing, sometimes dirge-like nine-minute jam by Kaukonen, Dryden, and Casady that wasn't ever going to get on AM radio - ever - and, indeed, might well initially repel any Airplane fan who only knew their hit singles. "Shizoforest Love Suite" closes the album with Slick's "Two Heads," with its vocal acrobatics and stop-and-go beat, and "Won't You Try"/"Saturday Afternoon," the latter Kantner's musical tribute to the first San Francisco "Be-In" (memorialized more conventionally by the Byrds on "Renaissance Fair"); it features many of the more subdued, relaxed, languid moments on the record, divided by a killer fuzz-laden guitar solo.
217MB (1 Part) + 201MB (1 Part)

01 The Ballad Of You & Me & Pooneil
02 A Small Package Of Value Will Come To You, Shortly
03 Young Girl Sunday Blues
04 Martha
05 Wild Tyme
06 The Last Wall Of The Castle
07 Rejoyce
08 Watch Her Ride
09 Spare Chaynge
10 Two Heads
11 Won't You Try / Saturday Afternoon
Bonus Tracks
12 The Ballad Of You & Me & Pooneil (Alternate Version)
13 Martha (Single Version)
14 Two Heads (Alternate Version)
15 Things Are Better In The East (Marty's Accoustic Demo)

EAC log - AccurateRip


audiochecker / auCDtect


Spectrum / Matrix


Внимание! У Вас нет прав для просмотра скрытого текста.



Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records

1968 Crown Of Creation
Originally released: RCA Victor US LSP 4058

Allmusic.com / Review by Bruce Eder
The group's fourth album, appearing ten months following After Bathing at Baxter's, isn't the same kind of leap forward that Baxter's represented from Surrealistic Pillow. Indeed, in many ways, Crown of Creation is a more conservative album stylistically, opening with "Lather," a Grace Slick original that was one of the group's very last forays (and certainly their last prominent one) into a folk idiom. Much of what follows is a lot more based in electric rock, as well as steeped in elements of science fiction (specifically author John Wyndham's book The Chrysalids) in several places, but Crown of Creation was still deliberately more accessible musically than its predecessor, even as the playing became more bold and daring within more traditional song structures. Jack Casady by this time had developed one of the most prominent and distinctive bass sounds in American rock, as identifiable (if not quite as bracing) as John Entwistle's was with the Who, as demonstrated on "In Time," "Star Track," "Share a Little Joke," "If You Feel," (where he's practically a second lead instrument), and the title song, and Jorma Kaukonen's slashing, angular guitar attack was continually surprising as his snaking lead guitar parts wended their way through "Star Track" and "Share a Little Joke." The album also reflected the shifting landscape of West Coast music with its inclusion of "Triad," a David Crosby song that Crosby's own group, the Byrds, had refused to release - its presence (the only extant version of the song for a number of years) was a forerunner of the sound that would later be heard on Crosby's own debut solo album, If I Could Only Remember My Name (on which Slick, Paul Kantner, and Casady would appear). The overall album captured the group's rapidly evolving, very heavy live sound within the confines of some fairly traditional song structures, and left ample room for Slick and Marty Balin to express themselves vocally, with Balin turning in one of his most heartfelt and moving performances on "If You Feel." "Ice Cream Phoenix" pulses with energy and "Greasy Heart" became a concert standard for the group - the studio original of the latter is notable for Slick's most powerful vocal performance since "Somebody to Love." And the album's big finish, "The House at Pooneil Corners," seemed to fire on all cylinders, their amps cranked up to ten (maybe 11 for Casady), and Balin, Slick, and Kantner stretching out on the disjointed yet oddly compelling tune and lyrics. It didn't work 100 percent, but it made for a shattering finish to the album. Crown of Creation has been reissued on CD several times, including a Mobile Fidelity audiophile edition at the start of the '90s, but in 2003, RCA released a remastered edition with four bonus tracks from the same sessions including the mono single mix of "Share a Little Joke," the previously unreleased 8 minute "The Saga of Sydney Spacepig," Spencer Dryden's co-authored "Ribump Ba Bap Dum Dum," which is a spaced-out assembly of noises, effects, and pop-culture catch-phrases, and the more accessible "Would You Like a Snack?," an atonal piece of musical scatology featuring Grace Slick and co-authored by Slick and Frank Zappa.
201MB (1 Part) + 160MB (1 Part)

