Исполнитель: Luminare Christmas! Альбом: Mistletoe Madness Жанр: Rock, Symphonic Rock Год: 2024 Страна: USA Лейбл: Frontiers Records s.r.l. Формат: FLAC (tracks) Official DR value: DR8 Разрядность: 24bit / 48kHz Stereo Размер: 457 MB Инфо: home Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» “Unleash your festive side and experience the exhilarating energy of a high-octane holiday rock concert with Luminare Christmas!, the ultimate celebration!” Get ready for an
Исполнитель: Luminare Christmas! Альбом: Mistletoe Madness Жанр: Rock, Symphonic Rock Год: 2024 Страна: USA Лейбл: Frontiers Records s.r.l. Формат: FLAC (tracks) Official DR value: DR8 Разрядность: 24bit / 48kHz Stereo Размер: 457 MB Инфо: home Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» “Unleash your festive side and experience the exhilarating energy of a high-octane holiday rock concert with Luminare Christmas!, the ultimate celebration!” Get ready for an
Bryan Adams – Albums Collection 1980-2010 (16CD) + 2 DVD + 2 Singles
Исполнитель: Bryan Adams Albums Collection 1980-2010 (16CD) + 2 DVD + 2 Singles 1980 Bryan Adams • 1981 You Want It, You Got It • 1983 Cuts Like A Knife • 1984 Reckless • 1987 Into The Fire 1991 Waking Up The Neighbours • 1993 So Far So Good • 1996 18 til I Die • 1997 MTV Unplugged – CD & DVD 1998 On A Day Like Today • 2002 OST: Stallion Of The Cimarron • 2004 Room Service • 2005 Anthology 2 CD 2008 "11" Deluxe Edition CD + Bonus DVD • 2010 Bare Bones 1996 The Only Thing That Looks Good On Me Is You (Maxi Single) 1996 Lets Make A Night To Remember (Maxi Single) --------------------------------------------- DVD-5 “Unplugged MTV” | PAL | 720x576 (4:3) 8000 kbps| LPCM, 1536 kbps | Time: 00:56:02 DVD-5 “11” | NTSC | 720x480 (16:9) 8000 kbps | AC-3, 192 kbps | Time: 00:55:43 --------------------------------------------- Genre: Rock, Soft Rock, Heartland Rock, Pop Rock, Arena Rock Формат: FLAC, Image (Cue + Log) Качество: lossless Cover: PNG 400 dpi, Full Scans Залито на: filesonic.com, uploadstation.com & wupload.com All Time: 15:06:11
• • • • • • • • • • • • • • • • • • • • • • • •
Коллекция из 18 компакт-дисков и 2 DVD, которыя включает в себя все студийные альбомы Брайана Адамса на данный момент, также 2 сборника его лучших песен и 3 концертных альбома. Кроме того добавлено 2 DVD - MTV "Unplugged" и бонус альбома "11" и два макси-сингла для альбома "18 til I Die".
• • • • • • • • • • • • • • • • • • • • • • • •
ru.wikipedia.org Брайан Адамс (англ. Bryan Guy Adams; 5 ноября 1959, Кингстон, Канада) — канадский рок-музыкант, гитарист, автор и исполнитель песен, который начал свою карьеру в шоу-бизнесе в 1976 г., первоначально в составе рок-групп. Его дебютный сольный альбом был выпущен в 1980 г., а в 1985 г. он впервые возглавил Billboard Hot 100 с рок-балладой «Heaven». Именно этот жанр принес ему успех по всему миру. Брайан Адамс родился в канадском Кингстоне в англоязычной семье; правда, его мать и бабушка происходят с Мальты. Отец Брайана — дипломат, в 60-х семья побывала в разных странах: Англия, Канада, Израиль, Франция, Португалия и Австрия. Адамсы остановились в Ванкувере, где Брайан начал свою музыкальную карьеру в возрасте 15-ти лет, после школы. Брайан — веган, поэтому берет еду с собой на концерты по всему миру. Сейчас он проживает в Канаде, г. Ванкувер, ранее он жил во Франции и говорил по-французски. Брайан также поддерживает футбольный клуб «Челси», его песня «We’re Gonna Win» с альбома «18 Til I Die» написана именно про него. Позже эта песня была использована Канадской спортивной сетью TSN как тема к «Wednesday Night Hockey» (обзоры NHL в 2003-04 гг). В Ванкувере Брайан открыл собственную студию звукозаписи, назвав её «The Warehouse Studio».
Allmusic.com Made up of brisk, pop-perky guitar fair, Bryan Adams' first album gained a considerate amount of airplay in Canada, but his notoriety abroad was still a couple of albums away. At 21, Adams' voice sounds a whole lot younger than his age, but the album itself holds up well, comprised of simple but buoyant pop songs. The better tracks stem from the brisk but amicable "Hiding from Love," the well-sung "Give Me Your Love," and from the staunch keyboard zing of "Remember." But the other tracks are in no way disappointing, with "Win Some, Lose Some," "Wastin' Time," and "Don't Ya Say It" all containing a pleasurable albeit rudimentary pop formula. In his late teens, Adams had worked with writer Jim Vallance, collaborating and writing songs for Prism (who Vallance was a member of at one time) and Bachman-Turner Overdrive before he was signed to A&M. This partnership had payed off for Adams, and his musicianship and writing skills became stronger with each release. Although his big break came with the release of 1983's Cuts Like a Knife, an album that gave him his first three Top 40 singles, Bryan Adams makes for an interesting and entertaining debut, especially from a retrospective standpoint. His tapered guitar punch may still have been in the making, but it's obvious by the cuts on this album that he was destined to be a successful radio rocker.
