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Автор: ALLexxess, 23 июля 2011, Комментариев: 16, Просмотров: 9 268

Lossless Galaxy Release / Rock / Progressive & Art-Rock

Pretty Things - 1973 Freeway Madness / 1974 Silk Torpedo / 1975 Savage Eye / 1980 Cross Talk ● Cardboard Sleeve Universal Music Japan 2006

Lossless Galaxy Release

Pretty Things ● 4 Albums
1973 Freeway Madness / 1974 Silk Torpedo
1975 Savage Eye / 1980 Cross Talk
Cardboard Sleeve Universal Music Japan 2006

Pretty Things - 1973 Freeway Madness / 1974 Silk Torpedo / 1975 Savage Eye / 1980 Cross Talk ● Cardboard Sleeve Universal Music Japan 2006

Исполнитель:
Pretty Things
Альбомы:
-------------------------------------------------------------------
1973 Freeway Madness
Universal Music Japan 2006 / POCE-1004
-------------------------------------------------------------------
1974 Silk Torpedo
Universal Music Japan 2006 / POCE-1005
-------------------------------------------------------------------
1975 Savage Eye
Universal Music Japan 2006 / POCE-1006
-------------------------------------------------------------------
1980 Cross Talk
Universal Music Japan 2006 / POCE-1007
-------------------------------------------------------------------
Информация:
Pretty Things Collection
Snapper Music / Strange Days Records / Universal Music Japan
Cardboard Sleeve
Made in Japan
Жанр: Rock / Psychedelic Rock / Classic Rock
Формат: FLAC / Level 8 (img + *cue + log, AccurateRip)
Качество: lossless
Covers: format PNG 300dpi, full scans
Размер:
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Каждый CD можно скачать отдельно
Each CD can be downloaded separately
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Залито на: FileSonic + Hotfile + Fileserve (3% восстановление)

Part of a reissue series of four albums from The Pretty Things featuring Japan original digital remastering and cardboard sleeve jacket designs. Complete series includes "Freeway Madness," "Silk Torpedo," "Savage Eye," and "Cross Talk."

Allmusic / Biography by Richie Unterberger
Of all the original British Invasion groups, perhaps none are as underappreciated in the United States as the Pretty Things. Featuring the hoarse vocals of Mick Jagger-lookalike Phil May and the stinging leads of guitarist Dick Taylor (who actually played in early versions of the Rolling Stones with Jagger and Keith Richards), the Pretties recorded a clutch of raunchy R&B rockers in the mid-'60s that offer a punkier, rawer version of the early Stones sound. Their first two albums, as well as a brace of fine major and minor British hits (of which "Don't Bring Me Down" and "Honey I Need" were the biggest), feature first-rate original material and covers, and remain the group's most exciting and influential recordings. Unfortunately, the band remained virtually unknown to American audiences, most of whom would first hear "Don't Bring Me Down" on David Bowie's Pin Ups album (which also included a version of the Pretties' "Rosalyn"). After their initial run of success, the group took a sharp left turn into psychedelia with the orchestrated album Emotions (1967), impressive singles that owed more to Pink Floyd than Bo Diddley, and, most significantly, S.F. Sorrow (1968). The first rock opera, S.F. Sorrow was a major influence on Pete Townshend, who released his much more successful opera, Tommy, with the Who the following year. Founding member Taylor left shortly after S.F. Sorrow, and the group continued to record progressive rock and hard rock with less impressive results through the mid-'70s, although Parachute (1970) was named Album of the Year by Rolling Stone. The group reunited sporadically for occasional gigs and recordings in their early R&B vein before officially re-forming to release Rage...Before Beauty in 1999 and Balboa Island eight years later.

