Miles Davis - Miles '55 (Remastered 2025) 2025

Miles Davis - Miles '55 (Remastered 2025) 2025

Исполнитель: Miles Davis Альбом: Miles '55 (Remastered 2025) Жанр: Jazz, Hard Bop Год: 2025 Страна: USA Лейбл: Craft Recordings Формат: FLAC (tracks) Official DR value: DR13 Разрядность: 24bit / 96kHz Stereo, 24bit / 192kHz Stereo Размер: 2,35 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Miles Davis had already turned heads at major New York venues like Birdland and Basin Street when he stepped back into Rudy Van Gelder’s living-room studio in Hackensack,
Miles Davis - Miles '55 (Remastered 2025) 2025

Miles Davis - Miles '55 (Remastered 2025) 2025

Исполнитель: Miles Davis Альбом: Miles '55 (Remastered 2025) Жанр: Jazz, Hard Bop Год: 2025 Страна: USA Лейбл: Craft Recordings Формат: FLAC (tracks) Official DR value: DR13 Разрядность: 24bit / 96kHz Stereo, 24bit / 192kHz Stereo Размер: 2,35 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Miles Davis had already turned heads at major New York venues like Birdland and Basin Street when he stepped back into Rudy Van Gelder’s living-room studio in Hackensack,
25 08, 2025
Iron Savior - Reforged - Machine World 2025

Iron Savior - Reforged - Machine World 2025

Исполнитель: Iron Savior Альбом: Reforged - Machine World Жанр: Speed Metal, Power Metal Год: 2025 Страна: Germany (Hamburg) Лейбл: Perception Формат: FLAC (tracks) Official DR value: DR7 Разрядность: 24bit / 44.1kHz Stereo Размер: 1,0 GB Инфо: metal-archives Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Iron Savior - Reforged - Machine World 2025

Iron Savior - Reforged - Machine World 2025

Исполнитель: Iron Savior Альбом: Reforged - Machine World Жанр: Speed Metal, Power Metal Год: 2025 Страна: Germany (Hamburg) Лейбл: Perception Формат: FLAC (tracks) Official DR value: DR7 Разрядность: 24bit / 44.1kHz Stereo Размер: 1,0 GB Инфо: metal-archives Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
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Jack the Joker - The Devil to Pay in the Backlands 2025

Jack the Joker - The Devil to Pay in the Backlands 2025

Исполнитель: Jack the Joker Альбом: The Devil to Pay in the Backlands Жанр: Progressive Metal, Heavy Metal Год: 2025 Страна: Brazil (Fortaleza, Ceará) Лейбл: Frontiers Records s.r.l. Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 96kHz Stereo Размер: 1,41 GB Инфо: rockreport Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Jack The Joker is a modern progressive metal band with a twist, hailing from the Northeast of Brazil. The band consists of Raphael
Jack the Joker - The Devil to Pay in the Backlands 2025

Jack the Joker - The Devil to Pay in the Backlands 2025

Исполнитель: Jack the Joker Альбом: The Devil to Pay in the Backlands Жанр: Progressive Metal, Heavy Metal Год: 2025 Страна: Brazil (Fortaleza, Ceará) Лейбл: Frontiers Records s.r.l. Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 96kHz Stereo Размер: 1,41 GB Инфо: rockreport Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Jack The Joker is a modern progressive metal band with a twist, hailing from the Northeast of Brazil. The band consists of Raphael
25 08, 2025
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full-date Автор: artmuss, 7 ноября 2018, Комментариев: 0, Просмотров: 5 650

The Libertines - Up The Bracket (2002)

The Libertines - Up The Bracket (2002)

Artist: The Libertines
Title Of Album: Up The Bracket
Year Of Release: 2002
Label (Catalog#): Spunk [URA078]
Country: England
Genre: Indie Rock, Punk Revival, Britpop, Garage Rock
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 40:37
Full Size: 348 mb
Upload: Turbobit

The first British band to rival the garage rock revival sparked by the Strokes and White Stripes in the U.S., the Hives in Sweden, and the Datsuns in, er, New Zealand, the Libertines burst onto the scene with Up the Bracket, a debut album so confident and consistent that the easiest way to describe it is 2002's answer to Is This It. That's not just because singer/guitarist Pete Doherty's slurred, husky vocals sound like Julian Casablancas' with the added bonus of a fetching Cockney accent (or that both groups share the same tousled, denim-clad fashion sense); virtually every song on Up the Bracket is chock-full of the same kind of bouncy, aggressive guitars, expressive, economic drums, and irresistible hooks that made the Strokes' debut almost too catchy for the band's credibility. However, the resemblance is probably due more to the constant trading of musical ideas between the States and the U.K. than to bandwagon-jumping -- the Strokes' sound owes as much to Britpop sensations like Supergrass (who had the Libertines as their opening band on their 2002 U.K. tour) and Elastica as it does to American influences like the Stooges and the Velvet Underground. Likewise, the Libertines play fast and loose with four decades' worth of British rock history, mixing bits and bobs of British Invasion, mod, punk, and Britpop with the sound of their contemporaries.

On paper it sounds horribly calculated, but (also like the Strokes' debut) in practice it's at once fresh and familiar. Mick Jones' warm, not-too-rough, and not-too-polished production both emphasizes the pedigree of their sound and the originality of it: on songs like "Vertigo," "Death on the Stairs," and the excellent "Boys in the Band," the guitars switch between Merseybeat chime and a garagey churn as the vocals range from punk snarls to pristine British Invasion harmonies. Capable of bittersweet beauty on the folky, Beatlesque "Radio America" and pure attitude on "Horrorshow," the Libertines really shine when they mix the two approaches and let their ambitions lead the way. "Did you see the stylish kids in the riot?" begins "Time for Heroes," an oddly poetic mix of love and war that recalls the band's spiritual and sonic forefathers the Clash; "The Good Old Days" blends jazzy verses, martial choruses, and lyrics like "It's not about tenements and needles and all the evils in their eyes and the backs of their minds." On songs like these, "Tell the King," and "Up the Bracket," the group not only outdoes most of its peers but begins to reach the greatness of the Kinks, the Jam, and all the rest of the groups whose brilliant melodic abilities and satirical looks at British society paved the way. Though the album is a bit short at 36 minutes, that's long enough to make it a brilliant debut; the worst you can say about its weakest tracks is that they're really solid and catchy. Punk poets, lagered-up lads, London hipsters -- the Libertines play many different roles on Up the Bracket, all of which suit them to a tee. At this point in their career they're not as overhyped as many of their contemporaries, so enjoy them while they're still fresh.

::TRACKLIST::

1 Vertigo 2:38
2 Death On The Stairs 3:24
3 Horrorshow 2:35
4 Time For Heroes 2:40
5 Boys In The Band 3:42
6 Radio America 3:45
7 Up The Bracket 2:39
8 Tell The King 3:24
9 The Boy Looked At Johnny 2:38
10 Begging 3:20
11 The Good Old Days 3:00
12 I Get Along 2:52
13 What A Waster 2:57
14 Mayday 1:02



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:: MusicMuss ::

Изменил: artmuss по причине: Re-Up

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