Tracklist:
01. Hidin' from Love - 03:18 02. Win some Lose Some - 03:48 03. Wait and See - 03:06 04. Give me Your Love - 02:55 05. Wastin' Time - 03:35 06. Don't ya Say it - 03:22 07. Remember - 03:42 08. State of Mind - 03:16 09. Try to see it My Way - 04:03
EAC extraction logfile from 8. October 2009, 17:02
Adams, Bryan / Bryan Adams
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com With its crystal-clear production, courtesy of Bob Clearmountain, You Want It, You Got It is state-of-the-art rock & roll of the post-Bruce Springsteen era: the guitars rev up, the bass drum is deeper than a well, the vocals are nasal and punky. The songs don't have the craft or commitment of Brian Adams' peers/competitors -- Springsteen, Tom Petty, John Mellencamp -- but you may not know it for the first few spins, just because the sound is so hot and infectious, and by then it may not matter. Actually, this is a much more enjoyable record in many respects than the rock & roll assembly line products Adams constructed once he hit the arenas. As it was, with this one, he was on his way. All he did later was take this approach and make it slicker.
Tracklist:
01. Lonely Nights - 03:47 02. One Good Reason - 04:23 03. Don't Look Now - 03:09 04. Coming Home - 03:37 05. Fits ya Good - 04:38 06. Jealousy - 03:51 07. Tonight - 04:59 08. You Want it, You Got It - 03:49 09. Last Chance - 03:19 10. No one Makes it Right - 03:16
EAC extraction logfile from 8. October 2009, 17:17
Adams, Bryan / You want it, you got it
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com Side one of Bryan Adams' third album, 1983's Cuts Like a Knife, is simply perfect. "The Only One," "This Time," and the title track are mid-paced melodic rockers with drop-dead choruses and hooks; they set the mold for most of Adams' finest and biggest hits. Though it rocks a little harder, "Take Me Back" is just as radio-friendly thanks to its use of female backup singers, and the fantastic "Straight Through the Heart" is Adams' first of many great ballads. Side two opens with a few misfires, but recovers soon enough thanks to the gutsy guitar of "Don't Leave Me Lonely" and the rather saccharine (but still good) ballad "The Best Was Yet to Come." Adams would finally achieve chart-topping perfection on his next release, Reckless, but Cuts Like a Knife comes pretty close.
Tracklist:
01. The only one - 03:16 02. Take me back - 04:41 03. This time - 03:20 04. Straight from the heart - 03:31 05. Cuts like a knife - 05:19 06. I'm ready - 03:58 07. What's it gonna be - 03:40 08. Don't leave me lonely - 02:58 09. Let him know - 03:11 10. The best was yet to come - 03:04
EAC extraction logfile from 8. October 2009, 17:37
Bryan Adams / Cuts like a knife
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com Bryan Adams capitalized on the momentum of Cuts Like a Knife with 1984's Reckless, a virtually flawless collection of melodic hard rock which would dominate radio for years to come. "Run to You" was a brilliant lead-off single which remains one of Adams' best songs ever, but its success still pales in comparison to follow-up smashes such as "Summer of '69," "It's only Love," (a duet with Tina Turner), and the ballad to end all ballads, "Heaven." Although some songs haven't aged very well (especially the overtly cheesy "Kids Wanna Rock"), these weak links are easily eclipsed by further highlights such as the cool rock of "One Night Love Affair" and the irrepressible pop chorus of "Somebody." Sales figures may point to 1991's Waking Up the Neighbors as the peak of Bryan Adams career, but the songs from Reckless will most certainly prove to be his lasting legacy.
Tracklist:
01. One Night Love Affair - 04:34 02. She's Only Happy When She's Dancin' - 03:13 03. Run to You - 03:53 04. Heaven - 04:03 05. Somebody - 04:43 06. Summer of '69 - 03:36 07. Kids Wanna Rock - 02:35 08. It's Only Love - 03:14 09. Long Gone - 03:58 10. Ain't Gonna Cry - 04:06
EAC extraction logfile from 7. October 2009, 18:25
Bryan Adams / Reckless
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com By the time he returned to the studio after almost two years of touring behind the remarkable success of 1984's Reckless, Bryan Adams' once fruitful collaboration with producer Jim Vallance had obviously staled. Most of the duo's songs for 1987's Into the Fire were lifeless and dull, and the album yielded only one successful single in "Heat of the Night." The arena rock of "Hearts on Fire" injects it with at least a little spark, but things quickly get ugly with the depressing title track and the truly awful "Only the Strong Survive." Not surprisingly, the album was Adams' last with Vallance, and his new partnership with producer John "Mutt" Lange (Def Leppard, AC/DC) would lead to his greatest success yet.
