Year: February 1968, (CD 1998)
Label: Sundazed Records (USA), SC 6142
Style: Psychedelic Rock, Art RockCountry: Long Island, New York, U.S.
Time: 51:59
Format: Flac Tracks 16/44,1 kHz
Size: 258 Mb
В марте 68-го альбом добрался до 17 места в "Billboard album charts". В 68-м... 17 место - это бзысловно успех.
Альбом представляет из себя не стандартную пластику с песнями, а эдакий коллаж из песен Beatles, Лунной Сонаты Бетховена за которой следует подборка фраз известных политиков Neville Chamberlain, Winston Churchill и т.д.), а завершает всю эту психоделическую вакханалию короткие речевые выступления самих участников группы под очень хорошую музыку, звучащую как фон, и исполненную на разных (как у нас говорят) народных инструментах. У меня эта часть вызывает какую-то настольгию по молодости. Мне нравится.
Наиболее известный музыкант в группе конечно же Carmine Appice, знакомый мне по группам Cactus, Beck Bogert & Appice и мало для меня известным King Kobra и Blue Murder. Но наибольшее впечатление производит игра клавишника Mark Stein. Не то чтобы он был "технарь", как Wakeman, а именно музыка которую он сочинил для пластинки. Я конечно же неправильно выразился. Ничего для пластинки он не сочинял. Всё идёт изнутри. Сказывается всё - эпоха, настроение в данный момент, окрыжающая обстановка. Любые мелочи. И это ощущается во время звучания музыки. Чо-то меня на меланхолию потянуло.
Vanilla Fudge's debut may not have moved me a whole lot as a listener, but I certainly understand the album's place as a seminal album in the development of psychedelic and heavy rock music. The success of that album only increases the confusion generated by The Beat Goes On, the American outfit's controversial sophomore observation - this experimental album is a 'head scratcher' for sure, and though some have hailed it as a misunderstood masterpiece, I will join the choir of folks that just don't get it. The Beat Goes On has a few interesting things going on, but the band's total disregard for musical structure and composition makes for a tough pill to swallow, even when looked at from a historical perspective.
Although the music on 1967's Vanilla Fudge was primarily straightforward organ-led psychedelic rock, the same can not be said for The Beat Goes On. There are flirtations with conventional music, like the piano intro "Sketch" and a few Beatles covers in rapid succession, but a majority of the music seems to have very little direction at all - a good portion of side two can hardly be called music, if truth be told. As cool as a sound collage of twentieth century political figures can be if done right, it seems out of place and overly long when it takes up eight minutes on a rock album. The Beat Goes On does have some cool musical ideas from time to time, but they rarely expand beyond interesting fragments; although Vanilla Fudge sticks to cover tracks once again, they never actually recreate any of the tracks they pay homage to. Instead, they briefly touch on numerous compositions, and the result is an incoherent mess.
It's actually a shame that the band never decided to flesh out any of the tunes here, as I think a heavy psychedelic version of "Fur Elise" or "Hound Dog" could have made for an entertaining listen. The Beat Goes On aims to transport the listener through history, musical and otherwise, and although this is a great concept, the execution is baffling. A directionless and confusing album, The Beat Goes On is a failed experiment in my book, and a disappointing followup to Vanilla Fudge's 1967 debut. This is only recommended to the most die-hard of psychedelic collectors - all others should proceed with extreme caution.
(metalmusicarchives.com/album/vanilla-fudge/the-beat-goes-on)
Carmine Appice - drums, vocals
Tim Bogert - bass, vocals
Vince Martell - guitar, vocals
Mark Stein - lead vocals, keyboards
01. Sketch (03:01)
02. Intro: The Beat Goes On (01:58)
03. Eighteenth Century - Nineteethth Century - Twentieth Century - The Beatles (06:58)
04. The Beat Goes On (01:36)
05. Beethoven : Fur Elise & Mondscheinsonate (06:36)
06. The Beat Goes On (01:10)
07. The Beat Goes On (01:03)
08. Voices in Time : Neville Chamberman - Winston Churchill - Franklin Delano Roo... (08:16)
09. The Beat Goes On (01:50)
10. Merchant : The Game is over (Vinnie) - Merchant : The Game Is Over (Tim) - Me... (09:06)
11. The Beat Goes On (02:26)
12. You Can't Do That (Bonus Track) (04:27)
13. Come By Day, Come By Night (Bonus Track) (03:27)
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