theprettythin.ru / ru.wikipedia.org
Pretty Things - появились на свет в 1964 году благодаря вокалисту Филу Мэю и гитаристу Дику Тэйлору, начинавшему свою карьеру в составе Rolling Stones. Костяк банды Окончательно сформировался с появлением "сумасшедшего" барабанщика Вива Принса. Сырой, грязный ритм-энд-блюз городских окраин и припанкованный имидж быстро вывели команду в первые ряды британского рок-н-ролла. Сам Дэвид Боуи старался посещать все концерты Pretty Things, набираясь от них энергии для своей будущей карьеры. Самыми любимыми сценическими номерами того времени стали такие хиты как "Rosalyn", "Don't Bring Me down", "Honey, I Need". Вне сцены музыканты вели вполне рок-н-ролльный образ жизни - их повсюду сопровождали скандалы, наркотики, мордобои и неприятности с полицией. По этой части Pretties даже обставляли на голову тех же Stones. В честь своих пристрастий в 1966 году группа записала композицию L.S.D., ставшую гимном европейских наркоманов. Особо буйным нравом отличался Вив Принс, практически постоянно находившийся под кайфом. Однако наркотики и алкоголь его быстро вырубили - уже в середине 1965-го он мало был пригоден для выступлений, и его подолгу приходилось приводить в чувство. В конце концов, остальным это надоело, и Вива вышвырнули из группы, взяв на замену Митча Митчелла. Однако этот тип оказался, по словам Мэя "too fucking straight", и вскоре место за ударными занял 17-летний Скип Аллан. Флуктуации состава на этом не закончились и некоторое время спустя места Стакса и Пендлтона заняли Джон Пови и Уолли Уоллер. В обновленной конфигурации "Pretty things" выдали психоделический "Emotions", резко отличавшийся от двух предыдущих ритм-энд-блюзовых релизов. Следующим шагом под воздействием "расширяющей сознание" кислоты стало создание первой рок-оперы - альбома S.F.Sorrow. Этот диск стал последней записью с участием Тэйлора - он ушел в 1969-м. Не желая терять времени, Pretty Things быстренько рекрутировали нового гитариста, Вива Унирра. С его участием был записан изумительный диск Parachute, признанный журналом "Rolling stone" альбомом года. Между тем EMI не удосужилась устроить пластинке должную раскрутку, и группа перебралась на "Warner bros", по дороге лишившись басиста Уоллера. Дырку заткнули Стюартом Бруксом, заодно добавив клавишника-гитариста Гордона Эдвардса. После выхода FreewayMadness команда неожиданно получила предложение от Цеппелинов перебраться на их Swansong, что и было незамедлительно сделано. Под новой крышей коллектив выпустил пару альбомов, Silk Torpedo и Savage Eye. Оба они присутствовали в американских чартах, но это не спасло группу от прогрессирующей дезинтеграции. В 1976-м ушел Мэй, и банда окончательно развалилась. Через несколько лет вывеска Pretty Things была реанимирована в "классическом" составе периода S.F.Sorrow (с добавлением гитариста Толсона). Команда выдала деструктивный постпанковский альбом Cross Talk и вновь погрузилась в пучину саморазрушения. Наркотики и постоянная чехарда в составе не давали коллективу нормально существовать. Из-за всех этих передряг следующая студийная работа увидела свет только в 1999 году. В 2004 году группа отметила своё 40-летие концертом в Брайтоне. В 2008-2011 годах концерты группы, - c программой, основанной на материале ритм-н-блюзового периода и альбома S.F. Sorrow - проходили в составе: Мэй, Тэйлор, Холланд, барабанщик Джек Гринвуд и басист Джордж Перес (иногда - в акустическо-блюзовом трио-формате: Мэй, Тэйлор и Холланд). Весной 2010 года, по случаю 40-летия выхода в свет альбома Parachute Уоллер, Пови, Скип Алан и вернувшийся к музыкальной деятельности Питер Толсон, назвавшие себя "The Pretties" перезаписали снова программу пластинки, подготовив её к выходу под названием Parachute - 40 Years Young и запланировав релиз к новому 2011 году. Участвовавший в записи оригинальной программы Фил Мэй поддержал новый проект и написал дополнительный текст к композиции What's The Use, но не принял в участия в записи из-за обязательств перед основной группой.

