Kenny G - The Moment (1996)

Kenny G - The Moment (1996)

rip by Boris1 Performer: Kenny G Album: The Moment Label: Arista Records Catalog #: 07822 18935 2 Style: Jazz, Instrumental, Easy Listening Year: 1996 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 12 Size Rar: ~ 421 MB Upload: xfile.cloud Recovery: 3% Password: sim-sim Kenneth Bruce Gorelick (5.06.1956), более известный как Kenny G - американский джазовый музыкант, саксофонист украинского происхождения. На саксофоне он начал играть еще в школе, в
Kenny G - The Moment (1996)

Kenny G - The Moment (1996)

rip by Boris1 Performer: Kenny G Album: The Moment Label: Arista Records Catalog #: 07822 18935 2 Style: Jazz, Instrumental, Easy Listening Year: 1996 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 12 Size Rar: ~ 421 MB Upload: xfile.cloud Recovery: 3% Password: sim-sim Kenneth Bruce Gorelick (5.06.1956), более известный как Kenny G - американский джазовый музыкант, саксофонист украинского происхождения. На саксофоне он начал играть еще в школе, в
30 11, 2022
PINK FLOYD «Collection: A Tribute to Pink Floyd» (10 x CD • Pink Floyd Music Ltd. • 2000-2015)

PINK FLOYD «Collection: A Tribute to Pink Floyd» (10 x CD • Pink Floyd Music Ltd. • 2000-2015)

Various: A Tribute to Pink Floyd Album / collection: «Collection 2000-2015» Label / country: ⒸⓅ 2000-2015 Pink Floyd Music Limited. Source: Rip by KoGGaN™ scans by inet… Official DR value: •6/7•10/9•8•9•14/15•7•5• Catalog (Barcode): much… Genre / Style: Rock, Blues Rock, Hard Rock, Psychedelic Rock, Prog Rock, Metal Year (info): 2000-2015 (10 x CD, Tribute-album, Special Limited Edition, Collection) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of tracks: 105 Total
PINK FLOYD «Collection: A Tribute to Pink Floyd» (10 x CD • Pink Floyd Music Ltd. • 2000-2015)

PINK FLOYD «Collection: A Tribute to Pink Floyd» (10 x CD • Pink Floyd Music Ltd. • 2000-2015)

Various: A Tribute to Pink Floyd Album / collection: «Collection 2000-2015» Label / country: ⒸⓅ 2000-2015 Pink Floyd Music Limited. Source: Rip by KoGGaN™ scans by inet… Official DR value: •6/7•10/9•8•9•14/15•7•5• Catalog (Barcode): much… Genre / Style: Rock, Blues Rock, Hard Rock, Psychedelic Rock, Prog Rock, Metal Year (info): 2000-2015 (10 x CD, Tribute-album, Special Limited Edition, Collection) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of tracks: 105 Total
30 11, 2022
ВЛАДИМИР ВЫСОЦКИЙ «Лучшее. Том 1-2» (4 x CD • StarMark Compilations • 2008)

ВЛАДИМИР ВЫСОЦКИЙ «Лучшее. Том 1-2» (4 x CD • StarMark Compilations • 2008)

Performer: ВЛАДИМИР ВЫСОЦКИЙ [VLADIMIR VISSOTSKI] Album / collection: «Лучшее. Том 1-2» Series: Star Mark Compilations™ – Label / country: ⒸⓅ 2008 ООО «Синерджи» | ООО «МасПласт», Москва. Изготовлено в России. Source: Rip by KoGGaN™ scans by inet… Official DR value: •9/9•9/10• Catalog (Barcode): 16542-1~2, 16548-1~2 Genre / Style: CCCP, Acoustic, Chanson, Vocal Year (info): 2008 (4 x CD, Unofficial Release, Digipak, Compilation) Format: WV (image + .cue) Bitrate: lossless Covers: in archive
ВЛАДИМИР ВЫСОЦКИЙ «Лучшее. Том 1-2» (4 x CD • StarMark Compilations • 2008)

ВЛАДИМИР ВЫСОЦКИЙ «Лучшее. Том 1-2» (4 x CD • StarMark Compilations • 2008)

