PETER FRAMPTON «Discography on vinyl» (9 × LP • A&M Records, Inc. • 1972-1981)
01 06, 2025
KIM WILDE «Discography on vinyl» (9 × LP • RAK / MCA Records Limited • 1981-2018)
Performer: KIM WILDE / キム・ワイルド Album / collection: «Discography on vinyl / レコードのディスコグラフィー» Label: (c)(p) 1981-2018 RAK | MCA Records Ltd. Source: Rip by Dymokust, alvaedis, ukovvv… ⇒ Conversion 32/96kHz by KoGGaN™ Official DR value: •12•12•11•12•13•14•13•12•11• Catalog (Barcode): much… Genre / Style: Pop, Pop Rock, Synth-pop Year (info): 1981-2018 (9 × Original Vinyl, LP, Collection—) Format: WV (image + .cue) Bitrate: 32bit/96kHz Stereo Covers: in archive Amount of tracks: 96 Total time:
KIM WILDE «Discography on vinyl» (9 × LP • RAK / MCA Records Limited • 1981-2018)
Performer: KIM WILDE / キム・ワイルド Album / collection: «Discography on vinyl / レコードのディスコグラフィー» Label: (c)(p) 1981-2018 RAK | MCA Records Ltd. Source: Rip by Dymokust, alvaedis, ukovvv… ⇒ Conversion 32/96kHz by KoGGaN™ Official DR value: •12•12•11•12•13•14•13•12•11• Catalog (Barcode): much… Genre / Style: Pop, Pop Rock, Synth-pop Year (info): 1981-2018 (9 × Original Vinyl, LP, Collection—) Format: WV (image + .cue) Bitrate: 32bit/96kHz Stereo Covers: in archive Amount of tracks: 96 Total time:
31 05, 2025
TONY CAREY + PLANET P PROJECT «Discography on vinyl» (10 × LP + bonus CD • 1St Press • 1982-1992)
Performer: TONY CAREY + PLANET P PROJECT / トニー・カレイ + プラネット P プロジェクト Album / collection: «Discography on vinyl / レコードのディスコグラフィー» Label: (c)(p) 1982-1992 MCA | Teldec | Metronome Music GmbH. Source: Rip by bazar, r@sh… scans by inet… ⇒ Conversion 32/96kHz by KoGGaN™ Official DR value: •13•13•13•13•11•13•12•13•14•13•13• Catalog (Barcode): much… Genre / Style: Rock, Classic Rock, Pop Rock, Soft Rock Year (info): 1982-1992 (10 × LP + bonus CD, 1St Press, Collection—) Format: WV (image + .cue)
TONY CAREY + PLANET P PROJECT «Discography on vinyl» (10 × LP + bonus CD • 1St Press • 1982-1992)
Performer: TONY CAREY + PLANET P PROJECT / トニー・カレイ + プラネット P プロジェクト Album / collection: «Discography on vinyl / レコードのディスコグラフィー» Label: (c)(p) 1982-1992 MCA | Teldec | Metronome Music GmbH. Source: Rip by bazar, r@sh… scans by inet… ⇒ Conversion 32/96kHz by KoGGaN™ Official DR value: •13•13•13•13•11•13•12•13•14•13•13• Catalog (Barcode): much… Genre / Style: Rock, Classic Rock, Pop Rock, Soft Rock Year (info): 1982-1992 (10 × LP + bonus CD, 1St Press, Collection—) Format: WV (image + .cue)
31 05, 2025
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Автор: petruha, 28 сентября 2024, Комментариев: 0, Просмотров: 502Pavlov's Dog - Essential Recordings Pavlov's Dog 1974-2018 (2024 Remastered)
Исполнитель: Pavlov's Dog
Альбом: Essential Recordings Pavlov's Dog
Жанр: Progressive Rock, AOR
Год: (2024 Remastered) 1974-2018
Страна: USA (St. Louis, Missouri)
Лейбл: Ruf Records
Формат: FLAC (tracks)
Official DR value: DR12,11,10,9,9
Разрядность: 24bit / 44.1kHz Stereo
Размер: 3,1 GB
Инфо: wiki
Залито на: XFile (3% восстановление)
Альбом: Essential Recordings Pavlov's Dog
Жанр: Progressive Rock, AOR
Год: (2024 Remastered) 1974-2018
Страна: USA (St. Louis, Missouri)
Лейбл: Ruf Records
Формат: FLAC (tracks)
Official DR value: DR12,11,10,9,9
Разрядность: 24bit / 44.1kHz Stereo
Размер: 3,1 GB
Инфо: wiki
Залито на: XFile (3% восстановление)
«Exclusive for Lossless-Galaxy»
Трэклист:
Pampered Menial 1975
Pampered Menial was the first album from Pavlov's Dog, a band produced by Murray Krugman and Sandy Pearlman, the duo behind Blue Oyster Cult. The seven men in this group are revealed in the gatefold holding "Horace," a dog, while three engravings from 1849 by artist Robert Vernon make up the front, back and inside cover. Those paintings are striking, and though the music, mostly written by vocalist David Surkamp, tries hard, it just isn't as captivating as the package which surrounds it. Surkamp sounds like a chick singer, something that wasn't quite in vogue yet -- Journey and the Mickey Thomas Starship wouldn't happen for another four years, not until 1979, and even Thomas' hit with the Elvin Bishop Group was a year away, male vocalists were singing in lower registers at this point. With song titles like "Theme From Subway Sue" and "Of Once And Future Kings" the identity that a Blue Oyster Cult maintained was missing here. "Subway Sue" sounding very much like the 80s version of Mott, the band after Ian Hunter took his leave. If you thought Mott's high pitched vocals were out of place and annoying, check out Surkamp's strange warbling. The band itself isn't half bad. "Episode's mellotron, courtesy of Doug Rayburn