Исполнитель: Eric Clapton Альбом: I Still Do Жанр: Rock, Blues Rock, Folk Год: 2016 Страна: UK Лейбл: Polydor Records Формат: FLAC (tracks) Official DR value: DR11 Разрядность: 24bit / 192kHz Stereo Размер: 2,02 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Sharp as ever on the guitar, fingers full of feeling and emotion... Like a fine wine, the 71-year-old legend continues to evolve, adding tasty notes and nuances to an already well-stocked palette. To
Исполнитель: Eric Clapton Альбом: I Still Do Жанр: Rock, Blues Rock, Folk Год: 2016 Страна: UK Лейбл: Polydor Records Формат: FLAC (tracks) Official DR value: DR11 Разрядность: 24bit / 192kHz Stereo Размер: 2,02 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Sharp as ever on the guitar, fingers full of feeling and emotion... Like a fine wine, the 71-year-old legend continues to evolve, adding tasty notes and nuances to an already well-stocked palette. To
Исполнитель: The Cranberries Альбом: No Need To Argue (30th Anniversary / Super Deluxe Edition) Жанр: Alternative Rock, Pop Rock Год: (2025) 1994 Страна: Ireland (Limerick) Лейбл: Island Records Формат: FLAC (tracks) Official DR value: DR9 Разрядность: 24bit / 96kHz Stereo Размер: 3,29 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
The Cranberries - No Need To Argue (30th Anniversary / Super Deluxe Edition) (2025) 1994
Исполнитель: The Cranberries Альбом: No Need To Argue (30th Anniversary / Super Deluxe Edition) Жанр: Alternative Rock, Pop Rock Год: (2025) 1994 Страна: Ireland (Limerick) Лейбл: Island Records Формат: FLAC (tracks) Official DR value: DR9 Разрядность: 24bit / 96kHz Stereo Размер: 3,29 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Performer: BLACK SABBATH / ブラック・サバス Album / collection: «Discography / ディスコグラフィー» Series: Remastered by Ray Staff at Whitfield Street Studios Series— Label: (c)(p) 1970-1996 Castle / Teichiku Records Co., Ltd. Source: Rip by Osieron, KoGGaN™ scans by inet… Official DR value: •7•10•9•11•8•8•11•10•10•11•10•9/9•10•9•10•8•10• Catalog (Barcode): much… Genre / Style: Rock, Hard Rock, Heavy Metal Year (info): 1970-1996 (18 × Remastered CD, Collection—) Format: WV (image + .cue) Bitrate: lossless
BLACK SABBATH «Discography» (18 × Remastered CD · Teichiku Co. Japan · 1970-1996)
Performer: BLACK SABBATH / ブラック・サバス Album / collection: «Discography / ディスコグラフィー» Series: Remastered by Ray Staff at Whitfield Street Studios Series— Label: (c)(p) 1970-1996 Castle / Teichiku Records Co., Ltd. Source: Rip by Osieron, KoGGaN™ scans by inet… Official DR value: •7•10•9•11•8•8•11•10•10•11•10•9/9•10•9•10•8•10• Catalog (Barcode): much… Genre / Style: Rock, Hard Rock, Heavy Metal Year (info): 1970-1996 (18 × Remastered CD, Collection—) Format: WV (image + .cue) Bitrate: lossless
Artist: King Missile Title Of Album: Happy Hour Year Of Release: 1992 Label (Catalog#): Atlantic [756782459 2] Country: United States Genre: Alternative, Indie Rock Quality: FLAC (tracks +.cue,log,scans) Bitrate: Lossless Time: 59:58 Full Size: 449 mb Upload: Turbobit
With this King Missile found themselves with a fluke hit, thanks to the knowingly idiotic "Detachable Penis." It's not quite the "My Ding-a-Ling" of its time, but it did get airplay, MTV coverage, and the like, Hall telling a sad tale of waking up in the morning, finding the titular organ missing, and then having to search for it, all while pondering the benefits and flaws of having a detachable penis in the first place. Thanks to a catchy arrangement via Rick's clipped, stuttered guitar riff and the sweetly sung title phrase in the background, the result is giddy left-field nonsense. Due in part to the return of Kramer to production -- or in this case co-production -- duties, along with a slew of more immediately memorable songs, Happy Hour trumps The Way to Salvation as the peak of the band's high-profile days, an inspired collection of tunes ranging from deranged pop to full-on epic metal stomp. It's the blessed liveliness of the whole album -- at a premium in the days of full-on grunge when it came out, still rare enough years later -- that makes it stand up so well. "Martin Scorcese," an on-the-edge celebration of the director in question, has Hall threatening him with physical violence, so appreciative a fan is he, the music snaking along with a psych/new wave bite (no, really!). Highlights of Hall's vocal turns this time out: from "It's Saturday," "I want to be different/Like everyone else"; from the mock classic rock love anthem "Take Me Home," "You're the one who knows my whole life is a pathetic sham." In all, the merry feeling of the songs, spiked with the solid playing of the individual members, proves again to be King Missile's ace in the hole, making Happy Hour -- which is indeed literally an hour long -- the entertaining listen it is.
TRACKLIST:
1 Untitled 0:11 2 Sink 2:59 3 Martin Scorsese 1:57 4 (Why Are We) Trapped? 4:29 5 It's Saturday 2:32 6 VvV (Vulva Void) 3:25 7 Metanoia 3:19 8 Detachable Penis 3:21 9 Take Me Home 6:16 10 Ed 6:01 11 Anywhere 3:34 12 The Evil Children 5:47 13 Glass 0:23 14 And 2:49 15 King Murdock 0:53 16 I'm Sorry 3:02 17 Heaven 3:14 18 Happy Hour 5:38
John S. Hall – lead vocals Dave Rick – guitars Chris Xefos – bass guitar, keyboards, vocals, percussion Roger Murdock – drums, percussion, Emulator, keyboards, guitar on "Heaven" Mal Rick – clarinet on "Heaven" Kramer – Mellotron on "Take Me Home," bass guitar on "Heaven"
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