Rip by ALLexxess

1973 Freeway Madness

Allmusic / Review by Chris Nickson
After raging through R&B early in their career, then exploring the limits of psychedelia, the Pretty Things changed their direction with Freeway Madness, which in retrospect seems like the first part of a musical trilogy (along with Silk Torpedo and Savage Eye). With a huge change in personnel and the team of Phil May and Pete Tolson doing most of the writing, the sound featured John Povey's keyboards, while the lush harmonies that had buoyed Parachute became a mainstay of the sound, which turned decidedly more American radio-friendly. They could rock as hard as ever, but the softer side was decidedly mushier (as on "Love Is Good"), with harmonies so tight you could bounce a quarter off them ("Peter"). Decidedly less original than the work they'd done on Parachute, it still had its moments, such as the delicious "Havana Bound" or the rock boisterousness of "Rip off Train," and while their alliance with Warner Bros. only lasted for this album, it pointed the way to their mid-'70s future.

201MB (2 Part) + 145MB (1 Part)

01 Love Is Good
02 Havana Bound
03 Peter
04 Rip Off Train
05 Over The Moon
06 Religion's Dead
07 Country Road
08 Allnight Sailor
09 Onion Soup
10 Another Bowl?
Bonus Tracks
11 Religion's Dead (Live)
12 Havana Bound (Live)
13 Love Is Good (Live)
14 Onion Soup (Live)
15 Over The Mooon (Single Edit)
16 Havana Bound (Single Edit)

EAC log - AccurateRip

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Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 22. July 2011, 20:37

Pretty Things / Freeway Madness

Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 6:53.34 | 0 | 31008
2 | 6:53.34 | 3:55.07 | 31009 | 48640
3 | 10:48.41 | 1:26.65 | 48641 | 55155
4 | 12:15.31 | 3:18.61 | 55156 | 70066
5 | 15:34.17 | 4:31.45 | 70067 | 90436
6 | 20:05.62 | 4:12.38 | 90437 | 109374
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9 | 31:02.55 | 3:49.14 | 139705 | 156893
10 | 34:51.69 | 3:00.30 | 156894 | 170423
11 | 37:52.24 | 4:47.20 | 170424 | 191968
12 | 42:39.44 | 4:20.01 | 191969 | 211469
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14 | 53:43.41 | 8:23.14 | 241766 | 279504
15 | 62:06.55 | 4:08.68 | 279505 | 298172
16 | 66:15.48 | 3:55.61 | 298173 | 315858

Range status and errors

Selected range

Filename C:\Documents and Settings\Администратор\Рабочий стол\Lossless Galaxy Rip by ALLexxess\Pretty Things\1973 Freeway Madness (Universal Music Japan 2006)\Pretty Things - Freeway Madness.wav

Peak level 96.6 %
Extraction speed 6.2 X
Range quality 99.9 %
Test CRC 4A62B61C
Copy CRC 4A62B61C
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database
Track 14 not present in database
Track 15 not present in database
Track 16 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum AAE2DE5AFD9692DC008352167B342B8411BE810DC33C6F99FBD122E8595C037D ====

auCDtect

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1974 Silk Torpedo

Allmusic / Review by Paul Collins
Silk Torpedo provides an interesting glance into the glam era. Beginning with "Dream" - a ghostly instrumental prelude that the group's friends in Led Zeppelin would later cop for "In the Evening" - this album launches into "Joey," a superb combination of piano boogie, crashing drums, and melodramatic choruses draped in Hammond organ. Phil May's vocals on this piece run somewhere between Ian Hunter and Steve Tyler, and are every bit as effective. "Maybe You Tried" is a glittering slice of glam rock, all pouting and hip-thrusting, with a simply killer guitar hook from Pete Tolson. From this strong start, though, the album falters into a torpid sort of introspection. Still, "Belfast Cowboys" deserves kudos for taking on the Irish question long before U2 was taking its first music lessons. The CD reissue adds live versions of "Singapore Silk Torpedo" and "Dream/Joey," both recorded in 1974.

