Исполнитель: Lady Gaga Альбом: Harlequin Жанр: Pop Год: 2024 Страна: USA (Manhattan, New York City) Лейбл: Lil Monsters LLC under exclusive license to Interscope Records Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 48kHz Stereo Размер: 518 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Исполнитель: Lady Gaga Альбом: Harlequin Жанр: Pop Год: 2024 Страна: USA (Manhattan, New York City) Лейбл: Lil Monsters LLC under exclusive license to Interscope Records Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 48kHz Stereo Размер: 518 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Исполнитель: Weather Systems Альбом: Ocean Without A Shore Жанр: Progressive Rock Год: 2024 Страна: UK Лейбл: Music Theories Recordings Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 48kHz Stereo Размер: 711 MB Инфо: bandcamp Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Weather Systems have announced a global release date of September 27 for their anticipated debut album titled Ocean Without A Shore, via Music Theories Recordings. The new band from
Исполнитель: Weather Systems Альбом: Ocean Without A Shore Жанр: Progressive Rock Год: 2024 Страна: UK Лейбл: Music Theories Recordings Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 48kHz Stereo Размер: 711 MB Инфо: bandcamp Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Weather Systems have announced a global release date of September 27 for their anticipated debut album titled Ocean Without A Shore, via Music Theories Recordings. The new band from
Исполнитель: Aerosmith Альбом: Toys In The Attic Жанр: Rock, Hard Rock, Blues Rock Год: 1975 Страна: USA Лейбл: Columbia ((P) 1975 Columbia Records, a division of Sony Music Entertainment) Формат: FLAC (tracks) Official DR value: DR8 Разрядность: 24bit / 96kHz Stereo Размер: 862 MB Источник:qobuz Залито на:XFile (3% восстановление)
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After nearly getting off the ground with Get Your Wings, Aerosmith finally perfected their mix of Stonesy raunch and Zeppelin-esque riffing with their third album, Toys in the Attic. The success of the album derives from a combination of an increased sense of songwriting skills and purpose. Not only does Joe Perry turn out indelible riffs like "Walk This Way," "Toys in the Attic," and "Sweet Emotion," but Steven Tyler has fully embraced sleaziness as his artistic muse. Taking his cue from the old dirty blues "Big Ten Inch Record," Tyler writes with a gleeful impishness about sex throughout Toys in the Attic, whether it's the teenage heavy petting of "Walk This Way," the promiscuous "Sweet Emotion," or the double-entendres of "Uncle Salty" and "Adam's Apple."
461 Ocean Boulevard is Eric Clapton's second studio solo album, arriving after his side project of Derek and the Dominos and a long struggle with heroin addiction. Although there are some new reggae influences, the album doesn't sound all that different from the rock, pop, blues, country, and R&B amalgam of Eric Clapton. However, 461 Ocean Boulevard is a tighter, more focused outing that enables Clapton to stretch out instrumentally. Furthermore, the pop concessions on the album -- the sleek production, the concise running times -- don't detract from the rootsy origins of the material, whether it's Johnny Otis' "Willie and the Hand Jive," the traditional blues "Motherless Children," Bob Marley's "I Shot the Sheriff," or Clapton's emotional original "Let It Grow."