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DXD «Exclusive for "lossless-galaxy" Vinyl Collection» (87 × LP • Only Best Albums • 1979-2025)
Performer: Various Album / collection: «Digital eXtreme Definition» Series: Original Vinyl LP™— Label: (c)(p) 1974-2025 Made in Europe, Japan, USA. Source: Rip by DJ Stierlitz, Dymokust, piter… ⇒ Conversion 32/384kHz by KoGGaN™ Official DR value: •12•12•12•11•14•13•13•13•11•12•13•12•13•13•13•13•15•13• •12•13•12•13•13•12•12•11•12•12•11•13•12•13•13•13•12•12•13•12•11•11•11•12• •12•13•13•12•14•13•12•13•11•14•11•11•13•11•13•12•13•14•15•13•11•12•13•13•
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Kate Bush: 2018 Remastered Part I & II - 7CD/11CD Box Set Parlophone Records/Fish People
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Grateful Dead: 1974 From The Mars Hotel / Hybrid SACD MFSL 2019
Grateful Dead: 1974 From The Mars Hotel Hybrid SACD MFSL 2019 Performer: Grateful Dead Albums: 1975 From The Mars Hotel (Hybrid SACD MFSL 2020) Info: Grateful Dead Productions / Mobile Fidelity Sound Lab / Rhino Records / Warner Records Hybrid SACD / Remastered / Limited Numbered Edition of 2,500 Original Master Recording / Ultradisc UHR Catalog Disc (Numbered): UDSACD 2196 (№ 001617) Made in USA (Manufactured by Rhino Entertaiment Company) / Disc Made in Austria Dynamic Range: 12 Genre /
01 04, 2025
Жанры
Lossless Galaxy Release
Русская музыка
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Альбомы 2022
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Теги
1st Press 2022 2023 2024 70... AOR Black Metal Blues Blues Rock Bootleg Series Classic Rock Death Metal Discography DSD Exclusive for Lossless-Galaxy Folk Rock Gothic Metal Hard Rock Heavy Metal Hi-Res Japanese Edition Jazz Jazz Rock lossless Melodic Death Metal Melodic Rock Modern Electric Blues Pop Pop Rock Power Metal Prog Rock Progressive Metal Progressive Rock Psych Rock Psychedelic Rock Rock SACD Symphonic Metal Thrash Metal Дискографии от KoGGaN
Автор: WalkingOnAir, 7 июля 2009, Комментариев: 0, Просмотров: 1 385Roger O'Donnell - The Truth in Me
Исполнитель: Roger O'Donnell
Альбом: The Truth in Me
Год выпуска: 2006
Лейбл: Great Society
Каталоговый №: 2-44455
Жанр: Electronic, Synthpop, Minimalistic
Формат: FLAC [tracks|log|cue]
Размер: 225 MB
Залито на: Depositfiles, Creafile
Альбом: The Truth in Me
Год выпуска: 2006
Лейбл: Great Society
Каталоговый №: 2-44455
Жанр: Electronic, Synthpop, Minimalistic
Формат: FLAC [tracks|log|cue]
Размер: 225 MB
Залито на: Depositfiles, Creafile
Треклист:
01.My Days 03:41
02.For the Truth in You 04:17
03.The Truth in Me 05:21
04.Not Without You 03:32
05.He Sent You Angels 09:19
06.Treasure 03:42
07.This is a Story 06:44
08.This Grey Morning 04:41
09.Tired of All This 03:45
10....and So I Closed My Eyes 14:05
01.My Days 03:41
02.For the Truth in You 04:17
03.The Truth in Me 05:21
04.Not Without You 03:32
05.He Sent You Angels 09:19
06.Treasure 03:42
07.This is a Story 06:44
08.This Grey Morning 04:41
09.Tired of All This 03:45
10....and So I Closed My Eyes 14:05
“It seems the bigger the band the more removed you are from the actual music.” As such Roger O’Donnell’s appropriately titled album The Truth in Me is what some might consider a realization of roots for an artist who has upheld quality and generated celebrity with all of the bands he has worked with in the past twenty years. There is no additional substance that would allow The Truth in Me a shiny exterior opposed to its jagged experimentalist shell, but the final product is the heart of a musician who had seemingly lost hope.
With the album O’Donnell takes a single instrument, a Moog Voyager, one which has been ineffective in acquiring general acceptance by popular electronic, rock and pop music, and has redefined not simply the instrument’s capabilities but his own. O’Donnell expands on the album, explaining it as something not simply derivative of his influences but of his inner emotions, “Consciously un-compromised or commercial, it’s a mainly instrumental journey through my musical influences and where I am. I was also inspired by Bjork’s use of a single instrument, the voice, on her record Medulla…Finally, music that I am satisfied with and that satisfies me, The Truth In Me says what I have been trying to say for a long time.”
It would be hard to define any song as a peak in the album, just as it would be hard to define the shape which the music takes. Throughout there are hints of up-tempo ambient and Asian popgaze, even hinting at fully developed vocal meshing with the assistance of Erin Lang, who contributes to three of the album’s tracks. The beauty can be found not on surface alone, but in the depth that multiple spins gives the listener. To analyze a sound or song is one thing, but to try and breathe in an entire album which is so smooth and well rounded it becomes a catastrophic deed to attempt to figure out the sound’s source and inspiration.
The Truth in Me is not a typical album, nor is the concept typical, nor the musician behind it. The album is a success in shifting O’Donnell’s scope and direction away from his historic sound, if he were to have even had one, and towards dangerous territory. O’Donnell has survived the journey into experimentalism and fared the hardships that come with channeling a source deep inside oneself, a feet few musicians get the opportunity to attempt; a feet which even fewer succeed at.
With the album O’Donnell takes a single instrument, a Moog Voyager, one which has been ineffective in acquiring general acceptance by popular electronic, rock and pop music, and has redefined not simply the instrument’s capabilities but his own. O’Donnell expands on the album, explaining it as something not simply derivative of his influences but of his inner emotions, “Consciously un-compromised or commercial, it’s a mainly instrumental journey through my musical influences and where I am. I was also inspired by Bjork’s use of a single instrument, the voice, on her record Medulla…Finally, music that I am satisfied with and that satisfies me, The Truth In Me says what I have been trying to say for a long time.”
It would be hard to define any song as a peak in the album, just as it would be hard to define the shape which the music takes. Throughout there are hints of up-tempo ambient and Asian popgaze, even hinting at fully developed vocal meshing with the assistance of Erin Lang, who contributes to three of the album’s tracks. The beauty can be found not on surface alone, but in the depth that multiple spins gives the listener. To analyze a sound or song is one thing, but to try and breathe in an entire album which is so smooth and well rounded it becomes a catastrophic deed to attempt to figure out the sound’s source and inspiration.
The Truth in Me is not a typical album, nor is the concept typical, nor the musician behind it. The album is a success in shifting O’Donnell’s scope and direction away from his historic sound, if he were to have even had one, and towards dangerous territory. O’Donnell has survived the journey into experimentalism and fared the hardships that come with channeling a source deep inside oneself, a feet few musicians get the opportunity to attempt; a feet which even fewer succeed at.
~ Chris DeLine, Culture Bully
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