Kevin Ayers - The Harvest Years (1969-74)(2012) 5CD

Kevin Ayers - The Harvest Years (1969-74)(2012) 5CD

Artist: Kevin Ayers Title Of Album: The Harvest Years Year Of Release: 1969-74/2012 Label (Catalog#) : Harvest/EMI [956 5092] Country:: UK Genre: Canterbury scene, Pop Rock, Psych Rock Quality: FLAC (tracks +.cue,log) Bitrate: Lossless Time: 05:32:45 Full Size: 1.88Gb(+3%)(covers) Info: wiki
Kevin Ayers - The Harvest Years (1969-74)(2012) 5CD

Kevin Ayers - The Harvest Years (1969-74)(2012) 5CD

Artist: Kevin Ayers Title Of Album: The Harvest Years Year Of Release: 1969-74/2012 Label (Catalog#) : Harvest/EMI [956 5092] Country:: UK Genre: Canterbury scene, Pop Rock, Psych Rock Quality: FLAC (tracks +.cue,log) Bitrate: Lossless Time: 05:32:45 Full Size: 1.88Gb(+3%)(covers) Info: wiki
07 08, 2025
NAZARETH «Discography» (25 × CD · 30th Anniversary Edition · 1971-2011)

NAZARETH «Discography» (25 × CD · 30th Anniversary Edition · 1971-2011)

Performer: NAZARETH Album / collection: «Discography» Label: (c)(p) 1971-2011 Eagle Records Series: Complete Digitally Remastered, ‘30th Anniversary edition’— Source: Rip by KoGGaN™ Official DR value: •12•10•12•11•12•10•10•10•9•8•8•8• •10/10•9•11•11•12•9•10•9•8•10•6•6• Catalog (Barcode): much… Genre / Style: Rock, Classic Rock, Hard Rock Year (info): 1971-2011 (25 × Remastered CD, with bonus tracks, Collection—) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of tracks:
NAZARETH «Discography» (25 × CD · 30th Anniversary Edition · 1971-2011)

NAZARETH «Discography» (25 × CD · 30th Anniversary Edition · 1971-2011)

Performer: NAZARETH Album / collection: «Discography» Label: (c)(p) 1971-2011 Eagle Records Series: Complete Digitally Remastered, ‘30th Anniversary edition’— Source: Rip by KoGGaN™ Official DR value: •12•10•12•11•12•10•10•10•9•8•8•8• •10/10•9•11•11•12•9•10•9•8•10•6•6• Catalog (Barcode): much… Genre / Style: Rock, Classic Rock, Hard Rock Year (info): 1971-2011 (25 × Remastered CD, with bonus tracks, Collection—) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of tracks:
07 08, 2025
Roger Waters - Roger Waters: This Is Not A Drill (Live From Prague May 2023) 2025

Roger Waters - Roger Waters: This Is Not A Drill (Live From Prague May 2023) 2025

Исполнитель: Roger Waters Альбом: Roger Waters: This Is Not A Drill (Live From Prague May 2023) Жанр: Progressive Rock Год: (2025) 2023 Страна: UK (Great Bookham, Surrey, England) Лейбл: Columbia, Legacy Формат: FLAC (tracks) Official DR value: DR11 Разрядность: 24bit / 96kHz Stereo Размер: 2,52 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Roger Waters, founding member and creative genius behind Pink Floyd, releases ‘This Is Not A Drill – Live from
Roger Waters - Roger Waters: This Is Not A Drill (Live From Prague May 2023) 2025

Roger Waters - Roger Waters: This Is Not A Drill (Live From Prague May 2023) 2025

Исполнитель: Roger Waters Альбом: Roger Waters: This Is Not A Drill (Live From Prague May 2023) Жанр: Progressive Rock Год: (2025) 2023 Страна: UK (Great Bookham, Surrey, England) Лейбл: Columbia, Legacy Формат: FLAC (tracks) Official DR value: DR11 Разрядность: 24bit / 96kHz Stereo Размер: 2,52 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Roger Waters, founding member and creative genius behind Pink Floyd, releases ‘This Is Not A Drill – Live from
06 08, 2025
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full-date Автор: superman8, 2 марта 2011, Комментариев: 0, Просмотров: 1 310

Wynton Marsalis Septet - Blue Interlude (1992)

Wynton Marsalis Septet - Blue Interlude (1992)

Artist: Wynton Marsalis Septet
Title Of Album: Blue Interlude
Year: 1992
Label: Columbia
Style: Jazz / Neo Bop / Mainstream Jazz / Trumpe
Format: FLAC(tracks +.cue, log + scans)
Bitrate: Lossless
Total Size: 394 MB (+ 3% rec.)

Wynton Marsalis had already shed the strictures of the early influences on his playing, and proven he could write extended conceptual pieces, on his early masterpiece, The Majesty of the Blues, by the time of this 1992 release. Blue Interlude still represented a quantum leap for the fast-evolving composer and trumpeter. Like the jazz master who'd become his greatest inspiration, Duke Ellington, Marsalis was writing with his whole septet in mind at this point, prefiguring the epic effort of Blood on the Fields. The nearly 40-minute long title track ranges from traditional New Orleans jazz through gutbucket blues and Ellingtonia into bop and beyond without ever losing its digressive thread. Reed player Todd Williams also weighs in with a serious compositon, "The Jubilee Suite."

“With Wynton Marsalis, exuberance, energy and high-level musicianship is never an issue, but long-windedness can be. This may be one of the best of the trumpeter's mid-sized ensembles, a septet, with pianist Marcus Roberts, trombonist Wycliffe Gordon, saxophonists Wessell Anderson and Todd Williams, bassist Reginald Veal, and drummer Herlin Riley. It is also to the credit of Marsalis that he allows solid group interplay, and much room for his sidemen to not only stretch, but to also include their written works in the repertoire. The problem is for the listener, as the bulk of this material lays in long form, and is more a test for the band's stamina than the pleasure of the beholder. It works in concert, but not on the radio or at home. The 37-plus-minute title track, a grandiose treatise on bittersweet romance, is the most egregious with lengthy solos, tight but verbose ensemble sections, up-and-down dynamics, and rhythmic variations. "The Jubilee Suite" is only 12 minutes, and much more concise, echoing anthemic clarion calls, a hip modern New Orleans groove, and features for the clarinet of Williams and Marsalis. "And the Band Played On" is a processional march, and "Brother Veal" exudes a warm feeling marinated in easy swing, with the clarinet of Williams again a focal point. The last piece, "Sometimes It Goes Like That," is the most complex melody, using the typical variable tempo and melodic devices that make a Marsalis jazz tune fairly recognizable. The cover art and title might indicate this was a blue interlude in the personal life of Marsalis translated into music (and words on the indulgent "Monologue" prelude to the title cut) and self-consciously rendered. It's fine music, but not particularly unique or original.

Tracklist:

01. Brother Veal
02. Monologue For Sugar Cane And Sweetie Pie
03. Blue Interlude
04. And The Band Played On
05. The Jubilee Suite
06. Sometimes It Goes Like That



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