FOURPLAY «Discography» (14 × CD Warner Bros. / RCA Victor Group • 1991-2015)

FOURPLAY «Discography» (14 × CD Warner Bros. / RCA Victor Group • 1991-2015)

Performer: FOURPLAY / フォープレイ Album / collection: «Discography / ディスコグラフィー» Label: (c)(p) 1991-2015 Warner Bros. Records Inc. Source: Rip by KoGGaN™ scans by inet… Official DR value: •11•11•10•9•11•11•10•9•8•9•9•7•7•6• Catalog (Barcode): much… Genre / Style: Jazz, Crossover Jazz, Jazz-Pop, Smooth Jazz Year (info): 1991-2015 (14 × CD, Collection—) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of tracks: 150 Total time: 13:45:40 Size RAR: ~ 6,33 Gb Password / Пароль : 1965
FOURPLAY «Discography» (14 × CD Warner Bros. / RCA Victor Group • 1991-2015)

FOURPLAY «Discography» (14 × CD Warner Bros. / RCA Victor Group • 1991-2015)

Performer: FOURPLAY / フォープレイ Album / collection: «Discography / ディスコグラフィー» Label: (c)(p) 1991-2015 Warner Bros. Records Inc. Source: Rip by KoGGaN™ scans by inet… Official DR value: •11•11•10•9•11•11•10•9•8•9•9•7•7•6• Catalog (Barcode): much… Genre / Style: Jazz, Crossover Jazz, Jazz-Pop, Smooth Jazz Year (info): 1991-2015 (14 × CD, Collection—) Format: WV (image + .cue) Bitrate: lossless Covers: in archive Amount of tracks: 150 Total time: 13:45:40 Size RAR: ~ 6,33 Gb Password / Пароль : 1965
10 05, 2025
Sleep Token - Even In Arcadia 2025

Sleep Token - Even In Arcadia 2025

Исполнитель: Sleep Token Альбом: Even In Arcadia Жанр: Alternative Metal, Progressive Metal Год: 2025 Страна: UK (London) Лейбл: Sleep Token - RCA Records Формат: FLAC (tracks) Official DR value: DR5 Разрядность: 24bit / 44.1kHz Stereo Размер: 619 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Drama has always been key to metal, whether it's the druid and Valkyrie mythology of Led Zeppelin, the leather whips of Judas Priest or the horror-house masks of
Sleep Token - Even In Arcadia 2025

Sleep Token - Even In Arcadia 2025

Исполнитель: Sleep Token Альбом: Even In Arcadia Жанр: Alternative Metal, Progressive Metal Год: 2025 Страна: UK (London) Лейбл: Sleep Token - RCA Records Формат: FLAC (tracks) Official DR value: DR5 Разрядность: 24bit / 44.1kHz Stereo Размер: 619 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Drama has always been key to metal, whether it's the druid and Valkyrie mythology of Led Zeppelin, the leather whips of Judas Priest or the horror-house masks of
08 05, 2025
Behemoth - The Shit Ov God 2025

Behemoth - The Shit Ov God 2025

Исполнитель: Behemoth Альбом: The Shit Ov God Жанр: Black Metal, Death Metal Год: 2025 Страна: Poland (Gdańsk, Pomerania) Лейбл: Nuclear Blast Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 48kHz Stereo Размер: 528 MB Инфо: metal-archives Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Behemoth - The Shit Ov God 2025

Behemoth - The Shit Ov God 2025

Исполнитель: Behemoth Альбом: The Shit Ov God Жанр: Black Metal, Death Metal Год: 2025 Страна: Poland (Gdańsk, Pomerania) Лейбл: Nuclear Blast Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 48kHz Stereo Размер: 528 MB Инфо: metal-archives Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
08 05, 2025
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Pink Floyd - First Australian Show (Live) 1971

Pink Floyd - First Australian Show (Live) 1971


Исполнитель: Pink Floyd
Альбом: First Australian Show
Жанр: Rock, Pshychedelic, Progressive
Год: 1971
Формат: FLAC (tracks+.cue, log+covers)
Битрейт аудио: lossless
Размер: 422 Mb (в архиве)
Залито на: Depositfiles (3% восстановление)

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Pink Floyd - First Australian Show (Live) 1971


Pink Floyd - First Australian Show (Live) 1971


Pink Floyd first performed in Australia on Friday 13th August 1971, at Melbourne Festival Hall, and on Sunday 15th August at Randwick Racecourse in Sydney.

Pink Floyd, Melbourne 1971 concert flyerThey arrived in Australia on 11th August 1971, and at Melbourne Airport they were interviewed by Gary Mac for Go-Set (a 24 page music newspaper). Australian journalists, not realising that the Floyd disliked talking about the music, actually received a couple of decent interviews with all the members of the band. Mac's interview plus a review of the Melbourne concert appeared in the Saturday, 28th August 1971 edition of Go-Set (volume 6, number 35).

The Rock Concert Club of Australia was responsible for bringing Pink Floyd down under on this occasion, but their promotion left a lot to be desired. The resulting audiences put Floyd off coming here again. At each gig, the Rock Concert Club put 10" round, purple leaflets on every seat, telling the audience that if they were members of the club they could have seen the band for free. I am sure that the Floyd were unimpressed by this.

The Melbourne Festival Hall is renowned for its poor sound, but the Floyd along with their quad sound were able to overcome the hall's shortcomings. The hall was only about half full owing to almost non-existant promotion. At both concerts Pink Floyd were supported by other bands, a very rare occurrence indeed! Pirana came on first and played for one hour followed by Lindsay Bourke. Both bands were well below the Floyd standard of extreme freeform improvisation.

After a ten minute break (9:30pm approx), Pink Floyd came on stage and Roger announced "Good evening. This is called Atom Heart Mother". They then went into a sixteen minute non-orchestrated performance of the piece. After a minute or so of tuning up, Roger announced, "We're just going to retune then we're going to do two things together. The first of which is a song from the soundtrack from the film More, which I hear was banned over here, and it's called Green Is The Colour. And the second is an instrumental called Careful With That Axe, Eugene". Both songs together lasted fourteen and a half minutes. This was either the last, or the penultimate, performance of Green Is The Colour (I'm not sure if it was played in Sydney).

After that, Roger said "This next thing is a new piece, and it's called Echoes. And it's going to take us a minute or two to get it together because one of our lenses has burnt out". This was the first time it was announced as "Echoes" (and lasted twenty two minutes), but it still had the alternate lyrics for the first verse and chorus, and the quick ending without the multi-tracked choir as at the Montreaux 1971 gig.

The band then played a twelve and a half minute Set The Controls For The Heart Of The Sun without announcing it. They then played an eleven minute Cymbaline before Roger proclaimed "Okay. This is going to be our last tune. Thank you all for coming. It's called A Saucerful Of Secrets and we'll see you again some time". Unfortunately the original tape ran out after five and a half minutes into Saucerful. The show was recorded about fifty yards from the stage using a Sony TC80 mono portable cassette recorder, smuggled in a schoolbag, and a normal position BASF cassette (chrome wasn't available in 1971)


Track List:

01. Atom Heart Mother (16:09)
02. Green Is The Colour (4:04)
03. Careful With That Axe, Eugene (10:56)
04. Set The Controls For The Heart Of The Sun (12:48)
05. Echoes (22:10)
06. Cymbaline (11:08)






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