GOLD BLUES ◇ FOREVER!!! «Exclusive for Lossless-Galaxy collection» (48 × CD • Remastered • 1947-2017)

GOLD BLUES ◇ FOREVER!!! «Exclusive for Lossless-Galaxy collection» (48 × CD • Remastered • 1947-2017)

Performer: Various Album / collection: «Golden Blues» Label: ⒸⓅ 1947-2017 Chess / MCA / Hip-O Select / Acrobat Music Source: Rip by KoGGaN™ scans by inet… Official DR value: •11/13/14•14/13/13•10/12/12/11/11/12/10/10/11/11/11/12/10/17• •11/11/11/10/10•14/13/12/13/13/13/12/13/12•10/12/10•11/10/11/10•8/9•13/12•13/14/13• Catalog (Barcode): much… Genre / Style: Blues, Chicago Blues, R " alt="">
GOLD BLUES ◇ FOREVER!!! «Exclusive for Lossless-Galaxy collection» (48 × CD • Remastered • 1947-2017)

GOLD BLUES ◇ FOREVER!!! «Exclusive for Lossless-Galaxy collection» (48 × CD • Remastered • 1947-2017)

Performer: Various Album / collection: «Golden Blues» Label: ⒸⓅ 1947-2017 Chess / MCA / Hip-O Select / Acrobat Music Source: Rip by KoGGaN™ scans by inet… Official DR value: •11/13/14•14/13/13•10/12/12/11/11/12/10/10/11/11/11/12/10/17• •11/11/11/10/10•14/13/12/13/13/13/12/13/12•10/12/10•11/10/11/10•8/9•13/12•13/14/13• Catalog (Barcode): much… Genre / Style: Blues, Chicago Blues, R " alt="">
15 04, 2024
DISCO 80's «Exclusive for "lossless-galaxy" Vinyl Collection» (358 × LP • Only Best Albums • 1975-2024)

DISCO 80's «Exclusive for "lossless-galaxy" Vinyl Collection» (358 × LP • Only Best Albums • 1975-2024)

Performer: Various Album / collection: «Disco 70’-80’-90’s» +++++ Series: Original Vinyl LP™ – Label / country: ⒸⓅ 1975-2024 Made in Europe, Japan, USA. Source: Rip by bazar, Dymokust …and many others… > Conversion 32/96kHz by KoGGaN™ Official DR value: •15•13•13•12•13•13•12•12•12•12•13•12•14•13•14•12•13•13•13•13•14• •12•14•13•12•13•14•11•16•12•12•13•13•12•15•13•15•12•12•13•13•13•13•13•13•14•14•12•13•12•
DISCO 80's «Exclusive for "lossless-galaxy" Vinyl Collection» (358 × LP • Only Best Albums • 1975-2024)

DISCO 80's «Exclusive for "lossless-galaxy" Vinyl Collection» (358 × LP • Only Best Albums • 1975-2024)

Performer: Various Album / collection: «Disco 70’-80’-90’s» +++++ Series: Original Vinyl LP™ – Label / country: ⒸⓅ 1975-2024 Made in Europe, Japan, USA. Source: Rip by bazar, Dymokust …and many others… > Conversion 32/96kHz by KoGGaN™ Official DR value: •15•13•13•12•13•13•12•12•12•12•13•12•14•13•14•12•13•13•13•13•14• •12•14•13•12•13•14•11•16•12•12•13•13•12•15•13•15•12•12•13•13•13•13•13•13•14•14•12•13•12•
14 04, 2024
PRETTY MAIDS «Discography» + solo (27 × CD • First Pressing • 1983-2023)

PRETTY MAIDS «Discography» + solo (27 × CD • First Pressing • 1983-2023)

Performer: PRETTY MAIDS / プリティ・メイズ Album / collection: «Discography / ディスコグラフィー» + solo Series: First Pressing CD Series— Label: ⒸⓅ 1983-2023 Epic / CBS / Sony Music Japan Source: Rip by KoGGaN™ scans by inet… Official DR value: •13•12•12•14•12•11•11•9• •11•11•8•12•11•11•11•5•9•11•10•10•10•10•9•8•9•9•10• Catalog (Barcode): much… Genre / Style: Rock, Hard Rock, Heavy Metal, Melodic Metal Year (info): 1983-2023 (27 × First Press + Restored CD, Collection—) Format: WV (image + .cue) Bitrate:
PRETTY MAIDS «Discography» + solo (27 × CD • First Pressing • 1983-2023)

