ROCK Forever!!! «Exclusive for Lossless-Galaxy collection» Part One (200 × CD · Japan 1St Press · 1969-2025)
Performer: Various Album / collection: «BURRN! Legendary Masters — Long Island Records — 1St Press Japan» Label: (c)(p) 1969-2025 日本とドイツで製造 Source: Rip by KoGGaN™ scans by inet… Official DR value: 12•11•15•11•11•10•11•12•11•11•12•12•12•11•14•11•11•10•12•13•13• •13•10•11•12•12•11•10•10•14•14•13•7•13•12•12•12•12•11•13•11•14•12•13•13•11•12•13•12•12• •11•13•11•11•12•13•11•13•11•12•14•13•10•10•12•12•12•12•12•12•9•13•11•11•13•14•11•10•10•
ROCK Forever!!! «Exclusive for Lossless-Galaxy collection» Part One (200 × CD · Japan 1St Press · 1969-2025)
Performer: Various Album / collection: «BURRN! Legendary Masters — Long Island Records — 1St Press Japan» Label: (c)(p) 1969-2025 日本とドイツで製造 Source: Rip by KoGGaN™ scans by inet… Official DR value: 12•11•15•11•11•10•11•12•11•11•12•12•12•11•14•11•11•10•12•13•13• •13•10•11•12•12•11•10•10•14•14•13•7•13•12•12•12•12•11•13•11•14•12•13•13•11•12•13•12•12• •11•13•11•11•12•13•11•13•11•12•14•13•10•10•12•12•12•12•12•12•9•13•11•11•13•14•11•10•10•
28 07, 2025
ALAN PARSONS «Discography» + solo (35 × CD · Japan 1St Press + Remasters · 1976-2022)
Performer: THE ALAN PARSONS PROJECT ／ アラン・パーソンズ・プロジェクト Album / collection: «Discography ／ ディスコグラフィー» + solo Series: 1St Press— BMG Japan Remasters 2007, with bonus tracks Series— Label: (c)(p) 1976-2022 PolyGram ／ Arista ／ BMG Japan, Inc. Source: Rip by KoGGaN™ scans by inet… Official DR value: •10•10•9/10•12•12•9•12•12•14•10•14•12•13•11• •14•14•14•11•15•12•14•12•14•11•14•9•8•9•10•7•8/11•10•11•12•9/9• Catalog (Barcode): much… Genre / Style: Rock, Art Rock, Progressive Rock, Pop Rock Year
ALAN PARSONS «Discography» + solo (35 × CD · Japan 1St Press + Remasters · 1976-2022)
Performer: THE ALAN PARSONS PROJECT ／ アラン・パーソンズ・プロジェクト Album / collection: «Discography ／ ディスコグラフィー» + solo Series: 1St Press— BMG Japan Remasters 2007, with bonus tracks Series— Label: (c)(p) 1976-2022 PolyGram ／ Arista ／ BMG Japan, Inc. Source: Rip by KoGGaN™ scans by inet… Official DR value: •10•10•9/10•12•12•9•12•12•14•10•14•12•13•11• •14•14•14•11•15•12•14•12•14•11•14•9•8•9•10•7•8/11•10•11•12•9/9• Catalog (Barcode): much… Genre / Style: Rock, Art Rock, Progressive Rock, Pop Rock Year
25 07, 2025
Bruce Dickinson - More Balls to Picasso 2025
Исполнитель: Bruce Dickinson Альбом: More Balls to Picasso Жанр: Heavy Metal, Hard Rock Год: 2025 Страна: UK (Worksop, Nottinghamshire) Лейбл: Sanctuary Records Формат: FLAC (tracks) Official DR value: DR7 Разрядность: 24bit / 48kHz Stereo Размер: 821 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Bruce Dickinson - More Balls to Picasso 2025
Исполнитель: Bruce Dickinson Альбом: More Balls to Picasso Жанр: Heavy Metal, Hard Rock Год: 2025 Страна: UK (Worksop, Nottinghamshire) Лейбл: Sanctuary Records Формат: FLAC (tracks) Official DR value: DR7 Разрядность: 24bit / 48kHz Stereo Размер: 821 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
24 07, 2025
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Lossless Galaxy Release
Русская музыка
--Поп
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--Альтернатива
--Металл
--Рэп, Хип-Хоп, R'n'B
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1st Press 2022 2023 2024 2025 70... AOR Black Metal Blues Blues Rock Bootleg Series Classic Rock Death Metal Discography Exclusive for Lossless-Galaxy Folk Rock Fusion Hard Rock Heavy Metal Hi-Res Japanese Edition Jazz Jazz Rock lossless Melodic Death Metal Melodic Rock Modern Electric Blues Pop Pop Rock Power Metal Prog Rock Progressive Metal Progressive Rock Psych Rock Psychedelic Rock Rock SACD Symphonic Metal Thrash Metal Дискографии от KoGGaN
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Автор: petruha, 29 марта 2022, Комментариев: 0, Просмотров: 461The Jazz Crusaders - Powerhouse (Remastered) (1969) 2022
Исполнитель: The Jazz Crusaders
Альбом: Powerhouse (Remastered)
Жанр: Jazz, Jazz Fusion, Soul Jazz, Jazz-Funk
Год: (1969) 2022
Страна: USA
Лейбл: Applause Records
Формат: FLAC (tracks)
Official DR value: DR13
Разрядность: 24bit / 96kHz Stereo
Размер: 570 MB
Залито на: XFile (3% восстановление)
Альбом: Powerhouse (Remastered)
Жанр: Jazz, Jazz Fusion, Soul Jazz, Jazz-Funk
Год: (1969) 2022
Страна: USA
Лейбл: Applause Records
Формат: FLAC (tracks)
Official DR value: DR13
Разрядность: 24bit / 96kHz Stereo
Размер: 570 MB
Залито на: XFile (3% восстановление)
Трэклист:
01. Introduction, Pt. 2 (2:36)
02. Divide & Conquer (4:47)