238MB (1 Part) + 235MB (1 Part)

01 Dream / Joey
02 Maybe You Tried
03 Atlanta
04 L.A.N.T.A.
05 Is It Only Love
06 Come Home Momma
07 Bridge Of God
08 Singapore Silk Torpedo
09 Belfast Cowboys
10 Bruise In The Sky
Bonus Tracks
11 Singapore Silk Torpedo (Live)
12 Dream / Joey (Live)

EAC log - AccurateRip

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Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 22. July 2011, 19:14

Pretty Things / Silk Torpedo

Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 6:45.32 | 0 | 30406
2 | 6:45.32 | 4:20.49 | 30407 | 49955
3 | 11:06.06 | 2:41.16 | 49956 | 62046
4 | 13:47.22 | 2:23.35 | 62047 | 72806
5 | 16:10.57 | 5:05.72 | 72807 | 95753
6 | 21:16.54 | 3:42.48 | 95754 | 112451
7 | 24:59.27 | 4:57.46 | 112452 | 134772
8 | 29:56.73 | 5:07.59 | 134773 | 157856
9 | 35:04.57 | 4:56.24 | 157857 | 180080
10 | 40:01.06 | 2:06.60 | 180081 | 189590
11 | 42:07.66 | 7:11.70 | 189591 | 221985
12 | 49:19.61 | 7:20.31 | 221986 | 255016

Range status and errors

Selected range

Filename C:\Documents and Settings\Администратор\Рабочий стол\Lossless Galaxy Rip by ALLexxess\Pretty Things\1974 Silk Torpedo (Universal Music Japan 2006)\Pretty Things - Silk Torpedo.wav

Peak level 96.6 %
Extraction speed 4.7 X
Range quality 100.0 %
Test CRC 15FD3144
Copy CRC 15FD3144
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum 27FB709C4524806A65180B049FFED4C9564A7E009652C57025C86A4D8D397F17 ====

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1975 Savage Eye

Allmusic / Review by Richie Unterberger
The last album recorded by the Pretty Things before Phil May left; within months of this recording, the band split for a few years. Even more than Silk Torpedo, Savage Eye seemed to have been cannily devised with an eye toward picking up FM airplay in the U.S. There were hard rock, glam rock, and AOR rock influences from David Bowie, Queen, John Lennon, and Paul McCartney to be heard at various points, and while this album wasn't explicitly derivative of any of them, it didn't have much of a personality of its own, either. It certainly didn't sound like the Pretty Things, for gosh sakes. And although it went to number 163 on the charts and was one of only two records by the band to chart in the States, it was one of their least memorable.

214MB (1 Part) + 196MB (1 Part)

01 Under The Volcano
02 My Song
03 Sad Eye
04 Remember That Boy
05 It Isn't Rock 'N' Roll
06 I'm Keeping
07 It's Been So Long
08 Drowned Man
09 Theme For Michelle
Bonus Tracks
10 Tonight (Single)
11 Love Me A Little (Demo)
12 Dance All Night (Demo)

EAC log - AccurateRip

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Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 22. July 2011, 18:03

Pretty Things / Savage Eye

Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:56.25 | 0 | 26724
2 | 5:56.25 | 5:07.43 | 26725 | 49792
3 | 11:03.68 | 4:28.64 | 49793 | 69956
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5 | 20:35.22 | 3:55.04 | 92647 | 110275
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7 | 28:28.30 | 5:05.44 | 128130 | 151048
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9 | 37:57.60 | 1:54.13 | 170835 | 179397
10 | 39:51.73 | 3:07.21 | 179398 | 193443
11 | 42:59.19 | 3:13.18 | 193444 | 207936
12 | 46:12.37 | 2:59.61 | 207937 | 221422