Performer: ВЛАДИМИР ВЫСОЦКИЙ [VLADIMIR VISSOTSKI] Album / collection: «Лучшее. Том 1-2» Series: Star Mark Compilations™ – Label / country: ⒸⓅ 2008 ООО «Синерджи» | ООО «МасПласт», Москва. Изготовлено в России. Source: Rip by KoGGaN™ scans by inet… Official DR value: •9/9•9/10• Catalog (Barcode): 16542-1~2, 16548-1~2 Genre / Style: CCCP, Acoustic, Chanson, Vocal Year (info): 2008 (4 x CD, Unofficial Release, Digipak, Compilation) Format: WV (image + .cue) Bitrate: lossless Covers: in archive
30 11, 2022
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Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)


Исполнитель: Joe Satriani
Альбом: The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)
Жанр: Instrumental Rock, Hard Rock, Blues Rock
Год: 1986-2020
Страна: USA
Лейбл: Epic, Legacy Recordings, Red Ink
Формат: FLAC (tracks)
Official DR value: DR10,9,9,8,9,10,9,9,8,9,8,8,8,8,6,8,9,7,9
Разрядность: 24 bit / 96 kHz Stereo
Размер: 22,9 GB
Источник: qobuz
Залито на: XFile (3% восстановление)



Joe Satriani - Not Of This Earth 1986 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

Not of This Earth was the first studio release from guitar wizard Joe Satriani (not counting the hard-to-find Joe Satriani EP). This all-instrumental album was making ripples in the guitar-playing community not long after it was released, and it's easy to see why: superior compositions, a signature style, a unique tone, and playing that's out of this world. Satriani shifts musical gears deftly, often layering multiple tracks together to make a complex soundscape. The fiery sound of "Not of This Earth" and "Hordes of Locusts" is tempered by the cool, dark tone of "Driving at Night," the far-out Eastern approach of "The Snake," and the quiet, thoughtful "Rubina." Satriani's fluid playing and wicked licks are enough to drop jaws and widen eyes. There isn't a weak track on this disc, even though the guitarist was still maturing when he released it.
© Phil Carter /TiVo


01. Not of This Earth (Album Version)
02. The Snake (Album Version)
03. Rubina (Album Version)
04. Memories (Album Version)
05. Brother John (Album Version)
06. The Enigmatic (Album Version)
07. Driving at Night (Album Version)
08. Hordes of Locusts (Album Version)
09. New Day (Album Version)
10. The Headless Horseman (Album Version)

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Joe Satriani - Surfing With The Alien 1987 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

01. Surfing with the Alien (Album Version)
02. Ice 9 (Album Version)
03. Crushing Day (Album Version)
04. Always with Me, Always with You (Album Version)
05. Satch Boogie (Album Version)
06. Hill of the Skull (Album Version)
07. Circles (Album Version)
08. Lords of Karma (Album Version)
09. Midnight (Album Version)
10. Echo (Album Version)

Dynamic Range Meter




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Joe Satriani - Surfing with the Alien (Deluxe Edition) (2020) 1987 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

Surfing with the Alien belongs to its era like Are You Experienced? belongs to its own -- perhaps it doesn't transcend its time the way the Jimi Hendrix Experience's 1967 debut does, but Joe Satriani's 1987 breakthrough can be seen as the gold standard for guitar playing of the mid- to late '80s, an album that captures everything that was good about the glory days of shred. Certainly, Satriani was unique among his peers in that his playing was so fluid that his technical skills never seemed like showboating -- something that was somewhat true of his 1986 debut, Not of This Earth, but on Surfing with the Alien he married this dexterity to a true sense of melodic songcraft, a gift that helped him be that rare thing: a guitar virtuoso who ordinary listeners enjoyed. Nowhere is this more true than on "Always with Me, Always with You," a genuine ballad -- not beefed up with muscular power chords but rather sighing gently with its melody -- but this knack was also evident on the ZZ Top homage "Satch Boogie" and the title track itself, both of which turned into rock radio hits. This melodic facility, plus his fondness for a good old-fashioned three-chord rock, separated Satriani from his shredding peers in 1987, many of whom were quite literally his students. But he was no throwback: he equaled his former students Steve Vai and Kirk Hammett in sweep picking and fretboard acrobatics and he had a sparkling, spacy quality to some of his songs -- particularly the closing stretch of the Middle Eastern-flavored "Lords of Karma," the twinkling "Midnight," and "Echo" -- that was thoroughly modern for 1987. The production of Surfing with the Alien is also thoroughly of its year -- stiff drumbeats, sparkling productions -- so much so that it can seem a bit like a relic from another era, but it's fine that it doesn't transcend its time: it captures the best of its era and is still impressive in that regard.
© Stephen Thomas Erlewine /TiVo


