Miles Davis - Miles '55 (Remastered 2025) 2025

Miles Davis - Miles '55 (Remastered 2025) 2025

Исполнитель: Miles Davis Альбом: Miles '55 (Remastered 2025) Жанр: Jazz, Hard Bop Год: 2025 Страна: USA Лейбл: Craft Recordings Формат: FLAC (tracks) Official DR value: DR13 Разрядность: 24bit / 96kHz Stereo, 24bit / 192kHz Stereo Размер: 2,35 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Miles Davis had already turned heads at major New York venues like Birdland and Basin Street when he stepped back into Rudy Van Gelder’s living-room studio in Hackensack,
Miles Davis - Miles '55 (Remastered 2025) 2025

Miles Davis - Miles '55 (Remastered 2025) 2025

Исполнитель: Miles Davis Альбом: Miles '55 (Remastered 2025) Жанр: Jazz, Hard Bop Год: 2025 Страна: USA Лейбл: Craft Recordings Формат: FLAC (tracks) Official DR value: DR13 Разрядность: 24bit / 96kHz Stereo, 24bit / 192kHz Stereo Размер: 2,35 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Miles Davis had already turned heads at major New York venues like Birdland and Basin Street when he stepped back into Rudy Van Gelder’s living-room studio in Hackensack,
25 08, 2025
Iron Savior - Reforged - Machine World 2025

Iron Savior - Reforged - Machine World 2025

Исполнитель: Iron Savior Альбом: Reforged - Machine World Жанр: Speed Metal, Power Metal Год: 2025 Страна: Germany (Hamburg) Лейбл: Perception Формат: FLAC (tracks) Official DR value: DR7 Разрядность: 24bit / 44.1kHz Stereo Размер: 1,0 GB Инфо: metal-archives Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Iron Savior - Reforged - Machine World 2025

Iron Savior - Reforged - Machine World 2025

Исполнитель: Iron Savior Альбом: Reforged - Machine World Жанр: Speed Metal, Power Metal Год: 2025 Страна: Germany (Hamburg) Лейбл: Perception Формат: FLAC (tracks) Official DR value: DR7 Разрядность: 24bit / 44.1kHz Stereo Размер: 1,0 GB Инфо: metal-archives Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
25 08, 2025
Jack the Joker - The Devil to Pay in the Backlands 2025

Jack the Joker - The Devil to Pay in the Backlands 2025

Исполнитель: Jack the Joker Альбом: The Devil to Pay in the Backlands Жанр: Progressive Metal, Heavy Metal Год: 2025 Страна: Brazil (Fortaleza, Ceará) Лейбл: Frontiers Records s.r.l. Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 96kHz Stereo Размер: 1,41 GB Инфо: rockreport Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Jack The Joker is a modern progressive metal band with a twist, hailing from the Northeast of Brazil. The band consists of Raphael
Jack the Joker - The Devil to Pay in the Backlands 2025

Jack the Joker - The Devil to Pay in the Backlands 2025

Исполнитель: Jack the Joker Альбом: The Devil to Pay in the Backlands Жанр: Progressive Metal, Heavy Metal Год: 2025 Страна: Brazil (Fortaleza, Ceará) Лейбл: Frontiers Records s.r.l. Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 96kHz Stereo Размер: 1,41 GB Инфо: rockreport Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Jack The Joker is a modern progressive metal band with a twist, hailing from the Northeast of Brazil. The band consists of Raphael
25 08, 2025
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full-date Автор: artmuss, 31 января 2018, Комментариев: 0, Просмотров: 1 000

Iron & Wine - Our Endless Numbered Days (2004)

Iron & Wine - Our Endless Numbered Days (2004)

Artist: Iron & Wine
Title Of Album: Our Endless Numbered Days
Year Of Release: 2004
Label (Catalog#): Sub Pop [SPCD 630]
Country: United States
Genre: Folk Rock, Lo-Fi, Indie Folk
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 44:47
Full Size: 319 mb
Upload: Turbobit / HitFile / DipFile

On Our Endless Numbered Days, the follow-up to 2002's stunningly good Creek Drank the Cradle, the sound of Iron & Wine has changed but the song remains the same. No longer does Sam Beam record his intimate songs in the intimate surroundings of his home. Instead he has made the jump to the recording studio. As a result the record is much cleaner, less cocoon-like, certainly more the product of someone who has become a professional musician and not someone who just records for fun on a four-track. However, all Beam has sacrificed is sound quality. The sound of the record is still very intimate and simple, with very subtle arrangements that leave his voice and lyrics as the focal point. Luckily all the technology in the world can't affect Beam's voice, which still sounds like it comes right from his lips into your ear as if he were an angel perched on your shoulder. His songs are still as strong and memorable as they were on Creek, no drop off whatsoever in quality. "Naked as We Came" with sparkling melody lovely background harmonies by his sister Sarah; the aching folk ballad "Radio War," which wouldn't sound out of place on Prairie Home Companion, only it would be the best thing you ever heard there; the sad and sweet "Each Coming Night"; the crystalline acoustic guitar ballad "Fever Dream," which has the kind of vocal harmony between Beam and his sister that seems to be the exclusive domain of siblings; and the soft rock CSNY "Sodom, South Georgia" are the equal of anything on Iron & Wine's debut and match up well with anything Palace, Smog, or their ilk have done lately. A definite plus to recording in a studio and enlisting the help of outside musicians is that there is much more variety to the album and there are lots of small production touches that liven things up like the Native American chants at the close of "Cinder and Smoke," the pedal steel guitar on "Sunset Soon Forgotten," and the drums and tambourine on the bluesy "Free Until They Cut Me Down." Our Endless Numbered Days is very subdued, thoughtful, melodic, and downright beautiful album and the new sound is more of a progression than a sudden shift in values, production or otherwise. Anyone who found the first album to be wonderful will no doubt feel the same about this one.

TRACKLIST:

1 On Your Wings 3:53
2 Naked As We Came 2:32
3 Cinder And Smoke 5:44
4 Sunset Soon Forgotten 3:20
5 Teeth In The Grass 2:21
6 Love And Some Verses 3:40
7 Radio War 1:56
8 Each Coming Night 3:27
9 Free Until They Cut Me Down 4:34
10 Fever Dream 4:16
11 Sodom, South Georgia 4:59
12 Passing Afternoon 4:00

Sam Beam - vocals, guitars, slide guitars, banjo, mandolin
Brian Deck - drums, percussion, keyboards
EJ Holowicki - bass
Patrick McKinney - electric guitar
Jeff McGriff - percussion
Jonathan Bradley - percussion
Sarah Beam - harmony vocals

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