03. Destroyer (5:35)
04. Metamorphosis (5:54)
05. Mothership (2:23)
06. Just Before the Dawn (5:01)
07. Hybrids (6:14)
08. Hunted (4:33)
09. Maschinenmensch (9:03)
10. Parasite (4:34)
11. Brave New World (Outro) (3:36)
12. The Perfect Weapon (Bonus Track) (7:41)
13. Alien DeathRay (Bonus Track) (4:31)
Wayne Henderson - trombone
Wilton Felder - saxophone
Joe Sample - keyboards
Charles "Buster" Williams - bass
Stix Hooper - drums
Powerhouse is the studio recording that followed the live Lighthouse '68. It showcases the Jazz Crusaders at their tightly arranged soul-jazz best. This is the first album on which Joe Sample allowed himself the luxury of trying a Fender Rhodes, and as such it offers a new dimension. It also signaled an entirely new era for the band, which took the new electronic device to the heart of its sound and from that point on embraced technology. The reading of "Hey Jude" is a case in point here. The front line of trombonist Wayne Henderson and saxophonist Wilton Felder ushers in the melody in harmonic counterpoint as Stix Hooper dances his way through the changes and Buster Williams strolls his bassline through the middle. When Sample enters it to comp and fill, his lines punctuate the melody as Hooper moves to double time on the kit. The element of groove is interesting; the horns keep it feeling crisp and clean and Sample dirties it up for just the right amount of tension. Williams' bassline introduces an all but unrecognizable "Love Is Blue." Played at three times the tempo and strutted out with funky figures, the horns syncopate the line and Sample moves through both his piano (playing blues lines) and harpsichord (with dissonant figures). The overdriven "Cookie Man," by Henderson, indulges his fascination with both Latin rhythms and gospel grooves. The set closes with the shimmering swing of "Fire Water," by Buster Williams. His wonderfully sophisticated harmonic sensibility never interferes with this sense of space and the amount of room given to soloists in his choruses. In all, this is another watermark for the Jazz Crusaders, who had created one of the most consistent bodies of work in the music.
Dynamic Range Meter
01. Introduction, Pt. 2 (2:36)
02. Divide & Conquer (4:47)
03. Destroyer (5:35)
04. Metamorphosis (5:54)
05. Mothership (2:23)
06. Just Before the Dawn (5:01)
07. Hybrids (6:14)
08. Hunted (4:33)
09. Maschinenmensch (9:03)
10. Parasite (4:34)
11. Brave New World (Outro) (3:36)
12. The Perfect Weapon (Bonus Track) (7:41)
13. Alien DeathRay (Bonus Track) (4:31)
Wayne Henderson - trombone
Wilton Felder - saxophone
Joe Sample - keyboards
Charles "Buster" Williams - bass
Stix Hooper - drums
Powerhouse is the studio recording that followed the live Lighthouse '68. It showcases the Jazz Crusaders at their tightly arranged soul-jazz best. This is the first album on which Joe Sample allowed himself the luxury of trying a Fender Rhodes, and as such it offers a new dimension. It also signaled an entirely new era for the band, which took the new electronic device to the heart of its sound and from that point on embraced technology. The reading of "Hey Jude" is a case in point here. The front line of trombonist Wayne Henderson and saxophonist Wilton Felder ushers in the melody in harmonic counterpoint as Stix Hooper dances his way through the changes and Buster Williams strolls his bassline through the middle. When Sample enters it to comp and fill, his lines punctuate the melody as Hooper moves to double time on the kit. The element of groove is interesting; the horns keep it feeling crisp and clean and Sample dirties it up for just the right amount of tension. Williams' bassline introduces an all but unrecognizable "Love Is Blue." Played at three times the tempo and strutted out with funky figures, the horns syncopate the line and Sample moves through both his piano (playing blues lines) and harpsichord (with dissonant figures). The overdriven "Cookie Man," by Henderson, indulges his fascination with both Latin rhythms and gospel grooves. The set closes with the shimmering swing of "Fire Water," by Buster Williams. His wonderfully sophisticated harmonic sensibility never interferes with this sense of space and the amount of room given to soloists in his choruses. In all, this is another watermark for the Jazz Crusaders, who had created one of the most consistent bodies of work in the music.
Dynamic Range Meter
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