CD1

01. Surfing with the Alien
02. Ice 9
03. Crushing Day
04. Always with Me, Always with You
05. Satch Boogie
06. Hill of the Skull
07. Circles
08. Lords of Karma
09. Midnight
10. Echo

CD2

01. Surfing with the Alien (Stripped - The Backing Track)
02. Ice 9 (Stripped - The Backing Track)
03. Crushing Day (Stripped - The Backing Track)
04. Always with Me, Always with You (Stripped - The Backing Track)
05. Satch Boogie (Stripped - The Backing Track)
06. Hill of the Skull (Stripped - The Backing Track)
07. Circles (Stripped - The Backing Track)
08. Lords of Karma (Stripped - The Backing Track)
09. Midnight (Stripped - The Backing Track)
10. Echo (Stripped - The Backing Track)

Dynamic Range Meter




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Joe Satriani - Flying In A Blue Dream 1989 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

Recorded at Fantasy Studios in Berkeley, CA ; Hyde Street Studios, Different Fur, Coast Recorders and Alpha & Omega Recording in San Francisco, CA. Mixed at Alpha & Omega Recording & Fantasy Studios. First release in November 13, 1989. Flying in a Blue Dream was certified Gold on January 25, 1990 and received a nomination for 'Best Rock Instrumental Performance' at the '1991 Grammy Awards'. First reissue on May 27, 1997 through Epic Records.

01. Flying in a Blue Dream (Album Version)
02. The Mystical Potato Head Groove Thing (Album Version)
03. Can't Slow Down (Album Version)
04. Headless (Album Version)
05. Strange (Album Version)
06. I Believe (Album Version)
07. One Big Rush
08. Big Bad Moon (Album Version)
09. The Feeling (Album Version)
10. The Phone Call (Album Version)
11. Day at the Beach (New Rays from an Ancient Sun) (Album Version)
12. Back to Shalla-Bal (Album Version)
13. Ride (Album Version)
14. The Forgotten, Pt. 1 (Album Version)
15. The Forgotten, Pt. 2 (Album Version)
16. The Bells of Lal, Pt.1 (Album Version)
17. The Bells of Lal, Pt. 2 (Album Version)
18. Into the Light (Album Version)

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Joe Satriani - The Extremist 1992 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

The Extremist lives up to its name, continuing Joe Satriani's tradition of exploring new musical and compositional ground. A vastly different array of musicians assists him in creating the songs displayed on this all-instrumental disc, and as such the songs are different from even the usual envelope-pushing Satriani fare. The chugging "Summer Song," the warm "Friends," the slamming "Motorcycle Driver," and the crunching "The Extremist" show Satriani's talents as a guitarist are undiminished, while the more traditional neo-folk approach to "Rubina's Blue Sky Happiness" and the bluesy "New Blues" are different from anything he has done before. So, too, is the droning rock of "War" and the plaintive, questioning funk-rock of "Why."
© Phil Carter /TiVo


01. Friends
02. The Extremist
03. War
04. Cryin'
05. Rubina's Blue Sky Happiness
06. Summer Song
07. Tears in the Rain
08. Why
09. Motorcycle Driver
10. New Blues

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Joe Satriani - Time Machine 1993 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

01. Time Machine
02. The Mighty Turtle Head
03. All Alone
04. Banana Mango II
05. Thinking of You
06. Crazy
07. Speed of Light
08. Baroque
09. Dweller on the Treshold
10. Banana Mango
11. Dreaming #11
12. I Am Become Death
13. Saying Goodbye
14. Woodstock Jam