Tracklist:
01. Heat Of The Night - 05:07 02. Into The Fire - 04:41 03. Victim Of Love - 04:07 04. Another Day - 03:41 05. Native Son - 06:04 06. Only The Strong Survive - 03:45 07. Rebel - 04:02 08. Remembrance Day - 05:59 09. Hearts On Fire - 03:30 10. Home Again - 04:19
EAC extraction logfile from 7. October 2009, 18:41
Bryan Adams / Into The Fire
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com Although not as good as Reckless, Bryan Adams' 1991 album, Waking up the Neighbours, signaled his commercial apex. Bridging the time gap between '80s arena rock and '90s angst-ridden grunge, the album also ushered in an era in which Adams became more known for his sweeping power ballads than his straight-ahead rock tunes. This album, filled with nearly 75 minutes of showstopping arena rockers and mid-tempo ballads, churned out no less than five hit singles, the most notable being the Robin Hood Prince of Thieves theme "(Everything I Do) I Do It for You." That ballad spent seven weeks atop the U.S. pop charts, becoming the longest-reigning American chart-topper since Prince's "When Doves Cry" seven years earlier. The song also became a phenomenon in Europe, becoming Adams' biggest hit ever. Other singles which followed included the joyous rocker "Can't Stop This Thing We Started," which became a number two hit, the mid-tempo ballads "Do I Have to Say the Words" and "Thought I'd Died and Gone to Heaven," and the fun, straight-ahead rocker "There Will Never Be Another Tonight." Waking up the Neighbours was co-produced by Robert Jon "Mutt" Lange, and as a result, many of these songs sound as though they could have easily been Def Leppard recordings, especially "All I Want Is You," which sounds like "Pour Some Sugar on Me" part two. Nonetheless, Waking up the Neighbours is a fun album and perfect for those who expect nothing more than an old-fashioned good time from their rock & roll. Review by Jose F. Promis, Allmusic.com
Waking up the Neighbours' will, with no sweat, reestablish Bryan Adams as the radio's hoarse purveyor of energy and fun. A scrupulously careful yet adamantly alive piece of work, this collaboration between the Canadian singer-guitarist and the Midas-touch songwriter-producer Robert John "Mutt" Lange alternates half-tamed sonic raunch like "Is Your Mama Gonna Miss Ya?" and "Hey Honey – I'm Packin' You In!" with eloquent mall ballads such as "(Everything I Do) I Do It for You," Adams's current planet-wide phenomenon, and the even moodier "Do I Have to Say the Words?" For further balance there is fairly soulful midtempo rock ("Depend on Me") and an oddly toned state-of-the-world finale called "Don't Drop That Bomb on Me."
Like most capable pop craftsmen hellbent on seizing the airwaves, Adams and Lange walk a fine line between familiarity and derivativeness, between the blazingly immediate and the outright stale. So some tunes on Waking Up the Neighbours have turned out too broad for anyone's taste. "House Arrest" doesn't convey much of the atmosphere of "justa havin' a ball," and the hectoring sing-along "There Will Never Be Another Tonight" collapses into silliness in no time flat. More often, however, all Adams and Lange's high-impact verses and choruses and bridges and subbridges work like charms. The arrangements are only faintly dressed up with well-chosen bits of keyboard and percussion, and Bob Clearmountain's mix emphasizes Adams's vocals and Keith Scott's memorable guitar hooks – not, as per current market fashion, the rhythm section.
Bryan Adams became a superstar on the basis of Reckless, from 1984, an album released just as Bruce Springsteen's Born in the U.S.A. was beginning to exert its enormous influence over how guitar-defined popsters should think, sound and wear their denim. Three years later, with his dull Into the Fire, Adams let his always believable passion for melody and crunch lead him into attempts at the sort of topical, introspective songwriting that Springsteen and John Cougar Mellencamp sometimes can pull off. But between 1987 and right now, the Traveling Wilburys restored humor and the Black Crowes embraced vulgarity. However you may feel about this turn of events in the evolution of nonmetal, bestselling guitar pop, one thing seems certain: It's coaxed Bryan Adams back toward his natural calling.
Tracklist:
01. Is Your Mama Gonna Miss Ya? - 04:40 02. Hey Honey - I'm Packin' You In! - 03:59 03. Can't Stop This Thing We Started - 04:29 04. Thought I'd Died And Gone To Heaven - 05:48 05. Not Guilty - 04:11 06. Vanishing - 05:03 07. House Arrest - 03:57 08. Do I Have To Say The Words? - 06:11 09. There Will Never Be Another Tonight - 04:40 10. All I Want Is You - 05:20 11. Depend On Me - 05:07 12. (Everything I Do) I Do It For You - 06:34 13. If You Wanna Leave Me (Can I Come Too?) - 04:42 14. Touch The Hand - 04:05 15. Don't Drop That Bomb On Me - 06:02
EAC extraction logfile from 7. October 2009, 19:05
Bryan Adams / Waking Up The Neighbours
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com Throughout the 1980s and early '90s, few contemporary rock artists were able to come up with as many lighthearted, guilty pleasures as Bryan Adams. This is especially evident through So Far So Good, which neglects all album fillers and compiles many of his most noteworthy songs, from such rockers as "Summer of '69," "Run to You," and "Cuts Like a Knife" to the equally popular power ballads "Heaven" and "(Everything I Do) I Do It for You." Also included is the all-new "Please Forgive Me," one of his best power ballads yet. It's not quite a perfect compilation, however; in particular, his Top 20 hits "She's Only Happy When She's Dancin" and "Thought I'd Died and Gone to Heaven" are overlooked. These are only minor flaws, though. There is no better introduction to Bryan Adams to date than So Far So Good.
