DXD «Exclusive for "lossless-galaxy" Vinyl Collection» (87 × LP • Only Best Albums • 1979-2025)
Performer: Various Album / collection: «Digital eXtreme Definition» Series: Original Vinyl LP™— Label: (c)(p) 1974-2025 Made in Europe, Japan, USA. Source: Rip by DJ Stierlitz, Dymokust, piter… ⇒ Conversion 32/384kHz by KoGGaN™ Official DR value: •12•12•12•11•14•13•13•13•11•12•13•12•13•13•13•13•15•13• •12•13•12•13•13•12•12•11•12•12•11•13•12•13•13•13•12•12•13•12•11•11•11•12• •12•13•13•12•14•13•12•13•11•14•11•11•13•11•13•12•13•14•15•13•11•12•13•13•
DXD «Exclusive for "lossless-galaxy" Vinyl Collection» (87 × LP • Only Best Albums • 1979-2025)
Performer: Various Album / collection: «Digital eXtreme Definition» Series: Original Vinyl LP™— Label: (c)(p) 1974-2025 Made in Europe, Japan, USA. Source: Rip by DJ Stierlitz, Dymokust, piter… ⇒ Conversion 32/384kHz by KoGGaN™ Official DR value: •12•12•12•11•14•13•13•13•11•12•13•12•13•13•13•13•15•13• •12•13•12•13•13•12•12•11•12•12•11•13•12•13•13•13•12•12•13•12•11•11•11•12• •12•13•13•12•14•13•12•13•11•14•11•11•13•11•13•12•13•14•15•13•11•12•13•13•
02 04, 2025
Kate Bush: 2018 Remastered Part I & II - 7CD/11CD Box Set Parlophone Records/Fish People
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Kate Bush: 2018 Remastered Part I & II - 7CD/11CD Box Set Parlophone Records/Fish People
Kate Bush: 2018 Remastered Part I "> Performer: Kate Bush Box Set / Albums: 2018 Remastered Part I 1978 The Kick Inside ● 1978 Lionheart ● 1980 Never For Ever 1982 The Dreaming ● 1985 Hounds Of Love 1989 The Sensual World ● 1993 The Red Shoes (7CD Box Set Parlophone Records) ----------------------------- 2018 Remastered Part II 2005 Aerial ● 2011 Director’s Cut ● 2011 50 Words For Snow 2016 Before The Dawn ● 2018 The Other Sides 4CD (11CD Box Set Fish People) Info: Noble "> (3%
01 04, 2025
Grateful Dead: 1974 From The Mars Hotel / Hybrid SACD MFSL 2019
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Grateful Dead: 1974 From The Mars Hotel / Hybrid SACD MFSL 2019
Grateful Dead: 1974 From The Mars Hotel Hybrid SACD MFSL 2019 Performer: Grateful Dead Albums: 1975 From The Mars Hotel (Hybrid SACD MFSL 2020) Info: Grateful Dead Productions / Mobile Fidelity Sound Lab / Rhino Records / Warner Records Hybrid SACD / Remastered / Limited Numbered Edition of 2,500 Original Master Recording / Ultradisc UHR Catalog Disc (Numbered): UDSACD 2196 (№ 001617) Made in USA (Manufactured by Rhino Entertaiment Company) / Disc Made in Austria Dynamic Range: 12 Genre /
01 04, 2025
Жанры
Lossless Galaxy Release
Русская музыка
--Поп
--Рок
--Панк
--Альтернатива
--Металл
--Рэп, Хип-Хоп, R'n'B
--Джаз и Блюз
--Фолк
--Шансон, Авторская песня
--СССР
Зарубежная музыка
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--Hard Rock
--Progressive & Art-Rock
--Pop-Rock & Soft Rock
--Instrumental Rock
--Heavy, Traditional, Industrial Metal
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--Folk, Country, Ethnic
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--House, Techno, Trance
Другие жанры
--New Age, Relax, Meditative & Flamenco
--Chillout, Lounge, Downtempo, Trip-Hop
--Drum & Bass, Jungle, Breakbeat, IDM
--Classical / Классическая музыка
--Soundtrack
--Музыкальные сказки
Vinyl Rip
HI-Res / DVD-Audio / DTS
--SACD
--DSD
--DVD-Audio
Сборники Lossless-Galaxy
Альбомы 2022
Альбомы 2023
Альбомы 2024
Теги
1st Press 2022 2023 2024 70... AOR Black Metal Blues Blues Rock Bootleg Series Classic Rock Death Metal Discography DSD Exclusive for Lossless-Galaxy Folk Rock Gothic Metal Hard Rock Heavy Metal Hi-Res Japanese Edition Jazz Jazz Rock lossless Melodic Death Metal Melodic Rock Modern Electric Blues Pop Pop Rock Power Metal Prog Rock Progressive Metal Progressive Rock Psych Rock Psychedelic Rock Rock SACD Symphonic Metal Thrash Metal Дискографии от KoGGaN
Автор: petruha, 29 марта 2022, Комментариев: 0, Просмотров: 379The Jazz Crusaders - Powerhouse (Remastered) (1969) 2022
Исполнитель: The Jazz Crusaders
Альбом: Powerhouse (Remastered)
Жанр: Jazz, Jazz Fusion, Soul Jazz, Jazz-Funk
Год: (1969) 2022
Страна: USA
Лейбл: Applause Records
Формат: FLAC (tracks)
Official DR value: DR13
Разрядность: 24bit / 96kHz Stereo
Размер: 570 MB
Залито на: XFile (3% восстановление)
Альбом: Powerhouse (Remastered)
Жанр: Jazz, Jazz Fusion, Soul Jazz, Jazz-Funk
Год: (1969) 2022
Страна: USA
Лейбл: Applause Records
Формат: FLAC (tracks)
Official DR value: DR13
Разрядность: 24bit / 96kHz Stereo
Размер: 570 MB
Залито на: XFile (3% восстановление)
Трэклист:
