Paradise Lost - Ascension 2025

Paradise Lost - Ascension 2025

Исполнитель: Paradise Lost Альбом: Ascension Жанр: Doom Metal, Death Metal, Gothic Metal Год: 2025 Страна: UK (Halifax, West Yorkshire, England) Лейбл: Nuclear Blast Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 48kHz Stereo Размер: 773 MB Инфо: bandcamp Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Paradise Lost - Ascension 2025

Paradise Lost - Ascension 2025

Исполнитель: Paradise Lost Альбом: Ascension Жанр: Doom Metal, Death Metal, Gothic Metal Год: 2025 Страна: UK (Halifax, West Yorkshire, England) Лейбл: Nuclear Blast Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 48kHz Stereo Размер: 773 MB Инфо: bandcamp Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
18 09, 2025
JUDAS PRIEST «Discography» (37 × CD · Japan First Pressing · 1974-2024)

JUDAS PRIEST «Discography» (37 × CD · Japan First Pressing · 1974-2024)

Performer: JUDAS PRIEST / ジューダス・プリースト Album / collection: «Discography / ディスコグラフィー» Label: (c)(p) 1974-2024 EpicCBS/Sony Group Inc. / Sony Records Int’l Source: Rip by KoGGaN™ scans by inet… Official DR value: •12•11•12•11•13•11•14•12•12•12•12•13• •13•11•11•12•11/12•12•11•8•10•7/7/7/7•6•7/7/10•8/8•8•5/5•6•7• Catalog (Barcode): much… Genre / Style: Rock, Hard Rock, NWOBHM, Heavy Metal Year (info): 1974-2024 (37 × First Pressing CD, Collection—) Format: WV (image + .cue) Bitrate: lossless
JUDAS PRIEST «Discography» (37 × CD · Japan First Pressing · 1974-2024)

JUDAS PRIEST «Discography» (37 × CD · Japan First Pressing · 1974-2024)

Performer: JUDAS PRIEST / ジューダス・プリースト Album / collection: «Discography / ディスコグラフィー» Label: (c)(p) 1974-2024 EpicCBS/Sony Group Inc. / Sony Records Int’l Source: Rip by KoGGaN™ scans by inet… Official DR value: •12•11•12•11•13•11•14•12•12•12•12•13• •13•11•11•12•11/12•12•11•8•10•7/7/7/7•6•7/7/10•8/8•8•5/5•6•7• Catalog (Barcode): much… Genre / Style: Rock, Hard Rock, NWOBHM, Heavy Metal Year (info): 1974-2024 (37 × First Pressing CD, Collection—) Format: WV (image + .cue) Bitrate: lossless
18 09, 2025
Glenn Hughes - Chosen (2025)

Glenn Hughes - Chosen (2025)

rip by Boris1 Performer: Glenn Hughes Album: Chosen Label: Frontiers Records Catalog #: FR CD 1508 Style: Hard Rock Year: 2025 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 10 Size Rar: ~ 430 MB Upload: xfile Recovery: 3% Password: sim-sim Chosen - это хард-роковый монстр, который захватывает с самого первого трека и не отпускает ни на секунду. Этот альбом - непрерывный поток чистой энергии, с таким количеством хитов, что сложно выбрать фаворита,
Glenn Hughes - Chosen (2025)

Glenn Hughes - Chosen (2025)

rip by Boris1 Performer: Glenn Hughes Album: Chosen Label: Frontiers Records Catalog #: FR CD 1508 Style: Hard Rock Year: 2025 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 10 Size Rar: ~ 430 MB Upload: xfile Recovery: 3% Password: sim-sim Chosen - это хард-роковый монстр, который захватывает с самого первого трека и не отпускает ни на секунду. Этот альбом - непрерывный поток чистой энергии, с таким количеством хитов, что сложно выбрать фаворита,
17 09, 2025
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full-date Автор: petruha, 12 октября 2024, Комментариев: 0, Просмотров: 144

Chat Pile - Cool World 2024

Chat Pile - Cool World 2024


Исполнитель: Chat Pile
Альбом: Cool World
Жанр: Sludge Metal, Noise Rock
Год: 2024
Страна: USA (Oklahoma City, Oklahoma)
Лейбл: The Flenser
Формат: FLAC (tracks)
Official DR value: DR5
Разрядность: 24bit / 44.1kHz Stereo
Размер: 502 MB
Инфо: bandcamp
Залито на: XFile (3% восстановление)

«Exclusive for Lossless-Galaxy»

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has struck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift – a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Besides being the name of a largely forgotten (and panned) 90s film, Cool World makes for an apt title of Chat Pile’s sophomore full-length record. In the context of a Chat Pile record, the words are steeped in a grim double entendre that not only evokes imagery of a dying planet but a progression from the band’s previous work, moving the scope of its depiction of modern malaise from just “God’s country” to the entirety of humankind. “Cool World covers similar themes to our last album, except now exploded from a micro to macro scale, with thoughts specifically about disasters abroad, at home, and how they affect one another,” says vocalist Raygun Busch.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks. “While we wanted our follow-up to God’s Country to still capture the immediate, uncompromising essence of Chat Pile, we also knew that with Cool World, we’d want to stretch the definition of our “sound” to reflect our tastes beyond just noise rock territory,” reflects bassist Stin. “Now that we had some form of creative comfort zones in place after hitting that milestone of putting out a full-length record, album #2 felt like the perfect opportunity to challenge those limits.” Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg of Uniform (Algiers, Drab Majesty, Metz) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

The proverbial thread tying all of the experimentation on Cool World together is the depth to which Chat Pile dissects the album’s theme of violence. Whether it be the cycle of creating and passively consuming literal and figurative violence on sister tracks “Camcorder” and “Tape”, the diminishment of crimes against humanity by way of foreign policy and colonialism on “Shame”, or the mental anguish of hopelessness on “The New World”, Cool World is an apocalyptically bleak record. Sure, Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”; what Chat Pile depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

“If I had to describe the album in one sentence,” explains Busch, “It’s hard not to borrow from Voltaire, so I won’t resist – Cool World is about the price at which we eat sugar in America.”


Трэклист:

01. I Am Dog Now
02. Shame
03. Frownland
04. Funny Man
05. Camcorder
06. Tape
07. The New World
08. Masc
09. Milk of Human Kindness
10. No Way Out


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Теги: Chat Pile, 2024, Hi-Res, Exclusive for Lossless-Galaxy
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