Исполнитель: VA
Альбом: Genau Meine Musik by Raphael Marionneau
Год релиза диска: 2010
Лэйбл: Abstrait Music
Музыкальное направление группы: Chillout, Electronic, Ambient
Файл: FLAC (*.flac)
Битрейт: Lossless
Всего треков: 17
Время звучания: 01:17:37
Размер архива: 478 MB (Добавлено 5% инфо на востановление архива)

Year: 1994
Band: Centaur
Album: Power World
Style: Heavy/Power Metal
Country: Germany (Duisburg, North Rhine-Westphalia)
Format: APE (image + .cue + .log)
Time: 53:22
Size: 362 mb (+3%)

Исполнитель: Александр Серов
Название диска: Grand Collection
Год выпуска: 2011
Жанр: Pop
Количество треков: 18
Формат | Качество: Flac (image+.cue) | lossless
Размер файла: 613,24 МБ
Залито на: Letitbit, Shareflare , Vip-File

Year: 2011
Band: Accuser
Album: Dependent Domination
Style: Thrash Metal
Country: Germany
Format: APE (image + .cue + .log)
Time: 49:37
Size: 382 mb (+3%)

Year: 2011
Band: Mortal Sin
Album: Psychology Of Death
Style: Thrash Metal
Country: Austria
Format: APE (image + .cue + .log)
Time: 41:56
Size: 324 mb (+3%)

Year: 2010
Band: Speed Limit
Album: Moneyshot
Style: Melodic Heavy Metal
Country: Austria (Salzburg, Salzburg)
Format: APE (image + .cue + .log)
Time: 53:06
Size: 395 mb (+3%)

Year: 1987 (Reissued 2008)
Band: Lyin Rampant
Album: Up And Cumin'
Style: Melodic Hard Rock
Country: United Kingdom
Format: APE (image + .cue + .log)
Time: 43:58
Size: 370 mb (+3%) + Full Scans

Year: 2008
Band: Piel De Serpiente
Album: El Veneno Se Extiende
Style: Melodic Heavy Metal
Country: Spain (Valencia, Valencian Community)
Format: APE (image + .cue + .log)
Time: 54:32
Size: 433 mb (+3%) + Full Scans

Year: 2011
Band: Piel De Serpiente
Album: Inevitable
Style: Melodic Heavy Metal
Country: Spain (Valencia, Valencian Community)
Format: APE (image + .cue + .log)
Time: 45:03
Size: 350 mb (+3%) + Full Scans

Исполнитель: Rob Reddys Gift Horse
Альбом: A Hundred Jumping Devils
Год выхода: 2006
Страна: USA
Колличество дорожек: 10
Общее время звучания: 64:44 min
Жанр: Jazz / Free Jazz
Формат: Lossless / FLAC (log + cue)
Размер файла: 385 mb
Источник: ivoronen
Залит на: Narod.ru

AMG Review Album:
The cover photo of Luca Signorelli's famous painting The Damned in Hell gives a graphic indication of the music saxophonist Rob Reddy has conjured. Reddy is playing with a sextet he has dubbed Gift Horse (the saxophonist changes the name of his group with every project), and his fifth effort as a leader straddles progressive, contemporary, and composed music with meaty solos and a chamber music concept that centers the music squarely. Reddy plays mostly soprano saxophone (he is a disciple of Dave Liebman) in a compressed and controlled tone that pierces the music with a signature sound unique unto itself. The tonality between Reddy, violinist Charles Burnham, French horn player Mark Taylor, and guitarist Brandon Ross is arresting to say the least, and emphasizes the high octave range of the instruments in an operatic, singing fashion. But aside from the original sound quality is the music, which is quite witty, complex within its layering, and very demanding on the players, who more than succeed in doing it justice. The 11/8 time signature "The Unnamable" is a track for the ages, a high-octane dialogue of epic proportions brimming with fresh ideas, a Latin underpinning from percussionist Mino Cinelu, and a key change the second time through on the melody line. Just as striking, "O-Brasil" is formed from a path of shout-out phrases setting up a series of single notes strung together, then played together. Three meters of 6/8 unison motifs inform the third outstanding track, "Abraham," with a smoother mindset established by the modal bass playing of Dom Richards. Reddy, Burnham, Taylor, and Ross think alike and sound blended, but when they take off on solos or alternate lines, they still sound united in purpose. The anthemic, British-sounding "Procession," improv ballad "Gabriel's New Horn," Latin-flavored, heavier, and darker near march title track, and short violin-traced "Solipsism" are the pieces that have a Baroque or early music feel to them. At times similar to the work of Bill Frisell, whether playing acoustic or electric guitar, Ross adds a folkish feeling, most directly demonstrated during "Mark of Sincerity" with Reddy on alto sax. For progressive music listeners, this is as heady, advanced, and forward-thinking a music as there is on the contemporary scene. Reddy deserves much credit for enabling himself to push the envelope in presenting a music with such distinct elements of ancient precepts and modernistic devices.
~ Michael G. Nastos, AMG