PRETTY MAIDS «Discography» + solo (27 × CD • First Pressing • 1983-2023)

Performer: PRETTY MAIDS / プリティ・メイズ Album / collection: «Discography / ディスコグラフィー» + solo Series: First Pressing CD Series— Label: ⒸⓅ 1983-2023 Epic / CBS / Sony Music Japan Source: Rip by KoGGaN™ scans by inet… Official DR value: •13•12•12•14•12•11•11•9• •11•11•8•12•11•11•11•5•9•11•10•10•10•10•9•8•9•9•10• Catalog (Barcode): much… Genre / Style: Rock, Hard Rock, Heavy Metal, Melodic Metal Year (info): 1983-2023 (27 × First Press + Restored CD, Collection—) Format: WV (image + .cue) Bitrate:
11 04, 2024
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full-date Автор: ALLexxess, 10 ноября 2011, Комментариев: 5, Просмотров: 5 298

Quintessence: 5 Albums 1969-1972 ● After Quintessence: The Complete Kala Recordings 1973 ● Shiva's Quintessence 2011

Lossless Galaxy Release


Quintessence: 5 Albums 1969-1972
After Quintessence: The Complete Kala Recordings 1973
Shiva's Quintessence: Only Love Can Save Us 2011


Quintessence: 5 Albums 1969-1972 ● After Quintessence: The Complete Kala Recordings 1973 ● Shiva's Quintessence 2011


Performer:
Quintessence / Kala / Shiva's Quintessence
Albums:
-------------- ☆☆☆☆☆☆☆☆☆☆☆ --------------
1969 In Blissful Company
Repertoire Records UK 2004 / REPUK 1009

CD / Digipack / Reissue / Remastered
℗ 1969/1970 Island Records • © 2004 Island Records / Rerpertoire Records (UK) Ltd.

-------------- ☆☆☆☆☆☆☆☆☆☆☆ --------------
1970 Quintessence
Repertoire Records UK 2004 / REPUK 1016

CD / Digipack / Reissue / Remastered
℗ 1970 Island Records • © 2004 Island Records / Rerpertoire Records (UK) Ltd.

-------------- ☆☆☆☆☆☆☆☆☆☆☆ --------------
1971 Dive Deep
Repertoire Records UK 2004 / REPUK 1063

CD / Digipack / Reissue / Remastered
℗ 1971 Island Records • © 2004 Island Records / Rerpertoire Records (UK) Ltd.

-------------- ☆☆☆☆☆☆☆☆☆☆☆ --------------
1972 Self
Esoteric Records EU 2008 / ECLEC2076

℗ 1972 & 1971 Sony BMG Music • © 2008 Cherry Red Records / Esoteric Records
-------------- ☆☆☆☆☆☆☆☆☆☆☆ --------------
1972 Indweller
Esoteric Records EU 2008 / ECLEC2089

℗ 1972 Sony BMG Music • © 2008 Cherry Red Records / Esoteric Records
-------------- ☆☆☆☆☆☆☆☆☆☆☆ --------------
2010 After Quintessence: The Complete Kala Recordings 1973
Hux Records / HUX115

℗ & © 2010 Hux Records / Made in EU
-------------- ☆☆☆☆☆☆☆☆☆☆☆ --------------
2011 Only Love Can Save Us
Hux Records / HUX121

℗ & © 2011 Hux Records / Made in EU
-------------- ☆☆☆☆☆☆☆☆☆☆☆ --------------
Dynamic Range: 7 / 7 / 7 / 9 / 12 / 12 / 9
Genre / Style: Rock / Psychedelic Rock / Progressive Rock / Raga Rock
Released Year: 2004/2008
Format: FLAC / Level 8 (img + *cue + log, AccurateRip)
BitRate: lossless
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ru.wikipedia.org
Quintessence - британская рок-группа, образованная в апреле 1969 года в Ноттинг-хилле, Лондон, Англия, и исполнявшая прогрессивный рок с элементами джаза и индийской народной музыки. Всех участников ансамxxx, включая основателей, Шиву Шанкара Джонса (клавишные, вокал) и Раджа Рама (флейта, скрипка, перкуссия), помимо интереса к индийской культуре объединяла и принадлежность к индуизму.
Quintessence были замечены на фестивале Implosion, после которого немедленно получили контракт с Island Records и выпустили концептуальный дебютный альбом In Blissful Company. Синглом из него вышел «Notting Hill Gate», трибьют лондонскому сообществу хиппи, с которым группа была тесно связана. Коммерческий пик Quintessence ознаменовал второй (именной) альбом, поднявшийся до #22 в UK Albums Chart. В 1970-1971 годах группа выступила на Glastonbury Fayre (дважды), а также на джазовом фестивале в Монтрё. 18 сентября 1971 года вместе с The Who, Mott the Hoople, Lindisfarne, Atomic Rooster, The Grease Band и America Quintessence сыграли на благотворительном фестивале для Бангладеш в кенсингтонском зале The Oval. Перейдя на Neon Records (британский импринт RCA, занимавшийся исключительно прог-роком), Quintessence выпустили альбом Self (1972, UK #50), после чего Джонс покинул состав, перейдя в Kala, и группа распалась. Позже Джейк Милтон образовал с братом Тедом группу Blurt, Маха Дев записал сольный альбом. Раджа Рам в 1990-х годах занялся созданием электронной музыки; является одним из двух основателей и участников Shpongle.


