rip by Boris1 Performer: 101 Strings Orchestrta Album: 50 Christmas Favorites (3CD) Label: Madacy Entertainment Group Catalog #: WMX2 50530 Style: Instrumental, Christmas Year: 2004 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 50 Size RAR: ~ 904 MB Upload: xfile.cloud Recovery: 3% Password: sim-sim Близятся зимние праздники - любимое время года не только для детворы, но и для взрослых. Время, когда Дед Мороз заканчивает собирать подарки, чтобы
rip by Boris1 Performer: 101 Strings Orchestrta Album: 50 Christmas Favorites (3CD) Label: Madacy Entertainment Group Catalog #: WMX2 50530 Style: Instrumental, Christmas Year: 2004 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 50 Size RAR: ~ 904 MB Upload: xfile.cloud Recovery: 3% Password: sim-sim Близятся зимние праздники - любимое время года не только для детворы, но и для взрослых. Время, когда Дед Мороз заканчивает собирать подарки, чтобы
Blonde On Blonde - Reflections On A Life (1971) [Japan Edition] [2007]
Artist: Blonde On Blonde Title Of Album: Reflections On A Life Year Of Release: 1971/2007 Label (Catalog#) :Air Mail Archive[1319] Country:: UK Genre: Psychedelic Rock, Prog-Rock, Pop Rock Quality: FLAC (tracks+cue,log,scans) Bitrate: Lossless Time: 00:46:43 Full Size: 287mb(+3%)
Blonde on Blonde, taking their name from the then-new Bob Dylan album of that title, were spawned in 1967 out of a Welsh blues-rock band called the Cellar Set. Gareth Johnson played the guitar, sitar, and lute, while Richard Hopkins handled the bass, piano, harpsichord, cornet, celeste, and whistle, and Les Hicks played the drums. The addition of Ralph Denyer made them into a quartet with vocals; and Simon Lawrence, an alumnus of Roy Harper's and Al Stewart's early recordings, was with them briefly, as well, on 12-string guitar. The group took part in the Middle Earth Club's Magical Mystery Tour, which brought them an initial splash of press exposure. They were also fortunate enough to open for the Jefferson Airplane on the latter group's British tour. All of this activity led to an approach by Pye Records producer Barry Murray, who got them signed to the label, and through whom they released their debut single "All Day, All Night" b/w "Country Life." Though decidedly guitar-based in their sound, the band's music also used psychedelic pop arrangements that gave it an almost orchestral majesty which, when coupled with Johnson's sitar and lute embellishments and Hopkins' harpsichord and other unusual keyboards -- with Hicks getting into the act on the tabla -- gave them an appealingly exotic sound. Their live performances were frequently divided, ? la Crosby, Stills, Nash & Young, into acoustic and electric sets, in order to show off their full range.
The group issued their first album, Contrasts, in 1969, on the Janus label -- that record showed more of the early but burgeoning influence of progressive rock, while retaining their early psychedelic coloration. That same year, the band played to the largest single audience of its entire history when they appeared at the first Isle of Wight Festival. They also issued their second single "Castles in the Sky" b/w "Circles'" and the LP Rebirth, both on the Ember label, which featured a new lineup -- Denyer had exited the band to form Aquila, ceding his spot in Blonde on Blonde to singer-guitarist David Thomas. Richard Hopkins was replaced in mid-1971 by bassist-guitarist-banjo player Graham Davis, and it was this lineup that recorded their third LP, Reflections on a Life, at Rockfield Studios. It failed to sell any better than their prior releases, however, and the group broke up in 1972, shortly after that album's release. The group's albums are recognized as collector's items on vinyl, and their first album, in particular, is a beguiling mix of psychedelia and progressive rock. But their debut single, "All Day, All Night," is regarded in many quarters as their most significant release, a classic of late-'60s psychedelic pop/rock..
Tracks: ------- 01. Gene Machine (Gareth Johnson) - 2:04 02. I Don't Care (Dave Thomas, Gareth Johnson) - 2:41 03. Love Song (Dave Thomas) - 6:41 04. Bar Room Blues (Dave Thomas) - 5:25 05. Sad Song For An Easy Lady (Dave Thomas) - 4:13 06. Ain't It Sad Too (Gareth Johnson) - 4:23 07. The Bargain (Dave Thomas) - 4:14 08. The Rut (Graham Davies) - 5:22 09. Happy Families (Gareth Johnson) - 3:44 10. No. 2 Psychological Decontamination Unit (Gareth Johnson) - 3:09 11. Chorale (Forever) (Gareth Johnson) - 4:41
Personnel: --------- Graham Davies - Acoustic Guitar, Guitar, Bass Guitar, Banjo, Vocals Gareth Johnson - Lead Guitar Les Hicks - Percussion Dave Thomas - Vocals, Acoustic Guitar, Bass Guitar, Harmonica
All thanks to original releaser
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