Bruce Springsteen - The Promise (2 CD) 2010Artist:
Bruce Springsteen
Album:
The Promise (2CD Set)
Inform:
88697761772 © & ® 2010 Bruce Springsteen / Distributed by Sony Music
Entertaiment / All Trademarks and logos are protected / "Columbia is
the exclusive trademark of Sony Music Entertaiment" / "Columbia" and
Reg. U.S. Pat. & Tm. Off. Marca Registrada.
Made in the UA / LS 00162.
Released November 16, 2010Recorded: 1977–1978, 2010
Genre: Rock, heartland rock
Producer: Bruce Springsteen, Jon Landau, Steven Van Zandt
Label: Sony Music
Genre: Rock / Singer-Songwriter
Format: FLAC (track, cue+log)
BiTrate: lossless
Covers: All Scan, 400dpi
Total Time: 01:28:34
• • • • • • • • • • • • • • • • • • • • • • • •
Подарочное издание на двух дисках. Включает в себя 22 страничный буклет
с чёрно-белыми фотографиями и текстом на английском языке.• • • • • • • • • • • • • • • • • • • • • • • •
en.wikipedia.org
The Promise is the 17th studio album by American rock singer Bruce Springsteen, released November 16, 2010 on Columbia Records. It is a double CD compilation of previously unreleased songs drawing from the Darkness on the Edge of Town sessions. The album is also available as part of the box set The Promise: The Darkness on the Edge of Town Story. The 2 CD version of the release entered the UK Albums Chart at number 7. It had been in production for many years and was originally scheduled to be released for the 30th anniversary in 2008. The Promise debuted at #16 on the Billboard 200, while the box set, The Promise: The Darkness on the Edge of Town Story, debuted at #27. Upon its release, The Promise received general acclaim from most music critics. 'Ain't Good Enough for You' was added to BBC Radio 2 & 96.2 The Revolution's playlists towards the back end of 2010.www.allmusic.com
Following Born to Run, Bruce Springsteen was proclaimed the savior of rock & roll classicism; it was hype that threatened to derail his career. In a bitter lawsuit with his former manager, he was locked out of a studio for two years but continued writing songs at fever pitch and rehearsing them on a farm in rural New Jersey. Some of these tunes -- composed during an economic recession -- reflect the tension between following one's dreams and her/his responsibilities. Still others reveal the deep influence of early rock & roll on Springsteen. When he was finally able to record, he cut enough material for four albums, and then pared it down to one. Darkness on the Edge of Town proved that Springsteen was no mere revivalist. The album was assembled from more sparsely produced, claustrophobic, and desperate "sound picture" songs, about lives broken by work, family and perceived societal obligations, and are haunted by questions of "what if?" They were a world away from the epic, busting-out-for-freedom maximalist tracks found on Born to Run.
The Promise collects 21 unreleased songs written (and mostly) recorded between 1976 and 1978. They offer an aural view as to what might have been had Springsteen been able to record immediately after Born to Run. While some lyric themes here reflect the brokenness and hard choices found on Darkness, others are substantially more triumphant in their worldview; and musically, all the songs here contain more substantially production. These selections also lack the knife-edge, searing, angry guitar that saturates Darkness. Included are his versions of singles farmed out to other artists -- "Because the Night" (and while this version is terrific, it means something else in the end; Patti Smith's version remains definitive), the gritty, soulful "Fire," which eventually given to the Pointer Sisters who scored big with their classy version. The galloping "Gotta Get That Feeling" summons Jack Nietszche's production ears with its big mariachi brass. This tune and numerous others contain open homages to Phil Spector's "sha-na-na-na" choruses. Clarence Clemons' saxophone is much more prevalent on the songs of The Promise than it is on Darkness. His meat-and-potatoes tone adds heft and groove to these selctions. "Ain't Good Enough for You" is pure handclap, call-and-response, verse and chorus, approaching a doo wop celebration. The poignant love poetry in "The Brokenhearted" and "Spanish Eyes" could have been written by Doc Pomus, and reveals the influence of Jerry Leiber's "Spanish Harlem." "Candy's Boy" begins lyrically in the same place as "Candy's Room," but is a very different song melodically and thematically. "Racing in the Street" features different words; David Lindley's violin makes the track a bit less personal, more anthemic; it's absent the shadow of doubt that makes the Darkness version so devastating emotionally. "Come On (Let's Go Tonight)" is an early version of "Factory." "The Promise" is the only cut that might have added something to Darkness that isn't already there. Its sense of bewilderment, betrayal, uncertainty, and regret is total. That said, the addition of strings draws it outside Darkness' skeletal purview, underscoring the fact that Darkness is perfect as it is. The Promise stands on its own as a great Bruce Springsteen record; it feels finished, focused, and above all, offers definitive proof that Springsteen was even at that early date, one of the greatest rock and pop songwriters America had to offer.
Review by Thom Jurek
Биография на lastfm.ru
Брюс Фредерик Спрингстин (англ. Bruce Frederick Springsteen; 23 сентября 1949, Лонг Брэнч, Нью Джерси, США) — американский рок- и фолк-музыкант и автор песен. Воспитанный на музыке Элвиса Пресли, Вуди Гатри, Пита Сигера, Эдди Кохрейна и Боба Дилана, Спрингстин стал известен благодаря своим рок-песням с поэтичными текстами, основной темой которых является его родина, Нью Джерси.
В подростковом возрасте Спрингстин играл в ряде дворовых рок-команд. К началу 1970-х гг. он поселился в нью-йоркском районе Гринвич-Виллидж, где выступал с песнями с сильным налётом фолк-рока в духе Боба Дилана и Вана Моррисона. С бескомпромиссной искренностью он стремился отражать в своих песнях чаяния и горести рабочего американца средней руки.
В январе 1973 года вышел дебютный альбом Спрингстина, «Greeting from Asbury Park, N.J.», за которым через полгода последовал диск «The Wild, the Innocent & the E-Street Shuffle». Они не привлекли значительного внимания и продавались неважно, хотя после триумфа последующих пластинок всё-таки стали платиновыми. Более того — песня «Blinded by the Light» с первого альбома Спрингстина в 1977 году дошла до первого места в Billboard Hot 100, правда, в исполнении команды Manfred Mann’s Earth Band.Disc 1: The Promise01. Racing In the Street ('78) 6:50
02. Gotta Get That Feeling 3:19
03. Outside Looking In 2:18
04. Someday (We'll Be Together) 5:39
05. One Way Street 4:20
06. Because the Night 3:25
07. Wrong Side of the Street 3:36
08. The Brokenhearted 5:20
09. Rendezvous 2:39
10. Candy's Boy 4:39
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Disc 2: The Promise01. Save My Love 2:38
02. Ain't Good Enough For You 4:03
03. Fire 4:10
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