Range status and errors

Selected range

Filename C:\Documents and Settings\Администратор\Рабочий стол\Lossless Galaxy Rip by ALLexxess\Pretty Things\1975 Savage Eye (Universal Music Japan 2006)\Pretty Things - Savage Eye.wav

Peak level 96.6 %
Extraction speed 5.9 X
Range quality 100.0 %
Test CRC A868D776
Copy CRC A868D776
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum F37595075A853A4571DD6E1A8538324C9E72FF9E336F939CADE6F01496BEAB21 ====

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1980 Cross Talk

Allmusic / Review by Chris Nickson
Who would have thought it? Reunited after splitting in the mid-'70s, the Pretty Things return with a new wave album. It's not what anyone might have expected, but it's very far from a disaster. The stop-on-a-dime arrangements and natural power show them to be well-seasoned, and Phil May, with an extremely mannered voice, comes across as a taunting frontman. In fact, you tend to feel that if Thin Lizzy had eased up on the metal, they might have made an album very much like this - great, catchy songs based in R&B and old rock & roll ("Lost That Girl") - but with the tongue firmly in cheek (check the Sting imitation on "No Future") while pandering to fashion. But when the results are as good as the jangly "Office Love" or "I'm Calling," you really don't care where the tongue's residing. There's a sense of history about the '50s drums on "Falling Again" that no young bucks could ever match, nor could they come close to the band's overall professionalism or stinging guitar work of Peter Tolson. Any of these ten tracks would have made a great single and by rights should have returned the band to major-name status. But justice is thin on the ground in music and instead it became one of the lost Pretties albums - a shame, since in its own lighter way, it's every bit as good as their classic albums of a decade earlier. Some reunions don't work; this one just roars.

201MB (1 Part) + 194MB (1 Part)

01 I'm Calling
02 Edge Of The Night
03 Sea Of Blue
04 Lost That Girl
05 Bitter End
06 Office Love
07 Falling Again
08 It's So Hard
09 She Didn't
10 No Future
Bonus Tracks
11 Wish Fulfillment
12 Sea About Me
13 The Young Pretenders

EAC log - AccurateRip

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Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 22. July 2011, 21:58

Pretty Things / Cross Talk

Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 4:04.51 | 0 | 18350
2 | 4:04.51 | 3:18.05 | 18351 | 33205
3 | 7:22.56 | 3:12.11 | 33206 | 47616
4 | 10:34.67 | 2:47.71 | 47617 | 60212
5 | 13:22.63 | 3:14.27 | 60213 | 74789
6 | 16:37.15 | 4:10.09 | 74790 | 93548
7 | 20:47.24 | 3:18.15 | 93549 | 108413
8 | 24:05.39 | 3:13.15 | 108414 | 122903
9 | 27:18.54 | 4:07.02 | 122904 | 141430
10 | 31:25.56 | 4:34.21 | 141431 | 162001
11 | 36:00.02 | 3:06.04 | 162002 | 175955
12 | 39:06.06 | 3:23.31 | 175956 | 191211
13 | 42:29.37 | 4:10.73 | 191212 | 210034

Range status and errors

Selected range

Filename C:\Documents and Settings\Администратор\Рабочий стол\Lossless Galaxy Rip by ALLexxess\Pretty Things\1980 Cross Talk (Universal Music Japan 2006)\Pretty Things - Cross Talk.wav

Peak level 96.6 %
Extraction speed 5.7 X
Range quality 99.9 %
Test CRC 0696F77C
Copy CRC 0696F77C
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum A98E7BDCF33AC99166B9AA2F4C9FD51ED7C47A1A73DE3C79FFB342954AAEAD77 ====

auCDtect

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