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Joe Satriani - Joe Satriani 1995 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

A guitar virtuoso and genius of instrumental composition, Joe Satriani explores deeper waters with a haunting yet richly entailed work of stripped-down blues-rock and improvisational jazz. This record, self-titled as Joe Satriani, puts the guitar wizard into a streaming new light of musical impression, as his efforts point toward a sincere evolutionary progression in composition and arrangement. With a collective of the most witty, crafty, and enticing musicians in jazz and blues, Satriani blends soaring, scintillating scale passages with pulsating, engaging melodic lines. With the help of his main group during these sessions -- Andy Fairweather Low on rhythm guitar, Nathan East on bass, and Manu Katche on drums -- Satriani reaches further into his musical self to bring out soulful grooves and mesmerizing yet catchy riffs, creating a relaxed, yet gripping intensity to these jams. Spontaneous in meter, rhythm, and melody, Satriani never fails to let the listener in on his enchanting and seemingly overabundant sense of creativity. Perhaps the only weakness throughout the majority of the album's 12 tracks is his intention to strip down and use only the effects of his Marshall amps, therefore, sadly diminishing his trademark flair for the highly alluring sonic territory he covered on his critically acclaimed Surfing With the Alien, Flying in a Blue Dream, and Time Machine. Still, with all due respect, his plethora of extremely gifted backup musicians sincerely adds a diverse range of textures and colors, bringing out a much-needed live feel to an otherwise bland album of blues-oriented jazz-rock. Perhaps the highlight of the record in the punch and volume of the progressive-oriented blues jam, "Killer Bee Bop" is a tune drenched with well-placed percussion and racing guitar lines. Because he is not afraid to seek the darker and once-unapproachable territories of guitar rock to find vibrant and refreshingly new sounds, Satriani puts forth once again a successful album, painting a mixture of blues and jazz in a variety of meters and keys. The single "(You're) My World," released over the airwaves as radio-friendly material in early 1995, is a misleading example of Joe Satriani's real development during the production of this record. A slow listen to the material on this release will captivate the listener's spirit for this guitar hero and reveal Joe Satriani's true nature, in that he and his Ibanez instrument are one and the same.
© Shawn Haney /TiVo


01. Cool #9 (Album Version)
02. If (Album Version)
03. Down, Down, Down (Album Version)
04. Luminous Flesh Giants (Album Version)
05. S.M.F. (Album Version)
06. Look My Way (Album Version)
07. Home (Album Version)
08. Moroccan Sunset (Album Version)
09. Killer Bee Bop (Album Version)
10. Slow Down Blues (Album Version)
11. (You're) My World (Album Version)
12. Sittin' 'Round (Album Version)

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Joe Satriani - Crystal Planet 1997 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

Joe Satriani always stood apart from the legions of guitar virtuosos who surfaced in the late '80s, largely because he had a sharper ear than his peers. He didn't limit himself to hard rock or heavy metal, preferring to draw in elements of pop and jazz as well. At his best, he stood head and shoulders above his peers, many of whom were his former students. However, his records were a little uneven, especially those featuring his vocals, and it seemed like he had painted himself into a corner by 1995's eponymous effort. Remarkably, moving to Epic revitalized his career. Recording wih longtime bassist Stuart Hamm and drummer Jeff Campitelli, Satriani turns in an all-instrumental record with Crystal Planet. It's an instrumental record with a difference, finding the guitarist taking more chances than ever. There are some familiar hard rock and ballad workouts, but what's astounding about the album is that it shows his technique continuing to develop and deepen, reaching into new, uncharted waters. It's his finest all-instrumental effort since Surfing With the Alien.
© Stephen Thomas Erlewine /TiVo


01. Up in the Sky
02. House Full of Bullets
03. Crystal Planet
04. Love Thing
05. Trundrumbalind
06. Lights of Heaven
07. Raspberry Jam Delta-V
08. Ceremony
09. With Jupiter in Mind
10. Secret Prayer
11. A Train of Angels
12. A Piece of Liquid
13. Psycho Monkey
14. Time
15. Z.Z.'s Song

