DXD «Exclusive for "lossless-galaxy" Vinyl Collection» (87 × LP • Only Best Albums • 1979-2025)
Performer: Various Album / collection: «Digital eXtreme Definition» Series: Original Vinyl LP™— Label: (c)(p) 1974-2025 Made in Europe, Japan, USA. Source: Rip by DJ Stierlitz, Dymokust, piter… ⇒ Conversion 32/384kHz by KoGGaN™ Official DR value: •12•12•12•11•14•13•13•13•11•12•13•12•13•13•13•13•15•13• •12•13•12•13•13•12•12•11•12•12•11•13•12•13•13•13•12•12•13•12•11•11•11•12• •12•13•13•12•14•13•12•13•11•14•11•11•13•11•13•12•13•14•15•13•11•12•13•13•
DXD «Exclusive for "lossless-galaxy" Vinyl Collection» (87 × LP • Only Best Albums • 1979-2025)
Performer: Various Album / collection: «Digital eXtreme Definition» Series: Original Vinyl LP™— Label: (c)(p) 1974-2025 Made in Europe, Japan, USA. Source: Rip by DJ Stierlitz, Dymokust, piter… ⇒ Conversion 32/384kHz by KoGGaN™ Official DR value: •12•12•12•11•14•13•13•13•11•12•13•12•13•13•13•13•15•13• •12•13•12•13•13•12•12•11•12•12•11•13•12•13•13•13•12•12•13•12•11•11•11•12• •12•13•13•12•14•13•12•13•11•14•11•11•13•11•13•12•13•14•15•13•11•12•13•13•
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Grateful Dead: 1974 From The Mars Hotel / Hybrid SACD MFSL 2019
Grateful Dead: 1974 From The Mars Hotel Hybrid SACD MFSL 2019 Performer: Grateful Dead Albums: 1975 From The Mars Hotel (Hybrid SACD MFSL 2020) Info: Grateful Dead Productions / Mobile Fidelity Sound Lab / Rhino Records / Warner Records Hybrid SACD / Remastered / Limited Numbered Edition of 2,500 Original Master Recording / Ultradisc UHR Catalog Disc (Numbered): UDSACD 2196 (№ 001617) Made in USA (Manufactured by Rhino Entertaiment Company) / Disc Made in Austria Dynamic Range: 12 Genre /
01 04, 2025
Жанры
Lossless Galaxy Release
Русская музыка
--Поп
--Рок
--Панк
--Альтернатива
--Металл
--Рэп, Хип-Хоп, R'n'B
--Джаз и Блюз
--Фолк
--Шансон, Авторская песня
--СССР
Зарубежная музыка
--Pop
--Rock
--Hard Rock
--Progressive & Art-Rock
--Pop-Rock & Soft Rock
--Instrumental Rock
--Heavy, Traditional, Industrial Metal
--Power, Gothic, Sympho Metal
--Thrash, Speed, Groove, Modern Metal
--Death, Melodic Death, Doom, Dark Metal
--Black, Pagan, Folk, Viking Metal
--Alternative
--Punk
--Disco, Eurodance
--Rap, Hip Hop, R'n'B
--Reggae, Ska, Dub
--Jazz, Blues, Soul
--Folk, Country, Ethnic
--Electronic, Ambient, New Wave
--House, Techno, Trance
Другие жанры
--New Age, Relax, Meditative & Flamenco
--Chillout, Lounge, Downtempo, Trip-Hop
--Drum & Bass, Jungle, Breakbeat, IDM
--Classical / Классическая музыка
--Soundtrack
--Музыкальные сказки
Vinyl Rip
HI-Res / DVD-Audio / DTS
--SACD
--DSD
--DVD-Audio
Сборники Lossless-Galaxy
Альбомы 2022
Альбомы 2023
Альбомы 2024
Теги
1st Press 2022 2023 2024 70... AOR Black Metal Blues Blues Rock Bootleg Series Classic Rock Death Metal Discography DSD Exclusive for Lossless-Galaxy Folk Rock Gothic Metal Hard Rock Heavy Metal Hi-Res Japanese Edition Jazz Jazz Rock lossless Melodic Death Metal Melodic Rock Modern Electric Blues Pop Pop Rock Power Metal Prog Rock Progressive Metal Progressive Rock Psych Rock Psychedelic Rock Rock SACD Symphonic Metal Thrash Metal Дискографии от KoGGaN
Автор: vl-rom, 23 сентября 2012, Комментариев: 1, Просмотров: 1 430Ritchie Blackmore - Rock Profile Volume Two 1991
Исполнитель: Ritchie Blackmore
Страна: UK
Альбом: Rock Profile Volume Two
Жанр: Rock / Hard Rock
Год выхода: 1991
Формат: FLAC (Image + Cue + Log + Covers)
Размер: 463 MB(+3% на восст.)
