GOOD OLD ROCK’N’ROLL!!! «Exclusive for Lossless-Galaxy collection» (249 × CD • Remastered • 1960-2025)
Performer: Various Album / collection: «OLDER! Rock’N’Roll — 1St Press — Remastered» Label: (c)(p) 1960-2025 生産ヨーロッパとアメリカ Source: Rip by KoGGaN™ scans by inet… Official DR value: •8•11•12/12•8•12/12•8•9•11/11•10•11•11•9/9•7/8•7•7•10•11•10•12• •12•13•12•11•5•7•12•10•11•7/8•9•10•10•10•7•10•9•10•12•10•12•7/8/7•7•11•10/9•12•7•8•10/12• •9/9•11•9/8•8•8•11/12•8•10•7•9•6•8•9•8•7•9•7•10•7•10•11•9•8•8•7•11•12•9•11•8•11•11/11•12•
GOOD OLD ROCK’N’ROLL!!! «Exclusive for Lossless-Galaxy collection» (249 × CD • Remastered • 1960-2025)
Performer: Various Album / collection: «OLDER! Rock’N’Roll — 1St Press — Remastered» Label: (c)(p) 1960-2025 生産ヨーロッパとアメリカ Source: Rip by KoGGaN™ scans by inet… Official DR value: •8•11•12/12•8•12/12•8•9•11/11•10•11•11•9/9•7/8•7•7•10•11•10•12• •12•13•12•11•5•7•12•10•11•7/8•9•10•10•10•7•10•9•10•12•10•12•7/8/7•7•11•10/9•12•7•8•10/12• •9/9•11•9/8•8•8•11/12•8•10•7•9•6•8•9•8•7•9•7•10•7•10•11•9•8•8•7•11•12•9•11•8•11•11/11•12•
18 07, 2025
Styx - Circling From Above 2025
Исполнитель: Styx Альбом: Circling From Above Жанр: Progressive Rock, Hard Rock Год: 2025 Страна: USA (Chicago, Illinois) Лейбл: Styx 2025 Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 96kHz Stereo Размер: 958 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Styx - Circling From Above 2025
Исполнитель: Styx Альбом: Circling From Above Жанр: Progressive Rock, Hard Rock Год: 2025 Страна: USA (Chicago, Illinois) Лейбл: Styx 2025 Формат: FLAC (tracks) Official DR value: DR6 Разрядность: 24bit / 96kHz Stereo Размер: 958 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
18 07, 2025
Joe Bonamassa - Breakthrough 2025
Исполнитель: Joe Bonamassa Альбом: Breakthrough Жанр: Blues Rock Год: 2025 Страна: USA (New Hartford, New York) Лейбл: J&R Adventures Формат: FLAC (tracks) Official DR value: DR8 Разрядность: 24bit / 44.1kHz Stereo Размер: 547 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
Joe Bonamassa - Breakthrough 2025
Исполнитель: Joe Bonamassa Альбом: Breakthrough Жанр: Blues Rock Год: 2025 Страна: USA (New Hartford, New York) Лейбл: J&R Adventures Формат: FLAC (tracks) Official DR value: DR8 Разрядность: 24bit / 44.1kHz Stereo Размер: 547 MB Инфо: wiki Залито на: XFile (3% восстановление) «Exclusive for Lossless-Galaxy»
17 07, 2025
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1st Press 2022 2023 2024 2025 70... AOR Black Metal Blues Blues Rock Bootleg Series Classic Rock Death Metal Discography Exclusive for Lossless-Galaxy Folk Rock Fusion Hard Rock Heavy Metal Hi-Res Japanese Edition Jazz Jazz Rock lossless Melodic Death Metal Melodic Rock Modern Electric Blues Pop Pop Rock Power Metal Prog Rock Progressive Metal Progressive Rock Psych Rock Psychedelic Rock Rock SACD Symphonic Metal Thrash Metal Дискографии от KoGGaN
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Автор: petruha, 22 мая 2024, Комментариев: 0, Просмотров: 194Ron Miles with Bill Frisell, Brian Blade, Jason Moran & Thomas Morgan - Rainbow Sign 2020
Исполнитель: Ron Miles with Bill Frisell, Brian Blade, Jason Moran & Thomas Morgan
Альбом: Rainbow Sign
Жанр: Jazz
Год: 2020
Страна: USA (Indianapolis, Indiana)
Лейбл: Yellowbird Records
Формат: FLAC (tracks)
Official DR value: DR10
Разрядность: 24bit / 96kHz Stereo
Размер: 1,51 GB
Инфо: wiki
Залито на: XFile (3% восстановление)
Альбом: Rainbow Sign
Жанр: Jazz
Год: 2020
