Edvard Grieg playing / Studio Master 24/192 + Bonus Traks 24/96
Композитор: Edvard Grieg
Исполнитель:
Percy Grainger, piano
Kristiansand Symfoniorkester / Rolf Gupta - conductor
Edvard Grieg, piano
Øyvind Bjorå, violin
Rex Lawson, pianolist
Альбом: Piano Concerto (2 Disc Set 2L / Pure Reocrds Hybrid SACD + Audio Blu-ray Studio Master 24/192)
Информация:
Pure Audio Blu-Ray Disc
2L 2L-060-SABD
Bonus Tracks - 24/96
Жанр: Classical
Год: 2009
Формат: WAVPack (tracks)
Качество: lossless
Covers: format JPG, front, back - small
Размер:
Part 1 Tracks 01-04 205MB (5 Part) + 151MB (1 Part)
Part 2 Tracks 05-16 220MB (5 Part) + 208MB (1 Part)
Залито на: DepositFiles + Hotfile + Fileserve + iFolder (3% восстановление)
Внимание!!! Альбомы с дискретизацией 24/192 и 24/96, после прямой конвертации
из FLAC в APE (и обратно) изначальный битрейт не дают.
Для сохранения битрейта сначала нужно разжать в WAV,
а потом переконвертировать в APE или FLAC.
Для разжатия в WAV используйте или родные программы форматов или foobar2000.
Средний битрейт альбома 4400-4800/2100 kbps.
Данный релиз без потери битрейта можно записать как DVD-AUDIO
Like the performances on the main CD, the bonus tracks for this album all derive from some form of perforated piano roll. The Humoresque and the Berceuse are the two remaining rolls that Grieg recorded for Ludwig Hupfeld in Leipzig in April 1906. He may have recorded more, of course, and the pile of rolls in the evocative photograph of Grieg listening to an unnamed Phonola player in 1907 in Berlin is tantalisingly unclear, but only six rolls were ever issued in Hupfeld's various catalogues. The Album Leaf and Puck are performances recorded by the Belgian pianist, Liszt pupil and long-term friend of Grieg, Artur de Greef, for the Aeolian Company's Duo-Art reproducing piano, the former in London in about 1920, and the latter in New York some ten years later. Grieg's own Duo-Art recording of Papillon (Butterfly) is more unusual, since the Duo-Art was not introduced until March 1914, nearly seven years after Grieg had died. The recording began life in Aeolian's Autograph-Metrostyle series, a non-recorded roll on which a tempo line had been drawn, under Grieg's own supervision, during a visit to Troldhaugen by George Reed of Aeolian in London. Although Aeolian never explained the process by which this tempo-marked roll was converted to Duo-Art, the likelihood is that it was pedalled, on an Aeolian 88-note Pianola attached to the Duo-Art recording piano in New York, by one of the American Duo-Art recording producers, who were in the main expert Pianola players as well.
Источник Internet
Thank your original uploader and anbryk!Album - 24/19201 Piano Concerto in A minor, op. 16 - I: Allegro molto moderato
02 Piano Concerto in A minor, op. 16 - II: Adagio
03 Piano Concerto in A minor, op. 16 - III: Allegro molto moderato e marcato
04 Grieg Wedding Day at Troldhaugen, op. 65 no. 6
05 Grieg Album Leaf, op. 28 no. 1
06 Grieg Album Leaf, op. 28 no. 2
07 Grieg Erotikon, op. 43 no. 5
08 Grieg To Spring, op. 43. no. 6
09 Grieg Sonata for Violin and Piano, no. 3 in C minor, op. 45 - I: Allegro molto ed appassionato
10 Grieg Sonata for Violin and Piano, no. 3 in C minor, op. 45 - II: Allegretto espressivo alla Romanza
11 Grieg Sonata for Violin and Piano, no. 3 in C minor, op. 45 - III: Allegro animato
Bonus Tracks - 24/9612 Humoresque, op.6 nr.2 (Edvard Grieg playing)
13 Leaf, op.28 nr.3 (Arthur De Greef playing)
14 Berceuse, op.38 nr.1 (Edvard Grieg playing)
15 Papillon, op.43 nr.1 (Edvard Grieg playing)
16 Puck, op.71 (Arthur De Greef playing)
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