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A year of vanquishing darkness is upon the enigmatic Yogyakarta-ferals EXHUMATION as they inaugurate their fourth transcendental full-length “Master’s Personae”!
With a forlorn howl of a meandering beast, the entire record breathes an animosity between atmospheric solace and Death Metal carnage impassioned by a blaze of unending fire; “Master’s Personae” is enshrouded in a sublime traversal of musical perturbance but the megalithic depths which EXHUMATION possess is undoubtedly an immutable stare into the embodiment of supreme sordid verve of Metal of Death.

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Night King is the result of the joined forces of Thomas F. Økland (vocals) and Roar Bakke (gutiar), both drawn from Western Norwegian and Danish local rock circuits. The music reflects their common and also diverse influences from both metal, rock and classical music, and the album is thus steeped in the classics of the 70´s, 80's and 90's hard rock and metal scene.
Inferno is Night Kings` first venture into what can best be described as cinematic classic metal with a taste of more mainstream hard rock. The album takes the listener on a journey raging from energetic fast paced riffs, to more epic, heavy and melodic hymns.

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«Exclusive for Lossless-Galaxy»

«Exclusive for Lossless-Galaxy»

«Exclusive for Lossless-Galaxy»

Awaken the Greylight is Vesperian Sorrow's 5th album that aspires to
reclaim the essence of melodic, extreme metal that originated in the
1990s. It creates a conceptual framework establishing lore that
constructs a narrative tying together the tales of previous albums with a
new, overarching saga resulting in a comprehensive, expansive universe
of dark, gothic, science fiction fantasy

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«Exclusive for Lossless-Galaxy»

DYING VICTIMS PRODUCTIONS is proud to present the highly anticipated second album of Canada’s FREEWAYS, Dark Sky Sanctuary, on CD and vinyl LP formats.
FREEWAYS are comprised of four old friends from the peripheral fringes of the greater Toronto area who decided to channel their shared love of dollar-bin Canadian hard rock records and poorly ripped recordings of NWOBHM they’ll never afford into a nearly decades-long pursuit of seeing how far they can play from home and how many drink tickets they can accumulate at a single gig. So far, that plan has produced a handful thrilling of short-lengths (on both tape and 7” format) and an absolutely stunning debut album, True Bearings, released in 2020 by the late/great Temple of Mystery Records.

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The space between soaring euphoria and dwindling hope is much thinner than so many of us would dare to admit. Glassing, however, not only reside in this liminal space, but thrive.
The Austin, Texas-based power-trio have overcome every grisly obstacle thrown their way, sharpening their teeth over eight relentless years of touring and drinking in the wisdom earned off the back of their inimitable palette of post-hardcore, black metal and soaring, celestial shoegaze.
Now though, on ‘From the Other Side of the Mirror’, Glassing invite us inside to take a hard look at ourselves from an alien, uncompromising and often unsettling perspective.
Art was created by Christopher Royal King, who has made the album art for every album Glassing has released.

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