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L.A. Guns - Leopard Skin (2025)

rip by Boris1 Performer: L.A.Guns Album: Leopadr Skin Label: Cleopatra Records Catalog #: CLO 6414 Style: Hard Rock / Glam Metal Year: 2025 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 1o Size RAR: ~ 381 MB Upload: xfile Recovery: 3% Password: sim-sim Если бы вы прошлись по списку групп, определяющих рок-сцену Sunset Strip 80-х, и оценили качество их релизов за десятилетия, групп, которые действительно просуществовали десятилетия и продолжали
L.A. Guns - Leopard Skin (2025)

L.A. Guns - Leopard Skin (2025)

rip by Boris1 Performer: L.A.Guns Album: Leopadr Skin Label: Cleopatra Records Catalog #: CLO 6414 Style: Hard Rock / Glam Metal Year: 2025 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 1o Size RAR: ~ 381 MB Upload: xfile Recovery: 3% Password: sim-sim Если бы вы прошлись по списку групп, определяющих рок-сцену Sunset Strip 80-х, и оценили качество их релизов за десятилетия, групп, которые действительно просуществовали десятилетия и продолжали
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Elton John & Brandi Carlile - Who Believes In Angels? (2025)

rip by Boris1 Performer: Elton John в лихом рок-н-ролльном задоре Little Richard’s Bible или в чистокровном кантри-дуэте Swing for the Fences 78-летний John звучит как человек вдвое моложе. Переплетающиеся гармонии Someone to Belong To или воодушевляющая фортепианная баллада заглавного трека пластинки прочно обосновались в мире классического, мелодичного написания песен, созданного двумя в высшей степени одаренными артистами. Альбом заканчивается удивительно пронзительным размышлением Elton'а
Elton John & Brandi Carlile - Who Believes In Angels? (2025)

Elton John & Brandi Carlile - Who Believes In Angels? (2025)

rip by Boris1 Performer: Elton John в лихом рок-н-ролльном задоре Little Richard’s Bible или в чистокровном кантри-дуэте Swing for the Fences 78-летний John звучит как человек вдвое моложе. Переплетающиеся гармонии Someone to Belong To или воодушевляющая фортепианная баллада заглавного трека пластинки прочно обосновались в мире классического, мелодичного написания песен, созданного двумя в высшей степени одаренными артистами. Альбом заканчивается удивительно пронзительным размышлением Elton'а
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Heaven 17: 2019 Play To Win / The • Virgin • Years 10CD Book Set Edsel Records Performer: Heaven 17 Box Set / Albums: Play To Win: The • Virgin • Years 1981 Penthouse And Pavement ● 1983 The Luxury Gap 1984 How Men Are ● 1986 Pleasure One 1988 Teddy Bear, Duke "> 2019 Demonstration Disc: The Lost Demos 1980 2019 Special Fortified Dance Mixes To Enhance Danceability 1/2/3/4 (10CD Book Set Edsel Records) Info: Edsel Records / Demon Music Limited Edition / Amazon Exclusive Albums /
Heaven 17: 2019 Play To Win / The • Virgin • Years - 10CD Book Set Edsel Records

Heaven 17: 2019 Play To Win / The • Virgin • Years - 10CD Book Set Edsel Records

Heaven 17: 2019 Play To Win / The • Virgin • Years 10CD Book Set Edsel Records Performer: Heaven 17 Box Set / Albums: Play To Win: The • Virgin • Years 1981 Penthouse And Pavement ● 1983 The Luxury Gap 1984 How Men Are ● 1986 Pleasure One 1988 Teddy Bear, Duke "> 2019 Demonstration Disc: The Lost Demos 1980 2019 Special Fortified Dance Mixes To Enhance Danceability 1/2/3/4 (10CD Book Set Edsel Records) Info: Edsel Records / Demon Music Limited Edition / Amazon Exclusive Albums /
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full-date Автор: ley-barmaley, 14 октября 2010, Комментариев: 1, Просмотров: 2 155

ROY ORBISON: Lonely And Blue (1960) (MFSL Ultra Disc II UDCD 758)

ROY ORBISON: Lonely And Blue (1960) (MFSL Ultra Disc II UDCD 758)


Исполнитель: ROY ORBISON
Альбом: Roy Orbison - Lonely And Blue (1960) (MFSL Ultra Disc II UDCD 758)
Жанр: Rock 'n' Roll / Blues
Год: 1960
Формат: FLAC (img +.cue +.log)
Битрейт аудио: lossless
Covers: format JPEG
Размер: 228MB
Залито на: iFolder (3% восстановление)

Time and familiarity -- through multiple reissues -- may have muted the seeming significance of some of what's here, but in 1960 Sings Lonely and Blue was not only a breakthrough for Roy Orbison as his debut LP, but also for rock & roll. Up to that point, apart from Elvis Presley -- who was in a class by himself -- few white rock & rollers had even tried to make as bold a use of the LP as what we hear on this record. Orbison, his collaborator Joe Melson, and producer Fred Foster turned the singer's debut long-player into a huge canvas for a sound that combined rock & roll's beat, Nashville's countrypolitan sound, and the singer's unique multi-octave range and operatic intensity into something unique in music. The single "Only the Lonely" may have been the most accessible and commercial side of this new sound, but the whole album was packed with great moments and different permutations of that sound: the powerful lead vocal and the Boots Randolph sax break on "I'll Say It's My Fault"; the haunting Orbison-Melson "Come Back to Me (My Love)", which was like a mini-movie script, a vest-pocket romantic melodrama sung with operatic depth and played to a light rock & roll beat; Don Gibson's "I'd Be a Legend in My Time," and "I Can't Stop Loving You," both filled with larger-than-life musical attributes and emotions behind Orbison's extraordinary singing, Orbison treating the former almost like a Verdi aria while a sax solo, the Anita Kerr Singers, and a dense string section hold it in the realm of pop music; and "Bye Bye Love" given the new Orbison treatment and sounding like a country-pop symphony. The material was uniformly strong and consistent, probably due, in part, to the fact that Fred Foster was able to draw from nearly a year's worth of recording activity to assemble the contents of the album, and he also took advantage of the album's stereo release to devise a crisp, discreet, two-channel mix that brought out all of the details of this sound in notably sharp relief, creating one of the earliest stereo rock & roll albums that was actually superior to its mono equivalent. Indeed, Sings Lonely and Blue was among the first rock & roll LPs to attract the interest of serious audiophile enthusiasts.

1. Only The Lonlely
2. Bye Bye Love
3. Cry
4. Blue Avenue
5. I Can’t Stop Loving You
6. Come Back To Me (My Angel)
7. Blue Angel
8. Raindrops
9. (I’d Be) A Legend In My Time
10. I’m Hurtin’
11. Twenty-Two Days
12. I’ll Say It’s My Fault

Roy Orbison - vocals
Grady Martin, Hank Garland - guitar
Lillian Hunt, Wilda Tinsley, Jane K. Norris, Alline Fentress, Verna Richardson, Solie Fott, George Binkley III, Brenton Banks - violin
Howard Carpenter - viola
Marvin Hughes - piano
Joe Melson, The Anita Kerr Singers - background vocals
Boots Randolph - saxophone
Floyd Cramer - piano
Buddy Harman - drums

ROY ORBISON: Lonely And Blue (1960) (MFSL Ultra Disc II UDCD 758)

ROY ORBISON: Lonely And Blue (1960) (MFSL Ultra Disc II UDCD 758)
Спасибо: Goodspeed

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pulpoextractor
14 октября 2010 22:13
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спасибо, звук изумительный

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