Count Basie - Basie In London (1956)

Artist Count Basie
Title Of Album Basie In London
Year Of Release: 1956
Label (Catalog#) Verve [559 619-2]
Country: USA
Genre: Jazz / Big Band, Swing
Bitrate: Lossless
Quality: FLAC (image + cue,log)
Time: 01:02:20
Full Size: 281mb(+3%)(covers)

AllMusic Review by Michael G. Nastos
First off, this album is inaccurately titled. Though the cover photo shows Count Basie with two lavishly dressed Brits, the recording was made in its entirety from a 1956 concert in Gothenburg, Sweden. As far as the music, it represents the Basie band in a classic time period, playing many well-known, long-lasting, and beloved tunes that everybody will recognize. It's also a band loaded with legendary Basie sidemen like Freddie Green, Sonny Payne, Thad Jones, Frank Foster, Frank Wess, Joe Newman, Marshall Royal, Charlie Fowlkes, and on three tracks, Joe Williams. The warm, effusive, happy jazz of Count Basie is well recorded with distinction, presence, good stereo separation, and the restrained yet punchy sound Basie always presented with dignified class. Whether it's the trombones taking over on "Jumpin' at the Woodside," the low-key sonance of "Shiny Stockings," the roaring horns during "A Foggy Day," or the under-two-minute, hard-charging "One O'Clock Jump," this music is all immediately identifiable and unmistakably Basie. Buster Harding's "Nails" is a blues jam with Green's strumming more audible amidst the echoes of the repeat traditional instrumental line of "my mama done told me" paraphrased from "Blues in the Night," while the Ernie Wilkins feature for Frank Foster, "Flute Juice," is a nimble excursion based on the changes of "I Got Rhythm." With Williams, the band backs the erudite deep-throated singer on a choogling "Alright, Okay, You Win," the quick "Roll 'Em Pete" (where the singer jives about his "gal way up on the hill"), and "The Comeback" (where Williams declares his return to his baby over a stairstep construct). "Corner Pocket" remains the ultimate signature head-nodding Basie tune, but "Blee Blop Blues" might be seen as a jab or tease at bop, when it is solidly in that genre. This solid document of Count Basie's "hits" come highly recommended, despite the disingenuous marketing ploy of it being based somewhere else.

Tracks:
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01. "Jumpin' at the Woodside" (Count Basie, Jon Hendricks) – 3:38
02. "Shiny Stockings" (Frank Foster) – 5:19
03. "How High the Moon" (Nancy Hamilton, Morgan Lewis) – 3:37
04. "Nails" (Buster Harding) – 6:24
05. "Flute Juice" (Ernie Wilkins) – 3:09
06. "One O'Clock Jump" (Basie, Eddie Durham) – 1:39
07. "Alright, Okay, You Win" (Mayme Watts, Sidney Wyche) – 2:50
08. "Roll 'Em Pete" (Pete Johnson, Big Joe Turner) – 2:32
09. "The Comeback" (Charles Frazier) – 4:08
10. "Blues Backstage" (Foster) – 4:27
11. "Corner Pocket" (Freddie Green, Donald Wolf) – 4:45
12. "Blee Blop Blues" (A. K. Salim) – 2:26
Bonus tracks on CD reissue:
13. "Yesterdays" (Otto Harbach, Jerome Kern) – 3:16
14. "Untitled" – 5:11
15. "Sixteen Men Swinging" (Wilkins) – 2:48
16. "Plymouth Rock" (Neal Hefti) – 6:11

The Count Basie Orchestra:
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Bass – Eddie Jones
Drums – Sonny Payne
Guitar – Freddie Green
Piano – Count Basie
Reeds – Bill Graham, Charlie Fowlkes, Frank Foster, Frank Wess, Marshall Royal
Trombone – Benny Powell, Henry Coker, Matthew Gee
Trumpet – Joe Newman, Reunald Jones, Thad Jones, Wendell Culley
Vocals – Joe Williams

All thanks to original releaser