Исполнитель: The Guess Who Альбом: American Woman (2024 Remaster) Жанр: Hard Rock, Psychedelic Rock Год: (2024) 1970 Страна: Canada (Winnipeg, Manitoba) Лейбл: SMCMG Формат: FLAC (tracks) Official DR value: DR12 Разрядность: 24bit / 96kHz Stereo Размер: 819 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
The Guess Who - American Woman (2024 Remaster) 1970
Исполнитель: The Guess Who Альбом: American Woman (2024 Remaster) Жанр: Hard Rock, Psychedelic Rock Год: (2024) 1970 Страна: Canada (Winnipeg, Manitoba) Лейбл: SMCMG Формат: FLAC (tracks) Official DR value: DR12 Разрядность: 24bit / 96kHz Stereo Размер: 819 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Исполнитель: Rockets Альбом: The Final Frontier Жанр: Space Rock Год: 2024 Страна: France (Paris) Лейбл: Intermezzo Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 44.1kHz Stereo Размер: 651 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Исполнитель: Rockets Альбом: The Final Frontier Жанр: Space Rock Год: 2024 Страна: France (Paris) Лейбл: Intermezzo Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 44.1kHz Stereo Размер: 651 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
John Cale & Terry Riley - Church Of Anthrax (1971) (Remastered, 2008)
Artist: John Cale & Terry Riley Title Of Album: Church Of Anthrax Year Of Release: 1974/2008 Label (Catalog#) Wounded Bird [WOU 131] Country: USA Genre: Art Rock, Experimental, Avantgarde, Jazz Bitrate: Lossless Quality: Flac (*image + .cue,log,scans) Time: 00:33:55 Full Size: 241Mb
AllMusic Review by Stewart Mason A one-time-only collaboration between former Velvet Underground co-founder John Cale and minimalist composer Terry Riley, 1971's Church of Anthrax doesn't sound too much like the solo work of either. Around this time, Riley's works were along the lines of "A Rainbow in Curved Air" or "Poppy Nogood and the Phantom Band": pattern music with an obsessive attention to repetition and tricks with an analogue delay machine that gave his music a refractory, almost hallucinogenic quality. Though Cale was trained in a similar aesthetic (he played with La Monte Young, surely the most minimal of all minimalist composers), he had largely left it behind by 1971, and so Church of Anthrax mixes Riley's drones and patterns with a more muscular and melodic bent versed in both free jazz and experimental rock. Not quite modern classical music, but not at all rock & roll either, Church of Anthrax sounds in retrospect like it was a huge influence on later post-minimalist composers like Andrew Poppy, Wim Mertens, and Michael Nyman, who mix similar doses of minimalism, rock, and jazz. On its own merits, the album is always interesting, and the centerpiece "The Hall of Mirrors in the Palace at Versailles" is probably the point where Riley and Cale approach each other on the most equal footing. The low point is Cale's solo writing credit, "The Soul of Patrick Lee," a slight vocal interlude by Adam Miller that feels out of place in these surroundings.
Tracks: ------- 1. Church Of Anthrax 2. The Hall Of Mirrors In The Palace Of Versailles 3. The Soul Of Patrick Lee 4. Ides Of March 5. The Protege
Personnel: --------- John Cale – keyboards, bass guitar, harpsichord, piano, guitar, viola, organ Terry Riley – piano, organ, soprano saxophone ---------------------- Adam Miller – vocals on "The Soul of Patrick Lee" Bobby Colomby – drums Bobby Gregg – drums
All thanks to original releaser
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