KIM WILDE «Discography on vinyl» (9 × LP • RAK / MCA Records Limited • 1981-2018)
Performer: KIM WILDE / キム・ワイルド Album / collection: «Discography on vinyl / レコードのディスコグラフィー» Label: (c)(p) 1981-2018 RAK | MCA Records Ltd. Source: Rip by Dymokust, alvaedis, ukovvv… ⇒ Conversion 32/192kHz by KoGGaN™ Official DR value: •12•12•11•12•13•14•13•12•11• Catalog (Barcode): much… Genre / Style: Pop, Pop Rock, Synth-pop Year (info): 1981-2018 (9 × Original Vinyl, LP, Collection—) Format: WV (image + .cue) Bitrate: 32bit/192kHz Stereo Covers: in archive Amount of tracks: 96 Total time:
KIM WILDE «Discography on vinyl» (9 × LP • RAK / MCA Records Limited • 1981-2018)
Performer: KIM WILDE / キム・ワイルド Album / collection: «Discography on vinyl / レコードのディスコグラフィー» Label: (c)(p) 1981-2018 RAK | MCA Records Ltd. Source: Rip by Dymokust, alvaedis, ukovvv… ⇒ Conversion 32/192kHz by KoGGaN™ Official DR value: •12•12•11•12•13•14•13•12•11• Catalog (Barcode): much… Genre / Style: Pop, Pop Rock, Synth-pop Year (info): 1981-2018 (9 × Original Vinyl, LP, Collection—) Format: WV (image + .cue) Bitrate: 32bit/192kHz Stereo Covers: in archive Amount of tracks: 96 Total time:
02 08, 2025
PET SHOP BOYS «Discography» (32 × CD • Japan 1St Press • 1986-2024)
Performer: PET SHOP BOYS / ペット・ショップ・ボーイズ Album / collection: «Discography ／ ディスコグラフィー» Series: First pressing CD Series— Label: (c)(p) 1986-2024 Parlophone | EMI | x2 Recordings Ltd. Source: Rip by KoGGaN™ scans by inet… Official DR value: •14•13•13•12•13•13•9•9/9•8/8• •10•7•7•7/7•8•6•6/7•8/8•7•7/7•5•6•7/6/6•5/6• Catalog (Barcode): much… Genre / Style: Pop, Electronic, Synth-pop, Duet Year (info): 1986-2024 (32 × Japan 1st Press CD, Collection—) Format: WV (image + .cue) Bitrate: lossless
PET SHOP BOYS «Discography» (32 × CD • Japan 1St Press • 1986-2024)
Performer: PET SHOP BOYS / ペット・ショップ・ボーイズ Album / collection: «Discography ／ ディスコグラフィー» Series: First pressing CD Series— Label: (c)(p) 1986-2024 Parlophone | EMI | x2 Recordings Ltd. Source: Rip by KoGGaN™ scans by inet… Official DR value: •14•13•13•12•13•13•9•9/9•8/8• •10•7•7•7/7•8•6•6/7•8/8•7•7/7•5•6•7/6/6•5/6• Catalog (Barcode): much… Genre / Style: Pop, Electronic, Synth-pop, Duet Year (info): 1986-2024 (32 × Japan 1st Press CD, Collection—) Format: WV (image + .cue) Bitrate: lossless
31 07, 2025
NIRVANA «Discography 1989-2005» (7 × SHM-CD · Universal Music K.K. · Issue 2008)
Artist: NIRVANA Title Of Album: Discography / Дискография [Japanese Limited Edition, SHM-CDs] 1989 - Bleach [Digitally Remastered] (WPCR-13269) 1991 - Nevermind (UICY-91223) 1992 - Incesticide (UICY-91224) 1993 - In Utero (UICY-91225) 1994 - MTV Unplugged In New York (UICY-91062) 2002 - Nirvana (UICY-90832) 2005 - Sliver, The Best Of The Box (UICY-91019) Release Date: 1989-2005 / 2008 Location: USA Genre: Grunge / Alternative Rock Quality: APE | lossless (image +.cue) Covers: in archive Amount
NIRVANA «Discography 1989-2005» (7 × SHM-CD · Universal Music K.K. · Issue 2008)
Artist: NIRVANA Title Of Album: Discography / Дискография [Japanese Limited Edition, SHM-CDs] 1989 - Bleach [Digitally Remastered] (WPCR-13269) 1991 - Nevermind (UICY-91223) 1992 - Incesticide (UICY-91224) 1993 - In Utero (UICY-91225) 1994 - MTV Unplugged In New York (UICY-91062) 2002 - Nirvana (UICY-90832) 2005 - Sliver, The Best Of The Box (UICY-91019) Release Date: 1989-2005 / 2008 Location: USA Genre: Grunge / Alternative Rock Quality: APE | lossless (image +.cue) Covers: in archive Amount
30 07, 2025
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Автор: petruha, 30 июня 2022, Комментариев: 0, Просмотров: 895Nick Drake - Five Leaves Left (1969) 2013
Исполнитель: Nick Drake
Альбом: Five Leaves Left
Жанр: Folk, Folk Pop, Folk Rock
Год: (1969) 2013
Страна: UK
Лейбл: Island (© 2013 Universal Island Records, a division of Universal Music Operations Limited ℗ 2013 Universal Island Records, a division of Universal Music Operations Limited)
Формат: FLAC (tracks)
Official DR value: DR11
Разрядность: 24bit / 96kHz Stereo
Размер: 723 MB
Источник: qobuz
Залито на: XFile (3% восстановление)
Альбом: Five Leaves Left
Жанр: Folk, Folk Pop, Folk Rock
Год: (1969) 2013
Страна: UK
Лейбл: Island (© 2013 Universal Island Records, a division of Universal Music Operations Limited ℗ 2013 Universal Island Records, a division of Universal Music Operations Limited)
Формат: FLAC (tracks)
Official DR value: DR11
Разрядность: 24bit / 96kHz Stereo