Tracklist:
01. Summer Of '69 - 03:34 02. Straight From The Heart - 03:29 03. It's Only Love - 03:14 04. Can't Stop This Thing We Started - 04:28 05. Do I Have To Say The Words? - 06:11 06. This Time - 03:19 07. Run To You - 03:53 08. Heaven - 04:03 09. Cuts Like A Knife - 05:12 10. (Everything I Do) I Do It For You - 06:33 11. Somebody - 04:42 12. Kids Wanna Rock - 02:35 13. Heat Of The Night - 05:05 14. Please Forgive Me - 05:55
EAC extraction logfile from 7. October 2009, 19:33
Bryan Adams / So Far So Good
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com After experiencing enormous success in the early '90s with a handful of soundtrack contributions, Bryan Adams returned in 1996 with 18 til I Die, his first full-length album in five years. Since 1991's "(Everything I Do) I Do It for You," Adams' biggest hits have been big, sweeping power ballads; evidently constrained by that middle-of-the-road persona, 18 til I Die attempts to return to the rockin' good-time vibes of his earlier records. The sound is grunged up a little, and he appears on the album cover in a bizarrely glitzy mod suit -- all meant to telegraph the message that even as Adams approaches 40, he remains a hip teen at heart. Of course, the music doesn't prove that to be true. He turns up the guitars for "The Only Thing That Looks Good on Me Is You," "Black Pearl," and "(I Wanna Be) Your Underwear," but that sort of raunch prevents the album from being much fun -- he's simply trying too hard. On the effortless ballads, Adams remains a rock-solid adult contemporary craftsman, writing songs with embarrassingly catchy hooks and melodies. Unfortunately, the ballads don't sit comfortably alongside the rockers -- they sound like the work of two different artists, one trying to sing to baby boomers, the other desperately trying to connect with teens. And while Adams might believe he'll stay a teenager until the end, he's most honest when singing songs to adults like himself.
Tracklist:
01. The Only Thing That Looks Good On Me Is You - 03:37 02. Do To You - 04:10 03. Let's Make A Night To Remember - 06:18 04. 18 Til I Die - 03:29 05. Star - 03:42 06. (I Wanna Be) Your Underwear - 03:17 07. We're Gonna Win - 02:27 08. I Think About You - 03:36 09. I'll Always Be Right There - 03:16 10. It Ain't A Party...If You Can't Come 'Round - 03:47 11. Black Pearl - 03:59 12. You're Still Beautiful To Me - 05:13 13. Have You Ever Really Loved A Woman? - 04:51
EAC extraction logfile from 7. October 2009, 19:50
Bryan Adams / 18 Til I Die
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com Only two years after delivering his first live set, Bryan Adams returned with his second, MTV Unplugged. Of course, "unplugged" albums were in vogue in the '90s, but it has to be said that Adams arrived a little late in the game, several years after efforts by Eric Clapton and 10,000 Maniacs ruled the charts. Nevertheless, Adams' MTV Unplugged is a strong effort, featuring stripped-down versions of such staples as "Summer of '69," "Cuts Like a Knife," and "Heaven" that prove that he's a resourceful straight-ahead rocker with a knack for a hook. There's also a handful of surprises, like early cuts like "Fits Ya Good" and a few new songs, that keep the record interesting for dedicated fans, but the overall quality of the music makes the record one of his best efforts of the '90s.
