Исполнитель: Rockets Альбом: The Final Frontier Жанр: Space Rock Год: 2024 Страна: France (Paris) Лейбл: Intermezzo Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 44.1kHz Stereo Размер: 651 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Исполнитель: Rockets Альбом: The Final Frontier Жанр: Space Rock Год: 2024 Страна: France (Paris) Лейбл: Intermezzo Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 44.1kHz Stereo Размер: 651 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Исполнитель: Thy Catafalque Альбом: XII: A gyönyörű álmok ezután jönnek Жанр: Avant-Garde Black Metal, Folk Metal Год: 2024 Страна: Hungary (Makó) Лейбл: Season of Mist Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 48kHz Stereo Размер: 659 MB Инфо: bandcamp Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Tamás Kátai has a vision that extends far beyond his native Hungary, but Thy Catafalque’s twelfth album is tied to the past in more ways than one.
Thy Catafalque - XII: A gyönyörű álmok ezután jönnek 2024
Исполнитель: Thy Catafalque Альбом: XII: A gyönyörű álmok ezután jönnek Жанр: Avant-Garde Black Metal, Folk Metal Год: 2024 Страна: Hungary (Makó) Лейбл: Season of Mist Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 48kHz Stereo Размер: 659 MB Инфо: bandcamp Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Tamás Kátai has a vision that extends far beyond his native Hungary, but Thy Catafalque’s twelfth album is tied to the past in more ways than one.
Mortimer - On Our Way Home (1969) [Remastered, Expanded, 2017]
Artist: Mortimer Title Of Album On Our Way Home Year Of Release: 1969/2017 Label (Catalog#) :RPM [Retro 987] Country: USA Genre: Soft Rock, Folk Pop Rock Quality: FLAC (image + cue,log) Bitrate: Lossless Total Time: 00:54:44 Total Size: 356mb(+3%)(covers)
The New York trio Mortimer's self-titled first album from 1968 staked out very interesting territory for the times. Stripping their sound down to acoustic guitars and conga drums, they sang lovely pop-psych tunes in beautiful harmony. It was a gimmick that almost but not quite caught on, which led the band to seek greener pastures in London. Through a series of lucky breaks, they ended up signed to Apple Records by an enthusiastic George Harrison, and set up in London to record demos and rehearse while the producer assigned to them, Peter Asher, finished making another album elsewhere. When he returned, the trio had amassed a startling number of new songs, of which ten were chosen. Asher decided to put the full resources of Apple behind the band and called in vocal choirs, string sections, and horns, while handing the boys electric guitars and a full drum kit. Many of the songs still have the basic acoustic underpinnings of Mortimer, but a large chunk of them sounds like a completely different band. The nice melody of "You Don't Say You Love Me" is punctuated by horn blasts and sawing strings; "You Do Too" is given a jolt by a fuzz guitar running through it like stray current; "No Business Being Here" is one steel guitar lick away from sounding like a Jerry Reed track cut in Las Vegas. Even the tenderest ballad, "Dolly," is writ large and given an extra boost from a giant-sounding 12-member vocal choir. Mortimer finished the record, and while playing it for Apple execs they were told that Paul McCartney had a song for them. They added "On Our Way Home" (which became "The Two of Us" when the Beatles later cut it) at the last minute, and somewhat ironically gave it the most stripped-down production of all. The resulting album isn't exactly bad; many of the tracks are first-rate late-'60s pop and the group's vocals are very pretty throughout. The problem is that it lacks the immediate charm of their debut, as well as a few standout tracks like "Singing in the Sunshine" and "Would You Believe." The soulful, Association-like "I Didn't Know" is probably the best song here, and the fact that it sounds like another band rather than Mortimer sums up the album's problems. But none of it mattered at the time, since Apple decided at the last minute -- thanks to a budget crunch -- that they were canceling the album's release. It sat in the archives for almost 50 years before RPM Records finally issued it in 2017. With the full story behind the record in the liner notes and several tracks added on, On Our Way Home is an interesting curio from a lost age, if not quite a fitting follow-up to Mortimer, one of the true lost classics of the '60s.
[center]Tracklist --------- 01. On Our Way Home (John Lennon, Paul McCartney) - 3:06 02. I Didn't Know - 3:38 03. You Do Too - 3:12 04. Dolly - 4:43 05. People Who Are Different - 5:41 06. You Don't Say You Love Me - 3:03 07. Miles Apart - 3:12 08. Don't Want to See You Anymore - 3:58 09. No Business Being Here - 3:06 10. In Memory Of Her - 3:15 11. Pick Up Your Heart - 4:50 Bonus Tracks 12. Christine Tildsley - 3:39 13. Last Of The "H" - 4:22 14. Laugh Children Laugh - 2:46 15. Ingenue's Theme - 2:24
Personnel: --------- Guy Masson - Vocals, Drums, Percussion Tom Smith - Vocals, Guitar Tony Van Benschoten - Vocals, Bass, Guitar Richard Hewson - Piano, Arrangements
All thanks to original releaser
Внимание! У Вас нет прав для просмотра скрытого текста.