Allmusic / Biography by Bruce Eder
Quintessence was among the first true progressive rock outfits signed by Island Records. Led by Australian-born Shiva Shankar Jones (keyboards, vocals) and Raja Ram (flute, violin, percussion), the group also included Alan Mostert (lead guitar), Sambhu Babaji (bass), Maha Dev (guitar), and Jake Milton (drums), all of whom, in addition to a common interest in Indian music, also shared the Hindu faith. The group's roots lay in the hippie community in the Notting Hill area, which was to London roughly what Haight-Ashbury was to San Francisco. Their breakthrough performance took place at a festival called Implosion, where they put on a good enough show to get noticed by Island Records, which signed them and got their debut LP, an elaborately packaged concept album entitled In Blissful Company, out before the end of the year. Its mix of rock, jazz, and Indian elements was popular enough at the time with their core audience, especially one track entitled "Notting Hill Gate," a tribute to the hippie community, which found a slightly wider audience; the band subsequently recut the song in a more pop-oriented rendition as a single. The group had a strong reputation from their live work, and their early recordings seemed to build from this base. Quintessence's career reached its commercial peak with their self-titled second album, which got to number 22 on the U.K. charts. They did one more album for Island and then jumped to RCA's new British progressive rock Neon imprint for two LPs in the early '70s. Jones departed soon after the release of the group's second album for the new label, and they split up not long after that. In 1973, Jones became part of the big-band progressive outfit Kala, which recorded one album for the Bradley's label, and in subsequent decades he restarted his own version of Quintessence.

Rip by ALLexxess


Quintessence: 5 Albums 1969-1972 ● After Quintessence: The Complete Kala Recordings 1973 ● Shiva's Quintessence 2011

1969 In Blissful Company
Original Release:
Tracks 1 to 8 originally released as (UK) Island ILPS 9100 in 1969
Tracks 9 & 10 originally released as single (UK) Island WIP 6075, ℗ 1970

Allmusic / Review by Chris Nickson
While it's easy to dismiss Quintessence's first album, In Blissful Company, as hippie-dippy nonsense, that would be throwing the baby out with the bath water. Granted, there are several moments when the mix of jazz-rock and Indian influence go well over the top, as on "Ganaga Mai," and no one is going to mistake these guys for, say, Shakti. But they were still far ahead of their time, if you consider this from more of a world music perspective. And there's pleasure to be had from "Notting Hill" (in both versions - the CD appends the very different single version, plus the non-album B-side, "Move Into the Light"). There's no doubt they believed in what they were doing, and lead guitarist Alan Mostert does add some stirring lines into the mix under Raja Ram's vocals and flute. It's certainly pleasant, progressive in its own way, and while there's a certain sloppiness and muddiness to much of the playing (in best hippie fashion), that actually adds to its appeal in a perverse way. They did develop over the course of four more albums, but never became a major attraction, and in some regards this remains a high point.
201MB (1 Part) + 125MB (1 Part)

01 Giants
02 Manco Capac
03 Body
04 Gange Mai
05 Chant
06 Pearl And Bird
07 Notting Hill Gate
08 Midnight Mode
Bonus Tracks
09 Notting Hill Gate (Single Version)
10 Move Into The Light

Tracks 09/10 Recorded in Mono

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Quintessence: 5 Albums 1969-1972 ● After Quintessence: The Complete Kala Recordings 1973 ● Shiva's Quintessence 2011

1970 Quintessence
Original Release:
Tracks 1 to 11 originally released in 1970 (Album "Quintessence" by Quintessence, catalog# ILPS 9128)
Track 12, not present in original album, is a bonus track from 1970's compilation "Bumpers" by various artists, catalog# IDP 1