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Joe Satriani - Engines of Creation 2000 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

With Crystal Planet, Joe Satriani made an effective return to his signature sound following the erratic blues-rock detour of Joe Satriani. For the follow-up to Crystal Planet, Satriani is once again exploring novel territory in an effort to keep his music fresh, and Engines of Creation is the biggest stylistic shift he's made yet -- to electronic music. Satriani's guitar is still the focal point of the music, to be sure, but while his virtuosity is obvious, it's often submerged in the new demands of this musical idiom. That isn't a surprise either, given that Satriani is one of the few guitar shredders whose taste and musicality have never been in question. But fans who simply want to hear him rip through his typical jaw-dropping solos may be disappointed (even though, in the end, there are more than a few solos), as will those guitar fans who reflexively disdain all sounds electronic. Having defended it, though, Engines of Creation isn't a total success. While the music is certainly influenced by techno and electronica, it probably won't appeal to listeners coming from those arenas; overall, it simply isn't as adventurous as much genuine electronica, avoiding complex backing rhythms or edgy sonic textures; nor is it as hypnotic, meandering or drifting aimlessly at times instead of moving into trancelike states of consciousness. Plus, Satriani's songs are often more traditional than they may seem upon first listen; many of the compositions are based on repeated themes and riffs and standard rock-song structures, switching between recurring, identifiable sections rather than gradually building and unfolding. However, the album can also be quite inventive. Satriani has challenged himself to find ways of coaxing totally new sounds from his guitar, and he weaves them seamlessly into the futuristic electronic soundscapes. Moreover, his melodies and main themes have rarely been this angular and off-kilter, meaning that exploring this music has indeed helped Satriani refresh and re-imagine his signature sound. Even the pieces that aren't ultimately that revolutionary are still intriguing, since very few musicians have the technical training and innate sense of musicality required to mine this territory. Overall, Engines of Creation is a brave and sporadically successful experiment, and it's also a promising new direction for Satriani should he choose to continue this vein of exploration and take it out even farther.
© Steve Huey /TiVo


01. Devil's Slide
02. Flavor Crystal 7
03. Borg Sex
04. Until We Say Goodbye
05. Attack
06. Champagne?
07. Clouds Race Across the Sky
08. The Power Cosmic 2000, Pt. 1
09. The Power Cosmic 2000, Pt. 2
10. Slow and Easy
11. Engines of Creation

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Joe Satriani - Strange Beautiful Music 2002 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

What's a guitar hero to do now that the masses prefer electronic beats and rap-metal to killer scale runs? Joe Satriani seeks that answer on Strange Beautiful Music. Satriani set himself apart from other would-be kings of the six-string in the 1980s by combining impeccable technique with great feel and pop hooks. With those qualities, he produced great guitar-driven albums like Surfing With the Alien and Flying in a Blue Dream. On his 2002 release, Satriani tries to make his music fresh by incorporating world music influences and a bit of techno flava. To his credit, he succeeds more than he fails. "Belly Dancer" combines straight-up rock riffs with Middle Eastern-twinged melodies and faster-than-sound runs up and down the fretboard. On "Oriental Melody," Satch's world music sensibility shines with the help of ping-pong delay and keyboards. He still has a knack for great hooks, too, as is evident on "New Last Jam," which features a melody that bounces around in your head for days. But none of these tracks approach the pop brilliance of his Surfing With the Alien songs. In many ways, the experimental nature of songs like "What Breaks a Heart" hark back to his Not of This Earth release. But Strange Beautiful Music suffers from inconsistency. While the mix-and-match approach works on "Belly Dancer," it can also result in the bland discontinuity of "Chords of Life," which at times sounds like "All Along the Watchtower" and at others resembles scale and chord exercises from Yngwie Malmsteen -- not an enticing combo. And "Starry Night," while a nice ballad, feels like an attempt to rewrite his masterful ballad "Always With You, Always With Me."
© Michael Gowan /TiVo


01. Oriental Melody
02. Belly Dancer
03. Starry Night
04. Chords of Life
05. Mind Storm
06. Sleep Walk
07. New Last Jam
08. Mountain Song
09. What Breaks a Heart
10. Seven String
11. Hill Groove
12. The Journey
13. The Traveler
14. You Saved My Life

