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Жанры

Lossless Galaxy Release Русская музыка --Поп --Рок --Панк --Альтернатива --Металл --Рэп, Хип-Хоп, R'n'B --Джаз и Блюз --Фолк --Шансон, Авторская песня --СССР Зарубежная музыка --Pop --Rock --Hard Rock --Progressive & Art-Rock --Pop-Rock & Soft Rock --Instrumental Rock --Heavy, Traditional, Industrial Metal --Power, Gothic, Sympho Metal --Thrash, Speed, Groove, Modern Metal --Death, Melodic Death, Doom, Dark Metal --Black, Pagan, Folk, Viking Metal --Alternative --Punk --Disco, Eurodance --Rap, Hip Hop, R'n'B --Reggae, Ska, Dub --Jazz, Blues, Soul --Folk, Country, Ethnic --Electronic, Ambient, New Wave --House, Techno, Trance Другие жанры --New Age, Relax, Meditative & Flamenco --Chillout, Lounge, Downtempo, Trip-Hop --Drum & Bass, Jungle, Breakbeat, IDM --Classical / Классическая музыка --Soundtrack --Музыкальные сказки Vinyl Rip HI-Res / DVD-Audio / DTS --SACD --DSD --DVD-Audio Сборники Lossless-Galaxy Альбомы 2022 Альбомы 2023

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Сентябрь 2024 (458)
Август 2024 (630)
Июль 2024 (684)
Июнь 2024 (604)
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Автор: petruha, 14 июня 2022, Комментариев: 0, Просмотров: 317

Death, Melodic Death, Doom, Dark Metal / Hi-Res / DVD-Audio / DTS

Inexorable - Imperious 2022

Исполнитель: Inexorable
Альбом: Imperious
Жанр: Death Metal
Год: 2022
Страна: USA
Лейбл: Sliptrick Records
Формат: FLAC (tracks)
Official DR value: DR4
Разрядность: 24bit / 44.1kHz Stereo
Размер: 517 MB
Источник: qobuz
Залито на: XFile (3% восстановление)

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Автор: petruha, 13 июня 2022, Комментариев: 1, Просмотров: 773

Progressive & Art-Rock / Hi-Res / DVD-Audio / DTS

Andrew Lloyd Webber (Various Artists) - Jesus Christ Superstar (Remastered) (1970) 2021

Исполнитель: Andrew Lloyd Webber (Various Artists)
Альбом: Jesus Christ Superstar (Remastered)
Жанр: Progressive Rock
Год: (1970) 2021
Страна: USA
Лейбл: UMC (Universal Music Catalogue)
Формат: FLAC (tracks)
Official DR value: DR8
Разрядность: 24bit / 96kHz Stereo
Размер: 1,99 GB
Залито на: XFile (3% восстановление)

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Автор: petruha, 13 июня 2022, Комментариев: 0, Просмотров: 443

Progressive & Art-Rock / Hi-Res / DVD-Audio / DTS

Steve Hackett - Surrender of Silence 2021

Исполнитель: Steve Hackett
Альбом: Surrender of Silence
Жанр: Progressive Rock
Год: 2021
Страна: UK
Лейбл: InsideOutMusic
Формат: FLAC (tracks)
Official DR value: DR11
Разрядность: 24bit / 44.1kHz Stereo
Размер: 629 MB
Залито на: XFile (3% восстановление)

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Автор: petruha, 13 июня 2022, Комментариев: 0, Просмотров: 485

Progressive & Art-Rock / Heavy, Traditional, Industrial Metal / Hi-Res / DVD-Audio / DTS

Leprous - Aphelion 2021

Исполнитель: Leprous
Альбом: Aphelion
Жанр: Progressive Rock, Progressive Metal, Alternative
Год: 2021
Страна: Norway
Лейбл: InsideOutMusic
Формат: FLAC (tracks)
Official DR value: DR5
Разрядность: 24bit / 44.1kHz Stereo
Размер: 630 MB
Залито на: XFile (3% восстановление)

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Автор: petruha, 13 июня 2022, Комментариев: 0, Просмотров: 387