Allmusic / Review by Richie Unterberger
While Quintessence's second album had a guileless sincerity to its spiritual striving that was uncommon in pop music, it's very much a relic of its hippie age. The good points? An uncalculated, genuine wish to both reflect the era's ideals and to use its music as a tool to achieve them, as well as a willingness to blend aspects of jazz, Indian music, and religious invocation into an overall psychedelic-progressive rock structure (complete with flute and some acid rock guitar). The bad points? An absence of conventional songwriting chops, exacerbated by the band's tendency to ramble on in formless jam-like passages, though actually none of the tracks here exceed six minutes. Certainly it's eclectic, with a commune-like vibe permeating the proceedings, though the recording's quite professional. "Jesus, Buddha, Moses, Gauranga" sounds rather akin to the We're Only in It for the Money-era Mothers of Invention, though minus any hint of satire or irony in the over-the-top beatific lyrics. Overall, though, it feels a little like listening to the house rock band of a pan-religious cult that doesn't have anything of particular value to sell. The 2004 CD reissue on Repertoire adds a live version of "Jesus, Buddha, Moses, Gauranga" (originally released on the first pressing of the 1970 Island compilation Bumpers) as a bonus track.
228MB (1 Part) + 223MB (1 Part)

01 Jesus, Buddha, Moses, Gauranga
02 Sea Of Immortality
03 High On Mt. Kailash (Excerpt From Opera)
04 Burning Bush (Live)
05 Shiva's Chant
06 Primus
07 Twilight Zones
08 Maha Mantra
09 Only Love
10 St. Pancras (Live)
11 Infinitum
Bonus Track
12 Jesus, Buddha, Moses, Gauranga (Live Version)

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Quintessence: 5 Albums 1969-1972 ● After Quintessence: The Complete Kala Recordings 1973 ● Shiva's Quintessence 2011

1971 Dive Deep
Original Release: Island UK ILPS 9143

Allmusic / Review by Sharon Mawer
In the early '70s, progressive rock was heading in several different directions. There was the ultra-classical influenced Emerson, Lake & Palmer which ultimately ended in overblown performances that became too complicated for the casual pop or rock fan to enjoy, there were the bands that became heavier and more song-orientated like Deep Purple, and then there were the bands that had religion at their heart, mainly Eastern religions, the Incredible String Band and Quintessence fell into this latter category with all its members devotees of the Hindu faith, unusual at the time for Westerners. Dive Deep, Quintessence's third album, was effectively more of what had come before, with long instrumental passages, sometimes with definable themes and sometimes sounding as if the band had instructions to jam and see what happened. Not afraid to stretch their songs to around the ten-minute mark, there were only six tracks - of which "Epitaph for Tomorrow" had a guitar solo running through it and which could be described as the forerunner of Tubular Bells -- and the final track, "Sri Ram Chant," made liberal use of the sitar, Raja Ram's flute, Indian rhythms throughout, and a mantra mentioning Krishna at every opportunity. Much simpler was the title track, "Dive Deep," which opened the album and owed more to '60s folk than prog or religious rock. This led into the 11-minute track "Dance for the One" with a six-minute intro of meandering flute, never once managing a recognizable tune. Quintessence never made it into the big league, and this was not totally surprising based on the evidence of Dive Deep, which was their final album for Island before trying their luck on the newly founded Neon label (part of the RCA group and home to what RCA hoped what be their progressive equivalent of Harvest, Vertigo or Deram). Apart from one further week at number 50 in the charts with the album Self, Quintessence never really happened and the internal arguments that led the group to split increased.
201MB (1 Part) + 155MB (1 Part)

01 Dive Deep
02 Dance For The One
03 Brahman
04 The Seer
05 Epitaph For Tomorrow
06 Sri Ram Chant

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Quintessence: 5 Albums 1969-1972 ● After Quintessence: The Complete Kala Recordings 1973 ● Shiva's Quintessence 2011

1972 Self
Original Release:
UK RCA Victor SF8273
Tracks 01-08 ℗ 1972 Sony BMG Music Entertainment Ltd.
Tracks 09-10 ℗ 1971 Sony BMG Music Entertainment Ltd.