Источник: mirgilip
Залито на: Rusfolder, Galaxy-File
Треклист:
1. Getaway -
credited to the Ritchie Blackmore Orchestra, this 1965 instrumental single finds the Man In Black playing some aggressive licks over a driving beat. Definitely borderline heavy metal for its time.
2. Little Brown Jug -
the b-side of #1 above is of course Ritchie's campy but heavy take on the Glenn Miller classic. Many of his trademark embellishments--masterful bends, ostinato, and trills--are already integrated in his guitar style at the age of 20.
3. Honey Hush -
a single cut with Lord Sutch in the '60s, this tune was later done by Foghat.
4. The Train Kept A'Rolling -
later covered by Aerosmith, another great '60s Lord Sutch track.
5. Gemini Suite: Guitar Movement -
cut in 1970 with an orchestra during Deep Purple's Gemini Suite (Jon Lord's "followup" to the legendary Concerto for Group and Orchestra) finds an orchestra struggling to keep up with Ritchie Blackmore, now emerging as a pioneer of the neo-classical school of shredding. Touching, subtle ending.
6. Bullfrog -
from the 1970 Green Bullfrog sessions with a number of other famous players of the day. Here, Big Jim Sullivan and Albert Lee (one of the finest country-rock virtuosos ever) lay down vicious solos--and then Ritchie proceeds to blow them both away with highly aggressive wah-wah tempered soloing.
7. Good Golly Miss Molly -
a fun live cut with Lord Sutch from one night in 1971, some of Ritchie's fastest soloing ever caught on tape.
8. Great Balls of Fire -
more live Sutch.
9. Hurry to the City -
cut in 1973 with an obscure German band known as Randy Pie & Family. The tune sounds like the Sweet meets Foghat, and Blackmore's guest guitar solo sounds a lot like something off of Deep Purple's Burn album, cut later that fall with David Coverdale and Glenn Hughes.
10. Still I'm Sad -
from Rainbow's 1975 debut album. Blackmore's melodic take on the Yardbirds classic.
11. Man on the Silver Mountain (live) -
the Ronnie James Dio/Ritchie Blackmore onstage spotlight is played here very up-tempo. When Blackmore takes an unaccompanied solo, he reaches for the stratosphere on his Stratocaster--he is truly one with the instrument, a true artist who mixes beauty with violence.
12. Lady of the Lake -
from Long Live Rock and Roll. Read my review of that album to see how highly I hold it in regard.
13. Sixteenth Century Greensleeves -
another live Rainbow track finds a great mellow intro contrasted with pure metal power chords and a ripping solo with lots of personality.
14. I Call, No Answer -
this curio from Jack Green's solo album sounds like a Tom Petty song(!) until Ritchie comes in and plays a tasteful, in the pocket solo. It is unfortunate that he did not lend his talents to more guest shots in the late '70s and early '80s--too many solos of the era sound like Steve Lukather clones (not that I don't like Steve's playing).
