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Автор: petruha, 30 октября 2022, Комментариев: 0, Просмотров: 453Tschaikowsky, Fistoulari, Concertgebouw Orchestra of Amsterdam - Scenes From Swan Lake (2019) 1959, 1961
Исполнитель: Tschaikowsky, Fistoulari, Concertgebouw Orchestra of Amsterdam
Альбом: Scenes From Swan Lake
Жанр: Classical
Год: (2019) 1959, 1961
Страна: International
Лейбл: Esoteric Company (ESSD-90019), Decca (SXL 2285)
Формат: [SACD-R][OF]
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64 (2,8 MHz/1 Bit)
Аудиокодек: DSD (2.0)
Количество каналов: 2.0
Размер: 2,52 GB
Источник: Web
Залито на: XFile (.iso)
Альбом: Scenes From Swan Lake
Жанр: Classical
Год: (2019) 1959, 1961
Страна: International
Лейбл: Esoteric Company (ESSD-90019), Decca (SXL 2285)
Формат: [SACD-R][OF]
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64 (2,8 MHz/1 Bit)
Аудиокодек: DSD (2.0)
Количество каналов: 2.0
Размер: 2,52 GB
Источник: Web
Залито на: XFile (.iso)
One of the best performances of "Swan Lake", the latest remastering from the home country masterpiece with the Concertgebouw tube. Superbly reproduce the super excellent recording of DECCA! Coupling "Sylvia" suite of Anselme. New mastering in the home country from the original analog master tape
Of the recordings of the "Swan Lake" from the Mono Era to the Stereo Era, the excerpt version of this 1961 recording has been particularly loved in Japan as a top-notch masterpiece of both performance and recording . It is also famous as a must-list for audio files, and it has been SACD-ized once in the past. It is as if according to the actual ballet, the sense of the selection song to be heard at once while the size of the touch full of sense of color and scale by the Fistuarial also regarded as the best ballet conductor of the 20th century, excerpt version by about 46 minutes This performance with a flowing tempo has never faded even in more than half a century nowadays. The only concerto with the Concertgebouw Orchestra, it also features an unusual DECCA recording. At the time, it is interesting that the DECCA made a recording with the same orchestra, which was almost a solo stage by PHILIPS, but also combined with Mahler 4 with Solti, which was recorded simultaneously at this time, as a well-known recording by Kenneth Wilkinson. It is well known. This recording by Kenneth Wilkinson, who supported the DECCA recording at the time with Gordon Parry, is a miraculous finish that captures the features of the occasion of the time well, and has the texture of each wind instrument, the rich tone of a stringed instrument, and the depth The sound field can be said to be a sound source suitable for reproduction on SA-CD.
