BON JOVI «Discography» (34 × CD • PolyGram 1St Press • 1984-2024)

BON JOVI «Discography» (34 × CD • PolyGram 1St Press • 1984-2024)

Performer: BON JOVI / ボン・ジョヴィ Album / collection: «Discography / ディスコグラフィー» Series: Non-remaster— First Pressing CD Series— Label: (c)(p) 1984-2024 PolyGram | Island Def Jam Music Group. Source: Rip by DaRReL " alt="">
BON JOVI «Discography» (34 × CD • PolyGram 1St Press • 1984-2024)

BON JOVI «Discography» (34 × CD • PolyGram 1St Press • 1984-2024)

Performer: BON JOVI / ボン・ジョヴィ Album / collection: «Discography / ディスコグラフィー» Series: Non-remaster— First Pressing CD Series— Label: (c)(p) 1984-2024 PolyGram | Island Def Jam Music Group. Source: Rip by DaRReL " alt="">
09 09, 2025
ITALO-DISCO «MEGA Collection 'Golden Disco Series'» (184 × CD • ESonCD/DWS/ZYX • Issue 2003-2025)

ITALO-DISCO «MEGA Collection 'Golden Disco Series'» (184 × CD • ESonCD/DWS/ZYX • Issue 2003-2025)

Performer: ♫ ITALO-DISCO Album / collection: «MEGA Albums Collection Best’80» +++++ Series: Golden Disco Series— Label: (c)(p) 1977-2025 ESonCD + DWS + ZYX Music. Source: Rip by KoGGaN™ scans by inet… Official DR value: •11•9•11•11•9•10•11•10•11•10/11•13•11•11•11•11•11•12•12•12•11•11•10• •10•11•12•10•11•10/10•11•12•12•11•14•11•11•11•11•9/9•8/8•14•13•13•12•12•14•11•12•13•6• •13•13•12•9•11/11•10•8/11•13•15•11•12•14•7•9/8•10•11•11•13/13•14/13•6•9/9•11•11•8•7/8•
ITALO-DISCO «MEGA Collection 'Golden Disco Series'» (184 × CD • ESonCD/DWS/ZYX • Issue 2003-2025)

ITALO-DISCO «MEGA Collection 'Golden Disco Series'» (184 × CD • ESonCD/DWS/ZYX • Issue 2003-2025)

Performer: ♫ ITALO-DISCO Album / collection: «MEGA Albums Collection Best’80» +++++ Series: Golden Disco Series— Label: (c)(p) 1977-2025 ESonCD + DWS + ZYX Music. Source: Rip by KoGGaN™ scans by inet… Official DR value: •11•9•11•11•9•10•11•10•11•10/11•13•11•11•11•11•11•12•12•12•11•11•10• •10•11•12•10•11•10/10•11•12•12•11•14•11•11•11•11•9/9•8/8•14•13•13•12•12•14•11•12•13•6• •13•13•12•9•11/11•10•8/11•13•15•11•12•14•7•9/8•10•11•11•13/13•14/13•6•9/9•11•11•8•7/8•
09 09, 2025
Till Brönner (Till Bronner) - Italia 2025

Till Brönner (Till Bronner) - Italia 2025

Исполнитель: Till Brönner (Till Bronner) Альбом: Italia Жанр: Jazz Год: 2025 Страна: Germany (Viersen) Лейбл: earMUSIC Формат: FLAC (tracks) Official DR value: DR8 Разрядность: 24bit / 96kHz Stereo Размер: 1,26 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Italian pop culture as a European state of mind The repertoire of ITALIA draws largely from the 1970s and early 1980s – a golden era of musical exchange across Europe. Italian songs played on French
Till Brönner (Till Bronner) - Italia 2025

Till Brönner (Till Bronner) - Italia 2025

Исполнитель: Till Brönner (Till Bronner) Альбом: Italia Жанр: Jazz Год: 2025 Страна: Germany (Viersen) Лейбл: earMUSIC Формат: FLAC (tracks) Official DR value: DR8 Разрядность: 24bit / 96kHz Stereo Размер: 1,26 GB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy» Italian pop culture as a European state of mind The repertoire of ITALIA draws largely from the 1970s and early 1980s – a golden era of musical exchange across Europe. Italian songs played on French
07 09, 2025
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full-date Автор: petruha, 14 июня 2023, Комментариев: 0, Просмотров: 357

Maya Fridman & Daniël Kool - The Invisible Link 2015

Maya Fridman & Daniël Kool - The Invisible Link 2015


Исполнитель: Maya Fridman & Daniël Kool
Альбом: The Invisible Link
Жанр: Classical, Chamber Music
Год: 2015
Страна: International
Лейбл: TRPTK
Формат: DSD
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 64 (2,8 MHz/1 Bit)
Аудиокодек: DSD (2.0)
Количество каналов: 2.0
Размер: 1,7 GB
Источник: highresaudio
Залито на: XFile (tracks+ Booklet)


This album discusses the invisible connection between Alfred Schnittke, Pēteris Vasks and Arvo Pärt, and my personal connection with them. It explores three pieces, each written approximately at the end of the 1970s, during the period of the Soviet Union.

History always creates an imprint on the composers’ output. However, apart from a possible historical link between Schnittke, Vasks and Pärt one might imagine, I felt something more than that. In these three pieces, I felt a sense of timelessness and an urge for an ultimate truth, to be explored through a juxtaposition of extreme emotions, and found in the musical representation of silence.

When I heard Schnittke’s Sonata for Cello and Piano for the very first time, I envisioned an endless circle of birth and death, with a quick disastrous gallop of life in between. This sonata has had a deep and transformative influence on me, and it epitomized to me what I was looking for in music: the experience of catharsis.

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