YEAR: 2004
STYLE: Progressive Rock/ Folk
FORMAT: FLAC (Tracks + Log + Cue + Scans + 5% Recovery)
SIZE: 285 Mb
COUNTRY: Canada
THE BAND:
Marcel Aymar - voice, acoustic guitar, Turkish cymbals; David C. Burt - electric guitar, harmonica; Michel Dasti - drums, percussion; John Doerr - bass, synthesizer, trombone, electric piano; Michel Kendel - grand piano, bass, electric piano; Wasyl Kohut - violin, mandolin & Seagulls; Rachel Paiement - voice, acoustic guitar, percussion; André Paiement - voice, acoustic guitarDebut album from this combo emanating from a communal art association in Northern Ontario, and quite a pleasant surprise for the proghead looking for progressive folk music. Heavily laced with the rude weather and rough wildlife mixed with a superbly generous hippydom, Cano's music shines in this writer's memories of a happy "teendom". Memories of campfire with girls (and condoms;-), beers (and doobies;-) and guitars (and bongos;-) on a lakeside beach (called Creemore Dirtywater Upheaval;-) with the stereo blasting Harmonium or Rush certainly, but also of Cano. The album came with a superb artwork evocating the old Pioneering days with Fur traders, Canoes and portages, which represent one facet on CANO.
Cano's music certainly reflects the calm pastoral life of the mid-Northern Ontario, where French and English speakers lived alongside with few problems (in later albums Cano will also sing tracks in English), but as mentioned above, the rough conditions. Apart of the stunning 8-min opener (Viens Nous Voir inviting you to jump in their wonderful world), most of the first side is relatively short folk rock (trad folk as main inspiration but with a clear Acadian flavor) tracks, depicting crazy old fools (Mederic - a jig), to boring Sunday Afternoons and getting lost in the big cities (Rues D'Ottawa). The piano playing is sometimes reminding me of the one in Skynyrd's Freebird.
The second side of the album was made of two lengthy stunners with a short interlude separating them. En Plein Hiver, depicting the winter "blah" (Ontarians will appreciate) with this especially beautiful spirit that Harmonium managed on their debut and the Cinquième Saison. As will be usual, Cano start slowly and calmly, taking their time in building a sweet but implacable crescendo, to culminate superbly, and then ending in a short recap of the intro. In some way, if people asked how rush could make so much "noise" being just a trio, one of the most intriguing antithesis of that is how could an octet such as Cano be so delicate? The closing Baie St-Marie (written by Marcel Aymar who also had done the opening salvo) is probably a better tourist postcard than any possible picture could probably: as cymbals, seagulls, creaking wooden boats will gradually lead into an acoustic strumming guitar doubled by an electric piano, bongos, a swinging funky electric guitar, then drums and a superb violin (remember this was an octet), the track is now into a delightful groove with Kohut's violin twirling, swirling, twiddling, circling, flying from one ear to the other. Believe me, you'll want to visit the place that inspired such a great musical moment. In the middle section, the track slows back down to allow a sleepy trumpet answers the seagulls and the dramatic violin underlining the sea-lost father (Acadian hardships are never really far away from the superb lyrics) and a solemn end. I think I found my next holiday destination (once more;-).
Both Cds are now coming with fully translated lyrics. I wonder if these guys actually ever considered their music to be the equivalent in quality of the great folk-prog groups that are included in our beloved Archives, but their more ambitious tracks certainly stand out with the masters of the genre.
http://www.progarchives.com
Tracks Listing:1. Viens nous voir (8:35)
2. Dimanche après-midi (3:41)
3. Pluie estivale (2:53)
4. Le vieux Médéric (2:59)
5. Les rues d'Ottawa (3:49)
6. En plein hiver (9:30)
7. Chanson pour Suzie (1:05)
8. Baie Ste-Marie (9:29)
The Band:Marcel Aymar - voice, acoustic guitar, Turkish cymbals
David C. Burt - electric guitar, harmonica
Michel Dasti - drums, percussion
John Doerr - bass, synthesizer, trombone, electric piano
Michel Kendel - grand piano, bass, electric piano
Wasyl Kohut - violin, mandolin & Seagulls
Rachel Paiement - voice, acoustic guitar, percussion
André Paiement - voice, acoustic guitar
with:
Merv Doerr - second trombone (8)
Nick Ayoub - clarinet (6)
Jimmy Tanaka - congas (8)
Luc Cousineau - percussion
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