01 Lather
02 In Time
03 Triad
04 Star Track
05 Share A Little Joke
06 Chushingura
07 If You Feel
08 Crown Of Creation
09 Ice Cream Phoenix
10 Greasy Heart
11 The House At Pooneil Corners
Bonus Tracks
12 Ribumbabap Rubadubaoumoum
13 Would You Like A Snack
14 Share A Little Joke (Mono Single Version)
15 The Saga Of Sydney Spacepig

EAC log - AccurateRip


audiochecker / auCDtect


Spectrum / Matrix


Внимание! У Вас нет прав для просмотра скрытого текста.



Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records

1969 Bless Its Pointed Little Head
Originally released: RCA Victor US LSP-4133

Allmusic.com / Review by William Ruhlmann
Jefferson Airplane's first live album demonstrated the group's development as concert performers, taking a number of songs that had been performed in concise, pop-oriented versions on their early albums - "3/5's of a Mile in 10 Seconds," "Somebody to Love," "It's No Secret," "Plastic Fantastic Lover" - and rendering them in arrangements that were longer, harder rocking, and more densely textured, especially in terms of the guitar and basslines constructed by Jorma Kaukonen and Jack Casady. The group's three-part vocal harmonizing and dueling was on display during such songs as a nearly seven-minute version of Fred Neil's folk-blues standard "The Other Side of This Life," here transformed into a swirling rocker. The album emphasized the talents of Kaukonen and singer Marty Balin over the team of Paul Kantner and Grace Slick, who had tended to dominate recent records: the blues song "Rock Me Baby" was a dry run for Hot Tuna, the band Kaukonen and Casady would form in two years, and Balin turned in powerful vocal performances on several of his own compositions, notably "It's No Secret." Jefferson Airplane was still at its best in concise, driving numbers, rather than in the jams on Donovan's "Fat Angel" (running 7:35) or the group improv "Bear Melt" (11:21); they were just too intense to stretch out comfortably. But Bless Its Pointed Little Head served an important function in the group's discography, demonstrating that their live work had a distinctly different focus and flavor from their studio recordings.
233MB (1 Part) + 225MB (1 Part)

01 Clergy
02 3/5 Of A Mile In 10 Seconds
03 Somebody To Love
04 Fat Angel
05 Rock Me Baby
06 The Other Side Of This Life
07 It's No Secret
08 Plastic Fantastic Lover
09 Turn Out The Lights
10 Bear Melt
Bonus Tracks
11 Today
12 Watch Her Ride
13 Won't You Try

EAC log - AccurateRip


audiochecker / auCDtect


Spectrum / Matrix


Внимание! У Вас нет прав для просмотра скрытого текста.



