Исполнитель: The Les Humphries Singers
Альбом: Mama Loo (VinylRip 24bit/96kHz)
Label: Decca
Catalog#: SLK 17 003-P
Жанр: Pop, Rock
Год выхода: 1973
Формат: Flac (.cue + Technical log)
Качество: lossless
Cover: format JPG
Размер: 837Mb (3% на восстановление)
Залито на: Unibytes, Gigabase, Galaxy-file

Artist: Maria Laura Baccarini
Title Of Album: Furrow (
Year Of Release: 2011
Label: Abalone Productions
Genre: Vocal Jazz
Quality: FLAC (tracks,log,pdf)
Bitrate: lossless
Total Time: 72:15
Total Size: 449 mb

Artist: Mazal
Title Of Album: Axerico en Selanik
Year Of Release: 2011
Label: Tzadik
Genre: Jazz/Modern Creative / Ethnic / Electronic Pop
Quality: FLAC (tracks+.cue,log)
Bitrate: lossless
Total Time: 50:17
Total Size: 343 mb

Artist: Nathan Haines
Title Of Album: The Poet's Embrace
Year Of Release: 2012
Label: Warner Music
Genre: Jazz,Post-Bop
Quality: FLAC (tracks+.cue,log)
Bitrate: lossless
Total Time: 40:13
Total Size: 238 mb

Исполнитель: The Les Humphries Singers
Альбом: The World Of The Les Humphries Singers (VinylRip 24bit/96kHz)
Label: Decca
Catalog#: ND 810
Жанр: Pop, Rock
Год выхода: 1973
Формат: Flac (.cue + Technical log)
Качество: lossless
Cover: format JPG
Размер: 834Mb (3% на восстановление)
Залито на: Unibytes, Gigabase, Galaxy-file

Исполнитель: Kens Dojo
Альбом: Reincarnatio
Жанр: Melodic Hard Rock
Год выхода: 2010
Формат: FLAC (image+.cue, scans)
Качество: Lossless
Источник (релизер): dnoz
Размер: 370 Mb
Залито на: unibytes.com/gigabase.com/share4web.com/turbobit.com/depositfiles.com
Сольный проект норвежского гитариста и продюсера Кена Инверсена с участием известных рок-музыкантов, в числе которых Гленн Хьюз, Чесни Хоукс, Кен Хенсли.

Страна: Japan
Style: Soundtrack
Год выпуска: 1999
[Производитель: BMG Japan
Аудио кодек: flac
Тип рипа: tracks
Продолжительность: 71:07

Artist: Masabumi Kikuchi Trio
Title Of Album: Sunrise
Year Of Release: 2012
Label: ECM
Genre: Jazz,Post-Bop, Free Improvisation
Quality: FLAC (tracks+.cue,scans,log)
Bitrate: lossless
Total Time: 52:01
Total Size: 253 mb
WebSite: amazon

Исполнитель: Maestro Tritony
Альбом: Enoptronia
Год выхода: 1997
Страна: Poland
Колличество дорожек: 10
Общее время звучания: 53:26 min
Жанр: Progressive Rock / Fusion / Avant-Prog
Формат: Lossless / FLAC (log + cue + scans)
Размер файла: 342 mb
Залит на: Narod.ru

Исполнитель: Addamanera
Альбом: Nella Tasca de il Zio
Год выхода: 2005
Страна: Italy
Колличество дорожек: 11
Общее время звучания: 52:09 min
Жанр: RIO / Avant-Prog
Формат: Lossless / APE (log + cue + scans)
Размер файла: 288 mb
Источник: Pasheka-Pacheka
Залит на: Narod.ru

Prolusion. ADDAMANERA is a young Italian band, and "Nella Tasea de Il Zio" is their first release.

Analysis. Like Chiavo De Volta's "Ritratto Libero", Addamanera's "Nella Tasea de Il Zio" is one of the finest debuts in recent years. The album is highly impressive for its exceptional originality, compositional intelligence and great arrangements, i.e. for everything, generally speaking. This band works with a variety of Adriatic, Balkan and Middle Eastern folk styles blending them into a completely unique sonic palette, which also features symphonic, spacey, jazzy, classical and medieval madrigal-like colors. A strong maturity is evident throughout the album, reflected in the fine textural and dynamic nuances and in the skillful counterpoint among classical guitars and sax, woodwinds and piano, violins and drums (sometimes congas). All of the eleven tracks presented are songs, but most of them feature more instrumental sections than those with vocals, though even there the music remains diverse and eventful. The structure is not only highly polymorphous; it is constantly shifting - not just from song to song, but within each of the songs, save the short centerpiece, Libelfule. The only number sung by a guest female soloist, this composition reminds me of a lullaby with somewhat progressive instrumental background. While on Lemonjelly there are distant echoes of Gong's Flying Teapot, and on La Barca those of Genesis's (probably most eclectic) The Waiting Room, no one will find these guys really falling back on the standard cliches, nowhere. Sparkling melodies, complex rhythms, a strong acoustic component and many more are all inculcated within the fabric of the compositions, at times giving them a purely chamber visage. What's curious is that the opening track, Neurogenesi, turned out to be the most avant-garde in the set. I wouldn't say that I like it better than the other songs, most of which are brilliant in their own way, but I would have certainly preferred the band had more often used that approach to create effectual angular melodies.

Conclusion. This album is quite atypically deep and rich for a band's first brainchild. It grows slowly on me, opening more and more nuances with each successive listen. The whole new direction is laid here, and I am certain it will pave the way for some of those who yet to come in the world of progressive rock music. Another candidate for my Top-2005, Addamanera's debut album gets my highest recommendations.