Paul Brown - So Much To Say (2025)

Paul Brown - So Much To Say (2025)

rip by Boris1 Performer: Paul Brown Album: So Much To Say Label: Shanachie Ent. Corp. Catalog #: Shanachie 5514 Style: Smooth Jazz Year: 2025 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 12 Size RAR: ~ 366 MB Upload: xfile Recovery: 3% Password: sim-sim Предлагаю обратить ваше внимание на релиз артиста, чье одно только имя вызывает тепло, утонченность и мелодичность. С So Much to Say гитарный виртуоз и светило smooth джаза Paul Brown предлагает
Paul Brown - So Much To Say (2025)

Paul Brown - So Much To Say (2025)

rip by Boris1 Performer: Paul Brown Album: So Much To Say Label: Shanachie Ent. Corp. Catalog #: Shanachie 5514 Style: Smooth Jazz Year: 2025 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 12 Size RAR: ~ 366 MB Upload: xfile Recovery: 3% Password: sim-sim Предлагаю обратить ваше внимание на релиз артиста, чье одно только имя вызывает тепло, утонченность и мелодичность. С So Much to Say гитарный виртуоз и светило smooth джаза Paul Brown предлагает
07 07, 2025
DREAM THEATER «The Studio Albums» Box Set (EU 11 × CD 2014 Rhino ⁄ Warner Music · 1686175642)

DREAM THEATER «The Studio Albums» Box Set (EU 11 × CD 2014 Rhino ⁄ Warner Music · 1686175642)

Performer: DREAM THEATER Album: «The Studio Albums» Label: (c)(p) 2014 Rhino ⁄ Warner Music Group Series: ‘Original Album’ Series— Official DR value: •11•9•6•8•7•7•7•7•6•6•7• Catalog (Barcode): 1686175642 (0 16861 75642 0) Genre / Style: Rock, Prog Rock, Progressive Metal Released (info): 2014・6・27 Format: FLAC (tracks + .cue) Bitrate: lossless Covers: in archive Amount of tracks: 93 Total time: 12:40:25 Size RAR: ~ 5.52 Gb Password / Пароль : 1965 Upload: xFile.cloud Recovery 5%
DREAM THEATER «The Studio Albums» Box Set (EU 11 × CD 2014 Rhino ⁄ Warner Music · 1686175642)

DREAM THEATER «The Studio Albums» Box Set (EU 11 × CD 2014 Rhino ⁄ Warner Music · 1686175642)

Performer: DREAM THEATER Album: «The Studio Albums» Label: (c)(p) 2014 Rhino ⁄ Warner Music Group Series: ‘Original Album’ Series— Official DR value: •11•9•6•8•7•7•7•7•6•6•7• Catalog (Barcode): 1686175642 (0 16861 75642 0) Genre / Style: Rock, Prog Rock, Progressive Metal Released (info): 2014・6・27 Format: FLAC (tracks + .cue) Bitrate: lossless Covers: in archive Amount of tracks: 93 Total time: 12:40:25 Size RAR: ~ 5.52 Gb Password / Пароль : 1965 Upload: xFile.cloud Recovery 5%
07 07, 2025
DARYL HALL and JOHN OATES «Original Album Classics» (EU 5 × CD 2008 RCA ⁄ Sony BMG Music Entertainment · 88697304682)

DARYL HALL and JOHN OATES «Original Album Classics» (EU 5 × CD 2008 RCA ⁄ Sony BMG Music Entertainment · 88697304682)

Исполнитель: Daryl Hall and John Oates Альбом: Original Album Classics (5CD Box Set RCA / Legacy / Sony BMG Music) Жанр: Rock / Pop Rock Год: 2008 Формат: FLAC (img + *cue + log, AccurateRip) Качество: lossless Covers: format JPG, full scans Size RAR: ~ 1,60 Gb Password / Пароль : 1965 Залито на: xFile.cloud (5% восстановление)
DARYL HALL and JOHN OATES «Original Album Classics» (EU 5 × CD 2008 RCA ⁄ Sony BMG Music Entertainment · 88697304682)

DARYL HALL and JOHN OATES «Original Album Classics» (EU 5 × CD 2008 RCA ⁄ Sony BMG Music Entertainment · 88697304682)

