VA - Инструментальный коктейль (2008)

VA - Инструментальный коктейль (2008)

rip by Boris1 Performer: VA Album: Инструментальный коктейль Label: Мелодия Catalog #: MEL CD 60 01333 Style: Instrumental, Easy Listening Year: 2008 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 15 Size RAR: ~ 367 MB Upload: xfile.cloud Recovery: 3% Password: sim-sim Хочу предложить вашему вниманию сборник инструментальной музыки, записанный Всесоюзной фирмой грамзаписи Мелодия. Инструментальная музыка - это жанр, в котором ее восприятию не
VA - Инструментальный коктейль (2008)

VA - Инструментальный коктейль (2008)

rip by Boris1 Performer: VA Album: Инструментальный коктейль Label: Мелодия Catalog #: MEL CD 60 01333 Style: Instrumental, Easy Listening Year: 2008 Format: Flac (*image + .cue,log,scans) Bitrate: lossless Covers: in archive Amount of tracks: 15 Size RAR: ~ 367 MB Upload: xfile.cloud Recovery: 3% Password: sim-sim Хочу предложить вашему вниманию сборник инструментальной музыки, записанный Всесоюзной фирмой грамзаписи Мелодия. Инструментальная музыка - это жанр, в котором ее восприятию не
28 01, 2025
10cc – 20 Years (1972-1992) (2024) 14CD

10cc – 20 Years (1972-1992) (2024) 14CD

Artist: 10cc Title Of Album: 20 Years Year Of Release: 2024 Label (Catalog#) :Edsel [EDSL0163] Country:: UK Genre: Prog Rock, Pop Rock, Art Rock, Classic Rock Quality: FLAC (*tracks + .cue,log) Bitrate: Lossless Time: ------- Full Size:4.86Gb(+3%)(covers+book/32page) Info: wiki Upload: xfile.cloud
10cc – 20 Years (1972-1992) (2024) 14CD

10cc – 20 Years (1972-1992) (2024) 14CD

Artist: 10cc Title Of Album: 20 Years Year Of Release: 2024 Label (Catalog#) :Edsel [EDSL0163] Country:: UK Genre: Prog Rock, Pop Rock, Art Rock, Classic Rock Quality: FLAC (*tracks + .cue,log) Bitrate: Lossless Time: ------- Full Size:4.86Gb(+3%)(covers+book/32page) Info: wiki Upload: xfile.cloud
27 01, 2025
Riverside - Live ID. 2025

Riverside - Live ID. 2025

Исполнитель: Riverside Альбом: Live ID. Жанр: Progressive Rock, Progressive Metal Год: 2025 Страна: Poland (Warsaw) Лейбл: InsideOutMusic Формат: FLAC (tracks) Official DR value: DR7 Разрядность: 24bit / 48kHz Stereo Размер: 1,33 GB Инфо: bandcamp Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Riverside - Live ID. 2025

Riverside - Live ID. 2025

Исполнитель: Riverside Альбом: Live ID. Жанр: Progressive Rock, Progressive Metal Год: 2025 Страна: Poland (Warsaw) Лейбл: InsideOutMusic Формат: FLAC (tracks) Official DR value: DR7 Разрядность: 24bit / 48kHz Stereo Размер: 1,33 GB Инфо: bandcamp Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
26 01, 2025
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full-date Автор: petruha, 3 октября 2022, Комментариев: 0, Просмотров: 507

George Frideric Händel, The Avison Ensemble, Pavlo Beznosiuk - Concerti Grossi Opus 6 2010

George Frideric Händel, The Avison Ensemble, Pavlo Beznosiuk - Concerti Grossi Opus 6 2010


Исполнитель: George Frideric Händel, The Avison Ensemble, Pavlo Beznosiuk
Альбом: Concerti Grossi Opus 6
Жанр: Classical
Год: 2010
Страна: UK
Лейбл: Linn Records (CKD 362)
Формат: [SACD-R][OF]
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64 (2,8 MHz/1 Bit)
Аудиокодек: DST64 (2.0), (5.1)
Количество каналов: 2.0, 5.1
Размер: 3,4 GB, 3,3 GB, 2,3 GB
Источник: discogs
Залито на: XFile (.iso + Covers)


The Concerti Grossi Opus 6 by Haendel are the “natural” descendants of a pallet of famous composers, “from the glorious tradition of a Torelli and above all a Corelli, whose Concerti Grossi Opus 6 were first published in Amsterdam in 1714, even if they were first played in Rome in 1682,” explains Marc Vignal, who adds: “In England, the Opus 2 by Albinoni first appeared in 1709, the Opus 3 by Vivaldi no doubt in 1714, the Opus 6 by Corelli in 1715, and the Opus 3 by Geminiani towards 1732. It was perhaps John Walsh himself, who became the Haendel’s principal publisher, who asked him to become of member of this distinguished lineage.” The Avison Ensemble, under the direction of Pavlo Beznosiuk, here offers us no less than a small musical miracle. Indeed, with exemplary cohesion, each and every musician gives his best, and clarity dominates the ensemble with radiance rarely heard. Everything seems to be weightless, ethereal even, all for our pleasure. Here is a landmark SACD, sumptuously recorded, that one should not hesitate to acquire.
full-date Автор: petruha, 1 октября 2022, Комментариев: 0, Просмотров: 554

George Frideric Händel, Daniel Chorzempa, Concerto Amsterdam, Jaap Schröder - Organ Concertos (Vol. 1-4) 2002, 2004

George Frideric Händel,  Daniel Chorzempa, Concerto Amsterdam, Jaap Schröder - Organ Concertos (Vol. 1-4) 2002, 2004


Исполнитель: George Frideric Händel, Daniel Chorzempa, Concerto Amsterdam, Jaap Schröder
Альбом: Organ Concertos (Vol. 1-4)
Жанр: Classical
Год: (1975) 2002, 2004
Страна: Europe
Лейбл: PentaTone classics (PTC 5186 103), (PTC 5186 104), (PTC 5186 109), (PTC 5186 110)
Формат: [SACD-R][OF]
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64 (2,8 MHz/1 Bit)
Аудиокодек: DST64 (2.0), (5.0)
Количество каналов: 2.0, 5.0
Размер: 2,5 GB, 2,9 GB, 2,9 GB, 2,9 GB
Источник: discogs, discogs, discogs, discogs
Залито на: XFile (.iso + Covers)


No organ concertos without oratorios!
To exaggerate somewhat, Handel‘s organ concertos owe their existence to this simple formula. What can justify this statement? Subsequent to his physical and mental breakdown in 1737, Handel turned almost exclusively to the composition of oratorios. In order to offer his audiences something new, the composer thought up some extra musical attractions for his oratorio performances. And he finally came up with additional improvisations on the organ. Thus a new genre saw the light of day in the musical world both during the première of his oratorio Deborah, on March 17, 1733 and during the repeat of Esther: the organ concerto was born. Charles Burney‘s remarks with regard to these events, in which he describes the birth of the genre of the organ concerto, are nothing less than euphoric. Not only does he praise the prolificness of the pieces and the ease with which they can be followed, but also Handel‘s precise performance of "improvised fugues" and "chromatic pieces". The great success of these innovative interludes, which at first were of a mostly improvisatory character, induced Handel to regularly include organ concertos in his oratorio performances from 1735 onwards.
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