_______Artist:
Tony Hazzard_______Album: Go North -The Bronze Anthology
_______Label: Castle Music Ltd.
_______The Copyringht in this Compilation is owned by
_______℗ & © 2005 Sanctuary Records Group Ltd.
_______Catalog#: CMDDD 1094
_______Made in the E.U._______Genre: Pop, Rock, Folk, Psychedelic
_______Format: FLAC (track+.cue+log)
_______Bitrate: lossless
_______Cover: JPG, 200 dpi - Full Scan
_______Duration: 02:21:21
_______
• Tony Hazzard закончил в 60-х университет и тут же, по велению судьбы, оказался прямиком в музыкальном бизнесе. Как сольный певец он начинал в классических телевизионных шоу 60-х, таких как «Ready Steady Go» и «Thank Your Lucky Stars», но вскоре ему стало ясно, что его истинное призвание – стезя композитора-песенника. Первые же труды на новом поприще привели к большому успеху: за трёхлетний период, от 1966 до 1969 гг., он написал два десятка хитов, три из которы заняли ведущие позиции в чартах Великобритании и Европы. Тони написал песни для таких исполнителей, как Manfred Mann («Fox On The Run» и «Ha Ha Said The Clown»), The Hollies («Listen To Me»), The Tremeloes («Hello World»), Lulu («Me The Peaceful Heart») и Herman's Hermits («You Won't Be Leaving»). У него есть песни, записанные Gene Pitney («Maria Elena»), Dave Berry («Love Has Gone Out Of Your Life»), Simon Dupree и The Big Sound («The Eagle Flies Tonight»), Nana Mouskouri («Mamma»), Cliff Richard («The Sound Of The Candyman's Trumpet»), Hall & Oates («The Princess And The Soldier») и The Yardbirds («Fade Away Maureen», «Ha Ha Said The Clown»). Кульминацией его сочинительских достижений стал 1974 год, в котором его очередной боевик вошёл в 20-ку лучших хитов. Это был сингл «I Think I'm Over Getting Over You» в исполнении Энди Уильямса (Andy Williams). В течении этого периода он ещё написал и спродюсировал телевизионные джинглы («jingles»), а также написал немало мелодий для научно-популярных сериалов BBC и ITV. Один из его джинглов получил награду на Каннском кинофестивале. Кроме того, Тони попутно выступал в качестве сессионного певца и гитариста, сотудничая с такими исполнителями, как James Last, Long John Baldry и Elton John, включая три альбома Элтона («Elton John», «Tumbleweed Connection» и «Honky Chatea») и выступление с ним на одной сцене на первом концерте в Royal Festival Hall.
• В 1969 г. он записал свой первый альбом, в основном использовав домоверсии своих песен и некоторые хиты, названный “Tony Hazzard sings Tony Hazzard”. Версия на CD была реализована в 2007 г. фирмой «Cherry Red Records». В 1971 г. Тони записал и выпустил свой второй сольник “Loudwater House”, а за ним последовал в 1973 г. “Was That Alright, Then?” Двойной CD с этими альбомами был издан лейблом «Sanctuary» в 2005 г., под названием “Go North - The Bronze Anthology”. В начале 70-х он часто выступал в концертах вместе с собственной группой, включающей музыкантов, с которыми он записывал свои сольники. В 1976 он записал альом “Hazzard & Barnes” вместе со своим старым другом Richard Barnes, которого раньше привлекал для создания демозаписей. В 1974 г. Тони перебрался в Корнуэлл (Cornwall) и, казалось, покончил с музыкальным бизнесом, но после визитов в Нэшвилл и Лос Анджелес он с удвоенной энергией взялся за дело, поэтому вторая половина 70-х ознаменовалась очередным творческим периодом в его жизни. Он создаёт много новых песен. Кстати, многие из них до сих пор не опубликованы!
• В 1977 г. Тони был награждён BMI за вклад в развитие музыки. Очень высоко, в частности, был отмечен его незабываемый хит 60-х «Fox On The Run», ставший популярным по обе стороны Атлантики и, как было особо отмечено, превратившийся в блюграссовый стандарт. Тони до сих пор в строю, записывается и играет вместе с такими блюграссовыми и кантри- артистами, как Tom T. Hall, Bill Monroe, The Country Gentlemen, George Jones, Ricky Skaggs, Flatt & Scruggs, Doc Watson и Bare Naked Ladies.
• And about bloody time too! Tony Hazzard, much like Graham Gouldman (surely his closest stylistic contemporary), has been appallingly ill served by the digital age. There are no anthologies of his work as a hit-making songwriter for Manfred Mann, The Hollies, Lulu, Herman's Hermits and Andy Williams amongst others and his own three wonderful albums and smattering of singles released between 1966 and 1973 remain beloved artefacts in the collections of the lucky few who have bothered to track down original copies. Until now.
• Sanctuary has compiled all of the material Tony cut for the Bronze label between 1971 and 1973. It charts his transition from Eurovision-friendly but equally underground-savvy commercial pop writer to bandleader and rural troubadour in the tradition of The Band, Bob Dylan and Randy Newman. Well, didn't everybody have to at least dabble with that sound in 1971? But for all of Tony's Woodstock aspirations (which include covering everything in dense layers of acoustic guitar, pedal steel and piano courtesy of B J Cole, Mike Batt, Caleb Quaye, Dave Greenslade and the biggest session names of the day), he could never escape his northern English roots and effortless pop nous. And it's those qualities that have saved his solo work from going the way of so many Heads, Hands And Feets.