and Siegfried Carver's violin, provide more than adequate sounds. Carver's sole composition, "Preludin," comes off as one of the best tracks, perhaps because it is an instrumental version of progressive rock that Triumvirat and early Journey were exploring, But when David Surkamp's vocals kick in again on the next tune, like Pavlov's experiments, it makes the listener want to break things, including this record. "Julia" is a mediocre lyric and ok melody, just destroyed by the vocalist who composed it. If this were an instrumental group, the music would be much easier to take. The band provides elegant rock, majestic drums by Mike Safron, additional keyboards by David Hamilton augmenting Rayburn's mellotron and flute, and solid 70s production from Krugman and Pearlman. Lead guitarist Steve Scorfina co-writes a beautiful piece with vocalist Surkamp in "Late November," but its perfection is marred by the whining sounds of the frontman. It is really sad, as there seems to be much potential here, drummer Michael Safron's "Song Dance" another highly creative number. A & R man Mark Spector had some kind of ears, what he was thinking here is anyone's guess. The solid riffs, the wonderful blend of sounds, all destroyed by David Surkamp's forced vocals which sound like some experiment by Pavlov gone awry. The Mott band from Shouting & Pointing infamy should have been put on a stage with Pavlov's Dog to see which act could clear the room first. "Fast Gun" is another solid progressive tune, but without the polish of a Brad Delp or Steve Perry, it just didn't stand a chance. Columbia Records should re-issue an instrumental version of this disc via their Legacy series, the music deserves it.
01. Julia
02. Late November
03. Song Dance
04. Fast Gun
05. Natchez Trace
06. Theme from Subway Sue
07. Episode
08. Preludin
09. Of Once and Future Kings
At the Sound of the Bell 1976
Pavlov's Dog lead singer David Surkamp was everything that was wrong with the band's Columbia debut Pampered Menial. Tempered here by Blue Oyster Cult producers Murray Krugman and Sandy Pearlman, who also recorded the first disc, the sound is more appealing to the ear. The question is, where was it going? Too pop for progressive rock, and too progressive for Top 40, the music is driving and more focused the second time around. There are some heavy guests to add to the festivities, Roxy Music's sax player Andy Mackay along with drummer William Bruford and Arista sax player Michael Brecker, though the tracks they appear on are not designated. "Valkerie" has a great hook, of "bring back the good old days," and the production here is cleaner than the first time around, but there is something very left field about this group, extremely non-commercial, even on a pretty ballad like "Standing Here With You (Megan's Song)." The music isn't as artsy as the Mothers of Invention, and certainly not as on target as Blue Oyster Cult, making one wonder if A&R man Mark Spector was just being courteous to producers Krugman and Pearlman? Mark Spector had produced Bob Segarini's 1975 effort with Dudes on Columbia, and went on to manage 38 Special, his pop leanings make this signing all the more mysterious. That being said, this outing is actually more pop oriented, or at least as poppy as this style and singer may want to be. "Try to Hang On" is light and listener friendly, one of the best tracks on the album; it is followed by "Gold Nuggets" which is almost a continuation of "Try to Hang On." "She Breaks Like Morning Sky" interrupts the flow a bit, driving a little harder, but the performance is still light years beyond the previous album. The producers have brought the music up in the mix, and the skillful playing of Pampered Meniel is brought a few notches up. "Early Morning On" is a superior track, musically, and though Surkamp is more subdued, it is still his voice which throws the monkey wrench into this affair. The cover concept with model Michael Mantel dressed as the Hunchback of Notre Dame and swinging upside down from bells is very cool, while the mascot from the previous album's cover, the 1849 artwork/engravings by Robert Vernon, appears again on the record sleeve/lyric sheet. At the risk of sounding cruel to the lead vocalist/writer/co-writer of all the songs, both albums would work better as instrumentals -- David Surkamp's voice a little too grating for the elegant and complex music inside these grooves. Adventurous and meaningful, The Sound of the Bell is a great concept and musical experience that falls short. Have to give them A for effort, though.
