YEAR: 1999
STYLE: Progressive Rock/ Zeuhl
FORMAT: APE (Image + Log + Cue + 5% Recovery)
SIZE: 338 Mb
COUNTRY: Italy
THE BAND:
(CAHÅL DE BÊTÊL) Roberto Gottardi / guitars, guitar synthesizers, voice; (MIMHÏR DE BENNU) Renè Modena / guitars; (TIPHERETH) Germano Morghen / drums, percussion; (VîRHÜR) Roberto Veronese / piano, synthetizer, keyboards; (NEZAH) Dario Gelmetti / bass profundoItalian band RUNAWAY TOTEM's third album is a dark, heavy and complex concept album filled with great progressive rock. The previous albums "Trimegisto" (1993) and "Zed" (1996) was released on the Italian label Black Widow Records, but "Andromeda" was released on the French label Musea. After the recordings of this album guitarist Ren Modena left the band. RUNAWAY TOTEM are different than the main part of the Italian progressive bands. While other Italian bands have influences from the GENESIS side of progressive rock, RUNAWAY TOTEM are darker and closer to bands such as 5 UU's, ESKATON, KING CRIMSON, MAGMA, PINK FLOYD,PRESENT, THINKING PLAGUE, U TOTEM and UNIVERS ZERO. I strongly suggest that you buy this album if you're into the darker side of progressive rock.
Rather unusual offering from Italy this one, as upon first listen you could easily be forgiven for thinking this lot are French, given the Zeuhl inflected vocal stylings. The influential reference points are fairly self-evident i.e Crimson, Magma, an early Sabbath capable of counting higher than 4, VDGG, Gentle Giant, Arachnoid etc so what we have here is a dark slice of prog on the heavy guitar side of the fence. Having said all that, there are some very innovative textures employed on this record e.g when some saxes join in on the heavy riffing and some delightful use of dynamics throughout. Listen to the many short sections dominated by the symphonic keys, until the bombastic guitars kick in again. This technique helps to break up what could have been a rather samey and bludgeoning 50 minutes or so. Thankfully there is no tiresome widdley-widdley fret merchant here, which keeps the music from degenerating into prog metal. The keys never dominate but are used as a very effective counterweight against the main thrust of the guitars. The vocals have an incantatory flavour and are therefore mercifully free of the rather overwrought offerings heard on some other Italian prog. I guess that given these ingredients, Runaway Totem are in danger of falling between two stools i.e this may be considered too 'rawk' for the symphonic brigade but too 'out there' for the prog metal crowd ? Either way, they have achieved an original blend here which I personally find very stimulating and refreshing. Like most bands with at least something new to offer, they make Dream Theater sound like they were conceived while their parents were fully clothed.
So what does it sound like then ?
Well. imagine Anton Lavey and Aleister Crowley wanted to share vocal duties at a satanic mass gig and needed a backing band...enter stage left Runaway Totem
http://www.progarchives.com
Track Listing:1. Kontakt (13:03)
2. Tempus Fugiens? (8:44)
3. OD .: OB .: (8:48)
4. Kadman Neso (10:39)
5. Andros Medoman (8:08)
The Band:- (CAHÅL DE BÊTÊL) Roberto Gottardi / guitars, guitar synthesizers, voice
- (MIMHÏR DE BENNU) Renè Modena / guitars
- (TIPHERETH) Germano Morghen / drums, percussion
- (VîRHÜR) Roberto Veronese / piano, synthetizer, keyboards
- (NEZAH) Dario Gelmetti / bass profundo
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