Размер: 723 MB
Источник: qobuz
Залито на: XFile (3% восстановление)
«Exclusive for Lossless-Galaxy»
Трэклист:
01. Time Has Told Me
02. River Man
03. Three Hours
04. Way To Blue
05. Day Is Done
06. ' Cello Song
07. The Thoughts Of Mary Jane
08. Man In A Shed
09. Fruit Tree
10. Saturday Sun
It's little wonder why Drake felt frustrated at the lack of commercial success his music initially gathered, considering the help he had on his debut record. Besides fine production from Joe Boyd and assistance from folks like Fairport Convention's Richard Thompson and his unrelated bass counterpart from Pentangle, Danny Thompson, Drake also recruited school friend Robert Kirby to create most of the just-right string and wind arrangements. His own performance itself steered a careful balance between too-easy accessibility and maudlin self-reflection, combining the best of both worlds while avoiding the pitfalls on either side. The result was a fantastic debut appearance, and if the cult of Drake consistently reads more into his work than is perhaps deserved, Five Leaves Left is still a most successful effort. Having grown out of the amiable but derivative styles captured on the long-circulating series of bootleg home recordings, Drake imbues his tunes with just enough drama -- world-weariness in the vocals, carefully paced playing, and more -- to make it all work. His lyrics capture a subtle poetry of emotion, as on the pastoral semi-fantasia of "The Thoughts of Mary Jane," which his soft, articulate singing brings even more to the full. Sometimes he projects a little more clearly, as on the astonishing voice-and-strings combination "Way to Blue," while elsewhere he's not so clear, suggesting rather than outlining the mood. Understatement is the key to his songs and performances' general success, which makes the combination of his vocals and Rocky Dzidzornu's congas on "Three Hours" and the lovely "'Cello Song," to name two instances, so effective. Danny Thompson is the most regular side performer on the album, his bass work providing subtle heft while never standing in the way of the song -- kudos well deserved for Boyd's production as well.
© Ned Raggett /TiVo
Lossless Audio Checker
Dynamic Range Meter
01. Time Has Told Me
02. River Man
03. Three Hours
04. Way To Blue
05. Day Is Done
06. ' Cello Song
07. The Thoughts Of Mary Jane
08. Man In A Shed
09. Fruit Tree
10. Saturday Sun
It's little wonder why Drake felt frustrated at the lack of commercial success his music initially gathered, considering the help he had on his debut record. Besides fine production from Joe Boyd and assistance from folks like Fairport Convention's Richard Thompson and his unrelated bass counterpart from Pentangle, Danny Thompson, Drake also recruited school friend Robert Kirby to create most of the just-right string and wind arrangements. His own performance itself steered a careful balance between too-easy accessibility and maudlin self-reflection, combining the best of both worlds while avoiding the pitfalls on either side. The result was a fantastic debut appearance, and if the cult of Drake consistently reads more into his work than is perhaps deserved, Five Leaves Left is still a most successful effort. Having grown out of the amiable but derivative styles captured on the long-circulating series of bootleg home recordings, Drake imbues his tunes with just enough drama -- world-weariness in the vocals, carefully paced playing, and more -- to make it all work. His lyrics capture a subtle poetry of emotion, as on the pastoral semi-fantasia of "The Thoughts of Mary Jane," which his soft, articulate singing brings even more to the full. Sometimes he projects a little more clearly, as on the astonishing voice-and-strings combination "Way to Blue," while elsewhere he's not so clear, suggesting rather than outlining the mood. Understatement is the key to his songs and performances' general success, which makes the combination of his vocals and Rocky Dzidzornu's congas on "Three Hours" and the lovely "'Cello Song," to name two instances, so effective. Danny Thompson is the most regular side performer on the album, his bass work providing subtle heft while never standing in the way of the song -- kudos well deserved for Boyd's production as well.
© Ned Raggett /TiVo
Lossless Audio Checker
Dynamic Range Meter
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