CD:
01. Summer of '69 - 04:02 02. Back To You - 04:30 03. Cuts Like A Knife - 05:03 04. I'm Ready - 04:28 05. Fits Ya Good - 03:01 06. When You Love Someone - 03:41 07. 18 'til I Die - 03:30 08. I Think About You - 02:36 09. If Ya Wanna Be Bad, Ya Gotta Be Good - Let's Make A Night To Remember - 04:35 10. The Only Thing That Looks Good On Me Is You - 04:34 11. A Little Love - 03:22 12. Heaven - 04:30 13. I'll Always Be Right There - 04:27
DVD:
1. Summer of '69 - 4:23 2. Cuts Like a Knife - 5:15 3. I'm Ready - 4:39 4. Back to You - 4:28 5. Fits Ya Good - 3:02 6. When You Love Someone - 3:41 7. 18 til I Die - 3:41 8. I Think About You - 2:36 9. If Ya Wanna Be Bad - Ya Gotta Be Good - 2:19 10. Let's Make a Night to Remember - 2:11 11. (I Wanna Be) Your Underwear - 1:24 12. A Little Love - 3:25 13. Can't Stop This Thing We Started - 3:17 14. It Ain't A Party...If You Can't Come Round - 1:19 15. Heaven - 4:39 16. I'll Always Be Right There - 4:35
EAC extraction logfile from 7. October 2009, 20:11
Adams, Bryan / MTV Unplugged
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
G:\Bryan Adams – Albums Collection 1980-2010 (16CD) + 2 DVD + 2 Singles\Bryan Adams - Unplugged MTV\VIDEO_TS\VTS_01_0.IFO General Complete name : G:\Bryan Adams – Albums Collection 1980-2010 (16CD) + 2 DVD + 2 Singles\Bryan Adams - Unplugged MTV\VIDEO_TS\VTS_01_0.IFO Format : DVD Video Format profile : Program File size : 72.0 KiB Video #224 ID : 224 (0xE0) Format : MPEG Video Format version : Version 2 Bit rate mode : Variable Width : 720 pixels Height : 576 pixels Display aspect ratio : 4:3 Frame rate : 25.000 fps Standard : PAL Audio #0 (0x0) ID : 0 (0x0) Format : PCM Channel(s) : 2 channels Sampling rate : 48.0 KHz Language : English
G:\Bryan Adams – Albums Collection 1980-2010 (16CD) + 2 DVD + 2 Singles\Bryan Adams - Unplugged MTV\VIDEO_TS\VTS_01_1.VOB General Complete name : G:\Bryan Adams – Albums Collection 1980-2010 (16CD) + 2 DVD + 2 Singles\Bryan Adams - Unplugged MTV\VIDEO_TS\VTS_01_1.VOB Format : MPEG-PS File size : 1 024 MiB Duration : 14mn 20s Overall bit rate : 9 986 Kbps Video #224 ID : 224 (0xE0) Format : MPEG Video Format version : Version 2 Format profile : Main@Main Format settings, BVOP : Yes Format settings, Matrix : Default Format settings, GOP : M=3, N=12 Duration : 14mn 20s Bit rate mode : Constant Bit rate : 8 000 Kbps Width : 720 pixels Height : 576 pixels Display aspect ratio : 4:3 Frame rate : 25.000 fps Standard : PAL Color space : YUV Chroma subsampling : 4:2:0 Bit depth : 8 bits Scan type : Interlaced Scan order : Top Field First Bits/(Pixel*Frame) : 0.772 Stream size : 846 MiB (83%) Audio #160 ID : 160 (0xA0) Format : PCM Format settings, Endianness : Big Format settings, Sign : Signed Muxing mode : DVD-Video Duration : 14mn 20s Bit rate mode : Constant Bit rate : 1 536 Kbps Channel(s) : 2 channels Channel positions : Front: L R Sampling rate : 48.0 KHz Bit depth : 16 bits Video delay : -80ms Stream size : 157 MiB (15%)
1998On A Day Like Today•Time: 00:55:12
Review by William Ruhlmann, Allmusic.com In retrospect, it's hard not to have seen it coming. When Bryan Adams' eighth regular studio album, On a Day Like Today, was released nine days before his 39th birthday, it spent only two weeks in the charts, becoming his least successful effort since his debut 18 years earlier. The fall seemed sudden, but it had its roots back in 1991, when Adams made a classic Faustian bargain: the massive success of Adams' film-soundtrack ballad "(Everything I Do) I Do It for You" set him on a path of more such songs that destroyed his legitimacy as a mainstream rock album artist. The erosion did not become fully apparent until the release of his seventh album, 18 'Til I Die, which stopped at gold but spent nearly a year in the U.S. charts. By the time of On a Day Like Today, however, Adams simply had no contemporary audience left, and this was not the record to rebuild his career. It was defiantly bereft of ballads, nothing to break on the AC chart, and even if his rock audience had been listening, there was nothing here to rank with his earlier signature hits. Adams constructed a series of pleasant, catchy pop/rock songs, their tunes sometimes so derivative that they made you want to play Spot the Riff. The lyrics usually touch on romance, especially romantic triangles, but the words contain so many cliches that they are nearly generic. Some of the commercial failure of On a Day Like Today was due to the Universal-Polygram merger, which left the album an orphan with no marketing push. But Adams needed to seriously rethink his career, if he expected to have one as a front-line artist past the age of 40.