Allmusic / Review by Dave Thompson
By 1972, the magical aura that once surrounded Quintessence had long since dissipated, just as the band itself had shed much of the evocative panache that characterized their greatest moments. One more album on the unfamiliar pastures of RCA was not going to correct their decline, but Self emerged a delight regardless, chiefly courtesy of the live second side that caught the band in full flight at Exeter University. Despite being just two songs long ("Freedom" and "Water Goddess"), the performance rolls back the years so effectively that the faintly workaday weight of side one is barely even relevant to the album's glory. There, of course, the band's customary blending of Indian mantra and jazzy heartbeats is as eclectic as ever, and the only downside is that the group has not really moved on from its original vision.
201MB (1 Part) + 144MB (1 Part)

01 Cosmic Surfer
02 Wonders Of The Universe
03 Vishnu-Narain
04 Hallelujad
05 Celestial Procession
06 Self
07 Freedom
08 Water Goddess
Bonus Tracks
09 You Never Stay The Same
10 Sweet Jesus

The release includes *cue with ISRC

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Quintessence: 5 Albums 1969-1972 ● After Quintessence: The Complete Kala Recordings 1973 ● Shiva's Quintessence 2011

1972 Indweller
Original Release: UK RCA Victor SF8317

cherryred.co.uk
Esoteric Recordings add to their recent reissue of Quintessence's first album for RCA Records with this, their final vinyl outing from 1972. Hailing from the heart of London's 'alternative underground' society in Notting Hill, Quintessence were inspired by Eastern philosophy and spiritual teachings creating a unique fusion of Psychedelia, Jazz and Ethnic Rock. 'Indweller' saw them continue their musical explorations in this vein, creating a classic of the Progressive / Acid Rock genre. The Esoteric re-mastered edition was produced from the original analogue master tapes and features a booklet with liner notes and new essay.
261MB

01 Jesus My Life
02 Butterfly Music
03 It's All The Same
04 Indweller
05 Holy Roller
06 Portable Realm
07 Sai Baba
08 On The Other Side Of The Wall
09 Dedication
10 Bliss Trip
11 Mother Of The Universe

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Quintessence: 5 Albums 1969-1972 ● After Quintessence: The Complete Kala Recordings 1973 ● Shiva's Quintessence 2011

After Quintessence: The Complete Kala Recordings 1973
Original Release:
Tracks 01-08 from the 1973 LP Kala
Tracks 09-10 from the 1973 LP Bradley's Roadsbow: Live At The Marquee
Tracks 11-12 Live in 1973 (previously unreleased)
Tracks 13-14 feature new vocals from Phil 'Shiva' Jones (previously unreleased)

huxrecords.com
Digitally remastered collection of tracks from this '70's band formed by former members of Quintessence (vocalist Phil 'Shiva' Jones and guitarist Dave 'Maha Dev' Codling). Featuring two previously unreleased live tracks and two brand new vocal takes, this CD debut of Kala's complete works has been compiled with the full co-operation of Phil and Dave. In June this year, Shiva and Dave's reformed Quintessence will be performing at the 40th Glastonbury Festival - 40 years after storming the very first.
201MB (2 Part) + 119MB (1 Part)

01 Travelling Home
02 Sun
03 Thirsty Generation
04 Pearl
05 Meditations
06 Still Got Time
07 Hallelujah
08 Honey Of Love
09 Come On Around To My House
10 Before You Leave
11 Going Down Slow
12 Honey Of Love
13 Meditations (2010 Mix)
14 Still Got Time (2010 Mix)

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Quintessence: 5 Albums 1969-1972 ● After Quintessence: The Complete Kala Recordings 1973 ● Shiva's Quintessence 2011


2011 Only Love Can Save Us
201MB (2 Part) + MB (1 Part)

01 Only Love Can Save Us / Mother Of Love Chant
02 Sun
03 Notting Hill Gate / Magic Carpet Ride
04 Jesus Buddha Moses Gauranga
05 Parvati Devi
06 Hallelujad
07 Cosmic Surfer
08 Giants
09 Reptillian Corporate Sign Language
10 New Age Breadhead
11 Dolphin Dreaming
12 But What Am I?

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VASUDAM
22 ноября 2011 16:47
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На мой взгляд последние два альбома не дотягивают до первых

marastha951
14 ноября 2011 20:56
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Thanks a million.

marastha951
11 ноября 2011 19:44
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Thank you!

ALLexxess
11 ноября 2011 15:56
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PECHORIN, кака така ХАРЯ dontknow


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PECHORIN
11 ноября 2011 15:48
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Харе Кришна Харе Кришна
Кришна Кришна Харе Харе
Харе Рама Харе Рама
Рама Рама Харе Харе smile


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