01. Introduction, Pt. 2 (2:36)
02. Divide & Conquer (4:47)
03. Destroyer (5:35)
04. Metamorphosis (5:54)
05. Mothership (2:23)
06. Just Before the Dawn (5:01)
07. Hybrids (6:14)
08. Hunted (4:33)
09. Maschinenmensch (9:03)
10. Parasite (4:34)
11. Brave New World (Outro) (3:36)
12. The Perfect Weapon (Bonus Track) (7:41)
13. Alien DeathRay (Bonus Track) (4:31)
Wayne Henderson - trombone
Wilton Felder - saxophone
Joe Sample - keyboards
Charles "Buster" Williams - bass
Stix Hooper - drums
Powerhouse is the studio recording that followed the live Lighthouse '68. It showcases the Jazz Crusaders at their tightly arranged soul-jazz best. This is the first album on which Joe Sample allowed himself the luxury of trying a Fender Rhodes, and as such it offers a new dimension. It also signaled an entirely new era for the band, which took the new electronic device to the heart of its sound and from that point on embraced technology. The reading of "Hey Jude" is a case in point here. The front line of trombonist Wayne Henderson and saxophonist Wilton Felder ushers in the melody in harmonic counterpoint as Stix Hooper dances his way through the changes and Buster Williams strolls his bassline through the middle. When Sample enters it to comp and fill, his lines punctuate the melody as Hooper moves to double time on the kit. The element of groove is interesting; the horns keep it feeling crisp and clean and Sample dirties it up for just the right amount of tension. Williams' bassline introduces an all but unrecognizable "Love Is Blue." Played at three times the tempo and strutted out with funky figures, the horns syncopate the line and Sample moves through both his piano (playing blues lines) and harpsichord (with dissonant figures). The overdriven "Cookie Man," by Henderson, indulges his fascination with both Latin rhythms and gospel grooves. The set closes with the shimmering swing of "Fire Water," by Buster Williams. His wonderfully sophisticated harmonic sensibility never interferes with this sense of space and the amount of room given to soloists in his choruses. In all, this is another watermark for the Jazz Crusaders, who had created one of the most consistent bodies of work in the music.
Dynamic Range Meter
01. Introduction, Pt. 2 (2:36)
02. Divide & Conquer (4:47)
03. Destroyer (5:35)
04. Metamorphosis (5:54)
05. Mothership (2:23)
06. Just Before the Dawn (5:01)
07. Hybrids (6:14)
08. Hunted (4:33)
09. Maschinenmensch (9:03)
10. Parasite (4:34)
11. Brave New World (Outro) (3:36)
12. The Perfect Weapon (Bonus Track) (7:41)
13. Alien DeathRay (Bonus Track) (4:31)
Wayne Henderson - trombone
Wilton Felder - saxophone
Joe Sample - keyboards
Charles "Buster" Williams - bass
Stix Hooper - drums
Powerhouse is the studio recording that followed the live Lighthouse '68. It showcases the Jazz Crusaders at their tightly arranged soul-jazz best. This is the first album on which Joe Sample allowed himself the luxury of trying a Fender Rhodes, and as such it offers a new dimension. It also signaled an entirely new era for the band, which took the new electronic device to the heart of its sound and from that point on embraced technology. The reading of "Hey Jude" is a case in point here. The front line of trombonist Wayne Henderson and saxophonist Wilton Felder ushers in the melody in harmonic counterpoint as Stix Hooper dances his way through the changes and Buster Williams strolls his bassline through the middle. When Sample enters it to comp and fill, his lines punctuate the melody as Hooper moves to double time on the kit. The element of groove is interesting; the horns keep it feeling crisp and clean and Sample dirties it up for just the right amount of tension. Williams' bassline introduces an all but unrecognizable "Love Is Blue." Played at three times the tempo and strutted out with funky figures, the horns syncopate the line and Sample moves through both his piano (playing blues lines) and harpsichord (with dissonant figures). The overdriven "Cookie Man," by Henderson, indulges his fascination with both Latin rhythms and gospel grooves. The set closes with the shimmering swing of "Fire Water," by Buster Williams. His wonderfully sophisticated harmonic sensibility never interferes with this sense of space and the amount of room given to soloists in his choruses. In all, this is another watermark for the Jazz Crusaders, who had created one of the most consistent bodies of work in the music.
Dynamic Range Meter
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