Tracklist:
01. How Do Ya Feel Tonight - 04:46 02. C'mon C'mon C'mon - 03:36 03. Getaway - 03:47 04. On A Day Like Today - 03:28 05. Fearless - 03:52 06. I'm A Liar - 04:16 07. Cloud Number Nine - 03:45 08. When You're Gone - 03:24 09. Inside Out - 04:43 10. If I Had You [0:04:03 11. Before The Night Is Over - 03:48 12. I Don't Wanna Live Forever - 03:14 13. Where Angels Fear To Tread - 03:47 14. Lie To Me - 04:37
EAC extraction logfile from 7. October 2009, 20:29
Bryan Adams / On A Day Like Today
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
2002SPIRIT Stallion Of The Cimarron•Time: 01:00:01 (Music from the Original Motion Picture)
Review by William Ruhlmann, Allmusic.com Much like Disney's Tarzan, Dreamworks' animated epic Spirit: Stallion of the Cimarron opts for a mostly pop-based soundtrack instead of an instrumental score. Tarzan used the music of Phil Collins as a backdrop to its stunning visuals; Spirit: Stallion of the Cimarron features 15 new tracks from Bryan Adams to lend atmosphere to the tale of a runaway stallion's journey across the Old West. Adams' rousing, slightly sweet anthems are a good match to the film's look and theme, and they're also in keeping with the rest of his work. "Here I Am," "I Will Always Return," and "Don't Let Go" could fit in just as easily on his albums as on this collection. Likewise, "Get off My Back" sounds a lot like it could've been on 18 'Til I Die. There's some variety here as well, demonstrated by the vaguely Native American-influenced "Brothers Under the Sun" and understated ballads like "Here I Am" and "Nothing I've Ever Known." Not all of the diversity works well, however; the rebellious "You Can't Take Me" suffers from some shrill, tinny-sounding synths that make it difficult to listen to. The few instrumental excerpts at the end of the album round it out nicely, making Spirit: Stallion of the Cimarron is a pleasant and successful soundtrack, especially for Bryan Adams' fans.
Tracklist:
01. Bryan Adams - Here I Am (End Title) - 04:44 02. Bryan Adams - I Will Always Return - 03:58 03. Bryan Adams - You Can't Take Me - 02:56 04. Bryan Adams - Get Off My Back - 02:50 05. Bryan Adams - Brothers Under The Sun - 03:57 06. Bryan Adams with Sarah McLachlan - Don't Let Go - 04:02 07. Bryan Adams - This Is Where I Belong - 02:21 08. Bryan Adams - Here I Am - 04:32 09. Bryan Adams - Sound The Bugle - 03:54 10. Hans Zimmer - Run Free - 06:21 11. Hans Zimmer - Homeland (Main Title) - 03:41 12. Hans Zimmer - Rain - 02:50 13. Hans Zimmer - The Long Road Back - 07:11 14. Bryan Adams - Nothing I've Ever Known - 03:52 15. Bryan Adams - I Will Always Return (Finale) - 02:46
EAC extraction logfile from 7. October 2009, 20:49
Bryan Adams & Hans Zimmer / Spirit: Stallion Of The Cimarron
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com Bryan Adams released his ninth studio album, Room Service, in September 2004 in the U.K. and his native Canada, but it took seven months for the disc to receive American release. Frankly, the delay didn't really matter -- not only did Adams' star lose its luster in the U.S. sometime after his 1993 hits collection, So Far So Good, but Room Service sounds like it could have been recorded in 1993. It's so far removed from any modern music, in either the adult contemporary or rock realms, that it sounds as if Adams unearthed a collection of punchy, polished pop/rock tunes and power ballads that he cut 15 years ago and released it as his new album. This is marginally better than 1996's 18 'Til I Die, where Adams seemed desperate to sound and (more accurately) look hip, but Room Service isn't as memorable as that effort because it offers up Bryan Adams by the numbers, so slick and safe that it evaporates after it finishes playing. It's not bad -- it never takes enough risks to be bad; it's merely pleasant and professional -- and surely Adams fans who have stuck with him this long will find it ingratiating, but it sure raises the question of why he even bothers to record new albums if he doesn't have anything new to say.
Tracklist:
01. East Side Story - 03:22 02. This Side Of Paradise - 03:50 03. Not Romeo Not Juliet - 03:38 04. Flying - 04:04 05. She's A Little Too Good For Me - 02:37 06. Open Road - 03:28 07. Room Service - 02:53 08. I Was Only Dreamin' - 02:32 09. Right Back Where I Started From - 03:41 10. Nowhere Fast - 03:48 11. Why Do You Have To Be So Hard To Love - 02:57
EAC extraction logfile from 7. October 2009, 21:04
Bryan Adams / Room Service
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com Spanning 36 tracks over the course of two CDs, 2005's Anthology is by far the most comprehensive Bryan Adams compilation yet released. While this doesn't have every charting hit he's had -- minor singles like "Fits Ya Good" are missing in action -- it does have every noteworthy hit, from "Lonely Nights" in 1982 to "This Side of Paradise" in 2005. Since his first compilation, 1993's So Far So Good, was frustratingly incomplete, it's nice to have Anthology be so comprehensive, even if it's exhaustive to a fault. There will be many fans that just want the first disc, which roughly spans from 1982 to 1993: it's the one that has his biggest and best songs, while the second disc, covering 1993 to 2005, has songs that not only were bigger in Canada and Europe than the U.S., but tunes that leaned toward bland adult contemporary, lacking the anthemic rock of the hits from the first disc. That said, there is no better Bryan Adams compilation on the market and fans that don't like his later work can just listen to the first disc, which is about as good a distillation of his prime years as there could be.
