Artist: Affinity Title Of Album: Affinity Ultimate Collection Year Of Release: 2006 Label (Catalog#) :Air Mail Archive[CRSEGBOX134] Country: UK Genre Prog Rock, Psych Rock, Jazz Rock, Jazz Quality: FLAC (tracks+cue,log) Bitrate: Lossless Time: 05:21:29 Full Size: 1.80Gb(+3%)(covers) Info: progarchives Upload: xfile.cloud
Artist: Affinity Title Of Album: Affinity Ultimate Collection Year Of Release: 2006 Label (Catalog#) :Air Mail Archive[CRSEGBOX134] Country: UK Genre Prog Rock, Psych Rock, Jazz Rock, Jazz Quality: FLAC (tracks+cue,log) Bitrate: Lossless Time: 05:21:29 Full Size: 1.80Gb(+3%)(covers) Info: progarchives Upload: xfile.cloud
Performer: 10CC Album / collection: «Discography / ディスコグラフィー» Label: ⒸⓅ 1973-2010 Mercury ⁄ Universal Music K.K. Series: 24bit Remastered Ⓟ 2008 Mercury Records Ltd. (Hitoshi Takiguchi) Source: Rip by KoGGaN™ scans by inet… Official DR value: •9•9•9•9•11•8/8•8•10•9•8•8•10•12• Catalog (Barcode): much… Genre / Style: Rock, Art Rock, Progressive Rock Year (info): 1973-2010 (14 × Remastered CD, with bonus tracks, Collection—) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of
10CC «Discography» (14 × CD • 24bit Remastered • 1973-2010)
Performer: 10CC Album / collection: «Discography / ディスコグラフィー» Label: ⒸⓅ 1973-2010 Mercury ⁄ Universal Music K.K. Series: 24bit Remastered Ⓟ 2008 Mercury Records Ltd. (Hitoshi Takiguchi) Source: Rip by KoGGaN™ scans by inet… Official DR value: •9•9•9•9•11•8/8•8•10•9•8•8•10•12• Catalog (Barcode): much… Genre / Style: Rock, Art Rock, Progressive Rock Year (info): 1973-2010 (14 × Remastered CD, with bonus tracks, Collection—) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of
Исполнитель: David Lee Roth Альбом: The Warner Recordings (1985-1994) (2025 Remaster) Жанр: Hard Rock, Heavy Metal Год: 2025 Страна: USA (Bloomington, Indiana) Лейбл: Rhino - Warner Records Формат: FLAC (tracks) Official DR value: DR11 Разрядность: 24bit / 44.1kHz Stereo, 24bit / 192kHz Stereo Размер: 6,21 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» This collection charts David Lee Roth's career as a solo artist on Warner Bros. Records, and although it
David Lee Roth - The Warner Recordings (1985-1994) (2025 Remaster) 2025
Исполнитель: David Lee Roth Альбом: The Warner Recordings (1985-1994) (2025 Remaster) Жанр: Hard Rock, Heavy Metal Год: 2025 Страна: USA (Bloomington, Indiana) Лейбл: Rhino - Warner Records Формат: FLAC (tracks) Official DR value: DR11 Разрядность: 24bit / 44.1kHz Stereo, 24bit / 192kHz Stereo Размер: 6,21 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» This collection charts David Lee Roth's career as a solo artist on Warner Bros. Records, and although it
Artist: Greg Spero + Spirit Fingers Title Of Album: Peace Year Of Release: 2020 Label (Catalog#) : Ropeadope Country: USA Genre: Jazz Quality: FLAC (tracks) Bitrate: Lossless Total Time: 01:00:42 Total Size: 492Mb
The second album from keyboardist Greg Spero’s Spirit Fingers quartet documents an impressively expanded sonic palette.
On its own, the group’s music is similar to its 2018 debut: a taut, lyrical style of fusion that falls somewhere between Return To Forever and solo Jean-Luc Ponty. However, Spirit Fingers is doing a lot of new things this time out, assisted by a clutch of guests: Baby-voiced singer Judi Jackson appears on four tracks, of which the quiet storm-ish “Goodbye” is the best. “Cokes With Gregs” is a sharp-edged, hard-driving jazz-rock piece where guest altoist Greg Ward wails and emits speedy, post-bebop runs. But it’s really drummer Mike Mitchell’s show: He’s assaulting the kit like it’s done him some personal offense, playing a beat so complex it’s like an endless solo. Spero leaps and crashes around the keyboard, sometimes seemingly anchoring the music, while other times he attempts to shove it off course. Spirit Fingers does quite well by themselves, of course. On “Earthbound,” the group lays down a thick, syrupy dub rhythm, with Spero’s piano heavily reverbed and Mitchell’s sharp, precise strikes repeatedly cut off, vanishing into echo; Gerl’s bass is frenetic and intricate, but never bounces out of the groove. By Philip Freeman