• 1971's Loudwater House has two modes: full-on mid-paced country-rock ('Blue Movie Man', 'Woman In The West' and the hilarious ode to a particularly brain-impairing local beer 'Abbott Of The Vale' – "too much of him, you'll turn a whiter shade of pale") and short, solo vignettes with guitar or piano accompaniment ('Daffodils', 'Sara's Birthday', the gorgeous 'Another Day Will Come'). Only the rambling in-jokes of 'Loudwater Zoo' spoil this one.
• By the time of 1973's Was That Alright Then? (to which one razor-sharp reviewer at the time remarked simply "no"), the musical palette had been expanded to include fragile, baroque pieces like 'The Potter' and 'Blossom', the epic tear-jerker 'I Think I'm Over Getting Over You' and the self-depreciating fish 'n' chips whimsy of 'Paul McCartney' ("I'm beginning to hate the style of T H / I wish I was McCartney"). It also boasts one of the greatest opening tracks in memory, the rousing call to arms that is 'Loudwater Band'. If that one don't put a smile on your face then you should get back to scrutinising ELP matrix numbers pronto! The only clunker here is 'Mama' which is far too long, way too sentimental and should have been jettisoned in favour of the non-album B-sides 'Mrs Q' and 'Hangover Blues' which are both winners.
• A good selection of singles, demos, alternate versions and even a brand new and utterly tasteful re-recording of '(Get Back Go Home) Go North' plus informative liner notes courtesy of David Wells round off this superb package.
--------- ☆☆☆☆☆☆☆☆☆☆☆ ---------• Disc 1: 01. Blue Movie Man 02:46
02. Daffodils 01:12
03. Woman in the West 03:32
04. Sara's Birthday 01:25
05. Abbot of the Vale 03:44
06. Mum and Dad 01:12
07. Redwoods Back Home 05:00
08. Loudwater Zoo 05:49
09. Another Day Will Come 02:10
10. Lie Down 04:54
11. Promised Land 03:18
12. Don't Need to Anymore Now 01:40
13. Loudwater House 04:51
14. Abbot of the Vale (Alternative Version) 04:18
15. Blue Movie Man (Alternative Version) 02:46
16. The Way I Feel 02:41
17. How She's Making Out 02:01
18. All Time Now 03:11
19. (Go Home Get Back) Go North 03:26
EAC log / Accurate RipExact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 30. July 2011, 16:47
Tony Hazzard / Go North - the Bronze Anthology [CD 1]
Used drive : TSSTcorpCDDVDW SH-S223C Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS
TOC of the extracted CD
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Track 3
Filename C:\EAC\tony hazzard1\03 - Woman in the West.wav
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Track 6
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Track 7
Filename C:\EAC\tony hazzard1\07 - Redwoods Back Home.wav
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Track 8
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Track 9
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Track 10
Filename C:\EAC\tony hazzard1\10 - Lie Down.wav
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Track 13
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Track 14
Filename C:\EAC\tony hazzard1\14 - Abbot of the Vale [Alternative Version].wav
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Track 15
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Filename C:\EAC\tony hazzard1\17 - How She's Making Out.wav
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Track 19
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==== Log checksum 6A4E6982157B633FE6398FBF9C6E26F9BCC4DF297BF6D9149A6365627156E909 ====
• Disc 2: 01. Loudwater Band 03:39
02. The Potter 04:06
03. Sweet Ruby Ruby Nite-Time (It's Time to Blow Out the Stars) 02:47
04. Blossom 03:14
05. Paul McCartney 02:01
06. I Think I'm Getting Over You Now 03:52
07. How Can a Woman Like You Smile 03:35
08. Wheels 03:52
09. Got to Be You Got to Be Me 03:53
10. Mamma 06:08
11. Chorleywood Bottom Rag 02:06
12. Mrs Q 04:00
13. Hangover Blues 03:36
14. Seventh Son 03:59
15. (Go Home Get Back) Go North (2005 Version) 10:24
EAC log / Accurate RipExact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 30. July 2011, 22:12
Tony Hazzard / Go North - the Bronze Anthology [CD 2]
Used drive : TSSTcorpCDDVDW SH-S223C Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 697
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS
TOC of the extracted CD
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13 | 43:18.01 | 3:36.07 | 194851 | 211057
14 | 46:54.08 | 3:59.35 | 211058 | 229017
15 | 50:53.43 | 10:24.35 | 229018 | 275852
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Filename C:\EAC\tony hazzard2\06 - I Think I'm Getting Over You Now.wav
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Filename C:\EAC\tony hazzard2\07 - How Can a Woman Like You Smile.wav
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End of status report
==== Log checksum A8473548A88B752B5C17108864F3C67C6004FC0895D702F930E91A53A4DF6DDA ====
Credit:Willie Dixon - Composer
Tony Hazzard - Composer, Primary Artist
David Wells - Annotation, Liner Notes
Paul Bevoir - Artwork, Design
Steve Hammonds - Coordination --------- ☆☆☆☆☆☆☆☆☆☆☆ ---------