Страна: USA (Indianapolis, Indiana)
Лейбл: Yellowbird Records
Формат: FLAC (tracks)
Official DR value: DR10
Разрядность: 24bit / 96kHz Stereo
Размер: 1,51 GB
Инфо: wiki
Залито на: XFile (3% восстановление)
«Exclusive for Lossless-Galaxy»
Rainbow Sign is trumpeter/composer Ron Miles' debut recording for Blue Note. He re-enlists the same intuitive quintet who played on 2017's I Am a Man. It features guitarist Bill Frisell, pianist Jason Moran, bassist Thomas Morgan, and drummer Brian Blade. Written during the summer of 2018 while caring for his dying father, these nine compositions were intended to provide empathy, peace, love, and reassurance to his transitioning parent and his family. Clocking in at over 71 minutes, Rainbow Sign bridges polytonal modal music, blues, gospel, post-bop, and pop.
The long opener "Like Those Who Dream" commences with sparse, seemingly unrelated piano and bass notes, droning trumpet tones, and guitar harmonics, with Blade's syncopated snare offering skeletal rhythmic miniatures. A pulse emerges from the front line at two minutes in, and Miles moves into deep blues. He and Frisell twin through gorgeously scripted lyric lines as the rhythm section floats atop and around his modal blues. The trumpeter's solo sings with pain and resonance as Moran's expansive comping is colored by Frisell's intelligent chord voicings before embarking on his own break.
Автор: petruha, 22 мая 2024, Комментариев: 0, Просмотров: 170Ron Miles with Bill Frisell, Brian Blade, Jason Moran & Thomas Morgan - I Am a Man 2017
Исполнитель: Ron Miles with Bill Frisell, Brian Blade, Jason Moran & Thomas Morgan
Альбом: I Am a Man
Жанр: Jazz
Год: 2017
Страна: USA (Indianapolis, Indiana)
Лейбл: Yellowbird Records
Формат: FLAC (tracks)
Official DR value: DR12
Разрядность: 24bit / 96kHz Stereo
Размер: 1,18 GB
Инфо: wiki
Залито на: XFile (3% восстановление)
Альбом: I Am a Man
Жанр: Jazz
Год: 2017
Страна: USA (Indianapolis, Indiana)
Лейбл: Yellowbird Records
Формат: FLAC (tracks)
Official DR value: DR12
Разрядность: 24bit / 96kHz Stereo
Размер: 1,18 GB
Инфо: wiki
Залито на: XFile (3% восстановление)
«Exclusive for Lossless-Galaxy»
Beware the heavyweight casting! For this I’m A Man, Ron Miles has summoned at his sides drummer Brian Blade, guitarist Bill Frisell, pianist Jason Moran and bass player Thomas Morgan. True all-stars who never rest on their laurels and who clearly aren't there just for the money. With this project as powerful as a raised fist, the trumpet player from Indianapolis has transformed his trio with Frisell and Blade (who penned Quiver in 2012 and Circuit Rider in 2014) into a quintet. A gang committed to the commitment! The one that has always inhabited the jazz and its illustrious representatives, and that Ron Miles resuscitates in an America whose racial injustices are still newsworthy. Hence this completely explicit title, I’m A Man, a reference to the inscription that brandished black municipal employees in Memphis in 1968, after the death of two of their colleagues in murky circumstances. It’s the voice of Civil Rights History that resonates here once again. A voice tinted with blues obviously, but most of all a plural voice, as Ron Miles wanted. He shared with his accomplices not only their parts, but the complete partition of his compositions. It’s a collective approach, sometimes libertarian, like the jazz from the end of the 60s knew how to generate, and which sounds here more modern than ever.
