Jerry Lee Lewis – The Locust Years... And The Return To The Promised Land (1994) 8CD

Jerry Lee Lewis – The Locust Years... And The Return To The Promised Land (1994) 8CD

Artist: Jerry Lee Lewis Title Of Album: The Locust Years... Year Of Release: 1994 Label (Catalog#) :Bear Family Records BCD 15783 HI Country:: USA Genre: Rock, Pop, Country, Rock & Roll, Ballad Quality: FLAC (tracks+.cue,log) Bitrate: Lossless Time: 07:49:21 Full Size: 2.42Gb(+3%)(covers) Info: wiki Upload: xfile.cloud
Jerry Lee Lewis – The Locust Years... And The Return To The Promised Land (1994) 8CD

Jerry Lee Lewis – The Locust Years... And The Return To The Promised Land (1994) 8CD

Artist: Jerry Lee Lewis Title Of Album: The Locust Years... Year Of Release: 1994 Label (Catalog#) :Bear Family Records BCD 15783 HI Country:: USA Genre: Rock, Pop, Country, Rock & Roll, Ballad Quality: FLAC (tracks+.cue,log) Bitrate: Lossless Time: 07:49:21 Full Size: 2.42Gb(+3%)(covers) Info: wiki Upload: xfile.cloud
10 09, 2025
THIN LIZZY «Discography 1971-1983» (22 × CD · Remastered, Deluxe Edition · 2010-2013)

THIN LIZZY «Discography 1971-1983» (22 × CD · Remastered, Deluxe Edition · 2010-2013)

Performer: THIN LIZZY / シン・リジー Album / collection: «Discography / ディスコグラフィー» Label: (c)(p) 1971-1983, 2010-2013 Universal Music Company. Series: Digitally Remastered, Expanded, Deluxe Edition Source: Rip by KoGGaN™ scans by inet… Official DR value: •10•12•11/12•11/11•10/11•11/11• •11/10•12•10/11•11/11•10/11•11•10/10• Catalog (Barcode): much… Genre / Style: Rock, Classic Rock, Blues Rock, Hard Rock Year (info): 1971-1983 (22 × Remastered CD, Collection—) Format: WV (image + .cue) Bitrate:
THIN LIZZY «Discography 1971-1983» (22 × CD · Remastered, Deluxe Edition · 2010-2013)

THIN LIZZY «Discography 1971-1983» (22 × CD · Remastered, Deluxe Edition · 2010-2013)

Performer: THIN LIZZY / シン・リジー Album / collection: «Discography / ディスコグラフィー» Label: (c)(p) 1971-1983, 2010-2013 Universal Music Company. Series: Digitally Remastered, Expanded, Deluxe Edition Source: Rip by KoGGaN™ scans by inet… Official DR value: •10•12•11/12•11/11•10/11•11/11• •11/10•12•10/11•11/11•10/11•11•10/10• Catalog (Barcode): much… Genre / Style: Rock, Classic Rock, Blues Rock, Hard Rock Year (info): 1971-1983 (22 × Remastered CD, Collection—) Format: WV (image + .cue) Bitrate:
10 09, 2025
MEGADETH «Discography on vinyl» (15 × LP Combat / Megadeth, Inc. • 1985-2022)

MEGADETH «Discography on vinyl» (15 × LP Combat / Megadeth, Inc. • 1985-2022)

Performer: MEGADETH / メガデス Album / collection: «Discography on vinyl / レコードのディスコグラフィー» Label: (c)(p) 1982-2022 Combat / Megadeth, Inc. Made in Europe, USA. Source: Rip by valeron scans by inet… ⇒ Conversion 32/96kHz by KoGGaN™ Official DR value: •11•11•11•13•12•12•11•11•10•10•11•11•13•8•11• Catalog (Barcode): much… Genre / Style: Rock, Metal, Speed Metal, Thrash Year (info): 1985-2022 (15 × Original vinyl, LP, Collection—) Format: WV (image + .cue) Bitrate: 32bit/96kHz Stereo Covers: in
MEGADETH «Discography on vinyl» (15 × LP Combat / Megadeth, Inc. • 1985-2022)

