Исполнитель: Steve Hackett Альбом: Live Magic At Trading Boundaries Жанр: Progressive Rock Год: 2025 Страна: UK (London) Лейбл: InsideOutMusic Формат: FLAC (tracks) Official DR value: DR11 Разрядность: 24bit / 44.1kHz Stereo Размер: 581 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Steve Hackett - Live Magic At Trading Boundaries 2025
Исполнитель: Steve Hackett Альбом: Live Magic At Trading Boundaries Жанр: Progressive Rock Год: 2025 Страна: UK (London) Лейбл: InsideOutMusic Формат: FLAC (tracks) Official DR value: DR11 Разрядность: 24bit / 44.1kHz Stereo Размер: 581 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Artist: Greg Spero + Spirit Fingers Title Of Album: Peace Year Of Release: 2020 Label (Catalog#) : Ropeadope Country: USA Genre: Jazz Quality: FLAC (tracks) Bitrate: Lossless Total Time: 01:00:42 Total Size: 492Mb
The second album from keyboardist Greg Spero’s Spirit Fingers quartet documents an impressively expanded sonic palette.
On its own, the group’s music is similar to its 2018 debut: a taut, lyrical style of fusion that falls somewhere between Return To Forever and solo Jean-Luc Ponty. However, Spirit Fingers is doing a lot of new things this time out, assisted by a clutch of guests: Baby-voiced singer Judi Jackson appears on four tracks, of which the quiet storm-ish “Goodbye” is the best. “Cokes With Gregs” is a sharp-edged, hard-driving jazz-rock piece where guest altoist Greg Ward wails and emits speedy, post-bebop runs. But it’s really drummer Mike Mitchell’s show: He’s assaulting the kit like it’s done him some personal offense, playing a beat so complex it’s like an endless solo. Spero leaps and crashes around the keyboard, sometimes seemingly anchoring the music, while other times he attempts to shove it off course. Spirit Fingers does quite well by themselves, of course. On “Earthbound,” the group lays down a thick, syrupy dub rhythm, with Spero’s piano heavily reverbed and Mitchell’s sharp, precise strikes repeatedly cut off, vanishing into echo; Gerl’s bass is frenetic and intricate, but never bounces out of the groove. By Philip Freeman