Исполнитель: Brian Eno & Jah Wobble
Альбом: Spinner
Год выпуска: 1995
Лейбл: All Saints
Каталоговый №: ASCD23
Жанр: Experimental Ambient
Формат: FLAC [image|log|cue|artwork]
Размер: 320 MB
Треклист:
01.Where We Lived (3:00)
02.Like Organza (2:45)
03.Steam (3:17)
04.Garden Recalled (3:22)
05.Marine Radio (5:06)
06.Unusual Balance (5:23)
07.Space Diary (1:52)
08.Spinner (2:54)
09.Transmitter and Trumpet (8:42)
10.Left Where it Fell (20:42)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 29. August 2009, 22:00
Brian Eno and Jah Wobble / Spinner
Used drive : PIONEER DVD-RW DVR-108 Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 3:00.13 | 32 | 13544
2 | 3:00.45 | 2:44.55 | 13545 | 25899
3 | 5:45.25 | 3:16.55 | 25900 | 40654
4 | 9:02.05 | 3:21.65 | 40655 | 55794
5 | 12:23.70 | 5:06.12 | 55795 | 78756
6 | 17:30.07 | 5:23.18 | 78757 | 102999
7 | 22:53.25 | 1:51.72 | 103000 | 111396
8 | 24:45.22 | 2:54.18 | 111397 | 124464
9 | 27:39.40 | 8:41.50 | 124465 | 163589
10 | 36:21.15 | 20:41.67 | 163590 | 256731
Range status and errors
Selected range
Filename C:\Temporary\EAC\Brian Eno and Jah Wobble - Spinner.wav
Peak level 100.0 %
Range quality 100.0 %
Test CRC E5E449E8
Copy CRC E5E449E8
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 10) [E806DA3A]
Track 2 accurately ripped (confidence 10) [FDFF2132]
Track 3 accurately ripped (confidence 10) [0E6768ED]
Track 4 accurately ripped (confidence 10) [7CF8EA2A]
Track 5 accurately ripped (confidence 10) [88411BFC]
Track 6 accurately ripped (confidence 10) [9B27ECEA]
Track 7 accurately ripped (confidence 10) [0BBE213F]
Track 8 accurately ripped (confidence 10) [91C48C16]
Track 9 accurately ripped (confidence 10) [0127FF5E]
Track 10 accurately ripped (confidence 8) [2F07F95F]
All tracks accurately ripped
End of status report
Brian Eno's icy ohms and Jah Wobble's din collide on Spinner. It's not a collaborative effort in the traditional sense; rather, Eno shipped off tracks from an aborted soundtrack to the ex-Public Image Ltd. bassist, who in turn mucked about with some of the tracks and left others unmolested. The end result is interesting: ten musical chambers linked together in a continuous stream that range from steamy Eastern settings ("Like Organza") to uber-funk experiments ("Unusual Balance"). However, Wobble's contributions feel tacked on, often tentative, more akin to an editor than an equal creative partner. This is Eno's world, and only gradually does Jah Wobble slip his toe into the water before splashing about. It's a hard balance to strike, wishing to keep Eno's alien landscapes intact while trying to add relevant commentary, and rarely do the two composers co-exist peacefully. The spirit of collaboration is alive on "Marine Radio," where Eno's soundtrack is relegated to the role of a single instrument, but more often the music fails to find a middle ground. Case in point: The three tracks that feature Eno alone fare much better than noisy hybrids like "Spinner" and "Left Where It Fell." Of course, Eno fans could find merit in 40 minutes of amplifier hum, and they'll find it in Spinner too. Some will point to individual sections that sound like Ambient 2: The Plateaux of Mirror, Discreet Music, My Life in the Bush of Ghosts, and other instances where Eno's muse has been better served, claiming that this music too functions well as ambient music (albeit with a dub presence). Yet the sum effect of Eno and Wobble sounds more like Tangerine Dream from the '80s, at a time when that band began to abandon music as a homogenous whole and instead layered superficial rhythms on top of amorphous undercurrents. If the intent was to have Wobble and his bandmates throw a wrench into Eno's works, the sputtering Spinner should have been better. Note that a bonus song of eerie lounge music appears as a mystery 11th cut (actually the tail half of the tenth track separated by a few minutes of silence).
Dave Connolly, AMG
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