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Joe Satriani - Is There Love In Space ? 2004 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

Guitar boss Joe Satriani's ninth album reflects the terrain he's traveled more than it points to an unexplored one -- and yes, that does prove to be a good thing. Satriani has explored many directions over eight previous albums, mashing together rock, blues, jazz, and pure technical proficiency in a dizzying blend that bears his unique signature. Is There Love in Space? recalls two distinct projects from his catalog, the groundbreaking Surfing With the Alien and the exotic Strange Beautiful Music. From the former is the driven, balls-out, tough blues-and-hard rock riffs and hooks, while from the latter are involved and sometimes intricate melodies and Eastern-tinged modes -- though none of the electronica. Satriani's sense of writing catchy turnarounds and hooks is ubiquitous here, and though he uses keyboards, they are never employed as more than devices to further along the framework of a particular tune. Even the vocal cuts here work well, "Lifestyle" with its roosty rock & roll vocal, boogie on methamphetamine whir, and bombastic power chords is a great choice for a single, as is the stomping, metallic "Hands in the Air," which updates Steppenwolf's "Born to Be Wild" riff in extremis. The mid-tempo tunes, such as the wah-wah-phased title track and the shimmering "If I Could Fly," are nice changes of pace too. The funky future blues of "I Like the Rain" features a slightly annoying vocal, but in its ZZ Top-fueled desert boogie, it hardly matters. The masterpiece on the set is "Searching," however. It's slow- to mid-tempo stride and minor key cadence pushed to the limit by the razor-wired and feedback aesthetic of its ten-minute sprawling excess. While guitar hero records are anything but cool in the new century, this guitar hero offers one cool little record.
© Thom Jurek /TiVo


01. Gnaahh
02. Up in Flames
03. Hands in the Air
04. Lifestyle
05. Is There Love in Space?
06. If I Could Fly
07. The Souls of Distortion
08. Just Look Up
09. I Like the Rain
10. Searching
11. Bamboo

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Joe Satriani - Super Colossal 2006 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

The most frightening thing about "Super Colossal" is that it starts off sounding horrifically similar to the chorus of Billy Squier's "The Stroke." Thankfully, this is remedied immediately, and Satch returns to familiar territory. The sound of the title track is big and booming, but the tone and delivery are instantly recognizable. Satriani doesn't pull any new tricks out of his bag, but lets his fingers do the talking throughout most of the record. And, of course, it wouldn't be a Satriani record without a few midtempo numbers thrown in for good measure, and "It's So Good" certainly delivers a swaggering punch that is reminiscent of not only Flying in a Blue Dream but moments of protégé Steve Vai's epic album Passion and Warfare. There are moments of delicate frailty and instrumentals with a romantic and optimistic feeling, tempering the high-energy blues-driven guitar shredders and leaving Super Colossal with a nice sense of balance -- except for the album's finish. "Crowd Chant" is arguably one of the weirdest moments in a career full of eccentricity, but it's painfully out of place. However, with its catchy melody and call-and-response verses, it's going to make one heck of a concert singalong. On the whole, Satriani really doesn't push boundaries or stretch his guitar vocabulary too much here, but even on his worst day his productions could best any other shredder du jour based simply on the fact that he crafts songs rather than insipid guitar-scale exercises to flaunt and flail around carelessly.
© Rob Theakston /TiVo


01. Super Colossal (Album Version)
02. Just Like Lightnin' (Album Version)
03. It's So Good (Album Version)
04. Redshift Riders (Album Version)
05. Ten Words (Album Version)
06. A Cool New Way (Album Version)
07. One Robot's Dream (Album Version)
08. The Meaning of Love (Album Version)
09. Made of Tears (Album Version)
10. Theme for a Strange World (Album Version)
11. Movin' On (Album Version)
12. A Love Eternal (Album Version)
13. Crowd Chant (Album Version)

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Joe Satriani - Professor Satchafunkilus and the Musterion of Rock 2008 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

