Duran Duran - Greatest (1998)

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rip by Boris1 Performer: Duran Duran Album: Greatest Label: Parlophone Catalog #: 5021732657367 Style: Pop-rock, Synth-pop, New Wave Year: 1998 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 19 Recovery: 3% Size Rar: ~ 597 MB Upload: xfile.cloud Recovery: 3% Password: sim-sim Greatest - сборник лучших песен Duran Duran впервые вышел в 1998 году, но только нынешнее переиздание 2025 выйдет также и на виниле. В этот сборник из 19 треков вошли хиты с
Duran Duran - Greatest (1998)

Duran Duran - Greatest (1998)

rip by Boris1 Performer: Duran Duran Album: Greatest Label: Parlophone Catalog #: 5021732657367 Style: Pop-rock, Synth-pop, New Wave Year: 1998 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 19 Recovery: 3% Size Rar: ~ 597 MB Upload: xfile.cloud Recovery: 3% Password: sim-sim Greatest - сборник лучших песен Duran Duran впервые вышел в 1998 году, но только нынешнее переиздание 2025 выйдет также и на виниле. В этот сборник из 19 треков вошли хиты с
19 08, 2025
Eric Clapton - I Still Do 2016

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Исполнитель: Eric Clapton Альбом: I Still Do Жанр: Rock, Blues Rock, Folk Год: 2016 Страна: UK Лейбл: Polydor Records Формат: FLAC (tracks) Official DR value: DR11 Разрядность: 24bit / 192kHz Stereo Размер: 2,02 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Sharp as ever on the guitar, fingers full of feeling and emotion... Like a fine wine, the 71-year-old legend continues to evolve, adding tasty notes and nuances to an already well-stocked palette. To
Eric Clapton - I Still Do 2016

Eric Clapton - I Still Do 2016

Исполнитель: Eric Clapton Альбом: I Still Do Жанр: Rock, Blues Rock, Folk Год: 2016 Страна: UK Лейбл: Polydor Records Формат: FLAC (tracks) Official DR value: DR11 Разрядность: 24bit / 192kHz Stereo Размер: 2,02 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Sharp as ever on the guitar, fingers full of feeling and emotion... Like a fine wine, the 71-year-old legend continues to evolve, adding tasty notes and nuances to an already well-stocked palette. To
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The Cranberries - No Need To Argue (30th Anniversary / Super Deluxe Edition) (2025) 1994

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Исполнитель: The Cranberries Альбом: No Need To Argue (30th Anniversary / Super Deluxe Edition) Жанр: Alternative Rock, Pop Rock Год: (2025) 1994 Страна: Ireland (Limerick) Лейбл: Island Records Формат: FLAC (tracks) Official DR value: DR9 Разрядность: 24bit / 96kHz Stereo Размер: 3,29 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
The Cranberries - No Need To Argue (30th Anniversary / Super Deluxe Edition) (2025) 1994

The Cranberries - No Need To Argue (30th Anniversary / Super Deluxe Edition) (2025) 1994

Исполнитель: The Cranberries Альбом: No Need To Argue (30th Anniversary / Super Deluxe Edition) Жанр: Alternative Rock, Pop Rock Год: (2025) 1994 Страна: Ireland (Limerick) Лейбл: Island Records Формат: FLAC (tracks) Official DR value: DR9 Разрядность: 24bit / 96kHz Stereo Размер: 3,29 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
16 08, 2025
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Ron Samsom - Session 23 2025

Ron Samsom - Session 23 2025


Исполнитель: Ron Samsom
Альбом: Session 23
Жанр: Contemporary Jazz
Год: 2025
Страна: New Zealand (Auckland)
Лейбл: Rattle Music
Формат: FLAC (tracks)
Official DR value: DR9
Разрядность: 24bit / 96kHz Stereo
Размер: 883 MB
Инфо: bandcamp
Залито на: XFile (3% восстановление)

«Exclusive for Lossless-Galaxy»

This album of new compositions by the always inventive, expressive, and enthusiastic jazz drummer, composer, and mentor Ron Samsom features a line-up of equally committed musicians willing to engage with Ron's expertly crafted invitations to explore unique sonic, rhythmic, and joyfully musical environments.

This collaboration began with a series of sonic sketches written on guitar and roughly recorded on a cell phone. This "sound journaling process" is a great way to engage with creativity without constraints. Documenting short improvisations compels me to rely on my ear as the central connection to the music. By recording, I avoid committing musical ideas to notation and resist the temptation to use theory or software manipulation until much later. Over recent years, I've become increasingly drawn to the sound of guitars and their potential for harmonic richness. I love the feel and sound that guitars produce, but I'm pretty limited in what I can play. Nonetheless, guitars spark my imagination for composing, providing a gateway to realising complete pieces.

In reflection, Session 23 drew inspiration from folk music and early blues, where the guitar is the primary instrument for conveying rhythm and harmony. When I listen to blues pioneer Son House, I'm in complete awe of his percussive approach. Joni Mitchell's music also astounds me in the way she explores the guitar's potential with different tunings. I'm drawn to music with strong rhythmic shapes that influence form and structure, as well as the possibilities created by taking musical risks.

One of the great things about jazz is the immediacy and urgency of the performance in the moment. My aim with the compositions on this album was to provide interesting frameworks for the improvising musicians to navigate while keeping them fully responsive in the moment. I love the element of surprise in music, which, as an active listener, I attribute to Jan Jarczyk, a prominent jazz pianist, composer, and educator whom I studied with many years ago in Montreal. I recall Jan emphasising the importance of incorporating one’s musical heritage into one's work. For him, it involved a deep connection to the music of his Polish heritage combined with an equally deep admiration for the beauty and surprise of Wayne Shorter's music. For a long time, I felt unsure about my musical heritage, eventually realising I didn’t really have one. But I do have something else.

When I fell in love with jazz, like many students of this rich tradition, I became wholly immersed in a universe of sound and musical expression that resonated deeply with me, causing me to mistakenly dismiss many musical forms and styles that now contribute to a much larger appreciation for jazz. It took me a long time to rediscover those rich layers and gain a deeper understanding of the complexity of those relationships. I am incredibly grateful to Jan and the lifelong musical challenge he posed, as well as the fantastic musicians who agreed to join me on the ride to make this album: Callum Passells, Cameron McArthur, and Keith Price. (Ron Samsom)


Трэклист:

01. Wrong Shit
02. Wrack
03. Vibi
04. Tug
05. Bridger Ripple
06. Falling Stars
07. Macombs

Ron Samsom, drums
Cam McArthur, bass
Keith Price, guitars
Callum Passells, alto saxophone, Korg MS-20



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Теги: Ron Samsom, 2025, Hi-Res, Exclusive for Lossless-Galaxy, Rattle Music

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