Glenn Hughes - Chosen (2025)
rip by Boris1 Performer: Glenn Hughes Album: Chosen Label: Frontiers Records Catalog #: FR CD 1508 Style: Hard Rock Year: 2025 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 10 Size Rar: ~ 430 MB Upload: xfile Recovery: 3% Password: sim-sim Chosen - это хард-роковый монстр, который захватывает с самого первого трека и не отпускает ни на секунду. Этот альбом - непрерывный поток чистой энергии, с таким количеством хитов, что сложно выбрать фаворита,
Glenn Hughes - Chosen (2025)
rip by Boris1 Performer: Glenn Hughes Album: Chosen Label: Frontiers Records Catalog #: FR CD 1508 Style: Hard Rock Year: 2025 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 10 Size Rar: ~ 430 MB Upload: xfile Recovery: 3% Password: sim-sim Chosen - это хард-роковый монстр, который захватывает с самого первого трека и не отпускает ни на секунду. Этот альбом - непрерывный поток чистой энергии, с таким количеством хитов, что сложно выбрать фаворита,
17 09, 2025
DEE D. JACKSON «Discography on vinyl» + bonus (5 × LP + 2 × CD · Jupiter Records · 1978-1997)
Performer: DEE D. JACKSON / D・D・ジャクソン Album / collection: «Discography on vinyl / レコードのディスコグラフィー» + bonus Label: (c)(p) 1978-1981, 1997 Jupiter / Victor / Durium S.p.A. Source: Rip by bazar, Dymokust, polydor ⇒ Conversion 32/192kHz by KoGGaN™ Official DR value: •12•12•14•13•13•12•13• Catalog (Barcode): much… Genre / Style: Pop, Electronic, Cosmic Disco Year (info): 1978-1997 (5 × Original vinyl, LP, + 2 × CD, Collection—) Format: WV (image + .cue) Bitrate: 32bit/192kHz Stereo Covers: in
DEE D. JACKSON «Discography on vinyl» + bonus (5 × LP + 2 × CD · Jupiter Records · 1978-1997)
Performer: DEE D. JACKSON / D・D・ジャクソン Album / collection: «Discography on vinyl / レコードのディスコグラフィー» + bonus Label: (c)(p) 1978-1981, 1997 Jupiter / Victor / Durium S.p.A. Source: Rip by bazar, Dymokust, polydor ⇒ Conversion 32/192kHz by KoGGaN™ Official DR value: •12•12•14•13•13•12•13• Catalog (Barcode): much… Genre / Style: Pop, Electronic, Cosmic Disco Year (info): 1978-1997 (5 × Original vinyl, LP, + 2 × CD, Collection—) Format: WV (image + .cue) Bitrate: 32bit/192kHz Stereo Covers: in
16 09, 2025
HAUSER - Cinema (2025)
rip by Boris1 Performer: Hauser Album: Cinema Label: Masterworks Catalog #: 19802930052 Style: Soundtrack, Instrumental, Easy Listening Year: 2025 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 15 Size Rar: ~ 352 MB Upload: xfile Recovery: 3% Password: sim-sim Мировая сенсация виолончелист HAUSER выпускает свой новый альбом CINEMA - глубокую дань уважения самым незабываемым мелодиям из кинофильмов. С его несомненным артистизмом и страстью HAUSER
HAUSER - Cinema (2025)
rip by Boris1 Performer: Hauser Album: Cinema Label: Masterworks Catalog #: 19802930052 Style: Soundtrack, Instrumental, Easy Listening Year: 2025 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 15 Size Rar: ~ 352 MB Upload: xfile Recovery: 3% Password: sim-sim Мировая сенсация виолончелист HAUSER выпускает свой новый альбом CINEMA - глубокую дань уважения самым незабываемым мелодиям из кинофильмов. С его несомненным артистизмом и страстью HAUSER
15 09, 2025
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В каком формате хотели бы видеть релизы на сайте ?