While a lot of guitar heroes sling their axes for the sole purpose of proving that they are the fastest shredder in the showroom, picking their Mixolydian scales to the nth degree, on the ridiculously named Professor Satchafunkilus and the Musterion of Rock Satriani shines in his ability to hold back and write tasteful verse/chorus songs with memorable hooks. Like the majority of his songs in his ever growing catalog, most of these are technically impressive numbers that never go overboard with the showboating and rely on a sense of feeling rather than virtuoso technique. When you're considered a guitar god, restraint is a virtue. Of course he can zip along on the fretboard with the best of the best, but the trait that has always separated Satriani from the other guitarists gracing the cover of Guitar World for more than 20 years is his ability to blend technique with guitar lines that are melodic enough for a vocalist to sing. Thankfully, he never takes the microphone on this recording, but on the first half of the gentle and bluesy "Come on Baby," it's easy to imagine substituting his custom Ibanez with a human voice that coos the words "Come on baby, come on babe" on the choruses. Similarly, the "Diddle-Y-A-Doo-Dat" sounds like the title might suggest, starting out with some Yes-style prog licks and flipping into a John Scofield-flavored jazz-funk jam with bends and pull-offs that are best described as "diddleys" and "doo-dats." Neither cut quite astounds, but both demonstrate his versatility on the instrument and his ability to adapt to the climates of various genres. Likewise, the flamenco-flavored "Andalusia" starts off as a warm "Spanish Fly" acoustic number, exploding into a furious distorted solo backed by longtime drummer Jeff Campitelli and former David Lee Roth bassist Matt Bissonette. Along with his backing band, Satch's son ZZ Satriani gets a taste of his pop's spotlight, just like Wolfgang and Dweezil, and provides a few sax flutters on the semi-funky "Professor Satchafunklius." With the exception of these tracks, the remainder of the album is purely rockin', and doesn't vary much from his prior 12 releases. The anthemic "Overdriver" could be an outtake from Flying in a Blue Dream and will surely find a place in his G3 set list, "Musterion" sounds like a Not of this Earth moment, and the two-handed handiwork and blistering riffage on "Asik Vaysel" will definitely have air guitarists salivating. With the good comes the bad, and at the album's most embarrassing moment, "I Just Wanna Rock" advertises cornball clichés with a proudly clanked cowbell, a talkbox Frampton-izing, and a boisterous crowd chant-along. This is a new low for Joe -- practically an open letter admitting that he's OK with the idea of becoming passé. At a time when his former pupil Steve Vai is experimenting with radical orchestral arrangements, it would be nice to see the professor branch even further away from his trademark style, ditch the '80s production, and try something more unconventional, but for the most part he's doing what he does best here, and fans will be content with that.
© Jason Lymangrover /TiVo


01. Musterion (Album Version)
02. Overdriver (Album Version)
03. I Just Wanna Rock (Album Version)
04. Professor Satchafunkilus (Album Version)
05. Revelation (Album Version)
06. Come on Baby (Album Version)
07. Out of the Sunrise (Album Version)
08. Diddle-Y-A-Doo-Dat (Album Version)
09. Asik Vaysel (Album Version)
10. Andalusia (Album Version)

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Joe Satriani - Black Swans and Wormhole Wizards 2010 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

01. Premonition
02. Dream Song
03. Pyrrhic Victoria
04. Light Years Away
05. Solitude
06. Littleworth Lane
07. The Golden Room
08. Two Sides to Every Story
09. Wormhole Wizards
10. Wind in the Trees
11. God Is Crying

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Joe Satriani - Unstoppable Momentum 2013 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

01. Unstoppable Momentum
02. Can't Go Back
03. Lies and Truths
04. Three Sheets to the Wind
05. I'll Put a Stone on Your Cairn
06. A Door into Summer
07. Shine on American Dreamer
08. Jumpin' In
09. Jumpin' Out
10. The Weight of the World
11. A Celebration

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Joe Satriani - Additional Creations and Bonus Tracks 2014 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