2011 Original Album Classics 3CD Box Set


Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records

1969 Volunteers
Originally released: RCA Victor US LSP-4238

Allmusic.com / Review by by Jim Newsom
Controversial at the time, delayed because of fights with the record company over lyrical content and the original title (Volunteers of America), Volunteers was a powerful release that neatly closed out and wrapped up the '60s. Here, the Jefferson Airplane presents itself in full revolutionary rhetoric, issuing a call to "tear down the walls" and "get it on together." "We Can Be Together" and "Volunteers" bookend the album, offering musical variations on the same chord progression and lyrical variations on the same theme. Between these politically charged rock anthems, the band offers a mix of words and music that reflect the competing ideals of simplicity and getting "back to the earth," and overthrowing greed and exploitation through political activism, adding a healthy dollop of psychedelic sci-fi for texture. Guitarist Jorma Kaukonen's beautiful arrangement of the traditional "Good Shepherd" is a standout here, and Jerry Garcia's pedal steel guitar gives "The Farm" an appropriately rural feel. The band's version of "Wooden Ships" is much more eerie than that released earlier in the year by Crosby, Stills & Nash. Oblique psychedelia is offered here via Grace Slick's "Hey Frederick" and ecologically tinged "Eskimo Blue Day." Drummer Spencer Dryden gives an inside look at the state of the band in the country singalong "A Song for All Seasons." The musical arrangements here are quite potent. Nicky Hopkins' distinctive piano highlights a number of tracks, and Kaukonen's razor-toned lead guitar is the recording's unifying force, blazing through the mix, giving the album its distinctive sound. Although the political bent of the lyrics may seem dated to some, listening to Volunteers is like opening a time capsule on the end of an era, a time when young people still believed music had the power to change the world.
Covers Box
201MB (2 Part) + 140MB (1 Part)


01 We Can Be Together
02 Good Shepherd
03 The Farm
04 Hey Frederick
05 Turn My Life Down
06 Wooden Ships
07 Eskimo Blue Day
08 A Song For All Seasons
09 Meadowlands
10 Volunteers
Bonus Tracks
11 Good Shepherd (Live)
12 Somebody To Love (Live)
13 Plastic Fantastic Lover (Live)
14 Wooden Ships (Live)
15 Volunteers (Live)

EAC log - AccurateRip


audiochecker / auCDtect


Spectrum / Matrix


Внимание! У Вас нет прав для просмотра скрытого текста.



Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records

1971 Bark
Originally released: RCA Victor / Grunt Records US FTR-1001

Allmusic.com / Review by Richie Unterberger
By the time of Bark, personnel changes had gutted much of the original version of Jefferson Airplane, especially with the departure of Marty Balin. Paul Kantner and Grace Slick remained, but their compositions were growing increasingly ill-focused, and Jorma Kaukonen and new drummer Joey Covington were ill-equipped to pick up the songwriting slack. The result was an album that bore hallmarks of the classic Airplane sound, but lacked any classic Airplane songs. That said, the record isn't as bad as many reviewers have made it out to be. It's just mediocre, with little that sticks in the memory, despite occasional nice moments in cuts like Covington's "Pretty as You Feel" and Kaukonen's delicate "Third Week in the Chelsea."
201MB (1 Part) + 119MB (1 Part)

01 When The Earth Moves Again
02 Feel So Good
03 Crazy Miranda
04 Pretty As You Feel
05 Wild Turkey
06 Law Man
07 Rock And Roll Island
08 Third Week In The Chelsea
09 Never Argue With A German If You're Tired Or European Song
10 Thunk
11 War Movie

EAC log - AccurateRip


audiochecker / auCDtect


Spectrum / Matrix


Внимание! У Вас нет прав для просмотра скрытого текста.



Jefferson Airplane ● Original Album Classics ● 5CD + 3CD Box Set Sony Music / RCA Records