01. She Came Shining
02. Standing Here with You
03. Mersey
04. Valkerie
05. Try to Hang On
06. Gold Nuggets
07. She Breaks Like a Morning Sky
08. Early Morning On
09. Did You See Him Cry
Has Anyone Here Seen Siegfried 1977
01. Good Bye Trafalgar
02. Falling in Love
03. Only You
04. Painted Ladies
05. I Love You Still
06. Jenny
07. Today
08. Stop Short (Original Studio Outtake)
09. It's All for You
10. Suicide
11. While You Were Out
12. Falling in Love (Alternative Mix)
13. Julia (David Surkamp Acoustic Version 2007)
14. She Came Shining (Live 2012)
15. Fast Gun (Live 2011)
16. She Breaks Like a Morning Sky (Live 2011)
17. Paris (Live 2011)
18. Good Bye Trafalgar (Live 2012)
19. Only You (Live 2012)
Lost in America 1990
01. Lost in America
02. A Hardly Innocent Mind
03. Don't Rain on Me
04. Not by My Side
05. Pantomime
06. Breaking Ice
07. You & I
08. All Night
09. As Lovers Do
10. Brown Eyes
11. Late November (Live 1990)
12. You & I (Live 1990)
13. Brown Eyes (Live 1990)
14. Theme from Subway Sue (Live 1990)
15. If We Never Meet Again (Live 2005)
16. Angels Twilight Jump (Live 2005)
17. Suzanne, I Love You (Live 2006)
18. Don't Rain on Me (Live 2006)
Prodigal Dreamer 2018
01. Paris
02. Hard Times
03. Winterblue
04. Thrill of It All
05. Easter Day
06. Hurting Kind
07. Aria
08. Waterlow
09. Suzanne
10. Crying Forever
11. Being in Love
12. Shaking Me Down
13. The Winds Wild Early
Dynamic Range Meter
pass: lossless-galaxy.ru
Pampered Menial 1975
Pampered Menial was the first album from Pavlov's Dog, a band produced by Murray Krugman and Sandy Pearlman, the duo behind Blue Oyster Cult. The seven men in this group are revealed in the gatefold holding "Horace," a dog, while three engravings from 1849 by artist Robert Vernon make up the front, back and inside cover. Those paintings are striking, and though the music, mostly written by vocalist David Surkamp, tries hard, it just isn't as captivating as the package which surrounds it. Surkamp sounds like a chick singer, something that wasn't quite in vogue yet -- Journey and the Mickey Thomas Starship wouldn't happen for another four years, not until 1979, and even Thomas' hit with the Elvin Bishop Group was a year away, male vocalists were singing in lower registers at this point. With song titles like "Theme From Subway Sue" and "Of Once And Future Kings" the identity that a Blue Oyster Cult maintained was missing here. "Subway Sue" sounding very much like the 80s version of Mott, the band after Ian Hunter took his leave. If you thought Mott's high pitched vocals were out of place and annoying, check out Surkamp's strange warbling. The band itself isn't half bad. "Episode's mellotron, courtesy of Doug Rayburn and Siegfried Carver's violin, provide more than adequate sounds. Carver's sole composition, "Preludin," comes off as one of the best tracks, perhaps because it is an instrumental version of progressive rock that Triumvirat and early Journey were exploring, But when David Surkamp's vocals kick in again on the next tune, like Pavlov's experiments, it makes the listener want to break things, including this record. "Julia" is a mediocre lyric and ok melody, just destroyed by the vocalist who composed it. If this were an instrumental group, the music would be much easier to take. The band provides elegant rock, majestic drums by Mike Safron, additional keyboards by David Hamilton augmenting Rayburn's mellotron and flute, and solid 70s production from Krugman and Pearlman. Lead guitarist Steve Scorfina co-writes a beautiful piece with vocalist Surkamp in "Late November," but its perfection is marred by the whining sounds of the frontman. It is really sad, as there seems to be much potential here, drummer Michael Safron's "Song Dance" another highly creative number. A & R man Mark Spector had some kind of ears, what he was thinking here is anyone's guess. The solid riffs, the wonderful blend of sounds, all destroyed by David Surkamp's forced vocals which sound like some experiment by Pavlov gone awry. The Mott band from Shouting & Pointing infamy should have been put on a stage with Pavlov's Dog to see which act could clear the room first. "Fast Gun" is another solid progressive tune, but without the polish of a Brad Delp or Steve Perry, it just didn't stand a chance. Columbia Records should re-issue an instrumental version of this disc via their Legacy series, the music deserves it.
