Artist: George Duke
Title Of Album: Keyboard Giant
Year Of Release: 2007
Label: Verve, Jazzclub
Genre: Jazz Funk,Smooth Soul
Quality: FLAC (image)
Bitrate: Lossless
Total Time: 01:15:55
Total Size: 492 MB (Scans)

Artist: Paco De Lucia
Title Of Album: Flamenco Virtuoso
Year Of Release: 2008
Label: Verve, Jazzclub
Genre: Latin Jazz, Flamenco
Quality: FLAC (image)
Bitrate: Lossless
Total Time: 01:06:24
Total Size: 390 MB (Scans)

Artist: Oscar Peterson
Title Of Album: Fly Me To The Moon
Year Of Release: 2006
Label: Verve, Jazzclub
Genre: Jazz
Quality: FLAC (image)
Bitrate: Lossless
Total Time: 01:10:37
Total Size: 381 MB (Scans)

Artist: Ella Fitzgerald
Title Of Album: Live In San Francisco
Year Of Release: 2006
Label: Verve, Jazzclub
Genre: Jazz, Vocal Jazz
Quality: FLAC (image)
Bitrate: Lossless
Total Time: 46:00
Total Size: 295 MB (Scans)

Artist: VA
Title Of Album: Jazz Rock
Year Of Release: 2008
Label: Verve, Jazzclub
Genre: Jazz Rock, Fusion
Quality: FLAC (tracks)
Bitrate: Lossless
Total Time: 01:18:02
Total Size: 532 MB (Scans)

Artist: VA
Title Of Album: Let's Dance Jazz
Year Of Release: 2006
Label: Verve, Jazzclub
Genre: Big Band, Vocal Jazz
Quality: FLAC (image)
Bitrate: Lossless
Total Time: 57:50
Total Size: 316 MB (Scans)

Artist: Jackie McLean
Title Of Album: Demons Dance
Year Of Release: 1967 (СВ 2006)
Label: EMI, Blue Note
Genre: Jazz
Quality: FLAC (tracks)
Bitrate: Lossless
Total Time: 36:24
Total Size: 235 MB (Covers)

Исполнитель: Bonnie Raitt
Альбом: Sweet Forgiveness
Cтрана: USA
Номер по каталогу: Warner Bros. 2990-2 - Made in USA
Год: 1977
Жанр: Blues Rock
Формат: FLAC (Tracks+.cue+log+Full HQ Covers)
Битрейт аудио: LOSSLESS
Размер: 213 MB
Залито на LetItBit, ShareFlare, TurboBit (+3%)

Since Home Plate brought Bonnie Raitt within shooting distance of the Top 40, thereby being the greatest chart success she yet attained, it made sense that she re-teamed with its producer Paul A. Rothchild for its follow-up, Sweet Forgiveness. Rothchild's modus operandi remains slickness, but he has backed away from his fondness for studio musicians, letting Raitt record the majority of the record with her touring band (who only were spotted occasionally throughout Homeplate).

Исполнитель: Bonnie Raitt
Альбом: Home Plate
Cтрана: USA
Номер по каталогу: Warner Bros. 7599-27292-2 - Made in Germany
Год: 1975
Жанр: Blues Rock
Формат: FLAC (Tracks+.cue+log+Full HQ Covers)
Битрейт аудио: LOSSLESS
Размер: 199 MB
Залито на LetItBit, ShareFlare, TurboBit (+3%)

Homeplate takes Bonnie Raitt even further down the path toward mainstream production than the unjustly maligned Streetlights, but, ironically, it works better than its predecessor.
Perhaps that's because producer Paul A. Rothchild has helped Raitt craft a record that's unapologetically pitched at the mainstream, where Streetlights often seemed to be torn between two worlds. The great thing about that is, regardless of the production, the essentials of Raitt's music have not changed. It remains a wonderful hybrid of American music, built on a thoroughly impressive set of songs, all delivered with Raitt's warm, expertly shaded, and undeniably sexy singing. She's such an accomplished singer, she sells these songs through productions that are much slicker than those that graced her earlier records, plus with a supporting crew of studio musicians. This production will undoubtedly dismay listeners that just like the earthiness of Give It Up, but Homeplate is still a success because, even though the recording is glossier, Raitt and her music remain the same and, if you're looking for that, it's still irresistible.

Исполнитель: Bonnie Raitt
Альбом: Streetlights
Cтрана: USA
Номер по каталогу: Warner Bros. 7599-27286-2 - Made in Germany
Год: 1974
Жанр: Blues Rock
Формат: FLAC (Tracks+.cue+log+Full HQ Covers)
Битрейт аудио: LOSSLESS
Размер: 233 MB
Залито на LetItBit, ShareFlare, TurboBit (+3%)

Following her first three albums, all of which were wildly eclectic affairs, Bonnie Raitt was poised for a mainstream move, and 1974's Streetlights is it. There's no blues edge here whatsoever, and Raitt's guitar playing is subdued--both detractions--but the album also introduces "Angel from Montgomery," the definitive version of John Prine's piercing ballad. Raitt dips further into contemporary singer-songwriter fare with Joni Mitchell's "That Song About the Midway" and James Taylor's "Rainy Day Man," but the album peaks with Allen Toussaint's thoughtful (and funky) "What Is Success."