Alternative / Hi-Res / DVD-Audio / DTS

Secrets - The Collapse 2022

Исполнитель: Secrets
Альбом: The Collapse
Жанр: Post-Hardcore, Metalcore, Melodic Hardcore, Pop Punk
Год: 2022
Страна: USA (San Diego, California)
Лейбл: Velocity records
Формат: FLAC (tracks)
Official DR value: DR7
Разрядность: 24bit / 48kHz Stereo
Размер: 461 MB
Источник: qobuz
Залито на: XFile (3% восстановление)

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Автор: petruha, 13 июня 2022, Комментариев: 0, Просмотров: 382

Hard Rock / Hi-Res / DVD-Audio / DTS

MegaSnake - Charming 2022

Исполнитель: MegaSnake
Альбом: Charming
Жанр: Hard Rock
Год: 2022
Страна: Finland
Лейбл: Inverse Records
Формат: FLAC (tracks)
Official DR value: DR8
Разрядность: 24bit / 44.1kHz Stereo
Размер: 395 MB
Источник: qobuz
Залито на: XFile (3% восстановление)

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Автор: petruha, 13 июня 2022, Комментариев: 0, Просмотров: 362

Hard Rock / Hi-Res / DVD-Audio / DTS

Grace (Gräce) - Hope 2022

Исполнитель: Grace (Gräce)
Альбом: Hope
Жанр: Hard Rock
Год: 2022
Страна: Spain
Лейбл: Frontiers Records s.r.l.
Формат: FLAC (tracks)
Official DR value: DR8
Разрядность: 24bit / 44.1kHz Stereo
Размер: 575 MB
Источник: qobuz
Залито на: XFile (3% восстановление)

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Автор: petruha, 11 июня 2022, Комментариев: 0, Просмотров: 442

Rock / Hard Rock / Hi-Res / DVD-Audio / DTS

Bloody Heels - Rotten Romance 2022

Исполнитель: Bloody Heels
Альбом: Rotten Romance
Жанр: Hard Rock, Glam Rock
Год: 2022
Страна: Latvia (Rīga)
Лейбл: Frontiers Records s.r.l.
Формат: FLAC (tracks)
Official DR value: DR8
Разрядность: 24bit / 44.1kHz Stereo
Размер: 552 MB
Источник: qobuz
Залито на: XFile (3% восстановление)

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Автор: petruha, 11 июня 2022, Комментариев: 0, Просмотров: 329

Alternative / Hi-Res / DVD-Audio / DTS

FALSET - Monarch 2022

Исполнитель: FALSET
Альбом: Monarch
Жанр: Alternative, Post-Hardcore
Год: 2022
Страна: Canada
Лейбл: MRI
Формат: FLAC (tracks)
Official DR value: DR4
Разрядность: 24bit / 48kHz Stereo
Размер: 414 MB
Источник: qobuz
Залито на: XFile (3% восстановление)

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Автор: petruha, 9 июня 2022, Комментариев: 7, Просмотров: 977

Rock / Hi-Res / DVD-Audio / DTS

The Beatles - Let It Be (50th Anniversary, Super Deluxe) (1970) 2021

Исполнитель: The Beatles
Альбом: Let It Be (50th Anniversary, Super Deluxe)
Жанр: Rock
Год: (1970) 2021
Страна: UK
Лейбл: UMC (Universal Music Catalogue)
Формат: FLAC (tracks)
Official DR value: DR9,10,10,10,9
Разрядность: 24bit / 96kHz Stereo
Размер: 3,23 GB
Залито на: XFile (3% восстановление)

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By 1969 the Beatles' universe had become terminally messy: tensions between the four members were at an all-time high and the band was coming apart. As this collection's producer Giles Martin (son of the band's producer and confidante George Martin) says in the liner notes, by that time the foursome had become "a bit like a married couple trying to go on dates again." The personal struggles and financial tangles they'd been through as a band had done its damage and the magic was ebbing away. In an effort to get the foursome back to what it felt like to perform live—and perhaps foster a return of their famous camaraderie—Paul McCartney came up with the idea of filming the band playing an entirely new batch of songs. Launched at Twickenham Film Studios, the production soon moved to the band's own home studio in the basement of the Apple Corps headquarters on Savile Row. The group even reconvened on the building's rooftop for an impromptu concert that was filmed and recorded but also stopped after less than an hour by the police due to noise complaints. The resulting album, Get Back, with Glyn Johns as engineer and co-producer, was eventually shelved in favor of Abbey Road (released in September 1969). In 1970, after Lennon had officially left the band, the remaining trio finished the album, now known as Let It Be, switching out takes, dropping several songs and resequencing it with help from Phil Spector who overdubbed his usual grandiose orchestral arrangements onto four tracks. (In 2003 McCartney's dissatisfaction with Spector's additions—particularly on his tune "The Long and Winding Road"—led to a stripped-down version of the album closer to John's original concept, called Let It Be…Naked.) Now the Giles Martin-led Beatles reissue program which began in 2017 with Sgt. Pepper's Lonely Hearts Band has finally reached Let It Be and the results are once again rewarding for Beatles fans and newcomers alike.

