Исполнитель: Bonnie Raitt
Альбом: Sweet Forgiveness
Cтрана: USA
Номер по каталогу: Warner Bros. 2990-2 - Made in USA
Год: 1977
Жанр: Blues Rock
Формат: FLAC (Tracks+.cue+log+Full HQ Covers)
Битрейт аудио: LOSSLESS
Размер: 213 MB
Залито на LetItBit, ShareFlare, TurboBit (+3%)

Since Home Plate brought Bonnie Raitt within shooting distance of the Top 40, thereby being the greatest chart success she yet attained, it made sense that she re-teamed with its producer Paul A. Rothchild for its follow-up, Sweet Forgiveness. Rothchild's modus operandi remains slickness, but he has backed away from his fondness for studio musicians, letting Raitt record the majority of the record with her touring band (who only were spotted occasionally throughout Homeplate).

Исполнитель : Guru Guru
Альбом: Essen
Жанр : Kraut/ Progressive Rock
Год : 1970
Формат : FLAC (image+cue+log+covers)
Страна : Germany
Размер : 282 МБ
Залито на : iFolder/ Народ

Исполнитель : Mike Bloomfield/ John Paul Hammond/ Dr. John
Альбом: Triumvirate
Жанр : Blues Rock
Год : 1973
Формат : FLAC (image+cue+log+covers)
Страна : USA
Размер : 241 МБ
Залито на :iFolder/ Народ

Исполнитель: Bonnie Raitt
Альбом: Home Plate
Cтрана: USA
Номер по каталогу: Warner Bros. 7599-27292-2 - Made in Germany
Год: 1975
Жанр: Blues Rock
Формат: FLAC (Tracks+.cue+log+Full HQ Covers)
Битрейт аудио: LOSSLESS
Размер: 199 MB
Залито на LetItBit, ShareFlare, TurboBit (+3%)

Homeplate takes Bonnie Raitt even further down the path toward mainstream production than the unjustly maligned Streetlights, but, ironically, it works better than its predecessor.
Perhaps that's because producer Paul A. Rothchild has helped Raitt craft a record that's unapologetically pitched at the mainstream, where Streetlights often seemed to be torn between two worlds. The great thing about that is, regardless of the production, the essentials of Raitt's music have not changed. It remains a wonderful hybrid of American music, built on a thoroughly impressive set of songs, all delivered with Raitt's warm, expertly shaded, and undeniably sexy singing. She's such an accomplished singer, she sells these songs through productions that are much slicker than those that graced her earlier records, plus with a supporting crew of studio musicians. This production will undoubtedly dismay listeners that just like the earthiness of Give It Up, but Homeplate is still a success because, even though the recording is glossier, Raitt and her music remain the same and, if you're looking for that, it's still irresistible.

Исполнитель: Фактор Страха
Альбом: Театр Военных Действий - Акт I
Год выхода: 2005
Страна: Россия
Жанр: Melodic Death Metal
Время: 00:48:31
Качество: APE ( image + .cue )
Размер: 361 Mb
Залито на : Ifolder
+Cover

исполнитель: Devo
альбом: Total Devo
год: 1988 ,reissue 1994
жанр: New Wave
формат: EAC-APE
размер: 454mb
лэйбл: Restless Records / 7 72656-2
Unibytes.com, Filesonic.com

Исполнитель: Фактор Страха
Альбом: Театр Военных Действий - Акт II
Год выхода: 2006
Страна: Россия
Жанр: Melodic Death Metal
Время: 00:50:18
Качество: APE ( image + .cue )
Размер: 382 Mb
Залито на : Ifolder
+Cover

Исполнитель: Buried Dreams
Альбом: Perceptions
Год выхода: 2000
Жанр: Melodic Death Metal
Страна: Mexico (La Florida, Estado de Mexico)
Формат: Lossless: APE (cue+covers+log)
Размер: 371.70 Mb
Залито на: Depositfiles | LetitBit | Vip-file

My Space

Исполнитель: Bonnie Raitt
Альбом: Streetlights
Cтрана: USA
Номер по каталогу: Warner Bros. 7599-27286-2 - Made in Germany
Год: 1974
Жанр: Blues Rock
Формат: FLAC (Tracks+.cue+log+Full HQ Covers)
Битрейт аудио: LOSSLESS
Размер: 233 MB
Залито на LetItBit, ShareFlare, TurboBit (+3%)

Following her first three albums, all of which were wildly eclectic affairs, Bonnie Raitt was poised for a mainstream move, and 1974's Streetlights is it. There's no blues edge here whatsoever, and Raitt's guitar playing is subdued--both detractions--but the album also introduces "Angel from Montgomery," the definitive version of John Prine's piercing ballad. Raitt dips further into contemporary singer-songwriter fare with Joni Mitchell's "That Song About the Midway" and James Taylor's "Rainy Day Man," but the album peaks with Allen Toussaint's thoughtful (and funky) "What Is Success."