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Performer: Various Album / collection: «Digital eXtreme Definition» Series: Original Vinyl LP™— Label: (c)(p) 1974-2025 Made in Europe, Japan, USA. Source: Rip by DJ Stierlitz, Dymokust, piter… ⇒ Conversion 32/384kHz by KoGGaN™ Official DR value: •12•12•12•11•14•13•13•13•11•12•13•12•13•13•13•13•15•13• •12•13•12•13•13•12•12•11•12•12•11•13•12•13•13•13•12•12•13•12•11•11•11•12• •12•13•13•12•14•13•12•13•11•14•11•11•13•11•13•12•13•14•15•13•11•12•13•13•
DXD «Exclusive for "lossless-galaxy" Vinyl Collection» (87 × LP • Only Best Albums • 1979-2025)

DXD «Exclusive for "lossless-galaxy" Vinyl Collection» (87 × LP • Only Best Albums • 1979-2025)

Performer: Various Album / collection: «Digital eXtreme Definition» Series: Original Vinyl LP™— Label: (c)(p) 1974-2025 Made in Europe, Japan, USA. Source: Rip by DJ Stierlitz, Dymokust, piter… ⇒ Conversion 32/384kHz by KoGGaN™ Official DR value: •12•12•12•11•14•13•13•13•11•12•13•12•13•13•13•13•15•13• •12•13•12•13•13•12•12•11•12•12•11•13•12•13•13•13•12•12•13•12•11•11•11•12• •12•13•13•12•14•13•12•13•11•14•11•11•13•11•13•12•13•14•15•13•11•12•13•13•
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Kate Bush: 2018 Remastered Part I "> Performer: Kate Bush Box Set / Albums: 2018 Remastered Part I 1978 The Kick Inside ● 1978 Lionheart ● 1980 Never For Ever 1982 The Dreaming ● 1985 Hounds Of Love 1989 The Sensual World ● 1993 The Red Shoes (7CD Box Set Parlophone Records) ----------------------------- 2018 Remastered Part II 2005 Aerial ● 2011 Director’s Cut ● 2011 50 Words For Snow 2016 Before The Dawn ● 2018 The Other Sides 4CD (11CD Box Set Fish People) Info: Noble "> (3%
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Grateful Dead: 1974 From The Mars Hotel / Hybrid SACD MFSL 2019

Grateful Dead: 1974 From The Mars Hotel / Hybrid SACD MFSL 2019

Grateful Dead: 1974 From The Mars Hotel Hybrid SACD MFSL 2019 Performer: Grateful Dead Albums: 1975 From The Mars Hotel (Hybrid SACD MFSL 2020) Info: Grateful Dead Productions / Mobile Fidelity Sound Lab / Rhino Records / Warner Records Hybrid SACD / Remastered / Limited Numbered Edition of 2,500 Original Master Recording / Ultradisc UHR Catalog Disc (Numbered): UDSACD 2196 (№ 001617) Made in USA (Manufactured by Rhino Entertaiment Company) / Disc Made in Austria Dynamic Range: 12 Genre /
01 04, 2025
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full-date Автор: vitaljazz, 1 марта 2010, Комментариев: 3, Просмотров: 1 512

UNDER LINDEN - UNDER LINDEN - 2007

UNDER LINDEN - UNDER LINDEN - 2007

YEAR: 2007
STYLE: Symphonic Progressive Rock
FORMAT: FLAC (Image + Log + Cue + Scans + 5% Recovery)
SIZE: 370 Mb
COUNTRY: Argentina
THE BAND: Ignacio Scarsella / electric & acoustic guitars; Mario Gimeno / drums & effects; Roberto Medina / electric & acoustic violins; Jorge Dal Cin / bass; Gabriela González / keyboards

