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John Scofield - 5 Original Albums (1990-95) (Box Set, 5CD 2018)

Зарубежная музыка / Jazz Blues Soul

Автор: sirk18 октября 2021Комментарии (0)

Artist: John Scofield
Title Of Album 5 Original Albums
Year Of Release: 1990-95/2018
Label (Catalog#) : Blue Note [06007 5376987]
Country: USA
Genre: Jazz, Post Bop, Soul Jazz, Fusion
Quality: FLAC (tracks + cue,log)
Bitrate: Lossless
Total Time: 05:19:31
Total Size: 1.80Gb
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Arthur Brown - Crazy World of Arthur Brown [1968] [Deluxe Edition] (2010) 2CD

Rock / Progressive & Art-Rock

Автор: sirk18 октября 2021Комментарии (0)

Artist: Arthur Brown
Title Of Album: Crazy World of Arthur Brown
Year Of Release: [1968] 2010
Label (Catalog#) :Esoteric[ECLEC 22178]
Country: UK
Genre: Rock, Psychedelic Rock
Quality: FLAC (image + .cue,log,scans)
Bitrate: Lossless
Time: 01:22:08
Full Size: 407mb(+3%)
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The Scorpions - Hello Josephine, The Complete Collection (1965-66) (1998) 2CD

Rock / Pop-Rock & Soft Rock

Автор: sirk18 октября 2021Комментарии (0)

Artist The Scorpions
Title Of Album Hello Josephine, The Complete Collection
Year Of Release: 1965-66/1998
Label (Catalog#) Hunter Entertainment [HRD 13602]
Country: UK
Genre Pop Rock, Beat
Quality: FLAC (*tracks+cue,log)
Bitrate: Lossless
Time: 01:57:32
Full Size: 730MB
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Blackkout - Ignorance Of Man (1989)

Зарубежная музыка / Heavy, Traditional, Industrial Metal

Автор: LeddZepp18 октября 2021Комментарии (0)

Year: May 31, 1989 (CD 2010)
Label: Arkeyn Steel Records (Greece), ASR CD-016
Style: Heavy Metal, Progressive Metal, Power Metal
Country: St. Petersburg, Florida, U.S.
Time: 76:42
Format: Flac Tracks 16/44,1 kHz
Size: 536 Mb

Группа из Санкт-Петербурга, но не российского, а того, что в Калифорнии (Ю Эс Эй). Так же не стоит путать с группой с похожим названием Blackout из Уэльса (ГрейтБритн).
Этот альбом был спродюссирован и выпущен в 1989 году только на кассете на деньги самих участников группы. В 2010 году Arkeyn Steel Records сделали ремастеринг и выпустили его на компакт-диске с двумя бонус-треками, взятыми из сингла 1985 года.
Arkeyn Steel Records фирма выпустившая коипакт-диск - греческая. Специализируется на переиздании американских групп, играющих в стиле Underground/Steel/Heavy/Power/Speed and Progressive Metal.

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Paul Revere And The Raiders - The Essential Ride '63-'67 (1995)

Зарубежная музыка / Rock

Автор: LeddZepp18 октября 2021Комментарии (0)

Paul Revere And The Raiders - The Essential Ride '63-'67 (1995)

Year: 1963-1967 (CD 1995)
Label: Columbia Records (Europe), COL 480954 2
Style: Oldies, Rock, Pop Rock
Country: Idaho, U.S. (1958–1976, 1978–2014)
Time: 59:35
Format: Flac Tracks 16/44,1 kHz
Size: 337 Mb

Paul Revere & the Raiders — американская рок-группа, образованная певцом и автором песен Полом Ревиром в Айдахо в 1958 году (согласно другим источникам — в Портленде, Орегон, в 1960 году) и в период с 1966 по 1969 годы по общему числу проданных пластинок уступавшая лишь The Beatles и Rolling Stones. Такие хиты Paul Revere & the Raiders, как "Steppin' Out", "Just Like Me", "Hungry", "Him or Me-What’s It Gonna Be", "Kicks" впоследствии высоко оценивались историками современной музыки как образцы, чистого, непретенциозного рок-н-ролла, заостренностью звучания и общим настроем во многом предвосхитившие первые образцы прото-панк-рока.