15. Son of Alerik -
the disc closes out with this rare Deep Purple b-side from the 1984 reunion sessions. Blackmore's playing goes through several moods and timbres here.
Download / Скачать:
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Спасибо mirgilip
Страна: UK
Альбом: Rock Profile Volume Two
Жанр: Rock / Hard Rock
Год выхода: 1991
Формат: FLAC (Image + Cue + Log + Covers)
Размер: 463 MB(+3% на восст.)
Источник: mirgilip
Залито на: Rusfolder, Galaxy-File
Треклист:
1. Getaway -
credited to the Ritchie Blackmore Orchestra, this 1965 instrumental single finds the Man In Black playing some aggressive licks over a driving beat. Definitely borderline heavy metal for its time.
2. Little Brown Jug -
the b-side of #1 above is of course Ritchie's campy but heavy take on the Glenn Miller classic. Many of his trademark embellishments--masterful bends, ostinato, and trills--are already integrated in his guitar style at the age of 20.
3. Honey Hush -
a single cut with Lord Sutch in the '60s, this tune was later done by Foghat.
4. The Train Kept A'Rolling -
later covered by Aerosmith, another great '60s Lord Sutch track.
5. Gemini Suite: Guitar Movement -
cut in 1970 with an orchestra during Deep Purple's Gemini Suite (Jon Lord's "followup" to the legendary Concerto for Group and Orchestra) finds an orchestra struggling to keep up with Ritchie Blackmore, now emerging as a pioneer of the neo-classical school of shredding. Touching, subtle ending.
6. Bullfrog -
from the 1970 Green Bullfrog sessions with a number of other famous players of the day. Here, Big Jim Sullivan and Albert Lee (one of the finest country-rock virtuosos ever) lay down vicious solos--and then Ritchie proceeds to blow them both away with highly aggressive wah-wah tempered soloing.
7. Good Golly Miss Molly -
a fun live cut with Lord Sutch from one night in 1971, some of Ritchie's fastest soloing ever caught on tape.
8. Great Balls of Fire -
more live Sutch.
9. Hurry to the City -
cut in 1973 with an obscure German band known as Randy Pie & Family. The tune sounds like the Sweet meets Foghat, and Blackmore's guest guitar solo sounds a lot like something off of Deep Purple's Burn album, cut later that fall with David Coverdale and Glenn Hughes.
10. Still I'm Sad -
from Rainbow's 1975 debut album. Blackmore's melodic take on the Yardbirds classic.
11. Man on the Silver Mountain (live) -
the Ronnie James Dio/Ritchie Blackmore onstage spotlight is played here very up-tempo. When Blackmore takes an unaccompanied solo, he reaches for the stratosphere on his Stratocaster--he is truly one with the instrument, a true artist who mixes beauty with violence.
12. Lady of the Lake -
from Long Live Rock and Roll. Read my review of that album to see how highly I hold it in regard.
13. Sixteenth Century Greensleeves -
another live Rainbow track finds a great mellow intro contrasted with pure metal power chords and a ripping solo with lots of personality.
14. I Call, No Answer -
this curio from Jack Green's solo album sounds like a Tom Petty song(!) until Ritchie comes in and plays a tasteful, in the pocket solo. It is unfortunate that he did not lend his talents to more guest shots in the late '70s and early '80s--too many solos of the era sound like Steve Lukather clones (not that I don't like Steve's playing).
15. Son of Alerik -
the disc closes out with this rare Deep Purple b-side from the 1984 reunion sessions. Blackmore's playing goes through several moods and timbres here.
Download / Скачать:
Внимание! У Вас нет прав для просмотра скрытого текста.
Внимание! У Вас нет прав для просмотра скрытого текста.
---------------------
Внимание! У Вас нет прав для просмотра скрытого текста.
Внимание! У Вас нет прав для просмотра скрытого текста.
---------------------
Внимание! У Вас нет прав для просмотра скрытого текста.
Спасибо mirgilip
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