Artist: Sarah Vaughan
Title Of Album: Ballads
Year Of Release: 2002
Label: Blue Note Records
Genre: Jazz, Vocal Jazz
Quality: FLAC (tracks)
Bitrate: Lossless
Total Time: 0:50:52
Total Size: 274 Mb
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Turbobit / Hitfile / UploadedTracklist:01. All Or Nothing At All (1991 Digital Remaster) 03:13
02. Midnight Sun (1993 Digital Remaster) 05:36
03. Dreamy (1998 Digital Remaster) 02:58
04. You Go To My Head (1996 Digital Remaster) (with Count Basie) 04:53
05. Key Largo (1998 Digital Remaster) 03:30
06. 'Round Midnight (1991 Digital Remaster) 03:35
07. The Second Time Around (1997 Digital Remaster) 03:43
08. Lover Man (Remix) (with Count Basie) 03:59
09. In A Sentimental Mood (1997 Remix/Remaster) 04:05
10. Guess I'll Hang My Tears Out To Dry (Remix) 04:09
11. Solitude (1991 Digital Remaster) 03:49
12. I Fall In Love Too Easily (1991 Remix/Remaster) 03:22
13. If I Had You (1994 Digital Remaster) 03:52
Like other entries in Blue Note's excellent Ballads series, this collection features Sarah Vaughan on a number of mellow standards. The songs originate from a number of sessions Vaughan completed for Roulette between 1960-1963, and they are uniformly lovely. The settings range from the guitar/bass backing on "All or Nothing at All" to the orchestra backing on "Dreamy." Vaughan sings the tastefully arranged "You Go to My Head" with the help of the Count Basie Orchestra and the intimately quiet "In a Sentimental Mood" with guitarist Mundell Lowe and bassist George Duvivier. She slowly caresses each syllable of "'Round Midnight," "Solitude," and "Lover Man," delivering fresh takes on these commonly sung classics. A certain warmth also permeates "In a Sentimental Mood" and "If I Had You," filling each note with an air of regret. The reflective material seems tailor-made for that late hour when one's guests have departed and the cocktail glasses have been cleared. Ballads gathers 13 exquisite recordings in one place and captures Vaughan in exceptional voice. It's also enlightening to listen to how she approaches similar material when the arrangements are so divergent. To those unfamiliar with her Roulette work, Ballads offers a fine introduction.
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