After years and years of creating a cult following and actively pursuing the perpetuation of prog rock in their native Argentina (this band also works as organizer of the annual Sinfo-Prog festival, at La Plata), Ünder Linden has finally made it - the release of their debut album. This instrumental ensamble is so well ordained and cohesive that it is comes as no wonder that you find aout that all of them individually are veteran experts with a long past as prog rockers. This band is full of skills on an individual level, but generally speaking, the showing off comes more recurrently from the ensemble itself than from pyrotechnical duels between this and that musician. having said that, it is clear that the compositions are arranged and performed in order to allow the guitar and violin share most of the spotlight, with the keyboards mostly creating background atmospheres and pertinent orchestration, plus very occasional soloing. Even this statement has to be understood as a symptom of the band's pristine musical sensibility, since the guitat and violin leads are perfectly based on the main melodic structure of the underlying theme that happens to be developing at the moment. Also, their moments of duelling are very controlled, but none of this means that the band lacks energy or uses it with neglect - on the contrary, both the patently powerful moments and the reflective ones are delivered with crucial energy and emotional allusions. Classic Camel and Focus (their symphonic side) come out as their major influences, with additional influences from UK, Hackett-era Genesis and melodic hard rock a-la Satriani/Vai. The rhythm section is very polished and very tight, in this way impeccably complementing the overall atmospheres sustained by the keyobards and enhanced on the guitar and violin's lines. The opener 'New-New / Danza de Ballenas' starts with soaring cosmic textures, based on low-tone keyboard layers upon which the bass, guitar and violin ramble for a while with phrases and/or effects. Once the mid-tempo is set on, the main theme goes settling in, gradually going to a faster crescendo that is so full of majesty that the listener must feel moved by it. 'Desolación' is just a scene of a door opening, sounds of wind and the door closing, just a prelude to 'En la Piedad de los Dioses', a piece the somewhat follows the path of the opening piece: it starts with a sense of serenity that borders on sheer melancholy, before a second section wraps things up in a more dynamic manner, albeit keeping things relaxing (ocasionally reminding me of KBB at their softest). 'Casi Fue' is focused on the melancholic side of Ünder Linden, even straying a bit apart from standard symphonic prog and elaning closer to Satriani's slow tracks: the energy is still there, but this time is it clearly constrained in terms of both composition and delivery. The level of power takes a dramaic turn upwards with 'El Conducto', one of the most explosive numbers of the album. It recaptures the prog vibe of tracks 1 and 3, only to take it to a more robust dimension. The band deals with the tempo and mood variances without losing an inch of focus on the track's overall spirit - 'El Conducto 'is a second highlight after the amazing opener. 'Gravitaciones' kind of drags the rocking flourishes of the preceding track, even flirting with melodic hard rock in places. By now, the album has reached a very interesting level of musical power, and surely the symphonic-prog fiendly listener has felt hooked on this band for a while. 'El Cortito M.K.' finds the band returning to the Satriani/Vai influence, at least for a couple of minutes (I suspect that this pieces is performed only by the trio of guitar-bass- drum). Anyway, 'M.K.' seems like an interlude within the whole repertoire's scheme. 'Tiburón en Marcha' (Spanish for 'Shark on the Road'), despite its title alluding images of animal horror movies from the late 70s and early 80s, is neither creepy nor aggressive at all. It is actually the band's most candid exercise on melancholic moods, based on their most simplistic melodic idea: the ambience is not sad, but relaxing, even refreshing. This is very pertinent, since the last two pieces are designed to increase the intensity. Don't be fooled by the opening textures of 'Linden', full of languid mystery as they are - for the second half, things will speed up in an explicit fashion, turning into an exciting progressive voyage that totally confirms the Camel-meets-Focus reference. 'Parafinal' is credited as a bonus track (like a homage to Farenheit, an older band that a few members of UL used to play in), but it actually works as a proper closure for the album. It's got enough dynamics and complexity as to bring a pleasant final taste in the heart and mid of the listener: the sense of joy reflected in the main motif and enthusiastic performances make this track sound like a marriage of Camel, Crucis and early solo Hackett. Definitely, these last two tracks are other highlights to consider the value of this "Ünder Linden" album as a whole. Arguably, this is the most accomplished Argentinean symphonic prog album of the year; undisputedly, Únder Linden is a band that has earned to be acknowledged as a major symphonic prog act nowadays, both Latin-America wide and worldwide. I have said this before (and some others have, too): a whole bunch of the best current prog items comes from outside the predominant Middle European/British/North American scenes, and this album proves it for one more time.
http://www.progarchives.com



Track Listing:
1. New-New / Danza de Ballenas (8:53)
2. Desolación (0:49)
3. En la Piedad de los Dioses (4:42)
4. Casi Fue (4:26)
5. El Conducto (7:02)
6. Gravitaciones (4:53)
7. El Cortito M.K. (2:42)
8. Tiburón en Marcha (6:27)
9. Linden (7:17)
10. Parafinal (5:07)



The Band:
- Ignacio Scarsella / electric & acoustic guitars
- Mario Gimeno / drums & effects
- Roberto Medina / electric & acoustic violins
- Jorge Dal Cin / bass
- Gabriela González / keyboards
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GrandS
3 марта 2010 09:30
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vitaljazz,
привет!
спасибо за помощь! попробоваю. smile

vitaljazz,
удалось.
большое спасибо!

vitaljazz
3 марта 2010 01:38
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GrandS,
Try again later.

GrandS
2 марта 2010 09:35
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Part 1 not downloadable (for me!?)

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