Исполнитель: Daryl Hall and John Oates Альбом: Original Album Classics (5CD Box Set RCA / Legacy / Sony BMG Music) Жанр: Rock / Pop Rock Год: 2008 Формат: FLAC (img + *cue + log, AccurateRip) Качество: lossless Covers: format JPG, full scans Size RAR: ~ 1,60 Gb Password / Пароль : 1965 Залито на: xFile.cloud (5% восстановление)
07 07, 2025
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full-date Автор: vitaljazz, 15 марта 2010, Комментариев: 0, Просмотров: 1 407

CARPE DIEM - CUEILLE LE JOUR - 19

CARPE DIEM - CUEILLE LE JOUR - 19

YEAR: 1976
STYLE: Electric/ Symphonic Progressive Rock
FORMAT: FLAC (Image + Log + Cue + Scans + 5% Recovery)
SIZE: 346 Mb
COUNTRY: France
THE BAND: Christian Truchi - organ, string ensemble, keyboards, lead vocals; Gilbert Abbenanti - guitars; Alain Berge - bass; Alain Faraut - drums; Claude-Marius David - flute, soprano sax, percussion

This is one of the most beautiful prog musical works to come out of France: "Cueille le Jour" is Carpe Diem's sophomore release, which is full of beauty, magic and distinction. Carpe Diem's terrific sound is based upon an even combination of the most delicate jazz fusion (sax and flute parts, rhythm section) and symphonic captivating sensibility (keyboards and guitars). The magical tension of KC's melodic side melts fluidly with Pulsar's ethereal introspectiveness plus some hints to 73-75 Yessian sense of adventure, as well. All this works in order to create walls of inventive chord progressions that serve as sonic curtains upon which the wind, synth and guitar solos are displayed. These displays never distract the listener from the general ambience that the five musicians create as a well-oiled unit. 'Couleurs' is a notable masterpiece in its own right. The use of consistent moods in the carefully crafted framework sustaining the subtle build-up that fills the first quarter of 'Couleurs' is perfectly achieved: the keyboard's layers and phrases and the playful lines on flute and sax pretty much define the nucleus of the overall sonic development. Once the rhythm section is all the way into the fore, the band is ready to take the imposed melodic drive to a more extroverted expression. Reaching the 830 mark, the band turns to a space-rock oriented jazzy excursion that may remind us of the immence 'Le Publiphobe', the closer track of Carpe Diem's first effort. The sung portion is typical of French symphonic rock, like a mixture of early Pulsar and "Le Petit Violon"-era Mona Lisa. The instrumental finale bears a patent aura of magnificence, with the instrumentalists delivering a controlled pomposity all the wa ytward the last note. A brilliant suite, indeed! Though less impressive, I must say that the other 5 remaining tracks, albeit shorter, also show the band's ability to create attractive basic melodic lines and develop them cleverly, without saturating the listener. 'Naissance' finds Carpe Diem focused on exploring its spacey side. Further on, I honestly regret that tracks 3, 4 and 5 are not longer than they are, since I suspect that they would have benefited from a more detailed development: 'Le Miracle de la Saint-Gaston' displays a lovely melancholy within its overall reflective feel; 'Laure' is stated on folk-oriented grounds in an unusually playful mood for the band's standards; 'Tramontane' is yet another refined exercise on the band's jazzy side, as usual, based on a defined musical architecture and incorporating some spacey undertones. Like I said, I wish these tracks had been longer... but that's how it is, and all things considered, it's fine by me. The piano/soprano sax duet 'Divertimento' serves as a pretty closure in the guise of a notturno. A French 70s gem that deserves a place in any good prog collection.
http://www.progarchives.com


Track Listing:
1. Couleurs (21:40)
a) Premiers Pas
b) La Traversee Des Sables
c) Dernier Village... Premieres Neiges
d) Rencontre
e) Les Portes Du Silence
2. Naissance (3:25)
3. Le Miracle de la Saint-Gaston (3:40)
4. Laure (2:47)
5. Tramontane (3:40)
6. Divertimento (3:59)
Bonus track:
7. Rencontre (Except from Couleurs - English Version) (3:23)

The Band:
Christian Truchi - organ, string ensemble, keyboards, lead vocals
Gilbert Abbenanti - guitars
Alain Berge - bass
Alain Faraut - drums
Claude-Marius David - flute, soprano sax, percussion


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