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Delaney & Bonnie And Friends - D&B Together (1972) (2003)

Rock / Pop-Rock & Soft Rock / Jazz Blues Soul / Folk, Country, Ethnic

Автор: sirk18 октября 2021Комментарии (0)

Artist: Delaney & Bonnie And Friends
Title Of Album D&B Together
Year Of Release: 1972/2003
Label (Catalog#) :Columbia/Legacy [CK 85743]
Country:USA
Genre: Blues, Rock, Country, Soul, Pop
Quality: Ape (image + cue,scans)
Bitrate: Lossless
Total Time: 00:59:25
Total Size: 354mb(+3%)
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John Ussery - Ussery (1973) (Remastered, 2013)

Rock / Hard Rock

Автор: sirk18 октября 2021Комментарии (0)

Artist: John Ussery
Title Of Album: Ussery
Year Of Release: 1973/2013
Label (Catalog#) : O-music OM71049]
Country:: USA
Genre: Psych Hard Blues Rock
Quality: FLAC (image + cue,log)
Bitrate: Lossless
Time: 00:37:00
Full Size 235mb(+3%)(covers)
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Deep Purple: 2 Albums - Blu-spec CD 2 Sony Music Japan 2013

Lossless Galaxy Release / Rock / Hard Rock

Автор: ALLexxess18 октября 2021Комментарии (8)

Lossless Galaxy Release

Deep Purple: 2 Albums
Blu-spec CD 2 Sony Music Japan 2013

Performer:
Deep Purple
Albums:
1993 The Battle Rages On... ● 1994 Come Hell Or High Water
(BSCD2 Sony Music Japan 2013)
Info:
RCA / Legacy Recordings / Sony Music Japan
Jewel Case / Blu-spec CD2
Catalog CDs: SICP-30386/87
Made in Japan
Dynamic Range: 6 / 7
Genre / Style: Rock / Hard Rock
Released Year:
Format: FLAC / Level 8 (img + *cue / *cue with ISRC + EAC log, AccurateRip)
Covers: format PNG 600dpi/300dpi (booklets), full scans
Size:
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Каждый альбом можно скачать отдельно
Each album can be downloaded separately
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Upload: Deep Purple: 2 Albums - Blu-spec CD 2 Sony Music Japan 2013

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Eclipse - Wired 2021

Hard Rock / Hi-Res / DVD-Audio / DTS

Автор: petruha18 октября 2021Комментарии (0)

Исполнитель: Eclipse
Альбом: Wired
Жанр: Melodic Hard Rock
Год: 2021
Страна: Sweden
Лейбл: Frontiers Records s.r.l.
Формат: FLAC (tracks)
Official DR value: DR7
Разрядность: 24bit / 44.1kHz Stereo
Размер: 494 MB
Залито на: Eclipse - Wired 2021

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The Beatles - Let It Be (50th Anniversary, Super Deluxe) (1970) 2021

Rock / Hi-Res / DVD-Audio / DTS

Автор: petruha18 октября 2021Комментарии (1)

The Beatles - Let It Be (50th Anniversary, Super Deluxe) (1970) 2021

Исполнитель: The Beatles
Альбом: Let It Be (50th Anniversary, Super Deluxe)
Жанр: Rock
Год: (1970) 2021
Страна: UK
Лейбл: UMC (Universal Music Catalogue)
Формат: FLAC (tracks)
Official DR value: DR9,10,10,10,9
Разрядность: 24bit / 96kHz Stereo
Размер: 3,23 GB
Залито на: The Beatles - Let It Be (50th Anniversary, Super Deluxe) (1970) 2021