MEGADETH «Discography on vinyl» (15 × LP Combat / Megadeth, Inc. • 1985-2022)

Performer: MEGADETH / メガデス Album / collection: «Discography on vinyl / レコードのディスコグラフィー» Label: (c)(p) 1982-2022 Combat / Megadeth, Inc. Made in Europe, USA. Source: Rip by valeron scans by inet… ⇒ Conversion 32/96kHz by KoGGaN™ Official DR value: •11•11•11•13•12•12•11•11•10•10•11•11•13•8•11• Catalog (Barcode): much… Genre / Style: Rock, Metal, Speed Metal, Thrash Year (info): 1985-2022 (15 × Original vinyl, LP, Collection—) Format: WV (image + .cue) Bitrate: 32bit/96kHz Stereo Covers: in
10 09, 2025
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full-date Автор: VP_1974, 19 ноября 2010, Комментариев: 0, Просмотров: 1 360

Fred Frith - The Happy End Problem (2006)

Fred Frith - The Happy End Problem (2006)

Исполнитель: Fred Frith
Альбом: The Happy End Problem
Год выхода: 2006
Страна: USA
Колличество дорожек: 10
Общее время звучания: 52:30 min
Жанр: Avant-Garde / Experimental
Формат: Lossless / FLAC (log + cue)
Размер файла: 261 mb
Залит на: Narod.ru

You never know what to expect from someone as multi-talented as Fred Frith. This is the latest of his recent forays into contemporary ballet, working in collaboration with choreographer Amanda Miller. The result is a quite beautiful instrumental work which moves from sublime, through experimental and strange to stark and poignant. Occasional zaps of sound remind me of one of Jade Warrior's trademarks as well as Stravinsky's "Firebird" or "Rite of Spring" ballets, especially on "Imitations" which is created using extracts from the "Firebird Suite".

The music is written for and performed by 6 and 7 person string and woodwind ensembles with occasional guitar, bass and electronic embellishment by Fred. In "Imitations", oriental elements are utilised, typified by the minimalist use of instrumentation to capture images and emotions. In many places one can imagine a monochrome stage set such as in the stark beauty of the violin solo on "Kira". The composition makes a lot of use of circular scaling progressions and a crystal-clear steel harp like sound (possibly computer generated) prevails on several sections, notably on the third section where it is accompanied by a burbling stream and piano.

"Tan" is an intriguing part where the flute, whistles, treated piano and mysterious sound effects create a primordial feeling. "Beni" is perhaps the most obviously oriental part, at least by Western stereotypical perceptions, whilst in "Kasumi" the enigmatic minimalist ethic is most notable. The closing part features spacey effects as the violin glides over an atmospheric layer of keyboards.

The second half of the album is the 21 minute title track, "Happy End Problem". In this composition Fred dissects the "Firebird" suite and uses chords or cells of Stravinsky's work to re-compose or develop other themes suggested by the Suite. Starting out with a stretched out version of the final chord to Firebird, Fred brings in a cockerel and bird song and the steel harp effect is accompanied by a distressed violin and flutes.

There is a tranquillity and a poignancy to the slowly shifting and evolving themes, almost as if one was looking down from a mountain over dawn light spreading across a valley, awakening, touching and changing creatures and objects in its wake. In this, the Jade Warrior connection, circa Kites, is most apt.

The path Fred describes with his music takes us through landscapes from which, alternatively, piano, bells, percussion, clarinet, violin, cello and exotic experimental sounds appear and dissolve. The choreography can be felt without being seen.

Overall two highly accomplished and fascinating pieces of music, more perhaps for the classical enthusiast than the progger.

Tracks:
1. Ukon. 6:19
2. Kira. 5:39
3. Kio. 2:31
4. Tan. 3:09
5. Shi - o. 1:32
6. Beni. 3:53
7. Kasumi. 3:16
8. Sumi. 1:12
9. Hanabira. 3:56
10. The Happy End Problem. 21:03


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