Year: June 26, 1975 (CD May 2012)
Label: Mobile Fidelity Sound Lab (US), UDSACD 2082
Style: Roots Rock, Country Rock, AcousticCountry: Minnesota, U.S. / Toronto, Canada - Woodstock, New York, U.S.
Time: 77:35
Format: Flac Tracks 16/44,1 kHz
Size: 416 Mb
The Basement Tapes (Плёнки из подвала) - шестнадцатый альбом американского автора-исполнителя Боба Дилана и группы The Band, выпущенный в 1975 году на лейбле Columbia Records. Песни Дилана записаны в 1967 году, песни The Band - с 1967 по 1975 годы.
Когда Дилан оправился от травмы после аварии на мотоцикле в июле 1966 года он, созвав музыкантов The Band и начал записывать как новые композиции, так и параллельно с ними народные песни в стиле кантри. Все 16 композиций Дилана, по-видимому были записаны в 1967 году в подвале Big Pink, здания где жили трое участников The Band, в то время как восемь песен The Band были записаны в разное время и в разных местах между 1967 и 1975 годами. В 1975 году некоторые песни Дилана были дозаписаны при помощи наложения.
Материал из данных сессий нередко появлялись на бутлегах начиная с 1968 года, с наиболее известным из которых Great White Wonder 1969 года.
The Basement Tapes достигли 7-й позиции в 1975 году в альбомном чарте Billboard’а и 8-й позиции в Великобритании. В 2003 году, альбом занял номер 291 в списке 500 величайших альбомов всех времён журнала Rolling Stone.
(ru.wikipedia.org/wiki/The_Basement_Tapes)
The Basement Tapes is the sixteenth album by the American singer-songwriter Bob Dylan and his second with the Band. It was released on June 26, 1975, by Columbia Records. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the release of Blonde on Blonde and the subsequent recording and release of John Wesley Harding, during sessions that began at Dylan's house in Woodstock, New York, then moved to the basement of Big Pink. While most of these had appeared on bootleg albums, The Basement Tapes marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.
During his 1965-1966 world tour, Dylan was backed by the Hawks, a five-member rock group who would later become famous as the Band. After Dylan was injured in a motorcycle accident in July 1966, four members of the Hawks came to Dylan's home in the Woodstock area to collaborate with him on music and film projects. While Dylan was out of the public's eye during an extended period of recovery in 1967, he and the members of the Hawks recorded more than 100 tracks together, incorporating original compositions, contemporary covers, and traditional material. Dylan's new style of writing moved away from the urban sensibility and extended narratives that had characterized his most recent albums, Highway 61 Revisited and Blonde on Blonde, toward songs that were more intimate and which drew on many styles of traditional American music. While some of the basement songs are humorous, others dwell on nothingness, betrayal and a quest for salvation. In general, they possess a rootsy quality anticipating the Americana genre. For some critics, the songs on The Basement Tapes, which circulated widely in unofficial form, mounted a major stylistic challenge to rock music in the late sixties.
When Columbia Records prepared the album for official release in 1975, eight songs recorded solely by the Band-in various locations between 1967 and 1975-were added to 16 songs taped by Dylan and the Band in 1967. Overdubs were added in 1975 to songs from both categories. The Basement Tapes was critically acclaimed upon release, reaching number seven on the Billboard Top LPs & Tape album chart. Subsequently, the format of the 1975 album has led critics to question the omission of some of Dylan's best-known 1967 compositions and the inclusion of material by the Band that was not recorded in Woodstock.
(en.wikipedia.org/wiki/The_Basement_Tapes)
01. Odds And Ends (01:47)
02. Orange Juice Blues (Blues For Breakfast) (03:39)
03. Million Dollar Bash (02:32)
04. Yazoo Street Scandal (03:29)
05. Goin' To Acapulco (05:27)
06. Katies's Been Gone (02:48)
07. Lo And Behold! (02:46)
08. Bessie Smith (04:18)
09. Clothes Line Saga (02:58)
10. Apple Suckling Tree (02:48)
11. Please, Mrs. Henry (02:33)
12. Tears Of Rage (04:16)
13. Too Much Of Nothing (03:03)
14. Yea! Heavy And A Bottle Of Bread (02:14)
15. Ain't No More Cane (03:58)
16. Crash On The Levee (Down In The Flood) (02:04)
17. Ruben Remus (03:15)
18. Tiny Montgomery (02:51)
19. You Ain't Goin' Nowhere (02:42)
20. Don't Ya Tell Henry (03:13)
21. Nothing Was Delivered (04:23)
22. Open The Door, Homer (02:49)
23. Long Distance Operator (03:39)
24. This Wheel's On Fire (03:51)
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