Disc One:
01. Remember - 03:42 02. Lonely Nights - 03:48 03. Straight from the Heart - 03:32 04. Cuts Like a Knife - 05:17 05. This Time - 03:21 06. Run to You - 03:55 07. Somebody - 04:44 08. Heaven - 04:05 09. Summer of '69 - 03:37 10. One Night Love Affair - 04:34 11. It's Only Love (with Tina Turner) - 03:16 12. Heat of the Night - 05:08 13. Hearts on Fire - 03:31 14. (Everything I Do) I Do It for You - 06:35 15. Can't Stop This Thing We Started - 04:30 16. There Will Never Be Another Tonight - 04:41 17. Thought I'd Died and Gone to Heaven - 05:50 18. All I Want Is You - 05:20
Disc Two:
01. Please Forgive Me - 05:55 02. All For Love (with Sting & Rod Stewart) - 04:43 03. Have You Ever Really Loved A Woman - 04:53 04. Rock Steady (Live with Bonnie Raitt) - 04:06 05. The Only Thing That Looks Good On Me Is You - 03:39 06. Let's Make A Night To Remember - 06:20 07. Star - 03:42 08. Back To You (Live) - 04:41 09. I'm Ready (Live) - 04:29 10. On A Day Like Today - 03:29 11. When You're Gone (with Melanie C.) - 03:25 12. Cloud Number Nine (Chicane Mix) - 04:11 13. The Best Of Me - 03:31 14. Here I Am - 04:46 15. Open Road - 03:30 16. 18 Till I Die (Live) - 04:05 17. So Far So Good - 03:41 18. I'm Not The Man You Think I Am - 03:03
EAC extraction logfile from 10. October 2009, 19:54
Bryan Adams / Anthology Disc One
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
EAC extraction logfile from 10. October 2009, 20:18
Bryan Adams / Anthology Disc Two
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Review by William Ruhlmann, Allmusic.com Never one for subtlety, Bryan Adams once had a flair for hooks so grand and universal that they filled arenas and blanketed the airwaves. In 2008, some 11 studio albums into his career (according to Adams' own calculation, apparently taking soundtracks into consideration, because by a simple count of studio albums 11 seems to be his tenth full-length proper album), his fondness for obvious hooks had flattened into cliches, with all of 11 feeling like something he'd done before, some ten or 15 years previously. To a certain extent, Adams' refusal to acknowledge shifting fashions was admirable -- especially for somebody who has made a name for himself in the new millennium with his fashionable photography -- but 11 is such a relic of '90s mainstream rock that it almost feels as if it were cryogenically frozen in 1993 and unfrozen later. It's all cavernous drums, shimmering guitar textures cribbed from U2, rockers that don't rock, and ballads that are so stately they don't quite seem to end. This outdated sound would have been forgivable, even charming, if Adams retained his knack for big hooks that could suck you in despite your better instincts, but 11 is resolutely devoid of memorable melodies. It doesn't quite seem like Adams is incapable of writing hooks anymore but rather that he can't be bothered, that he'd rather be pursuing his photography and that he just completed this album because it was about time to get another record out there. He's enough of a pro to create an album that sounds for all the world like the kind of glistening, gleaming Bryan Adams album his fans have grown to love, but the stilted predictability of 11 offers a reason why he hasn't had a big American hit since the mid-'90s: he sounds like he's stuck in that time and has no desire to leave it.
CD Tracklist:
01. Tonight We Have The Stars 04:06 02. I Thought I'd Seen Everything 05:06 03. I Ain't Losin' The Fight 03:56 04. Oxygen 03:35 05. We Found What We Were Looking For 03:37 06. Broken Wings 03:36 07. Somethin' To Believe In 04:00 08. Mysterious Ways 04:28 09. She's Got A Way (New Mix) 03:48 10. Flower Grown Wild 03:52 11. Walk On By 02:54 12. The Way Of The World 03:18 13. Saved 04:07 14. Miss America 03:58 15. She's Got A Way (Chicane Mix) 03:36
EAC extraction logfile from 7. October 2009, 21:22
Bryan Adams / 11 Deluxe Edition
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
01. Tonight We Have The Stars 02. I Thought I'd Seen Everything 03. I Ain't Losin' The Fight 04. Oxygen 05. We Found What We Were Looking For 06. Broken Wings 07. Somethin' To Believe In 08. Mysterious Ways 09. She's Got A Way 10. Flower Grown Wild 11. Walk On By
G:\Bryan Adams – Albums Collection 1980-2010 (16CD) + 2 DVD + 2 Singles\B11_NTSC\VIDEO_TS\VTS_01_1.VOB General Complete name : G:\Bryan Adams – Albums Collection 1980-2010 (16CD) + 2 DVD + 2 Singles\B11_NTSC\VIDEO_TS\VTS_01_1.VOB Format : MPEG-PS File size : 1 024 MiB Duration : 17mn 9s Overall bit rate : 8 344 Kbps Video #224 ID : 224 (0xE0) Format : MPEG Video Format version : Version 2 Format profile : Main@Main Format settings, BVOP : Yes Format settings, Matrix : Default Format settings, GOP : M=3, N=13 Duration : 17mn 9s Bit rate mode : Constant Bit rate : 8 000 Kbps Width : 720 pixels Height : 480 pixels Display aspect ratio : 2.35:1 Frame rate : 29.970 fps Standard : NTSC Color space : YUV Chroma subsampling : 4:2:0 Bit depth : 8 bits Scan type : Interlaced Scan order : Top Field First Bits/(Pixel*Frame) : 0.772 Stream size : 980 MiB (96%) Audio #128 ID : 128 (0x80) Format : AC-3 Format/Info : Audio Coding 3 Mode extension : CM (complete main) Duration : 17mn 9s Bit rate mode : Constant Bit rate : 192 Kbps Channel(s) : 2 channels Channel positions : Front: L R Sampling rate : 48.0 KHz Bit depth : 16 bits Stream size : 23.6 MiB (2%)