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By 1969 the Beatles' universe had become terminally messy: tensions between the four members were at an all-time high and the band was coming apart. As this collection's producer Giles Martin (son of the band's producer and confidante George Martin) says in the liner notes, by that time the foursome had become "a bit like a married couple trying to go on dates again." The personal struggles and financial tangles they'd been through as a band had done its damage and the magic was ebbing away. In an effort to get the foursome back to what it felt like to perform live—and perhaps foster a return of their famous camaraderie—Paul McCartney came up with the idea of filming the band playing an entirely new batch of songs. Launched at Twickenham Film Studios, the production soon moved to the band's own home studio in the basement of the Apple Corps headquarters on Savile Row. The group even reconvened on the building's rooftop for an impromptu concert that was filmed and recorded but also stopped after less than an hour by the police due to noise complaints. The resulting album, Get Back, with Glyn Johns as engineer and co-producer, was eventually shelved in favor of Abbey Road (released in September 1969). In 1970, after Lennon had officially left the band, the remaining trio finished the album, now known as Let It Be, switching out takes, dropping several songs and resequencing it with help from Phil Spector who overdubbed his usual grandiose orchestral arrangements onto four tracks. (In 2003 McCartney's dissatisfaction with Spector's additions—particularly on his tune "The Long and Winding Road"—led to a stripped-down version of the album closer to John's original concept, called Let It Be…Naked.) Now the Giles Martin-led Beatles reissue program which began in 2017 with Sgt. Pepper's Lonely Hearts Band has finally reached Let It Be and the results are once again rewarding for Beatles fans and newcomers alike.

The five volumes are yet another tantalizing glimpse into the band's storied creative process. Although the reception for the album was largely mixed on release—some reviewers savaged it—the songs in retrospect are nothing short of amazing; this is by no means bottom-of-the-barrel Beatles. Tunes like "Get Back," "Let It Be," and "The Long and Winding Road" are as good as anything the band ever wrote or recorded. The first volume here contains the original album in a fresh 96 kHz/24-bit remix that like the other Giles Martin-directed mixes is sharper and brighter than the original but not fundamentally different. The biggest aural change has Ringo Starr's drums brought up and forward in the mix, like in the previous reissues in the series. Perhaps most important about this edition of Let It Be is that after years of being bootlegged, Glyn Johns' 1969 Get Back mix has finally been officially released in improved sound and can now be fairly compared to the 1970 version. Deliberately jumbled, with lots of studio patter left in, and meant to be a window into the band's loose, humorous way of making music (or what they hoped to project as such), it still feels sloppy and unfinished, which may be why The Beatles—who waffled throughout the process and initially wanted that ambiance—rejected it in en masse. Johns' mix opens with "One After 909" (written by Paul and John as teenagers) and then proceeds through looser versions of "Don't Let Me Down" (with fabulous accompaniment from keyboardist Billy Preston) "Dig A Pony," and "I've Got a Feeling" with Lennon adding his usual silly, sardonic asides throughout. George Harrison's "For You Blue" opens with the sound of ice cubes swirling in a drink. McCartney's much maligned "Teddy Boy," which didn't make the final cut of Let It Be but became part of McCartney's first solo album, is heard here with Lennon's famous mocking "Do-Si-Do" background comment left intact.

Volume two features an exuberant rave up of "Maggie Mae" and "Fancy My Chances with You"—a tune John and Paul wrote together in 1958. The overall vibe in these sessions is not nearly as hostile as history would have it as evidenced by a take of "Let It Be" mashed up with "Please Please Me." A jammy take of "One After 909" is good fun, take 19 of "Get Back" features Paul laughing in rhythm with the tune, and George's instrumental jam up of "Wake Up Little Susie" which transitions into his song, "I Me Mine" with a blues break in the middle is a wonderful reminder of his essential but often forgotten part of the group.

Early versions of tunes that were soon to appear on Abbey Road or the member's subsequent solo albums are featured on the third volume. A rehearsal shows George's "All Things Must Pass," the title track of his debut solo album, beginning to take shape. A slow take of "She Came in Through the Bathroom Window," that mixes music with studio patter shows them working through an arrangement. Ringo, who is rarely heard, appears in an early piano-and-voice version of "Octopus's Garden" where teacups can be heard clanking in their saucers. In a jam of "Oh! Darling" Paul speaks a verse before he and Lennon go back to raggedly harmonizing, while Preston adds his spot-on, amazingly instinctual keyboard flourishes. In the same song, John announces that Yoko's divorce has gone through. Preston sings a version of "Without a Song," a tune he'd later release on his 1971 album I Wrote a Simple Song. The passionate unreleased 1970 Glyn Johns mix of "Across the Universe" on volume five is a reminder of the utterly unique pop universe that The Beatles had created. That's further confirmed in the same collection by a sparkling new mix of the single version of "Let It Be." Yet another entry—the last?—in Giles Martin's illuminating efforts to expand on the legacy, the new Let It Be provides deeper insight into the essential question around the Fab Four: How the hell did they do it?
© Robert Baird/Qobuz

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