Rondo Veneziano - Un'ora Con (2013)

Rondo Veneziano - Un'ora Con (2013)

rip by Boris1 Performer: Rondo Veneziano Album: Un'ora Con Label: Sony music Catalog #: 88883751762 Style: Modern Classical, Easy listening Year: 2013 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 15 Size RAR: ~ 437 MB Upload: xfile Recovery: 3% Password: sim-sim Итальянский камерный оркестр Rondó Veneziano отличался от многих групп схожего стиля не только тем, что нанимал в основном женщин-музыкантов и взял за правило выступать в одежде эпохи
Rondo Veneziano - Un'ora Con (2013)

Rondo Veneziano - Un'ora Con (2013)

rip by Boris1 Performer: Rondo Veneziano Album: Un'ora Con Label: Sony music Catalog #: 88883751762 Style: Modern Classical, Easy listening Year: 2013 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 15 Size RAR: ~ 437 MB Upload: xfile Recovery: 3% Password: sim-sim Итальянский камерный оркестр Rondó Veneziano отличался от многих групп схожего стиля не только тем, что нанимал в основном женщин-музыкантов и взял за правило выступать в одежде эпохи
29 04, 2025
Yes - The Studio Albums 1969-1987 (2014, Hi-Res)

Yes - The Studio Albums 1969-1987 (2014, Hi-Res)

Artist: Yes Title Of Album: The Studio Albums Year Of Release: 2014 Label (Catalog#) : Rhino Atlantic Country:: UK Genre: Progressive Rock, Symphonic Rock Quality: FLAC (*tracks) Bitrate: 24bit / 192kHz Time: 08:49:40 Full Size: 18.8Gb(+3%) Info: wiki Upload: xfile.cloud
Yes - The Studio Albums 1969-1987 (2014, Hi-Res)

Yes - The Studio Albums 1969-1987 (2014, Hi-Res)

Artist: Yes Title Of Album: The Studio Albums Year Of Release: 2014 Label (Catalog#) : Rhino Atlantic Country:: UK Genre: Progressive Rock, Symphonic Rock Quality: FLAC (*tracks) Bitrate: 24bit / 192kHz Time: 08:49:40 Full Size: 18.8Gb(+3%) Info: wiki Upload: xfile.cloud
27 04, 2025
Foghat – The Complete Bearsville Albums Collection (1972-83)(2016, Hi-Res)

Foghat – The Complete Bearsville Albums Collection (1972-83)(2016, Hi-Res)

Artist: Foghat Title Of Album: The Complete Bearsville Albums Collection Year Of Release: 1972-83/2016 Label (Catalog#) : Rhino Country:: UK Genre: Classic Rock, Blues Rock, Hard Rock Quality: FLAC (*tracks) Bitrate: 24bit / 192kHz Time: 08:11:04 Full Size: 19.2Gb(+3%) Info: wiki Upload: xfile.cloud
Foghat – The Complete Bearsville Albums Collection (1972-83)(2016, Hi-Res)

Foghat – The Complete Bearsville Albums Collection (1972-83)(2016, Hi-Res)

Artist: Foghat Title Of Album: The Complete Bearsville Albums Collection Year Of Release: 1972-83/2016 Label (Catalog#) : Rhino Country:: UK Genre: Classic Rock, Blues Rock, Hard Rock Quality: FLAC (*tracks) Bitrate: 24bit / 192kHz Time: 08:11:04 Full Size: 19.2Gb(+3%) Info: wiki Upload: xfile.cloud
26 04, 2025
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full-date Автор: sirk, 25 октября 2023, Комментариев: 0, Просмотров: 739

After All - After All (1969) [2000]

After All - After All (1969) [2000]

Artist After All
Title Of Album After All
Year Of Release: 1969/2000
Label (Catalog#) Gear Fab [GF-161]
Country: USA
Genre Proto-Progressive Rock
Quality: FLAC (tracks+.cue,log,scans)
Bitrate: Lossless
Quality: 00:39:34
Full Size: 221mb(+3%)

AllMusic Review by Stanton Swihart
After All may have only been a band in the loosest sense of the term, but its only record is a quite wonderful -- if ultimately difficult to categorize -- one-shot relic of the transitional late-'60s. The four members of the combo were actually friends and acquaintances in different bands on the Tallahassee, FL, rock circuit before culling their skills together, along with lyrical assistance from young local poet and songwriter Linda Hargrove, when an opportunity to record an album in a Nashville studio presented itself. The resulting piece of work is the type of strangely compelling hybrid album that could only have come together in the musical gumbo of the post-psychedelic era. Drummer and primary vocalist Mark Ellerbee wrote most of the music, and his songs are basically freeform, open-ended tone poems that eschew typical verse-chorus and melodic considerations (although the odd melodic hook or harmony surfaces from time to time) for music that is much more amorphous and improvisational. There are elements of rock, R&B, blues, progressive, classical, avant-garde composition, and, to an even greater degree, jazz weaving through the music, while a thick hallucinatory cloud hovers over the whole of the album, giving it an oddly surreal and even ghostly demeanor. It is a complex and ambitious mix that doesn't always come off seamlessly, but is by and large an engaging amalgam, exploring similar territory to that being investigated during the period by much higher profile bands such as Chicago, Procol Harum, and Blood, Sweat & Tears (Ellerbee's singing, in fact, is a dead ringer for David Clayton Thomas). Each band member displays near virtuosity on his instrument, which allows After All to harness all its sonic influences and renders the music exciting to hear even when the songwriting drags the slightest bit or loses its way. But, for the most part, the songs are rather outstanding. "Intangible She" and the psychedelic "A Face That Doesn't Matter" play with the foreboding, seedy flair that frequently made the Doors' songs seem like such ominous musical prophecies, while "Blue Satin" is a bit more swirling and romantic but maintains an edgy sense of intangible mystery, represented by the flute that threads through the song's final moments. "Let It Fly," on the other hand, is pure groove, and maybe the best example of the band's playing capabilities (if not the best song), while "And I Will Follow" builds a slow, tensive burn to match the yearning nature of the lyrics before turning more wistful. Hargrove's beautifully lustful and longing words frequently create an interesting tension with the spacier instrumental interplay, and the music is even more enigmatic as a result. After All is not easy to fully enter, but it is well worth the effort. As obscurities from the era go, it may not be one of the most fascinating, but it may have some of the most accomplished musicianship.




Tracks:
-------
1. Intangible She (Mike Elerbee - Linda Hargrove) 7:12
2. Blue Satin (Mike Elerbee - Linda Hargrove) 3:46
3. Nothing Left To Do (Mike Elerbee - Linda Hargrove) 7:04
4. And I Will Follow (Mike Elerbee - Linda Hargrove) - 4:46
5. Let It Fly (Mike Elerbee - Linda Hargrove) 4:30
6. Now What Are You Looking For (Bill Moon) 3:02
7. A Face That Doesn't Matter (Mike Elerbee - Linda Hargrove) 4:30
8. Waiting (Mike Elerbee - Linda Hargrove) 4:20

Personnel:
---------
Bill Moon - Vocals, Bass
Charlie Short - Guitar
Alan Gold - Keyboards
Mark Ellerbee - Drums, Vocals

All thanks to original releaser


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Изменил: sirk по причине: RE-UP

Теги: Progressive Rock, After All, 70...

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