2010Bare Bones•Time: 01:14:17
Review by William Ruhlmann, Allmusic.com Inspiration can sometimes take a while to strike. Take Bryan Adams, for instance. Some 13 years after he cut an MTV Unplugged album, Adams decided to once again strip down his songs to acoustic, to take them down to their Bare Bones, to coin a phrase that’s used for the title of this 2010 collection. Culled from performances from his 2010 North American tour, Bare Bones doesn’t skimp on the hits but it does dig deep into his catalog, possibly due to Adams soliciting song suggestions via Twitter, a move that also indicates how this intimate performance is geared toward fans who have stuck with him through the years. Certainly, they’re the audience who will appreciate the subtle rearrangements and surprise songs but the thing is, listeners how long ago stopped paying attention to Adams due to the over-calculation of his studio records or the spectacle of his live show will find this his most appealing set in years. Backed by just his acoustic guitar and sometimes a piano, Adams sounds lean, his voice wearing handsomely, his charm put to the forefront. This setting turns such slick also-rans as “Only Thing That Looks Good on Me Is You” into a fun little rocker and reveals the strong bones of such perennials as “Cuts Like a Knife” and “Summer of 69,” making his body of work seem consistent in a way no hits compilation has managed.
Tracklist:
01. You've Been A Friend To Me - 03:16 02. Here I Am - 03:47 03. I'm Ready - 04:02 04. Let's Make A Night To Remember - 03:46 05. It Ain't A Party (If You Can't Come 'Round) - 03:09 06. (Everything I Do) I Do It For You - 05:21 07. Cuts Like A Knife - 04:42 08. Please Forgive Me - 03:48 09. Summer Of 69 - 04:11 10. Walk On By - 02:44 11. Cloud Number Nine - 03:47 12. It's Only Love - 03:32 13. Heaven - 04:44 14. The Right Place - 02:53 15. The Way You Make Me Feel - 03:08 16. Only Thing That Looks Good On Me Is You - 02:50 17. You're Still Beautiful To Me - 04:12 18. Straight From The Heart - 03:24 19. I Still Miss You...A Little Bit - 03:29 20. All For Love - 03:24
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 27. November 2010, 21:54
Bryan Adams / Bare Bones
Used drive : PIONEER DVD-RW DVR-112D Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
19 track(s) accurately ripped 1 track(s) could not be verified as accurate
Some tracks could not be verified as accurate
End of status report
Maxi Single
1996The Only Thing That Looks Good On Me Is You•Time: 00:15:22
Review by William Ruhlmann, Allmusic.com "The Only Thing That Looks Good on Me Is You" is a rock song by Canadian singer Bryan Adams released in 1996. The song was the first single from Adams' seventh studio album "18 til I Die". The song peaked at #6 in the UK became hit all over Europe, but only reached #52 in the US. It is ranked at #47 in Blender's list of the "50 Worst Songs Ever". Adams was nominated for Grammy Award for Best Male Rock Vocal Performance but lost to Beck's "Where It's At". Adams was also nominated for "Juno Award for Best Producer" (also for "Let's Make a Night to Remember").
Tracklist:
01. The Only Thing That Looks Good On Me Is You (Single Version) - 03:27 02. Hey Elvis - 03:25 03. I Want It All - 04:49 04. The Only Thing That Looks Good On Me Is You - 03:40
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 9. April 2009, 16:10
Bryan Adams / Lets Make A Night To Remember
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\FLAC\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s
Filename F:\Bryan Adams - Let's Make A Night To Remember (CDS)\Bryan Adams - Lets Make A Night To Remember.wav
Peak level 99.3 % Range quality 100.0 % Test CRC B2F561D0 Copy CRC B2F561D0 Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database Track 2 not present in database Track 3 not present in database Track 4 not present in database
None of the tracks are present in the AccurateRip database
End of status report
1996Lets Make A Night To Remember•Time: 00:18:27
Review by William Ruhlmann, Allmusic.com "Let's Make a Night to Remember" is a rock song written by Bryan Adams, and Robert John "Mutt" Lange for Adams' seventh studio recorded album 18 til I Die (1996). The song's musical-style and production were heavily inspired by rock and pop music from the 1980s, and its lyrics chronicle a relationship. This was the third single from the album to chart in the U.S., peaking at #24 on the Billboard Hot 100
Tracklist:
01. Lets Make A Night To Remember - 06:19 02. Star - 03:42 03. Rock Steady - 03:46 04. Hey Little Girl - 04:39
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 9. April 2009, 16:01
Bryan Adams / The Only Thing That Looks Good On Me Is You
Used drive : ASUS DRW-1608P Adapter: 2 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\FLAC\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -5" %s