ERIC CLAPTON «Discography» (60 × CD · First Press + 24KT Gold CD · 1966-2024)

ERIC CLAPTON «Discography» (60 × CD · First Press + 24KT Gold CD · 1966-2024)

Performer: ERIC CLAPTON / エリック・クラプトン Album / collection: «Discography / ディスコグラフィー» +++ Label: (c)(p) 1966-2024 Duck ⁄ RepriseMFSL ⁄ Audio Fidelity ⁄ WEA International Inc. Source: Rip by KoGGaN™ scans by inet… Official DR value: •10•10•11•10•12•11•11•11•11/11•15•13/9•13•13• •13•12•14•14•14•14•13/12•13•15•13•14•12/12•14•13•14•13•14•11• •13•10•12•8•8/12•12•13•7•7•7•7•11•9•8•8/8/8•8/8/8•11•8•11•10• Catalog (Barcode): much… Genre / Style: Rock, Classic Rock, Blues Rock, Southern Rock, Acoustic
ERIC CLAPTON «Discography» (60 × CD · First Press + 24KT Gold CD · 1966-2024)

ERIC CLAPTON «Discography» (60 × CD · First Press + 24KT Gold CD · 1966-2024)

Performer: ERIC CLAPTON / エリック・クラプトン Album / collection: «Discography / ディスコグラフィー» +++ Label: (c)(p) 1966-2024 Duck ⁄ RepriseMFSL ⁄ Audio Fidelity ⁄ WEA International Inc. Source: Rip by KoGGaN™ scans by inet… Official DR value: •10•10•11•10•12•11•11•11•11/11•15•13/9•13•13• •13•12•14•14•14•14•13/12•13•15•13•14•12/12•14•13•14•13•14•11• •13•10•12•8•8/12•12•13•7•7•7•7•11•9•8•8/8/8•8/8/8•11•8•11•10• Catalog (Barcode): much… Genre / Style: Rock, Classic Rock, Blues Rock, Southern Rock, Acoustic
15 09, 2025
Devon Allman - The Blues Summit (2025)

Devon Allman - The Blues Summit (2025)

Artist: Devon Allman Title Of Album: The Blues Summit Year Of Release: 2025 Label (Catalog#) :Ruf Records [Ruf 1328 ] Country:: USA Genre: Blues Rock Quality: FLAC (*image + .cue,log) Bitrate: Lossless Time: 45:28 Full Size: 333Mb(+3%)(covers,png) Info: wiki Upload: xfile.cloud
Devon Allman - The Blues Summit (2025)

Devon Allman - The Blues Summit (2025)

Artist: Devon Allman Title Of Album: The Blues Summit Year Of Release: 2025 Label (Catalog#) :Ruf Records [Ruf 1328 ] Country:: USA Genre: Blues Rock Quality: FLAC (*image + .cue,log) Bitrate: Lossless Time: 45:28 Full Size: 333Mb(+3%)(covers,png) Info: wiki Upload: xfile.cloud
14 09, 2025
Arjen Anthony Lucassen - Songs No One Will Hear (No Narration) 2025

Arjen Anthony Lucassen - Songs No One Will Hear (No Narration) 2025

Исполнитель: Arjen Anthony Lucassen Альбом: Songs No One Will Hear (No Narration) Жанр: Progressive Rock Год: 2025 Страна: Netherlands (Hilversum, North Holland) Лейбл: InsideOutMusic Формат: FLAC (tracks) Official DR value: DR8 Разрядность: 24bit / 48kHz Stereo Размер: 570 MB Инфо: progarchives Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Arjen Anthony Lucassen - Songs No One Will Hear (No Narration) 2025

Arjen Anthony Lucassen - Songs No One Will Hear (No Narration) 2025

Исполнитель: Arjen Anthony Lucassen Альбом: Songs No One Will Hear (No Narration) Жанр: Progressive Rock Год: 2025 Страна: Netherlands (Hilversum, North Holland) Лейбл: InsideOutMusic Формат: FLAC (tracks) Official DR value: DR8 Разрядность: 24bit / 48kHz Stereo Размер: 570 MB Инфо: progarchives Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
13 09, 2025
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full-date Автор: petruha, 3 октября 2022, Комментариев: 0, Просмотров: 588

