Yes - The Studio Albums 1969-1987 (2014, Hi-Res)

Yes - The Studio Albums 1969-1987 (2014, Hi-Res)

Artist: Yes Title Of Album: The Studio Albums Year Of Release: 2014 Label (Catalog#) : Rhino Atlantic Country:: UK Genre: Progressive Rock, Symphonic Rock Quality: FLAC (*tracks) Bitrate: 24bit / 192kHz Time: 08:49:40 Full Size: 18.8Gb(+3%) Info: wiki Upload: xfile.cloud
Yes - The Studio Albums 1969-1987 (2014, Hi-Res)

Yes - The Studio Albums 1969-1987 (2014, Hi-Res)

Artist: Yes Title Of Album: The Studio Albums Year Of Release: 2014 Label (Catalog#) : Rhino Atlantic Country:: UK Genre: Progressive Rock, Symphonic Rock Quality: FLAC (*tracks) Bitrate: 24bit / 192kHz Time: 08:49:40 Full Size: 18.8Gb(+3%) Info: wiki Upload: xfile.cloud
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Foghat – The Complete Bearsville Albums Collection (1972-83)(2016, Hi-Res)

Foghat – The Complete Bearsville Albums Collection (1972-83)(2016, Hi-Res)

Artist: Foghat Title Of Album: The Complete Bearsville Albums Collection Year Of Release: 1972-83/2016 Label (Catalog#) : Rhino Country:: UK Genre: Classic Rock, Blues Rock, Hard Rock Quality: FLAC (*tracks) Bitrate: 24bit / 192kHz Time: 08:11:04 Full Size: 19.2Gb(+3%) Info: wiki Upload: xfile.cloud
Foghat – The Complete Bearsville Albums Collection (1972-83)(2016, Hi-Res)

Foghat – The Complete Bearsville Albums Collection (1972-83)(2016, Hi-Res)

Artist: Foghat Title Of Album: The Complete Bearsville Albums Collection Year Of Release: 1972-83/2016 Label (Catalog#) : Rhino Country:: UK Genre: Classic Rock, Blues Rock, Hard Rock Quality: FLAC (*tracks) Bitrate: 24bit / 192kHz Time: 08:11:04 Full Size: 19.2Gb(+3%) Info: wiki Upload: xfile.cloud
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Kenny Burrell with Art Blakey - On View At The Five Spot Café: The Complete Masters (Live) (2025) 1959

Kenny Burrell with Art Blakey - On View At The Five Spot Café: The Complete Masters (Live) (2025) 1959

Исполнитель: Kenny Burrell with Art Blakey Альбом: On View At The Five Spot Café: The Complete Masters (Live) Жанр: Jazz Год: 2025 Страна: USA Лейбл: Blue Note Records Формат: FLAC (tracks) Official DR value: DR13 Разрядность: 24bit / 96kHz Stereo Размер: 2,24 GB Инфо: bluenote Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» As the 1950s segued into the 1960s, much of popular culture was navigating the thrills of modernity and the comforts of tradition, and figuring out
Kenny Burrell with Art Blakey - On View At The Five Spot Café: The Complete Masters (Live) (2025) 1959

Kenny Burrell with Art Blakey - On View At The Five Spot Café: The Complete Masters (Live) (2025) 1959

Исполнитель: Kenny Burrell with Art Blakey Альбом: On View At The Five Spot Café: The Complete Masters (Live) Жанр: Jazz Год: 2025 Страна: USA Лейбл: Blue Note Records Формат: FLAC (tracks) Official DR value: DR13 Разрядность: 24bit / 96kHz Stereo Размер: 2,24 GB Инфо: bluenote Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» As the 1950s segued into the 1960s, much of popular culture was navigating the thrills of modernity and the comforts of tradition, and figuring out
26 04, 2025
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full-date Автор: ricochetd, 20 ноября 2010, Комментариев: 0, Просмотров: 1 269

Billband - Blurred

Bill Ryan's idea is rather simple: to write pieces using a single motif that will slowly evolve as it is being repeated over and over. Of course, it is one of the concepts at the heart of American minimalism (Philip Glass, Steve Reich, and Terry Riley's music, to mention but three). But Billband spins the idea on its head, giving it a funky, down-to-earth feel and, in the process, revamping it the same way L'Infonie had reinvented Riley's "In C" in the early '70s by adding a rock rhythm section to it. This kind of music relies on two basic principles in order to be successful: the listener must have the impression that the piece ends the way it started, even though it does not (the motif has gone through a number of subtle transformations that have pushed it some distance from its starting point); and the piece must not become tiresome or boring because of the process involved. Blurred succeeds on both counts. Violin (Todd Reynolds), trumpet (Wayne DuMaine), saxophone (Taimur Sullivan), bass clarinet (Michael Lowenstern), piano (Steve Gosling), and drums (David Cosslin) brush a wide sound palette with ties to contemporary chamber music and funk-rock. "Original Blend" and "Capacity 49" follow the procedure described above: repeated motifs gradually modified and developed, with arrangements being elegantly bounced around the instrumentation. The use of a bridge section adds some spice to the proceedings. "Blurred" ditches the drums to focus on more aerial patterns, reminiscent of the composers revolving around the West Coast-based Cold Blue label (Jim Fox, Steve Peters, Michael Jon Fink, etc.), while the closer, "Drive," uses a longer, more complex motif (with verse/chorus structure) and comes back to a hard-thumping track, even adding a disco touch. The music grooves on easily, hiding well its academic concepts under its beats. The recording may be a little thin for a rock album (although that may have to do with the bass clarinet being the only low-register instrument in the mix) and ends too soon (after 32 minutes), but it offers an entertaining listen and manages to make its crossover proposal convincing.


Tracks:
1. Original Blend
2. Capacity
3. Blurred
4. Drive

Line up:
Bill Ryan - composer
Todd Reynolds - violin
Wayne DuMaine - trumpet
Taimur Sullivan - saxophones
Michael Lowenstern - bass clarinet
Steve Gosting - piano
David Cossin - drums

Links:
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