1972 Long John Silver
Originally released: RCA Victor / Grunt Records US FTR-1007

Allmusic.com / Review by Lindsay Planer
The final Jefferson Airplane studio album - if their half-hearted 'reunion' from 1989 isn't (and really shouldn't be) counted - presented yet another alteration in the band's lineup. Not only would Long John Silver (1972) be the second project minus co-founder Marty Balin (vocals), who left after Volunteers (1969), but Joey Covington (drums) also split before the long-player was completed, forming his own combo, the short-lived Black Kangaroo. Covington contributes to a pair of Paul Kantner's (guitar/vocals) better offerings "Twilight Double Leader" and "Story of Jesus," while Hot Tuna kinsman Sammy Piazza (drums) lends a hand to Jorma Kaukonen's (guitar/vocals) whimsical "Trial by Fire." Eventually, Turtles' and Crosby, Stills, Nash & Young percussionist John Barbata (drums) would fill the drummer's stool for the remainder of the Airplane's rapid descent. He would likewise make the transition alongside Kantner, Grace Slick (piano/vocals) and Papa John Creach (violin) into the brave new world of Jefferson Starship. Even more so than on their previous platter, Bark (1971), the material featured on Long John Silver rather blatantly exposes the two disparate factions to have emerged from the once unified Airplane. The Kaukonen/Jack Casady (bass) offshoot - à la Hot Tuna - and Kantner/Slick, whose Blows Against the Empire (1970) from two years earlier clearly pointed to the exceedingly cerebral approach evident on Slick's indistinct "Aerie (Gang of Eagles)" and "Easter?," or the mid-tempo meandering of Kantner's "Alexander the Medium." The edgy, blues-infused rocker "Milk Train" is one of the few standouts on Long John Silver, giving Creach a platform for his ever-adaptable and soaring fiddle. Quite possibly the heaviest selection on the package is the Slick/Kaukonen co-composition "Eat Starch Mom." Appropriately, it concludes the effort on a positive charge with the Airplane hitting on all cylinders before landing the craft (for all intents and purposes) the last time. When the LP hit store shelves in the summer of 1972, it became instantly notorious for the cover that transformed into a cigar (read: stash) box. The inner sleeve went as far as reproducing the image of tightly compressed domestic ganja, replete with sticks, seeds and stems.
201MB (1 Part) + 137MB (1 Part)

01 Long John Silver
02 Aerie (Gang Of Eagles)
03 Twilight Double Leader
04 Milk Train
05 The Son Of Jesus
06 Easter?
07 Trial By Fire
08 Alexander The Medium
09 Eat Starch Mom

EAC log - AccurateRip


audiochecker / auCDtect


Spectrum / Matrix


Внимание! У Вас нет прав для просмотра скрытого текста.
Теги: Jefferson Airplane

Комментарии (9)

Добавить комментарий!

Информация
Посетители, находящиеся в группе Гости, не могут оставлять комментарии к данной публикации.
fafnir960
29 мая 2012 17:35
  • Нравится
  • 0
Большое спасибо и респект за Surrealistic pillow и другие альбомы этой замечательной группы!

leozaurus
17 июня 2011 10:07
  • Нравится
  • 0
Отличные бокс-сеты, спасибо большущее, ALLexxess! К своему стыду, не слушал Джефферсона давным-давно. smiles Займусь ликбезом немедленно.

a_warrior
14 июня 2011 14:30
  • Нравится
  • 0
Цитата: PECHORIN
С детства люблю аиропланы.

Так кто же их не любит?
Первым делом, первым делом самолеты(т.е. эйрпланы)
Ну а девушки?....
А девушки потом don-t_mention derisive


--------------------

PECHORIN
14 июня 2011 13:59
  • Нравится
  • 0
Спасибо. С детства люблю аиропланы. smile


--------------------

vs music
14 июня 2011 13:38
  • Нравится
  • 0
Спасибо за релизы! беру не все -т.к. многое из Аэропланов у меня есть. Великолепная команда.

calconexion
13 июня 2011 01:50
  • Нравится
  • 0
Excellent thank you.

PaWeLLer
13 июня 2011 00:06
  • Нравится
  • 0
Замечательная коллекция. Надеялся, что кто-нибудь выложит хотя бы первый боксет, но оба...???!!!
Примите мою сердечную благодарность. Вы сделали большое дело

gss77
12 июня 2011 15:48
  • Нравится
  • 0
...едет доктор - порошок целебный людям он везет...


--------------------

larisola
12 июня 2011 10:24
  • Нравится
  • 0
Это называется "С Добрым Утром! или Приятного дня!"
"Самолетик" прилетел с "Белым кроликом" и не только!
Радости!
Ну, не бывает Мэтров много!

2009-2024 © Lossless-Galaxy
Все права защищены