Автор: petruha, 30 июня 2022, Комментариев: 0, Просмотров: 922Nick Drake - Five Leaves Left (1969) 2013
Исполнитель: Nick Drake
Альбом: Five Leaves Left
Жанр: Folk, Folk Pop, Folk Rock
Год: (1969) 2013
Страна: UK
Лейбл: Island (© 2013 Universal Island Records, a division of Universal Music Operations Limited ℗ 2013 Universal Island Records, a division of Universal Music Operations Limited)
Формат: FLAC (tracks)
Official DR value: DR11
Разрядность: 24bit / 96kHz Stereo
Размер: 723 MB
Источник: qobuz
Залито на: XFile (3% восстановление)
Альбом: Five Leaves Left
Жанр: Folk, Folk Pop, Folk Rock
Год: (1969) 2013
Страна: UK
Лейбл: Island (© 2013 Universal Island Records, a division of Universal Music Operations Limited ℗ 2013 Universal Island Records, a division of Universal Music Operations Limited)
Формат: FLAC (tracks)
Official DR value: DR11
Разрядность: 24bit / 96kHz Stereo
Размер: 723 MB
Источник: qobuz
Залито на: XFile (3% восстановление)
«Exclusive for Lossless-Galaxy»
Трэклист:
01. Time Has Told Me
02. River Man
03. Three Hours
04. Way To Blue
05. Day Is Done
06. ' Cello Song
07. The Thoughts Of Mary Jane
08. Man In A Shed
09. Fruit Tree
10. Saturday Sun
It's little wonder why Drake felt frustrated at the lack of commercial success his music initially gathered, considering the help he had on his debut record. Besides fine production from Joe Boyd and assistance from folks like Fairport Convention's Richard Thompson and his unrelated bass counterpart from Pentangle, Danny Thompson, Drake also recruited school friend Robert Kirby to create most of the just-right string and wind arrangements. His own performance itself steered a careful balance between too-easy accessibility and maudlin self-reflection, combining the best of both worlds while avoiding the pitfalls on either side. The result was a fantastic debut appearance, and if the cult of Drake consistently reads more into his work than is perhaps deserved, Five Leaves Left is still a most successful effort. Having grown out of the amiable but derivative styles captured on the long-circulating series of bootleg home recordings, Drake imbues his tunes with just enough drama -- world-weariness in the vocals, carefully paced playing, and more -- to make it all work. His lyrics capture a subtle poetry of emotion, as on the pastoral semi-fantasia of "The Thoughts of Mary Jane," which his soft, articulate singing brings even more to the full. Sometimes he projects a little more clearly, as on the astonishing voice-and-strings combination "Way to Blue," while elsewhere he's not so clear, suggesting rather than outlining the mood. Understatement is the key to his songs and performances' general success, which makes the combination of his vocals and Rocky Dzidzornu's congas on "Three Hours" and the lovely "'Cello Song," to name two instances, so effective. Danny Thompson is the most regular side performer on the album, his bass work providing subtle heft while never standing in the way of the song -- kudos well deserved for Boyd's production as well.
© Ned Raggett /TiVo
Lossless Audio Checker
Dynamic Range Meter
01. Time Has Told Me
02. River Man
03. Three Hours
04. Way To Blue
05. Day Is Done
06. ' Cello Song
07. The Thoughts Of Mary Jane
08. Man In A Shed
09. Fruit Tree
10. Saturday Sun
It's little wonder why Drake felt frustrated at the lack of commercial success his music initially gathered, considering the help he had on his debut record. Besides fine production from Joe Boyd and assistance from folks like Fairport Convention's Richard Thompson and his unrelated bass counterpart from Pentangle, Danny Thompson, Drake also recruited school friend Robert Kirby to create most of the just-right string and wind arrangements. His own performance itself steered a careful balance between too-easy accessibility and maudlin self-reflection, combining the best of both worlds while avoiding the pitfalls on either side. The result was a fantastic debut appearance, and if the cult of Drake consistently reads more into his work than is perhaps deserved, Five Leaves Left is still a most successful effort. Having grown out of the amiable but derivative styles captured on the long-circulating series of bootleg home recordings, Drake imbues his tunes with just enough drama -- world-weariness in the vocals, carefully paced playing, and more -- to make it all work. His lyrics capture a subtle poetry of emotion, as on the pastoral semi-fantasia of "The Thoughts of Mary Jane," which his soft, articulate singing brings even more to the full. Sometimes he projects a little more clearly, as on the astonishing voice-and-strings combination "Way to Blue," while elsewhere he's not so clear, suggesting rather than outlining the mood. Understatement is the key to his songs and performances' general success, which makes the combination of his vocals and Rocky Dzidzornu's congas on "Three Hours" and the lovely "'Cello Song," to name two instances, so effective. Danny Thompson is the most regular side performer on the album, his bass work providing subtle heft while never standing in the way of the song -- kudos well deserved for Boyd's production as well.
© Ned Raggett /TiVo
Lossless Audio Checker
Dynamic Range Meter
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