01. The Crush of Love
02. Time Machine (Remix)
03. Cool #9 (Alternate Version)
04. Luminous Flesh Giants (Alternate Version)
05. Borg Sex (Rock Mix)
06. Turkey Man
07. Flavor Crystal 7 (Rock Mix)
08. Until We Say Goodbye (Techno Mix)
09. Slick
10. The Eight Steps
11. Dog With Crown and Earring
12. Tumble
13. Ghosts
14. Heartbeats
15. Longing
16. Z.Z.'s Song (Alternate Version)

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Joe Satriani - Shockwave Supernova 2015 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

01. Shockwave Supernova
02. Lost in a Memory
03. Crazy Joey
04. In My Pocket
05. On Peregrine Wings
06. Cataclysmic
07. San Francisco Blue
08. Keep on Movin'
09. All of My Life
10. A Phase I'm Going Through
11. Scarborough Stomp
12. Butterfly and Zebra
13. If There Is No Heaven
14. Stars Race Across the Sky
15. Goodbye Supernova

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Joe Satriani - What Happens Next 2018 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

The electric guitar world has been following Joe Satriani’s adventures since the middle of the 80s. A virtuoso - a magician even - of this instrument that he plays like no other, this American has die-hard fans as well as harsh critics. Blending rock, metal and blues, his music - mostly instrumental - never forgets to lean against strong compositions. Satriani’s writing even sent some sparks flying on his classic albums, Surfing With The Alien released in 1987 and Flying In A Blue Dream, released two years later… With What Happens Next that was created with drummer Chad Smith and bass player Glenn Hughes, the sexagenarian guitar hero still remains deeply rooted in his formula. Astounding solos, rhythmic and slick melodies, there’s no palace revolution in Satriani’s country, and just his impressive know-how is enough to amaze novice guitar players. A very solid album. © CM/Qobuz

01. Energy
02. Catbot
03. Thunder High On The Mountain
04. Cherry Blossoms
05. Righteous
06. Smooth Soul
07. Headrush
08. Looper
09. What Happens Next
10. Super Funky Badass
11. Invisible
12. Forever and Ever

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Joe Satriani - Shapeshifting 2020 [24-96]

Joe Satriani - The Studio Album Collection «Exclusive for Lossless-Galaxy» (Hi-Res)

Even the major dudes of Harry Potter can tell you: There are limits to wizarding. Consider the rarified realm of instrumental rock. For a long time the "holy grail" pursuits were mostly in the direction of mega technique – the ability to cram a zillion notes into spaces meant for four, the knack for creating intricate lines at speeds that register as brain-wave blurs.

Joe Satriani has gone further and faster than most of his guitar peers (some of them former students); his "brand" is about facility and fluidity, and his records, starting with 1987's rightly acclaimed Surfing With the Alien, have displayed astounding command of the guitar. Yet somewhere along the way – most overtly at the turn of the century, with his still-underappreciated electronic-leaning Engines of Creation – Satriani shifted focus to long-tone melodies, asymmetrical post-rock rhythms, and more intimate musical gestures.

This led to a "renewal" of sorts, a creative opening that continues on the remarkably varied Shapeshifting. Rather than dwell in a fixed genre, Satriani explores widely – several tracks travel dub spaceways, others (including the title track) situate everyday riff-rock phrases against fitful progressive grooves. But the most explicit clue to Satriani's intentions comes on track 4, "Ali Farka, Dick Dale, an Alien and Me." As drummer Kenny Aronoff pounds out a jaunty limbo-line pulse, the guitarist first conjures the fervent chants of legendary African bluesman Ali Farka Touré, then does some surf-rock hijinks a la Dick Dale, then takes off on lyrical, birds-soaring solo flights. It's a whiplash wizard journey that visits several completely different styles; Satriani masters all of them. © Tom Moon/Qobuz


01. Shapeshifting
02. Big Distortion
03. All for Love
04. Ali Farka, Dick Dale, an Alien and Me
05. Teardrops
06. Perfect Dust
07. Nineteen Eighty
08. All My Friends Are Here
09. Spirits, Ghosts and Outlaws
10. Falling Stars
11. Waiting
12. Here the Blue River
13. Yesterday's Yesterday

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Теги: Joe Satriani, Hi-Res, Exclusive for Lossless-Galaxy

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