The five volumes are yet another tantalizing glimpse into the band's storied creative process. Although the reception for the album was largely mixed on release—some reviewers savaged it—the songs in retrospect are nothing short of amazing; this is by no means bottom-of-the-barrel Beatles. Tunes like "Get Back," "Let It Be," and "The Long and Winding Road" are as good as anything the band ever wrote or recorded. The first volume here contains the original album in a fresh 96 kHz/24-bit remix that like the other Giles Martin-directed mixes is sharper and brighter than the original but not fundamentally different. The biggest aural change has Ringo Starr's drums brought up and forward in the mix, like in the previous reissues in the series. Perhaps most important about this edition of Let It Be is that after years of being bootlegged, Glyn Johns' 1969 Get Back mix has finally been officially released in improved sound and can now be fairly compared to the 1970 version. Deliberately jumbled, with lots of studio patter left in, and meant to be a window into the band's loose, humorous way of making music (or what they hoped to project as such), it still feels sloppy and unfinished, which may be why The Beatles—who waffled throughout the process and initially wanted that ambiance—rejected it in en masse. Johns' mix opens with "One After 909" (written by Paul and John as teenagers) and then proceeds through looser versions of "Don't Let Me Down" (with fabulous accompaniment from keyboardist Billy Preston) "Dig A Pony," and "I've Got a Feeling" with Lennon adding his usual silly, sardonic asides throughout. George Harrison's "For You Blue" opens with the sound of ice cubes swirling in a drink. McCartney's much maligned "Teddy Boy," which didn't make the final cut of Let It Be but became part of McCartney's first solo album, is heard here with Lennon's famous mocking "Do-Si-Do" background comment left intact.

Volume two features an exuberant rave up of "Maggie Mae" and "Fancy My Chances with You"—a tune John and Paul wrote together in 1958. The overall vibe in these sessions is not nearly as hostile as history would have it as evidenced by a take of "Let It Be" mashed up with "Please Please Me." A jammy take of "One After 909" is good fun, take 19 of "Get Back" features Paul laughing in rhythm with the tune, and George's instrumental jam up of "Wake Up Little Susie" which transitions into his song, "I Me Mine" with a blues break in the middle is a wonderful reminder of his essential but often forgotten part of the group.

Early versions of tunes that were soon to appear on Abbey Road or the member's subsequent solo albums are featured on the third volume. A rehearsal shows George's "All Things Must Pass," the title track of his debut solo album, beginning to take shape. A slow take of "She Came in Through the Bathroom Window," that mixes music with studio patter shows them working through an arrangement. Ringo, who is rarely heard, appears in an early piano-and-voice version of "Octopus's Garden" where teacups can be heard clanking in their saucers. In a jam of "Oh! Darling" Paul speaks a verse before he and Lennon go back to raggedly harmonizing, while Preston adds his spot-on, amazingly instinctual keyboard flourishes. In the same song, John announces that Yoko's divorce has gone through. Preston sings a version of "Without a Song," a tune he'd later release on his 1971 album I Wrote a Simple Song. The passionate unreleased 1970 Glyn Johns mix of "Across the Universe" on volume five is a reminder of the utterly unique pop universe that The Beatles had created. That's further confirmed in the same collection by a sparkling new mix of the single version of "Let It Be." Yet another entry—the last?—in Giles Martin's illuminating efforts to expand on the legacy, the new Let It Be provides deeper insight into the essential question around the Fab Four: How the hell did they do it?
© Robert Baird/Qobuz

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