01. Julia
02. Late November
03. Song Dance
04. Fast Gun
05. Natchez Trace
06. Theme from Subway Sue
07. Episode
08. Preludin
09. Of Once and Future Kings
At the Sound of the Bell 1976
Pavlov's Dog lead singer David Surkamp was everything that was wrong with the band's Columbia debut Pampered Menial. Tempered here by Blue Oyster Cult producers Murray Krugman and Sandy Pearlman, who also recorded the first disc, the sound is more appealing to the ear. The question is, where was it going? Too pop for progressive rock, and too progressive for Top 40, the music is driving and more focused the second time around. There are some heavy guests to add to the festivities, Roxy Music's sax player Andy Mackay along with drummer William Bruford and Arista sax player Michael Brecker, though the tracks they appear on are not designated. "Valkerie" has a great hook, of "bring back the good old days," and the production here is cleaner than the first time around, but there is something very left field about this group, extremely non-commercial, even on a pretty ballad like "Standing Here With You (Megan's Song)." The music isn't as artsy as the Mothers of Invention, and certainly not as on target as Blue Oyster Cult, making one wonder if A&R man Mark Spector was just being courteous to producers Krugman and Pearlman? Mark Spector had produced Bob Segarini's 1975 effort with Dudes on Columbia, and went on to manage 38 Special, his pop leanings make this signing all the more mysterious. That being said, this outing is actually more pop oriented, or at least as poppy as this style and singer may want to be. "Try to Hang On" is light and listener friendly, one of the best tracks on the album; it is followed by "Gold Nuggets" which is almost a continuation of "Try to Hang On." "She Breaks Like Morning Sky" interrupts the flow a bit, driving a little harder, but the performance is still light years beyond the previous album. The producers have brought the music up in the mix, and the skillful playing of Pampered Meniel is brought a few notches up. "Early Morning On" is a superior track, musically, and though Surkamp is more subdued, it is still his voice which throws the monkey wrench into this affair. The cover concept with model Michael Mantel dressed as the Hunchback of Notre Dame and swinging upside down from bells is very cool, while the mascot from the previous album's cover, the 1849 artwork/engravings by Robert Vernon, appears again on the record sleeve/lyric sheet. At the risk of sounding cruel to the lead vocalist/writer/co-writer of all the songs, both albums would work better as instrumentals -- David Surkamp's voice a little too grating for the elegant and complex music inside these grooves. Adventurous and meaningful, The Sound of the Bell is a great concept and musical experience that falls short. Have to give them A for effort, though.
01. She Came Shining
02. Standing Here with You
03. Mersey
04. Valkerie
05. Try to Hang On
06. Gold Nuggets
07. She Breaks Like a Morning Sky
08. Early Morning On
09. Did You See Him Cry
Has Anyone Here Seen Siegfried 1977
01. Good Bye Trafalgar
02. Falling in Love
03. Only You
04. Painted Ladies
05. I Love You Still
06. Jenny
07. Today
08. Stop Short (Original Studio Outtake)
09. It's All for You
10. Suicide
11. While You Were Out
12. Falling in Love (Alternative Mix)
13. Julia (David Surkamp Acoustic Version 2007)
14. She Came Shining (Live 2012)
15. Fast Gun (Live 2011)
16. She Breaks Like a Morning Sky (Live 2011)
17. Paris (Live 2011)
18. Good Bye Trafalgar (Live 2012)
19. Only You (Live 2012)
Lost in America 1990
01. Lost in America
02. A Hardly Innocent Mind
03. Don't Rain on Me
04. Not by My Side
05. Pantomime
06. Breaking Ice
07. You & I
08. All Night
09. As Lovers Do
10. Brown Eyes
11. Late November (Live 1990)
12. You & I (Live 1990)
13. Brown Eyes (Live 1990)
14. Theme from Subway Sue (Live 1990)
15. If We Never Meet Again (Live 2005)
16. Angels Twilight Jump (Live 2005)
17. Suzanne, I Love You (Live 2006)
18. Don't Rain on Me (Live 2006)
Prodigal Dreamer 2018
01. Paris
02. Hard Times
03. Winterblue
04. Thrill of It All
05. Easter Day
06. Hurting Kind
07. Aria
08. Waterlow
09. Suzanne
10. Crying Forever
11. Being in Love
12. Shaking Me Down
13. The Winds Wild Early
Dynamic Range Meter
pass: lossless-galaxy.ru
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