George Frideric Händel, The Avison Ensemble, Pavlo Beznosiuk - Concerti Grossi Opus 6 2010

George Frideric Händel, The Avison Ensemble, Pavlo Beznosiuk - Concerti Grossi Opus 6 2010


Исполнитель: George Frideric Händel, The Avison Ensemble, Pavlo Beznosiuk
Альбом: Concerti Grossi Opus 6
Жанр: Classical
Год: 2010
Страна: UK
Лейбл: Linn Records (CKD 362)
Формат: [SACD-R][OF]
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64 (2,8 MHz/1 Bit)
Аудиокодек: DST64 (2.0), (5.1)
Количество каналов: 2.0, 5.1
Размер: 3,4 GB, 3,3 GB, 2,3 GB
Источник: discogs
Залито на: XFile (.iso + Covers)


The Concerti Grossi Opus 6 by Haendel are the “natural” descendants of a pallet of famous composers, “from the glorious tradition of a Torelli and above all a Corelli, whose Concerti Grossi Opus 6 were first published in Amsterdam in 1714, even if they were first played in Rome in 1682,” explains Marc Vignal, who adds: “In England, the Opus 2 by Albinoni first appeared in 1709, the Opus 3 by Vivaldi no doubt in 1714, the Opus 6 by Corelli in 1715, and the Opus 3 by Geminiani towards 1732. It was perhaps John Walsh himself, who became the Haendel’s principal publisher, who asked him to become of member of this distinguished lineage.” The Avison Ensemble, under the direction of Pavlo Beznosiuk, here offers us no less than a small musical miracle. Indeed, with exemplary cohesion, each and every musician gives his best, and clarity dominates the ensemble with radiance rarely heard. Everything seems to be weightless, ethereal even, all for our pleasure. Here is a landmark SACD, sumptuously recorded, that one should not hesitate to acquire.
full-date Автор: petruha, 1 октября 2022, Комментариев: 0, Просмотров: 681

George Frideric Händel, Daniel Chorzempa, Concerto Amsterdam, Jaap Schröder - Organ Concertos (Vol. 1-4) 2002, 2004

George Frideric Händel,  Daniel Chorzempa, Concerto Amsterdam, Jaap Schröder - Organ Concertos (Vol. 1-4) 2002, 2004


Исполнитель: George Frideric Händel, Daniel Chorzempa, Concerto Amsterdam, Jaap Schröder
Альбом: Organ Concertos (Vol. 1-4)
Жанр: Classical
Год: (1975) 2002, 2004
Страна: Europe
Лейбл: PentaTone classics (PTC 5186 103), (PTC 5186 104), (PTC 5186 109), (PTC 5186 110)
Формат: [SACD-R][OF]
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64 (2,8 MHz/1 Bit)
Аудиокодек: DST64 (2.0), (5.0)
Количество каналов: 2.0, 5.0
Размер: 2,5 GB, 2,9 GB, 2,9 GB, 2,9 GB
Источник: discogs, discogs, discogs, discogs
Залито на: XFile (.iso + Covers)


No organ concertos without oratorios!
To exaggerate somewhat, Handel‘s organ concertos owe their existence to this simple formula. What can justify this statement? Subsequent to his physical and mental breakdown in 1737, Handel turned almost exclusively to the composition of oratorios. In order to offer his audiences something new, the composer thought up some extra musical attractions for his oratorio performances. And he finally came up with additional improvisations on the organ. Thus a new genre saw the light of day in the musical world both during the première of his oratorio Deborah, on March 17, 1733 and during the repeat of Esther: the organ concerto was born. Charles Burney‘s remarks with regard to these events, in which he describes the birth of the genre of the organ concerto, are nothing less than euphoric. Not only does he praise the prolificness of the pieces and the ease with which they can be followed, but also Handel‘s precise performance of "improvised fugues" and "chromatic pieces". The great success of these innovative interludes, which at first were of a mostly improvisatory character, induced Handel to regularly include organ concertos in his oratorio performances from 1735 onwards.
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