Исполнитель: George Harrison
Альбом: All Things Must Pass (3LP Set Apple / Toshiba Red Vinyl 1971 VinylRip 24/96)
Информация:
Original 1970 Phil Spector Mix
Toshiba Red Vinyl (AP-9016C) Pressed in Japan
Жанр: Rock
Год: 1970
Формат: APE (tracks + *cue + Technical log)
Качество: lossless
Covers:
LP format JPG, front, side 1
DVD-A format JPG, front, back, label
Размер: 97MB (21 Part) + 81MB (1 Part)
Залито на: DepositFiles + iFolder (3% восстановление)
Внимание!!! Альбомы с Vinyl RIP, после прямой конвертации
из FLAC в APE (и обратно) изначальный битрейт,
снятый посде оцифровки ВИНИЛА, не дают.
Для сохранения битрейта сначала нужно разжать в WAV,
а потом переконвертировать в APE или FLAC.
Для разжатия в WAV используйте или родные программы форматов или foobar2000.
Средний битрейт альбома 2600-2800 kbps.
Данный релиз без потери битрейта можно записать как DVD-AUDIO
Источник Internet
Thank your DLedin and doctarippa!LP1
Side 1A1 I'd Have You Anytime
(George Harrison / Bob Dylan)A2 My Sweet Lord
A3 Wah-Wah
Thanks to the O'Hara-Smith Singers, Cyril, Betty, and Tommy BoyA4 Isn't It A Pity (Version 1)
Originally written in 1966Side 2B1 What Is Life
B2 If Not For You
(Bob Dylan)B3 Behind That Locked Door
Written for Bob Dylan following his performance at the Isle of WightB4 Let It Down
Written and performed during the Get Back sessionsB5 Run Of The Mill
LP2
Side 3C1 Beware Of Darkness
C2 Apple Scruffs
Written about the Apple Records groupies nicknamed "Apple scruffs"C3 Ballad Of Sir Frankie Crisp (Let It Roll)
Frankie Crisp was the original proprietor of Harrison's mansion Friar ParkC4 Awaiting On You All
C5 All Things Must Pass
Written and performed during the Get Back sessionsSide 4D1 I Dig Love
D2 Art Of Dying
Features 19-year-old Phil Collins on percussionD3 Isn't It A Pity (Version 2)
D4 Hear Me Lord
LP3
Side 5 (Apple Jam)E1 Out Of The Blue
(Jim Gordon / Carl Radle / Bobby Whitlock / Eric Clapton / Gary Wright / George Harrison / Jim Price / Bobby Keys / Al Aronowitz)E2 It's Johnny's Birthday (Based upon "Congratulations" - Bill Martin / Phil Coulter)
Recorded in August 1970 with Ringo Starr and presented to John Lennon on his 30th birthdayE3 Plug Me In
(Jim Gordon / Carl Radle / Bobby Whitlock / Eric Clapton / Dave Mason / George Harrison)Side 6 (Apple Jam)F1 I Remember Jeep
(Ginger Baker / Klaus Voormann / Billy Preston / Eric Clapton /George Harrison)
Uses white noise from Harrison's 1969 Electronic Sound album track "No Time or Space". "Jeep" was the name of Clapton's dog that had been stolenF2 Thanks For The Pepperoni
(Gordon / Radle / Whitlock / Clapton / Mason / Harrison)Technical logVinyl Ripper's Notes
(March 29, 2008) This is a completely new transfer that was done after learning that the
first 24-bit version of this LP was not true 24-bit audio. To those who
have downloaded the first version I apologize for the inconvenience of
having to download this a second time. Please discard the previous 24-bit
version. Thanks for your patience. -DLedin
I can hear it now: "Who needs another version of All Things Must Pass"?
This needledrop, using a superb set of Toshiba red vinyl LPs, is worth a listen.
I also encourage those interested to compare this vinyl transfer to another vinyl
version of this LP.
As some of you may know, Dr. Ebbetts released this title in 2006 sourced from a U.S.
pressing. It was very positively received and deservedly so. I have the original Ebbetts
discs of this release myself and have kept them close by throughout my transfer of this
Japanese red wax version. I'll just say this: The Japanese/Toshiba red vinyl sounds
different than the U.S. vinyl. Give it a listen.
This is my first hands-on experience working with Toshiba red vinyl and I'm very
impressed with how quiet this stuff is. I'd love to get my hands on more.
The setup used is as follows:
-Technics SL-1900 direct drive turntable running an Ortofon Super OM-20 cartridge.
-JVC AX-R97 integrated amp
-Hoontech/Soundtrack Audio DSP24 Value sound card
The signal was imported into Adobe Audition at 96kHz/32-bit (float). I removed what few
pops & clicks there were via the Audition pop/click removal tool used manually.
No EQ or N/R has been added. When the audio was ready, it was converted to 24-bit wav
files and then encoded to FLAC.
This transfer has been configured over two discs in the same fashion as the DESS release.
In fact, I also borrowed Doc's artwork and have modified it to reflect the differences
between the US & Toshiba versions.
Please note: This needledrop is not put out there as a substitute for the DESS release.
It is put out there for those who have an interest in different pressings from different
countries. If, after transferring, I had found that there was very little difference between
the Toshiba and the US pressings I would have shelved the project. I also have a German pressing
of this LP which I may transfer and make available at some time in the future, if I hear an
appreciable difference.
One final note. It's obvious that comparing two different pressings from two different audio
systems is a tenuous proposition at best. There are just too many variables that can color the
audio traveling from the turntable to the hard drive. What you can rely on is the fact that DESS
makes it a point to avoid EQ and N/R and give us flat transfers so we hear the LP as it's intended.
That has always been my goal as well. I prefer to remove only the pops & clicks and then get out
of the way and let the vinyl speak for itself.
Внимание! У Вас нет прав для просмотра скрытого текста.